VERDI ARIAS

The musical legacy of the Bach family is inseparably linked to the progress in instrument making of the time, which was dominated by the Silbermann family. Offering a fascinating comparison between the two dynasties-composers vs. Organ builders and fortepiano makers-for this recording, Louis-No�l Bestion de Camboulas and Les Surprises used superb copies of Silbermann instruments, but also a magnificent original: the famous Silbermann organ at the Cathedral of St. Mary in Freiberg, Saxony.

Lovers of Moli�re are often deprived of an essential dimension of his output: the music! Several of his masterpieces, written in collaboration with Lully or Charpentier, regain their full meaning and profundity when heard with the original scores. In this respect, William Christie and Les Arts Florissants have been true pioneers for over forty years now: to accompany such legendary achievements as Le Malade imaginaire, they have recorded other, equally emblematic pieces from Le Bourgeois gentilhomme, George Dandin and Monsieur de Pourceaugnac specially for this new album.

Antje Rux and Lee Santana venture on an unconventional spiritual journey in their latest release. They found inspiration for their song cycle in the poet Angelus Silesius, who made a particularly deeply felt religiosity the basis of his texts. The Breslau court composer Georg Joseph set the 200 poems of his Heiligen Seelenlust to music as early as the 17th century. Lee Santana selected 14 of them and made them the starting point for further arrangements with ritornellos and preludes. Antje Rux explains the unusual principle behind this compilation: 'We have combined the Silesius songbook by Lee with a small, fine selection of Georg Joseph songs, harmonised in terms of content. Since both composers use modal keys, it will sometimes not be immediately recognisable to the listener whether they are musically in the 17th or 21st century.' These interweavings create extraordinary sound effects that make the spirituality tangible.

A collection of chamber music from popular Soviet era composers including Alfred Schnittke, Sofia Gubaidulina and Arvo P�rt.

Jim Black is the driving force in bands led by Laurie Anderson, Uri Caine, Steve Coleman and Dave Douglas. His style is characterized by sensitive jazz sounds, driving rock beats and intricate, swinging Balkan rhythms. The music of his formation AlasNoAxis is inspired by Bjork, Bill Frisell, Nirvana and Radiohead. Houseplant sometimes surprises with spherical sounds and quiet passages, without the usual jazz solo excursions. AlasNoAxis is a musical unit that, with it's harmonious but also pulsating sound waves, invites you to forget the turbulent world around us. "Speed, featured here as a tenor, takes on the role of indie rock/post-grunge singer... his breathy tone sometimes seems aimed at exuding a rather irritating or at least detached state of emotion - in keeping with Yoshitomo Nara's cover art -, which can still burst into fireworks without the saxophonist having to prove his ability... As a melodicist, Black is brilliant... The result is an increasing sense of drama, even at the medium tempos that dominate here - AlasNoAxis knows how Power can be ignited in ballads... Meanwhile, one of jazz's greatest drummers also let's off steam here and there, and no one can do it better - even if Houseplant isn't really jazz." - Dave Lynch

.. this young musketeer of the bow has been captivating all of his audiences. He is the rising star of the French cello. -LE FIGARO Recorded with Luzerner Sinfonie Orchester and conducted by Michael Sanderling, Edgar's new album features a key piece in the cello repertoire: Tchaikovsky's Rococo Variations. The short pieces with piano, here played with the brilliant David Kadouch, give opportunities to release multiple tracks on DSP's and multiply chances to get playlisted. T�l�rama wrote about the artists: "Both known as outstanding soloists, David Kadouch and Edgar Moreau also form a close-knit, well-balanced chamber duo, playing with passion and commitment.". Moreau was awarded at the Victoires de la Musique Classique in 2013 and 2015, and was named an ECHO Rising Star in 2017. He has been a Cello Professor at the Paris Conservatoire National Sup�rieur since fall 2023. He plays on a David Tecchler cello from 1711.

