Rakhi Singh is a violinist, music director, curator and composer based in the UK. In 2016 she co-founded Manchester Collective, a progressive group that the BBC describes as "transforming all our perceptions of what a classical music group can be."

"Sabkha" is the first single from Singh's full-length debut album Purnima (coming October 27) — a stirring stream-of-consciousness foray into signal processing and multi-tracking for violin, with Singh's own wordless vocals adding to the hypnotic mood. Purnima, which translates literally from the Sanskrit as "she who is the full moon,” is not only Singh's middle name — it's also a source of spiritual inspiration that has guided her own musical journey on her chosen instrument. Interpreting works by composers Alex Groves ("Trace I"), Emily Hall ("Outshifts"), Julia Wolfe ("LAD") and Michael Gordon ("Light Is Calling"), and augmenting them with unearthly electronic and electro-acoustic textures, Singh creates a haunting dreamworld of melody and sound that doesn't quite emit a completely "classical" aura — but instead suggests an altogether new one.

Premiered online between October and November 2020, Campaign Songs is a collaboration with Kronos Quartet intended to galvanize voter turnout in the upcoming election. Recorded in isolation by each member of the Quartet, the eight short pieces that comprise Campaign Songs were accompanied by specially-made video works touching on racial, climate, and economic justice issues. The pieces, arranged by Michael Gordon, draw from the canon of American patriotic, political, and folk music, including Woodie Guthrie’s “This Land is Your Land,” “God Bless America,” (a campaign song for both Franklin Delano Roosevelt and his 1940 opponent Wendell Willkie), “When Johnny Comes Marching Home,” (a campaign song for James A. Garfield), “America the Beautiful” and “The Star Spangled Banner.” (Limited edition 7-inch vinyl)

Dividing his time between the United States and the United Kingdom, the composer Geoffrey Gordon writes music that has been described as ‘darkly seductive’ (New York Times), ‘richly satisfying’ (BBC Music Magazine) and ‘iridescent and fierce’ (The Chicago Tribune). The present album brings together three of his recent works, all composed between 2013 and 2018 for the soloist recording them here, the Danish cellist Toke Møldrup. In several of his works, Gordon takes his inspiration from other art forms – sculptures by Giacometti, a self portrait by Warhol, a children’s picture book by Maurice Sendak. The works gathered here are inspired by or reactions to three literary masterworks. The ‘creative blueprint’ for the opening work, the Cello Concerto, is the novel Doktor Faustus by Thomas Mann. Organized into a Prologue and Seven Episodes, the work traces the progress of Mann’s protagonist Adrian Leverkühn from innocence to madness, with the cello both embodying and (occasionally) commenting on the proceedings. For this recording, Møldrup receives the support of the Copenhagen Phil and conductor Lan Shui. In the score of Fathoms, Gordon’s sonata for cello and piano, each of the five movements is headed with a quotation from Shakespeare’s The Tempest which sets the scene for the musical impression that follows. Here Møldrup is joined by the American pianist Steven Beck. The amply-filled album closes with Ode to a Nightingale, with the words of John Keat’s immortal poem heard from the Mogens Dahl Chamber Choir, and given emphasis by Toke Møldrup’s obbligato cello.

Precocious Addie Mills is smart and energetic, just like the mother she never knew. Addie has no idea why her father resents the holidays so intensely, refusing even to allow a Christmas tree in the house. But when she brings home a tree she won in a school contest, it paves the way for a miracle of sorts—her father’s broken soul is transformed. The House without a Christmas Tree, a new opera by Ricky Ian Gordon and Royce Vavrek that premiered at Houston Grand Opera in 2017, is based on the book by Gail Rock and the beloved 1972 television movie of the same name. Ricky Ian Gordon (b. 1956 in Oceanside, NY) studied piano, composition and acting, at Carnegie Mellon University. After moving to New York City, he quickly emerged as a leading writer of vocal music that spans art song, opera, and musical theater. Mr. Gordon’s songs have been performed and or recorded by such internationally renowned singers as Renee Fleming, Dawn Upshaw, Judy Collins, Kelli O’Hara, Audra MacDonald, Kristin Chenoweth, Andrea Marcovicci, and the late Lorraine Hunt Lieberson, among many others. Royce Vavrek is a Canada-born, Brooklyn-based librettist and lyricist who has been called “the indie Hofmannsthal” (The New Yorker) a “Metastasio of the downtown opera scene” (The Washington Post), “an exemplary creator of operatic prose” (The New York Times), and “one of the most celebrated and sought after librettists in the world” (CBC Radio). His opera “Angel’s Bone” with composer Du Yun was awarded the 2017 Pulitzer Prize for Music.

Performed by 2012 Avery Fisher Career Grant recipient Conrad Tao, who was also included on Forbes' 30 Under 30: The Youngest Stars In The Music Business list (the only classical musician on the list!), this album comprises of works for piano solo composed by internationally acclaimed American composer Gordon Getty.

Michael Gordon, co-founder of Bang on a Can and also featured on Nonesuch (Light Is Calling, Weather) and Cantaloupe (Decasia), wrote the 52 minute 'Trance' for Icebreaker in 1995. Called 'a minimalist classic' by The New York Times, 'Trance' is a kaleidoscope of pan-pipe melodies and provocative rhythms, and features Icrebreaker's aggressively virtuosic sound.