The first official live album from Jazz Sabbath. The UK jazz trio helmed by longtime Black Sabbath/Ozzy Osbourne keys and guitar player Adam Wakeman (as Milton Keanes). 11 Black Sabbath songs are reimagined as classic jazz tracks. This album was recorded 25 shows into their 2025 tour at the Paradox Jazz Club in Tilburg, The Netherlands, showing Jazz Sabbath at their best. Basic and raw with just an upright bass, drums and a grand piano. Going where the songs take them; not knowing if Paranoid would be 6 minutes long or 14. Tracklist: Disc 1 1 Black Sabbath 2 The Wizard 3 War Pigs 4 Behind the Wall of Sleep 5 Iron Man 6 Fairies Wear Boots Disc 2 1 Hole in the Sky 2 Paranoid 3 Into the Void 4 Rat Salad 5 Children of the Grave

2026 release. Sarah Kirkland Snider's fifth full-length LP, a new, all-orchestral album titled Forward Into Light, produced by multi-GRAMMY-winning producer Silas Brown and recorded by GRAMMY-nominated Metropolis Ensemble led by artistic director/conductor Andrew Cyr.

BACH: GOLDBERG VARIATIONS

DIGNITY

Isobel Waller-Bridge, composer and musician returns with Objects. Where her 2022 album VIII articulated a tormented mind's undoing, Objects is an act of radical stillness. It confers beauty on things the pace of our lives has taught us to ignore, inviting us to listen not as an objective experience, but as a personal and mysterious response to the world.

With his first vinyl release in over 30 years, Jim Snidero has selected his favorite cuts from two critically acclaimed sax trio recordings, "For All We Know" and "Bird Feathers," with jazz greats Peter Washington on bass and Joe Farnsworth on drums. The result is a deeply satisfying set that demonstrates why Snidero placed in the top five of the alto saxophone category in the 2024 DownBeat Magazine International Critics Poll. Equally divided between a homage to the great Charlie Parker and three beautifully interpreted standards, this swinging trio projects a warm maturity that is further accentuated by the analog 180-gram vinyl format.

AMERICAN BLUES POP ROCK ROOTS MUSICIAN " "I was so happy to hear the latest new music from Matthew Curry. I've always really admired Mathew's music, ever since he, and his band began playing shows with us, maybe 6, or 7 years ago. The audience loved his well crafted songs, soaring guitar solos, and soulful singing. We were part of that audience. He is the real deal. His most recent album, 'Open Road', is further proof that Matthew Is continuing to hone his formidable chops. Mathew rips it up on the title track, which reminds me of a Delaney & Bonnie style Eric Clapton tune, and I say this with admiration, since that is one of my favorite Clapton eras. 'On My Way', is just great rointuneck 'n roll, in sort of a Skynyrd vein. 'I Think Of You', a beautiful ballad of lost love, and hope. Then there is some extreme angst in 'Workin' It Out'. A really interesting production, and once again, some killer guitar playing, and amazing vocals. Every song on the album has something special that sets it apart, and makes this a complete package. I've listened to all the songs several times, and I continue to hear things I hadn't noticed before. There's so much great music on this recording. I can't recommend it enough. Check it out, I know you'll feel the same!" - Pat Simmons (The Doobie Brothers)

PLACES AND OTHER STORIES

Next up in our Cuban Classics series, one of the jewels of record label Areito's extensive and sought-after catalogue. Ricardo Eddy Martinez's Expreso Ritmico from 1978 is a prized album fusing funk, disco, and orchestrated influences with Afro-Cuban percussion, Latin breaks, and lush vocal harmonies. Whilst maintaining it's distinctive Cuban identity, Expreso Ritmico is one of the more American / Western-influenced Cuban titles of the time drawing inspiration from jazz funk, disco, and library music. The album was directed, written, and orchestrated by keyboardist and drummer Ricardo Eddy Martinez, who was also the mastermind behind the orchestration of the Los Reyes 73 album (that was recently reissued by Mr Bongo). Martinez would later go on to work with international musicians and singers such as Gloria Estefan, Jose Feliciano, Chick Corea, and many more, whilst also working as a sound engineer in the US. Produced by Adolfo Pichardo, who worked on much of Areito's output, Expreso Ritmico is packed with gold. The opening title track carries a loose, breezy Latin-disco-funk vibe that breaks into a brilliant Afro-Cuban workout. 'Que La Tristeza Se Fue' was expertly sampled and looped by Jazzanova on their 2008 song 'Look What You Are Doing To Me, featuring Phonte from the hip hop group Little Brother. Elsewhere, 'Tambo Iya' has an Afro-funk, Soul Makossa-esque groove, while tracks such as 'Te Quedas', 'Mi Conga Es La Que Es' and 'La 132' run with a heavy pulsating Latin-funk sound. Head to the sultry psych funk of 'Este Tumbao' for a spacey journey that blends and morphs through genres. A record that was ahead of it's time, Expreso Ritmico is a superb and unique album that merges western influence with Cuban flair. It comes housed in a replica of it's original Cuban sleeve design.

