The album Wonder is more than a collection - it is a musical journey, bringing together the most treasured songs from six Invisible Hands Music releases that have touched hearts worldwide. Invisible Hands Music is proud to have enjoyed a dynamic and enduring partnership with Libera, spanning six acclaimed studio albums distributed across more than 200 territories. Each song on Wonder embodies the passion, artistry, and collaboration that have driven remarkable achievements - from multiple No.1 chart positions to "Album of the Week" features in major markets including the UK, Japan, and the USA. This definitive collection not only celebrates Libera's most beloved recordings but also introduces a brand-new interpretation of Panis Angelicus, offering both long-time fans and new listeners something truly special.

Captured in it's entirety during a singular night at the SFJAZZ Center's Miner Auditorium, AO VIVO is an intimate and vibrant portrait of multi-GRAMMY® winner Eliane Elias in her element. Performing alongside her stellar quartet-guitarist Leandro Pellegrino, drummer Rafael Barata, and bassist Marc Johnson-Elias delivers a masterclass in the rich rhythmic spectrum of Brazil, from high-octane samba and bossa nova to baiao and Afro-Brazilian grooves. The repertoire draws from Elias's GRAMMY-winning and nominated discography-including Mirror Mirror, Made in Brazil, and Quietude-while introducing a fresh arrangement of Jobim's "A Felicidade." Featuring works by iconic composers like Antonio Carlos Jobim, Ary Barroso, and Dorival Caymmi, the album also highlights Elias's own evocative composition "At First Sight" and a piece by the celebrated Armando Manzanero. With 33 albums and over 500 million streams to her credit, Elias continues to define the intersection of jazz brilliance and classical sophistication. AO VIVO captures the unmistakable elegance and exhilarating energy of a world-class artist sharing an authentic, high-level musical dialogue with a live audience.

Morton Feldman's cycle, The Viola in My Life, is four individual compositions that utilize various instrumental combinations with the viola. The works is a beautiful succession of delicate sounds during which Feldman, through the interplay of sound and silence, alters and transforms time. "This work has accompanied me like a secret, an almost silent meditation on what the viola means in my life. Through it I have experienced how much this instrument connects me to listening, to patience, to inwardness. Here Morton Feldman is not composing in order to shine, but so as to make us hear the infinitesimal, the unspeakable - that is what has touched me profoundly, and I want to share it with the listeners." (Antoine Tamestit)

George Butterworth, one of the pre 1914 generation lost in the Great War, left a small but enduring body of work. He was introduced to folk music by Vaughan Williams, but he was also a dancer and collector of folk songs and dances - especially those from Sussex. It is however his A.E Houseman inspired orchestral rhapsody, A Shropshire Lad, that has become his most famous composition and seems to conjure up a powerful sense of the countryside of that county, and melancholy at the waste and futility of war. Holst, like Butterworth was a friend of Vaughan Williams, and together the two of them collected folk songs from around England. Holst also taught at the school for girls in Hammersmith, London and the St Paul Suite is a personal thank you to the school. Folk songs imbue the two Songs without Words. Holst became friendly with Thomas Hardy, and it was on a night walk (at the urging of Hardy) that the inspiration for Egdon Heath came to Holst. The 15-minute-long work capture the 'singularly colossal and mysterious in it's swarthy monotony' as Hardy described the area of moorland in his novel The Return of the Native. The high trumpet at the close of the work is surely sounding from post war sad shires.

Green color label coating. Features the high-fidelity UHQCD format. *UHQCD (Ultimate High Quality CD) is an upgraded version of HQCD, a high fidelity CD format developed by Memory-Tech. Decca. 2025.

Green color label coating. Features the high-fidelity UHQCD format. *UHQCD (Ultimate High Quality CD) is an upgraded version of HQCD, a high fidelity CD format developed by Memory-Tech. Decca. 2025.

Green color label coating. Features the high-fidelity UHQCD format. *UHQCD (Ultimate High Quality CD) is an upgraded version of HQCD, a high fidelity CD format developed by Memory-Tech. Decca. 2025.

Green color label coating. Features the high-fidelity UHQCD format. *UHQCD (Ultimate High Quality CD) is an upgraded version of HQCD, a high fidelity CD format developed by Memory-Tech. Decca. 2025.

Green color label coating. Features the high-fidelity UHQCD format. *UHQCD (Ultimate High Quality CD) is an upgraded version of HQCD, a high fidelity CD format developed by Memory-Tech. Decca. 2025.

Recorded live at the Village Gate in New York City on November 26-27, 1963 with pianists Horace Parlan, Melvin Rhyne, and Jane Getz, along with bassist Henry Grimes and drummer Sonny Brown. The music was originally recorded for a documentary film. The tapes were in storage for the next 62 years until now. Restored and mastered from the original tapes by Matthew Lutthans at The Mastering Lab. The deluxe CD edition includes an extensive booklet with rare photos and liner notes.

The complete album + 1 bonus track - limited edition pressing of 500 copies on 180g vinyl. Born in St. Louis, Missouri, vibraphonist, and multi-instrumentalist Cal Tjader is known as the most successful non-Latino Latin musician. Although he engaged in a wide variety of jazz idioms, the music of Cuba, the Caribbean, and Latin America, were his primary focus and inspiration. In April 1954, he formed The Cal Tjader Modern Mambo Sextet and recorded several albums in rapid succession for Fantasy Records. Demasiado Caliente (1960), presented here is one of the sextet's most highly rated.

