The complete Carnegie Hall debut of the then 25 year old Martha Argerich in 1966 is the subject of this marvelous collection highlighting as it does her incipient musical gifts that continue to enthrall audiences today. Argerich's performance can be appreciated with the uncommonly good technical quality this recording possesses, and her program which included Prokofiev, Liszt, Chopin and Schumann hint delectably at the nascence of the legend she would go on and continues to build.

PIANO CONCERTO NO.1

Martha Argerich is one of the most respected and popular classical artists of the 20th and 21st centuries. This fourth volume in DOREMI's series devoted to the pianist includes previously unreleased tracks from over 50 years ago, with most items coming from the 1965 Chopin Competition in Warsaw.

Martha Argerich is universally recognized as one of the preeminent pianists of all time. This disc includes broadcasts from 1957 and 1960, before she won the Chopin International Competition, and most are being released on CD for the first time.

After the tremendously successful first Rendez-Vous with Martha Argerich, this second volume will certainly thrill music lovers from all around the world again. For this new edition, Martha Argerich partners with high-profile musical friends such as Sylvain Cambreling, Renaud Capu�on, Charles Dutoit, Gabriela Montero, Edgar Moreau, Akane Sakai and many others in new repertoire like Mendelssohn' Second Piano Trio, or in stalwarts of her repertoire such as Tchaikovsky's First Piano Concerto, Beethoven's 'Kreutzer' Sonata or Schumann's Kinderszenen. In total: 6 albums that will allow you to marvel at the art of Martha Argerich and her friends in state of the art new recordings.

Traditionally, Switzerland has an important and impressive heritage regarding festivals for classical music, among them the famous Lucerne Festival, rooting back to the so-called "Concert de Gala" in the gardens of Richard Wagner's villa at Tribschen in 1938 conducted by Arturo Toscanini. This release features the fascinating variety and the many facets of the classical festival scene in Switzerland. The selection of the works takes the importance of big names and well known works into account, but also presents modern or even avant-garde approaches or less well known chamber music works.

The world’s leading orchestras, conductors and soloists, outstanding concert venues like the KKL Culture and Convention Centre by the renowned architect Jean Nouvel in Lucerne, a breathtaking landscape: there are many reasons for falling in love with the Swiss music festivals. The Swiss festivals now draw more than 500,000 classical music enthusiasts to the shores of Lake Lucerne or the Verbier mountains every year. And the numbers of visitors is growing from year to year. With this release, you will understand why.

CONTENTS:

DISC 1:
Beethoven: Piano Concerto No. 3 in C Minor, Op. 37    
Francesco Piemontesi, piano
Chamber Orchestra of Europe / Roger Norrington, conductor

Mozart: Symphony No. 39 in E-Flat Major, K. 543    
Francesco Piemontesi, piano
Le Cercle de L'Harmonie / Jérémie Rhorer, conductor

DISC 2:
Mozart: Symphony No. 40 in G Minor, K. 550    
Mozart: Symphony No. 41 in C Major, K. 551, "Jupiter"    
Le Cercle de L'Harmonie / Jérémie Rhorer, conductor

DISC 3:  
Elgar: Introduction and Allegro, Op. 47  
Schumann Quartett
CHAARTS Chamber Artists 
Felix Froschhammer, concert master

Kancheli: Chiaroscuro for Violin and Orchestra    
Sebastian Bohren, violin
CHAARTS Chamber Artists
Andreas Fleck, conductor

Schumann:
Dein Angesicht, Op. 127 No. 2    
Lehn' deine Wang' an meine Wang', Op. 142 No. 2    
Es leuchtet meine Liebe, Op. 127 No. 3    
Mein Wagen rollet langsam, Op. 142 No. 4    
Ian Bostridge, tenor
Saskia Giorgini, piano

Ralph Vaughan Williams: On Wenlock Edge: V. Bredon Hill    
Ian Bostridge, tenor
Casal Quartett

Purcell: The Fairy Queen, Z. 629: O Let Me Weep    
Regula Mühlemann, soprano
Robin Müller, violin
CHAARTS Chamber Artists

DISC 4:  
Brahms: Piano Trio No.1, Op. 8    
Jonian-Ilias Kadesha, violin
Vashti Hunter, cello
Joonas Ahonen, piano

Blum: Luzerner Kreisel    
Silke Gäng, mezzo-soprano
Oliwia Grabowska, piano

Gesualdo: Madrigals, Libro 6: II. Beltà poi che t'assenti    
Davos Festival Kammerchor

Dalbavie: Palimpseste für Flöte, Klarinette, Violine, Viola, Violoncello und Klavier    
Àgnes Vass, flute
Joonas Ahonen, piano

Dickkopf: Paris    
Davos Festival Männerchor

DISC 5:
Beethoven: Violin Concerto in D Major, Op. 61    
Lily Francis, violin
Festival Orchestra / Willem de Bordes, conductor

