May Blowout Sale
Over 1,000 titles from top classical labels are on sale now at ArkivMusic!
Titles include recordings from acclaimed artists such as The United States Navy Band, BBC Scottish Symphony, The Sixteen, and so many more!
Shop now before the sale ends at 9:00am ET, Monday, May 25th, 2026.
1144 products
Grieg: In Autumn - Bruch: Violin Concerto No. 1 - Goetz: Vio
Hail To The Chief / United States Marine Band
Selection includes John F. Kennedy Inaugural Excerpt.
Selection includes Dwight Eisenhower Inaugual Excerpt.
Selection includes Harry Truman Inaugural Excerpt.
Selection includes Franklin Roosevelt Inaugural Excerpt.
HAYDN: Symphonies Nos. 95 and 100 / Cello Concerto (1950 / 1
Beethoven: String Quartets, Vol. 4 / Borodin Quartet
Blackwood: Chamber Music for Piano and Strings
Serenely Cedille - Relaxing Rarities from Chicago's Classical Label
Humperdinck: Hansel And Gretel / Delfs, Mentzer, Et Al
If it's Hansel-in-English you're looking for, this set clearly is your choice...Here we get a lovely pair of kids in Suzanne Mentzer and Heidi Grant Murphy, their voices so utterly un-alike that the listening experience is vivid for that alone--but besides that, their interplay is credible and they both make wonderful sounds. Mentzer's dark-hued mezzo is suitably boyish, while Murphy's little-girl tone is charming. Judith Forst, hardly in the first bloom of her career, is a vicious Witch, smacking her lips and exuding spite and malice--and her diction is quite good too, unlike Murphy's, just to offer one comparison. Janice Taylor's portrayal of the mother is very fine, but her tone is wobbly; Robert Orth is a sympathetic, burly father; and Anna Christy's double-duty as Sandman and Dew Fairy is impressive. Conductor Andreas Delfs favors slowish tempos, bringing out the rich, symphonic aspects of the score and always making clear that Humperdinck was heavily influenced by Wagner. The Milwaukee Orchestra is excellent, with playing both atmospheric and grand from the brass section in this live performance (no audience is discernible). I guess it's nice to hear the opera in English even if much of it can't be understood, but--not to pick nits--why would a child say toil" when he can say "work"? The sound is better than good--rich and colorful." --Robert Levine, ClassicsToday.com
WAGNER: Symphonic Excerpts from Parsifal / TCHAIKOVSKY: Symp
Remembrance Classics
Verdi: Masked Ball (The) (Sung in English)
Tchaikovsky: Piano Concerto No. 1; Suite No. 4 / Philharmonia Orchestra
Margie Butler: Carolan's Draught - Celtic Harp
Strauss: Symphonic Poems Vol 2 / Neeme Järvi
All tracks have been digitally mastered using 24-bit technology.
Janáček: Jenufa (Sung in English)
Weill: 7 Deadly Sins (The) / Quodlibet, Op. 9
Skalkottas: Piano Concerto No. 3 / The Gnomes
CANTATAS
Palm Court Theatre Orchestra: Picnic Party (The)
Hero For Today / United States Army Band And Chorus
Includes work(s) by various composers. Ensembles: United States Army Band, United States Army Chorus.
Malvezzi: Madrigali a 5 e 6 voci
Piano Español / Jorge Federico Osorio
Romantic Classics / Various [2 CDs]
Excellent, two-disc collection of romantic classics from a wealth of composers. Works are included from Mozart, Elgar, Myers, Walton, Beethoven, J.S. Bach, and more! (Chandos)
Vaughan Williams: The Poisoned Kiss / Hickox, Bbc National
This is the premiere recording of Vaughan Williams's opera The Poisoned Kiss. This romantic extravaganza contains some of the composer's finest music, and a sense of fun runs through the delightful score. Vaughan Williams began writing The Poisoned Kiss, his fourth opera, in 1927. He was also working on Sir John in Love and had begun sketching the first scenes of Job. he was at the height of his musical powers, yet The Poisoned Kiss has remained unperformed, unrecorded and unknown. The reason for this neglect lies mainly in the rather dated text and the lengthy sections of spoken dialogue (some of which is omitted in this recording). It did not help that the composer and the librettist were uncertain about the balance between comedy and drama in the opera, a dilema that led to major revisions of the work by Vaughan Williams in 1936 and again in 1956-57. In the final version the composer's lyricism dominates the humour and we are treated to an extraordinary wealth of expressive and heart-felt music whcih does not deserve to be ignored. Recorded in: Brangwyn Hall, Swansea 3-6 January 2003 Producer(s) Brian Couzens Sound Engineer(s) Ralph Couzens Matthew Walker (Assistant)
MESSIAEN: 5 Rechants / JOLIVET: Epithaleme / DEBUSSY: 3 Chan
Sorabji: Transcriptions for Piano / Habermann
Includes work(s) by Kaikhosru Sorabji. Soloist: Michael Habermann.