There is power in the written word. The words we say often go unremembered, spilling out into our world and never reaching another's ear. When words are important enough to write, they gain the power of history. When words are important enough to sing, they gain the power of humanity. On November 22, 1963, U.S. President John F. Kennedy was assassinated in Dallas, Texas, while sitting next to his wife, Jacqueline Kennedy. For years to come after this infamous day, letters were written to Jackie, expressing condolences and confusion, the spectrum of grief memorialized in the written word. This project has sought to give voice to those letters, providing community for listeners sharing in that collective grief. It is a touchstone for turning inward and experiencing grief through the lens of a national tragedy.� The music of Dear Mrs. Kennedy provides a communal journey to safely explore grief and spark conversation on the importance of human connection. Rather than President Kennedy or First Lady Jackie explicitly, the central character in this music is Grief itself: the grief of a nation-and of a world.� -Ryan Townsend Strand, tenor

Rooted in the choro tradition, Alvorada's rich compositions embrace rhythms from across Brazil, including samba, xote, bossa nova and bai�o, tinged with further influences from jazz, tango and more. Faz Tempo pushes traditional expectations with it's bold and intricate arrangements, endlessly varied textures, and breathtaking improvisations and interplay - all transmitted with an infectious joy and soulfulness.

Yoav Levanon's second album is dedicated to Franz Liszt. It features Piano Concertos Nos. 1 & 2, Totentanz and also an original piece composed by Yoav Levanon called "Silent Love alla Liszt". He recorded with the Luzerner SInfonieorchester, conducted by Michael Sanderling. Reviewers consider him as a major talent. Diapason: ".an authentic musician, who has everything to become one of the major pianists of this century". BBC MUSIC MAGAZINE: "Levanon is undaunted by Liszt's Sonata, giving a performance of heroic sweep. A powerful player, the 18-year-old is nimble and articulate in the virtuoso passages, dramatic with the rhetorical flourishes, tender and lyrical when required. "

Fritz Kreisler and Erich Wolfgang Korngold both shared the same Viennese musical roots, and both fled to the United States to escape Nazi persecution. Even though they moved countries, they maintained their musical roots. Originally on KOCH and featuring the Angeles String Quartet, this recording of string quartets from these two composers showcases their melodic writing and their Viennese musical heritage.

If the Piano Concertos Nos.19 and 23 are among the most famous in the corpus, it is of course because of their sublime middle movements, but also because they reach the very heights of Mozartian subtlety in terms of orchestration, thematic development and dramatic instinct. The historically informed performances from Kristian Bezuidenhout and Freiburger Barockorchester take the same interpretative approach as earlier volumes in the series, underpinned by an utterly luminous musical discourse.

On their latest recording, Margret Koell and Stefan Temmingh explore together for the first time the soundscapes of harp and recorder through the centuries - from the Baroque to the present day.

The Meistersaal Sessions are a 6-part series of chamber music theme concerts with the Freigeist Ensemble at the legendary Meistersaal Berlin, conducted by Joolz Gale. The series starts with arrangements of Sch�nberg, Strauss and Mahler. Each of the four sessions in this album features one musical work that represents the roots of Freigeist Ensemble's oeuvre. Linking the musical worlds of Berlin and Vienna, these early compositions by Richard Strauss, Gustav Mahler and Arnold Schoenberg are all featured in a chamber music format. Winner of the OPUS Klassik 2021, Freigeist Ensemble is a courageous collective of supersonic soloists from German symphony orchestras that repackages symphonic music for new audiences. It's mission is to revolutionize the style, sound and setting of classical concerts. Recent winner of the OPUS Klassik, Joolz Gale is a versatile British conductor who not only offers a historically-informed approach to baroque, classical and early romantic repertoire but also an extensive knowledge of early 20th-century choral and symphonic repertoire.

The sister duo Anouchka & Katharina Hack are set to release their new album "Alle Menschen werden Schwestern," a heartfelt exploration of the deep bond between sisters. Through compositions by the Boulanger sisters, Fanny Hensel, and Felix Mendelssohn, as well as their own spontaneous improvisations, the duo creates a musical dialogue that captures their inseparable connection. The album also features a specially (re)composed track by Marina Baranova, inspired by Beethoven's "Alle Menschen werden Bruder," which serves as the album's title piece. This release promises to make the unique, intuitive understanding between siblings both audible and profoundly moving.