MUSIC FOR CLARINET & PIANO

Always on the lookout for new musical adventures, alto saxophonist Angelika Niescier is one of the most prominent voices on the European jazz scene. Her discography reveals close ties to the New York scene, where she has collaborated with musicians such as Tyshawn Sorey, Chris Tordini and Gerald Cleaver. More recently, she has turned her attention to the Midwest, specifically Chicago, and found a key partner in cellist Tomeka Reid, with whom she released the acclaimed album Beyond Dragons in 2023, together with Savannah Harris. With Chicago Tapes, Niescier expands this circle to include some of Chicago's most influential and exciting musicians. "Through such artistic exchanges, Niescier has built a fascinating career by continually forming new partnerships and nonchalantly adapting her own language to the needs of each new context, without ever compromising or dampening her voice. Chicago Tapes captures a new chapter in this journey, and judging by what we hear here, we can only hope that her connection to Chicago is just beginning," writes Peter Margasak in the liner notes.

When Leopold of Anhalt-Cothen died in 1728, his former Kapellmeister had not forgotten the five brilliant years he had spent in the prince's service. He dedicated to his memory a mourning cantata almost entirely based on the music of two major works of the mid-1720s, the Trauer-Ode and the St Matthew Passion. Although the score is lost, the wordbook and other sources of information have now made it possible to reconstruct the work. Raphael Pichon's first recording for harmonia mundi was voted recording of the year at the 2015 Victoires de la Musique Classique awards.

Blast Off! By Duke Robillard and His All Star Band - BLAST OFF! #on an out of this world musical odyssey covering a variety of material from blues to jazz to funky R&B. For his new album, Blast Off! #with Duke Robillard and His All-Star Band, the guitar maestro has assembled a varied but mostly very traditional collection of many of the styles he's known for, including blues, swing, jazz, and R&B. This diversity represents his multi-faceted career and devotion to preserving these roots music styles. The twelve-track album contains three originals, including two instrumentals and an exciting piece concurrently historic and new, the first recording of a blues composition written by Robillard at the age of 17. He is joined on the project by Chris Cote on guitar and vocals, Bruce Bears on keyboards, bassist Marty Ballou and drummer Mark Teixeira. Doug James and Mark Earley are on sax, Jeff "Doc" Chanonhouse, trumpet on "You Rascal You," with special guest Billy Novick on clarinet and alto sax.

Johanna Rose's continues her exploration of the music by two of the most significant composers for the viola da gamba - Marin Marais and Antoine Forqueray. It was not uncommon for many 17th century painters to feature music making or musical instruments. A lute or a viola da gamba in the artist's studio, a warm instrument beside the easel and rolled-up canvases, resting on the table stained with pigments, offering aid to concentration or recognition, carrying the promise of inspiration. The music on this album is certainly not meant for domestic music making of the type depicted in contemporary paintings - it makes huge demands on the performer and was composed by two of the greatest viola da gamba players in musical history.

LIVE AT THE KEYSTONE KORNER

SAN PAOLO DI GALATINA

LUIS TABUENCA: NATURSTUDIUM III

STARS ALIGNED

Though Amanda Maier left her mark on the musical life of her time, the centuries that followed largely forgot her name. With this album, the Trio Ernest opens a door onto her musical world, highly personal, alongside works by Grieg, the Schumanns, and Reinecke. At it's heart lies Maier's beautiful Trio in E-flat major, at the crossroads of German Romanticism and Swedish folk tradition, as well as the Swedish Airs and Dances, whose color and charm are brought to life by Eleonore Billy's nyckelharpa.

BISHARA KHELL: EIGHT FRAMES

ANDREW MCINTOSH: FIXATIONS

Recorded Live in Albert Cummings Home Town Williamstown MA

STELLA

Albert Cummings first recording, recorded in Albany NY in 90 minutes.

With "Love Is Simple," Jeremy Pelt returns to the art of balladry, distilling eight deeply felt performances into his first vinyl-only anthology and shining a light on one of the most quietly persuasive sides of his artistry. Drawn from his HighNote recordings, the set favors emotional honesty over grandstanding, pairing a few familiar titles with lesser-known gems that reward close listening. From Pelt's own disarmingly direct title track to relaxed, assured readings of songs by Rodgers & Hart, Jule Styne, Adams & Strouse, and Marian McPartland, the music unfolds with patience, grace, and a deep sense of purpose. Recorded primarily at the legendary Rudy Van Gelder Studio and featuring a heavyweight cast including George Cables, Buster Williams, Billy Hart and others, these sessions offer a rare balance of warmth and clarity, leaving plenty of room for breath, nuance, and atmosphere. Long celebrated as one of jazz's most eloquent ballad players, Pelt bares his soul here with confidence and restraint, offering a retrospective that feels timeless without ever sounding self-conscious. "Love Is Simple" marks his first appearance on LP, a format perfectly suited to music that asks you to slow down, lean in, and stay awhile.