Guitarist John Scofield and bassist Dave Holland, two of jazz's contemporary masters, have played together over the years in contexts including projects with Herbie Hancock and Joe Henderson and a spirited co-led band with Joe Lovano and Al Foster. Memories of Home is their first duo album. The album includes Scofield's "Icons at the Fair," "Meant to Be," "Mine Are Blues," "Memorette," and "Easy for You," and Holland's "Mr. B," "Not for Nothin'," "You I Love" and "Memories of Home."

Released at the dawn of the 1970s, Love Country Style finds Ray Charles fully embracing his love for country music-delivering heartfelt renditions of songs by Mickey Newbury and Jimmy Webb with his signature blend of soul and sophistication. Backed by lush gospel-tinged arrangements, the album highlights Ray's unrivaled ability to transform country standards into something unmistakably his own. The record became a fan favorite and remains one of the finest examples of Charles' country crossover work. Long out of print since it's original release, this album finally returns to vinyl and CD, fully restored and remastered in cooperation with the Ray Charles Foundation.

Japanese resissue, part of the Timeless 50th Anniversary (1975-2025) campaign. Ultra-Vybe. 2025.

Listen Ship is the latest masterpiece in the ever-expanding sound world of Pulitzer Prize-winning composer Henry Threadgill, whom The New York Review of Books recently described as "one of American music's great Romantics and a lifelong seeker of the sublime." The new work is a suite for six acoustic guitars - including individual stylists such as Bill Frisell, Miles Okazaki and Brandon Ross - and two pianos that utilize Threadgill's unique intervallic syntax to illuminate his idiosyncratic vision. The eight string instruments revel in the music's painstaking detail with intricate gestures that miraculously entwine to form a grand statement. The meticulous orchestration highlights all of the usual characteristics of Threadgill's music: unusual forms, unexpected timbres, and slippery counterpoint and rhythms, all shaped by the composer's conducting into a singular experience.

Japanese resissue, part of the Timeless 50th Anniversary (1975-2025) campaign. Ultra-Vybe. 2025.

Green color label coating. Features the high-fidelity UHQCD format. *UHQCD (Ultimate High Quality CD) is an upgraded version of HQCD, a high fidelity CD format developed by Memory-Tech. Decca. 2025.

Limited edition gatefold 180-gram vinyl with bonus tracks. This edition presents the complete Sun Ra album Fate in a Pleasant Mood (Saturn-202) featuring the brilliant Arkestra with John Gilmore and Marshall Allen, plus the leader on piano. It was one of the many albums recorded by Sun Ra for the Saturn label from the mid-fifties to the early sixties. Recorded in 1960, it finds the Arkestra at the very end of their Chicago days. The tunes still have that '50s Arkestra sound (great horn arrangements), although there is an increasing use of dissonance and the arrangements are sparser, thanks to a dwindling Arkestra.

Japanese SHM-CD reissue. Universal. 2025.

Part of Universal Japan's 'Everything Jazz - Vol. 3: Concord Edition' reissue campaign. Features the high-fidelity UHQCD format. Green color label coating. Universal. 2025.

Part of Universal Japan's 'Everything Jazz - Vol. 3: Concord Edition' reissue campaign. Features the high-fidelity UHQCD format. Green color label coating. Universal. 2025.

Green color label coating. Features the high-fidelity UHQCD format. *UHQCD (Ultimate High Quality CD) is an upgraded version of HQCD, a high fidelity CD format developed by Memory-Tech. Decca. 2025.

Everything Classics Vol. 4: Decca Edition - Green Label Series (Japan Import) A special installment in the acclaimed Everything Classics campaign, this Vol. 4 Decca Edition features iconic recordings from the Decca catalog presented with a distinctive green color label coating, echoing the legacy of classic LP designs. Each title in this collection is pressed in Japan using the UHQCD (Ultimate High Quality CD) format-an advanced, audiophile-grade disc format developed by Memory-Tech. UHQCD offers superior sound reproduction and compatibility with all standard CD players, delivering enhanced clarity, detail, and depth without requiring any special equipment. Experience timeless performances with elevated fidelity in this premium reissue campaign.

RAY CHARLES - Come Live With Me (First Vinyl Reissue In Over 50 Years - CD - Come Live With Me represents a creative peak that sounds fresher in 2025 than it may have in 1974. The first album on his Crossover label, it lives up to the label's name by showcasing the man's singular ability to cross over to any audience by making songs from any time or genre undeniably his own. Each side of Come Live With Me sets a seamless mood: Side 1 is a romantic suite of lush, latenight ballads, while a non-stop soul party is cooking on side 2. This two-sides-of-a-Saturday-night concept let's Ray Charles blend modern sounds and timeless traditions in ways no other artist ever could. Removed from the trappings and tropes of the mid-'70s music scene, and fully restored and remastered in cooperation with the Ray Charles Foundation, Come Live With Me is finally ready to be appreciated as the masterpiece it always was.

Everything Classics Vol. 4: Decca Edition - Green Label Series (Japan Import) A special installment in the acclaimed Everything Classics campaign, this Vol. 4 Decca Edition features iconic recordings from the Decca catalog presented with a distinctive green color label coating, echoing the legacy of classic LP designs. Each title in this collection is pressed in Japan using the UHQCD (Ultimate High Quality CD) format-an advanced, audiophile-grade disc format developed by Memory-Tech. UHQCD offers superior sound reproduction and compatibility with all standard CD players, delivering enhanced clarity, detail, and depth without requiring any special equipment. Experience timeless performances with elevated fidelity in this premium reissue campaign.