(2-CD) A double album presenting master percussionist Pierre Favre along with his student and lately partner in a unique percussion dialogue recorded in 1977 and in 2024 after a hiatus of 47 years. The energy and the spirit of this duo is always the same even after 47 years.

This album offers a compelling snapshot of more than a century of Polish composers' contributions to the solo trombone repertoire. The program brings together works in which neoclassical clarity and sophisticated harmonic language intertwine with a neo-romantic spirit-rich in lyrical themes, virtuosic brilliance, and subtle references to folk traditions. Performed by outstanding musicians closely associated with the Poznan concert scene, these interpretations highlight the distinctive warmth, elegance, and expressive power of brass instruments in a refined classical setting.

Exotic Black is a polished smooth jazz release driven by infectious grooves, vibrant melodies, and a refined contemporary sound. Blending jazz sophistication with global influences, the album delivers an inviting, feel-good vibe that connects easily with listeners while maintaining musical depth and elegance.

Acoustic guitar masters from East and Central Africa, an expansion of Mississippi's beloved African Guitar Box project. In 1979 and 1980, a young British-Kenyan musician named John Low hit the road to learn finger-style guitar from his heroes. He traveled across Kenya, Tanzania, Congo, and Zambia. He visited giants like Jean-Bosco Mwenda, Losta Abelo, and Emmanuel Mulemena, whose records sold hundreds of thousands of copies across the continent in the 1950s and 60s. He also documented brilliant but previously under-recorded artists like Tanzania's Francis Kitime and Kenya's Mtonga Wanganangu. Regardless of status, John approached each artist humbly, as a student. He recorded in homes, village squares, and watering holes. The sessions are intimate and casual, the artists at ease. It's a transporting and profound listening experience - children laughing, glasses clinking, the thump of the Marantz cassette deck, and John's single mic moving through space, sometimes documenting the vocals, sometimes zeroing in on the right hand against the strings. Five decades later, these practice tapes provide a rare glimpse into how fingerstyle guitar was actually played for family and friends, outside the tense confines of commercial studios. Some of these songs appeared on John Storm Roberts' out-of print Original Music compilations, which inspired the African Guitar Box. Others have never been made publicly available. All have been expertly restored and remastered from the original tapes by Andrew Walter (Honest Jon's, Abbey Road). John Low's liner notes and lyric translations provide insights into the recording context, and Tanzanian music scholar John Kitime's intro gives the musicians' perspective. Licensed from John Low and the artists, pressed at Chicago's Smashed Plastic.

Jazz with MACV presents a unique concert recording of Mozart's Piano Concertos KV 413 in F major and KV 466 in D minor, performed on historical instruments by Musicae Antiquae Collegium Varsoviense. Classical elegance meets creative freedom as Filip Wojciechowski, an outstanding pianist equally at home in classical and jazz idioms, enriches Mozart's scores with original jazz-inspired cadenzas. The result is a bold and refined reinterpretation that bridges centuries, blending period performance practice with the spontaneity of jazz. This album captures an electrifying dialogue between tradition and improvisation, revealing Mozart's music in a fresh, vibrant, and compelling new light.

Elemental Music proudly presents Michel Petrucciani - "Kuumbwa", an extraordinary never-before-released recording captured live at Kuumbwa Jazz Center in Santa Cruz, California, on May 11, 1987. - This breathtaking performance documents the only known tour of a short-lived trio featuring Michel Petrucciani (piano), Dave Holland (bass), and Eliot Zigmund (drums), three giants of modern jazz in peak creative form. - Restored from the original analog tapes and mastered by Matthew Lutthans. Limited Edition 2-CD Digipak

DANCE SKIP HOP

The Cecil Taylor Unit's performance at Salle Pleyel in Paris on November 3, 1969, was a notable moment in avant-garde jazz. Featuring Cecil Taylor on piano, Jimmy Lyons on alto saxophone, Sam Rivers on tenor/soprano saxophone and flute, and Andrew Cyrille on drums, the concert showcased the group's intense, free jazz style. The recording was transferred from the original tape reels at INA and restored and mastered by Matthew Lutthans at The Mastering Lab. Includes an extensive booklet with rare photographs from the show and liner notes by acclaimed jazz critic and author Phil Freeman.

At the BBC - The Complete 1965 London Sets is the first official release of the historic Jazz 625 show at the BBC Television Theatre, Shepherd's Bush, on 19th March 1965 by the Bill Evans Trio. Transferred from the original tape reels at the BBC and restored and mastered by Matthew Lutthans at The Mastering Lab. Includes an extensive insert with rare photographs from the show and liner notes by acclaimed jazz critic and author Marc Myers.

Laufey / NIGHT AT THE SYMPHONY

A compilation of jazz hits including "The Way You Look Tonight", "Moondance", "Cheek To Cheek" and more; performed by legendary jazz musicians Beegie Adair, Jack Jezzro, Stephen Kummer, and more.

LEFTOVERS

BURNER

QUIET FLOW

When Oscar Peterson arrived for a two-week engagement at Baker's Keyboard Lounge in Detroit in early August 1960, the pianist's year-old trio, featuring bassist Ray Brown and drummer Ed Thigpen, was ascending to new artistic peaks. Intended at the time as a live album for Verve but never released, the music on 'At Baker's Keyboard Lounge' features remarkable, previously unissued performances, all taped on a single Friday night. No matter the tempo, rhythm, or complexity of the arrangement, the three players breathe as one on these recordings, phrasing as if controlled by a single heartbeat. These new-to-the-world recordings, made in Peterson's prime at the longest continuously operating jazz club in the US, remind you that there will never be anyone else like Oscar Peterson.