Enescu: Romanian Rhapsodies, Op. 11: No. 1 in A Major 
Jonian-Ilias Kadesha, violin
Festival Orchestra / Daniel Bard, concert master

DISC 6:  
Beethoven: Piano Trio No. 5 in D Major, Op. 70 No. 1 "Ghost"    
Candida Thompson, violin
Xenia Jankovic, cello
Paolo Giacometti, piano

Enescu: Octet in C Major, Op. 7    
Daniel Bard, violin

DISC 7:  
Bach: Jesu, meine Freude, BWV 227    
Britten: Hymn to St. Caecilia
Gabrieli Consort & Players
Paul McCreesh, conductor

DISC 8:  
Mozart: Requiem in D Minor, K. 626    
Elgar: They Are at Rest
Gabrieli Consort & Players
Paul McCreesh, conductor

DISC 9:  
Haydn: Symphony No. 6 in D Major, Hob. I:6 "Le Matin"    
CHAARTS Chamber Artists  
Gregory Ahss, concert master

Sollima: Fecit Neap 17
Giovanni Sollima, cello
CHAARTS Chamber Artists  
Gregory Ahss, concert master

Schönberg: Verklärte Nacht, Op. 4    
Felix Froschhammer, violin
Gregory Ahss, violin
Lawrence Power, viola
Razvan Popovici, viola
Maximilian Hornung, cello
Andreas Fleck, cello  

DISC 10: 
Webern: Sechs Stücke für großes Orchester, Op. 6    
Orchestra of the Lucerne Festival Academy / Susanna Mälkki, conductor 

Neuwirth: Trurliade - Zone Zero
Victor Hanna, percussion
Orchestra of the Lucerne Festival Academy / Susanna Mälkki, conductor 

Rihm: Gruss-Moment für Pierre Boulez
Ligeti: San Francisco Polyphony
Orchestra of the Lucerne Festival Academy / Matthias Pintscher, conductor

DISC 11: 
Shostakovich: From Jewish Folk Poetry, Op. 79  
Shostakovich: Cello Sonata in D Minor, Op 40    
Rachmaninoff: Cello Sonata in G Minor, Op. 19    
Bloch: From Jewish Life, IEB 6
Sol Gabetta, violin
Bertrand Chamayou, piano

DISC 12:  
Mahler: Symphony No. 5    
UBS Verbier Festival Orchestra / James Levine, conductor

DISC 13: 
Bach: Concerto for 4 Keyboards in A Minor, BWV 1065    
Martha Argerich, piano
Evgeny Kissin, piano
James Levine, piano
Mikhail Pletnev, piano

Haydn: Symphony No. 88 in G Major, Hob. I:88    
Verbier Festival Chamber Orchestra / András Schiff, conductor

Rachmaninoff: Cello Sonata in G Minor, Op. 19    
Lynn Harrell, cello
Yuja Wang, piano

Ysaye: Sonata for 2 Violins in A Minor, Op. posth.
Joshua Bell, violin
Leonidas Kavakos, violin

The eminent Martha Argerich is one of the most loved and admired Classical pianists of all time. She quickly gained and maintained world-wide reputation for her exciting performances and This set is the 15th volume of DOREMI’s special series of live performances and broadcasts featuring the artistry of the young Martha Argerich. Most items in this set are First release ever.

Martha Argerich and Ivry Gitlis, two of the the greatest musicians of all time, have performed and recorded together many years. Included here is a collection from their live performances given in European festivals

The eminent Martha Argerich is one of the most loved and admired classical pianists of all time. She quickly gained and maintained world-wide reputation for her exciting performances. This set is the 11th volume of DOREMI's special series of live performances and broadcasts featuring the artistry of the young Martha Argerich. Most items are first release ever. The performances here are live recordings from her Venice recital in February 1969, and from her Cologne broadcast in September 1960.

Over 20 years ago, Alex Ross, the noted music critic for the New Yorker, described the atmosphere of a Martha Argerich recital in terms reminiscent of the golden age of nineteenth century piano virtuosos: “Her concerts conjure up scenes from another place and time: grown men running down the aisles clutching bouquets, world-renowned musicians pummeling the railings of the upper boxes, jaded critics breaking into foolish smiles.” The subject of these rapturous responses, has, unlike the traditional virtuoso, played relatively few solo recitals, preferring to make music with others. This set is the 8th volume of DOREMI’s special series of live performances and broadcasts featuring the artistry of the young Martha Argerich.

The eminent Martha Argerich is one of the most loved and admired classical pianists of all time. She quickly gained and maintained world-wide reputation for her exciting performances. This set is the 7th volume in DOREMI’s special series of live performances and broadcasts featuring the artistry of the young Martha Argerich. This volume features works by Prokofiev, Robert Schumann, Chopin, Bach, Liszt, and Ravel, all recorded live during the second half of the 1960s. Each of these recordings is receiving here its first ever release.

The third installment of Rendez-vous with Martha Argerich brings together captivating recordings from the international Festival Martha Argerich in Hamburg, showcasing an extraordinary lineup of soloists. Among the highlights are several first collaborations on record, notably between Martha Argerich, Anne-Sophie Mutter and Mischa Maisky, but also between Martha Argerich and Maria-Jo�o Pires. Many other prestigious guests include Renaud Capucon, Nelson Goerner, Gidon Kremer, Tedi Papavrami, Akiko Suwanai and Michael Volle. Particularly note-worthy is the deeply emotional interpretation of Brahms' second viola sonata, marking the poignant final public performance by the dearly missed pianist Nicholas Angelich, with violist Gerard Causse. All in all, this boxset stands as a jubilant tribute to the unparalleled artistry of Martha Argerich and to the incredible array of musical friendships she has develo-ped through the years.

In the opening Allegro con brio movement of the Piano Concerto No. 2, Beethoven follows Classical rules, concentrating on the two principal subjects of a double exposition—orchestra first, the soloist next—then a development section, and finally, a recapitulation. The main themes in their cheerful confidence are distinctly Beethoven’s. However, their working out is clearly influenced not only by Haydn but also by the recently departed Mozart. The middle movement—Adagio, in E flat major—hints at the slow movement of the Fourth Concerto to come a decade later. It is, in effect, an accompanied fantasia that resembles a carefree theme and variations, with an attention-getting solo recitative-like passage at the end. The twice-rewritten finale, Molto allegro, combines sonata and rondo forms, with perhaps the nicest surprise of all saved for last: a brief solo rumination which the orchestra brusquely interrupts with a terminal tantara. Mozart may have been his model, but the spirit here is pure young Beethoven.

Far from any kind of drama, the first movement of Ravel's G Major Concerto emphasizes joy, elegance, and cheerfulness. It all starts with a crack of a whip! Ravel sets out five thematic figures with Spanish influences and glissando-like jazz sounds; “circus-like elements” are also particularly evident in his extensive use of percussion. The Adagio offers the greatest possible contrast to this. The movement is characterized by simplicity and discretion. The final movement, Presto, abruptly tears the listener away from the melancholy mood. The music unfolds at a breathtaking speed, defined by circus-like percussion. The piano-playing is determined by frantic activity, indeed, by breathlessness. The motifs are sometimes onomatopoeic, now and then syncopated, at times march-like and grotesquely distorted, but always tempestuously pressing ahead until the fanfare from the beginning abruptly ends the work.

A musician as loved as he was admired, the pianist Nicholas Angelich died in Paris in April 2022 at the age of 51. Angelich was a modest, thoughtful man who brought tremendous integrity, depth and insight to the most demanding repertoire. His association with Warner Classics lasted some 20 years, and the label pays tribute to him with this 7CD collection of previously unreleased recordings of solo, chamber and concerto repertoire. Made either in the concert hall or for radio broadcast between 1999 and 2016, they range wide, including works by Bach, Bart�k, Beethoven Berg, Brahms, Franck, Haydn, Liszt, Mussorgsky, Ravel, Rachmaninov and Zemlinsky. Appearing with Angelich are Martha Argerich, Quatuor Eb�ne, Myung-Whun Chung and the Orchestre philharmonique de Radio France, and Tugan Sokhiev and the Orchestre national du Capitole de Toulouse.

The collaborative efforts, the mutual emulation and inspiration of Sir Antonio Pappano and the Accademia Nazionale di Santa Cecilia in Rome have spanned 18 years, led to one of the world's greatest and most versatile virtuoso ensembles and to acclaimed live and studio recordings showcasing an eclectic selection of symphonic and choral music. Their repertoire features already legendary performances of Verdi's Requiem and Quattro pezzi sacri. In addition, their recording of Bruckner's 8th Symphony features here for the very first time! This box brings together all the recordings that the British conductor Sir Antonio Pappano (b.1959) made with the Orchestra dell'Accademia Nazionale di Santa Cecilia in the years from 2005 to 2022 for Warner Classics.

Cellist Gautier Capu�on is the constant presence in this programme of music by Robert Schumann. In the Cello Concerto his partners are Bernard Haitink and the Chamber Orchestra of Europe, and in a selection of chamber works his violinist brother Renaud and the pianist Martha Argerich. "Bernard Haitink is a wonderfully inspiring guide," says Gautier, "and Martha Argerich carries me along on the composer's waves of romanticism and passion." - Universally recognised as the finest cellist of his generation, Gautier Capu�on has a firm reputation as a concerto soloist, recitalist and chamber musician. He is a regular performer with the Berlin Philharmonic, Concertgebouw Orchestra, London Symphony, Leipzig Gewandhaus, Los Angeles Philharmonic, San Francisco Symphony, Chicago Symphony, NHK Symphony, and at festivals such as Verbier and Lugano, and has won several awards at the ECHOS and the Victoires de la Musique.