VOLUME

Electric is the seventh studio album from 2025 Billboard Artist of the Year and 19-time Billboard #1 guitarist producer Adam Hawley-a forward-thinking collection that pushes contemporary jazz deeper into the streaming era while staying rooted in melody, groove, and emotional connection. The album has already delivered two Billboard #1 singles-"Automatic" and "RollerSk8." "Automatic" blends polished guitar phrasing with an effortlessly catchy hook, mid-tempo pocket, and sleek modern production-ideal for core smooth jazz playlists that balance accessibility with musicianship. "RollerSk8," by contrast, leans into playful rhythmic motion and nostalgic funk undertones, offering a bright, feel-good energy that keeps listeners engaged without overpowering the mood. The album also features marquee appearances by Dave Koz, Everette Harp, Marion Meadows, Jeff Ryan, and Kat Hawley-artists whose audiences align strongly with smooth jazz streaming demographics. These collaborations add tonal variety while preserving cohesion: soaring saxophone lines, silky melodic exchanges, and conversational improvisation moments that elevate the project without drifting from playlist-friendly structure.

THAT'S THE STUFF: THE SINGLES COLLECTION 1940-57

Thomas Kelly made his concerto debut performing Mozart's Piano Concerto No.24 with the orchestra of the Purcell School. He was just 9 years old. Since then, Thomas has studied with Dmitri Alexeev at the Royal College of Music, and awarded the RCM's highest accolade for a pianist, the Benjamin Britten Fellowship. Thomas has many awards from international competitions and has a wide repertoire embracing both core and lesser known areas of the piano repertoire. His debut album is a daunting program of organ works arranged by great pianists for their instrument.

In her first talkie, Bebe Daniels stars as Rio Rita, a Mexican beauty caught between love and suspicion when Texas Ranger Jim Stewart (John Boles) arrives in pursuit of a border bandit known as "The Kinkajou." Adapted from the Ziegfeld stage hit, this pre-Code RKO musical comedy features the film debut of vaudeville duo Wheeler & Woolsey and showcases early Technicolor sequences.

A Frauta de P�, released in 1975 when Carlos Walker was only 19, stands as a cult masterpiece of 1970s Brazilian music. An album where MPB (M�sica Popular Brasileira) sophistication meets jazz-fusion virtuosity and psychedelic imagination. Featuring an all-star cast of musicians including Jo�o Bosco, H�lio Delmiro, Jos� Roberto Bertrami (Azymuth), Gilson Peranzetta, and Roberto Quartin, the record delivers a rich, orchestral sound that continues to captivate collectors and DJs worldwide.

Cruise line magnate T.F. Bellows (W.C. Fields) is certain his new ship will win a transatlantic race with his rival... but to be sure, he arranges for his ne'er-do-well jinx brother S.B. (Fields, again) to board the rival boat! Of course, S.B. gets on the wrong vessel, making for a comically bumpy voyage! Variety extravaganza co-stars Bob Hope (singing "Thanks for the Memories" in his feature debut), Martha Raye, Dorothy Lamour, Ben Blue. 91 min. Standard; Soundtrack: English Dolby Digital mono; Subtitles: English (SDH).

Featuring three dozen stars, Variety Girl is a mammoth musical romance on how a movie star is born set amid the reality of a Hollywood studio! Playing himself, the incomparable Bob Hope reigns as top comic over one of the most star-studded casts ever assembled including Bing Crosby, Gary Cooper, Ray Milland, Alan Ladd, Barbara Stanwyck, Paulette Goddard, Dorothy Lamour and many, many more. Starlet wannabe Amber LaVonne (Olga San Juan) is mistaken for her friend, the beautiful and talented Catherine Brown (Mary Hatcher). While the zany Amber flubs her way from audition to screen test to stage debut, Catherine cannot seem to keep her head above water in dealing with studio head R.J. O'Connell (Frank Ferguson). Along the way, the madness stops only long enough for musical numbers by Pearl Bailey, Spike Jones and His City Slickers, The Mulcays, and a rare puppetoon version of Romeow and Juliacat. Topped off by an A-list all-star variety revue, Variety Girl proves itself to be among the most entertaining and hilarious comedies ever filmed.

An extravagant showcase of early sound cinema, this 1929 Warner Bros. Extravaganza brings together over 70 stars in a vaudeville-style revue packed with music, comedy, and spectacle. Hosted by Frank Fay, the film marks a turning point in Hollywood history-introducing audiences to the voices of silent-era legends while celebrating the novelty of the Talkies. Highlights include John Barrymore delivering a Shakespearean soliloquy as Richard III, Myrna Loy in two-strip Technicolor as an exotic dancer, French boxing champ Georges Carpentier singing and tapping through "If I Could Learn to Love," and Winnie Lightner's unforgettable rendition of "Singing in the Bathtub." Add appearances from Douglas Fairbanks Jr., Ben Turpin, and even Rin-Tin-Tin, and you have a vibrant time capsule that captures the excitement, excess, and experimental spirit of cinema's leap into sound.

Bill Frisell, Kenny Wollesen, and Carol Emanuel are The Gnostic Trio and their unique blend of minimalism, early music, and jazz has resulted in some of the loveliest music Zorn has ever created. Sing Me Now Asleep is their first CD in over five years and not surprisingly it explores some unexpected new directions - notably two ambient-influenced pieces in the spirit of Zorn's Absinthe and Redbird, and a dramatic long form composition in the style of his cinematic file card works. Enhanced by the moody electronics of Ikue Mori on one hypnotic track, this ninth CD in the legacy of The Gnostic Trio is their most gentle and soothing to date, and heralds a striking new musical direction for this beloved super group.