RADIO FLYER

There's an old saying that a great jazz musician never plays a song the same way once. That could certainly be said of Jerry Bergonzi. He is an intellectual artist of uncompromising integrity and a bold, original composer. On Jerry's new Savant recording he returns to the organ-tenor trio format after a long hiatus from it. From the opening track, Cy Coleman's "Witchcraft" with it's hypnotic organ vamp and "bewitching" chord substitutions Jerry gives to the first 8 bars, you know this isn't going to be your parents' organ-tenor gig. Bergonzi and his discmates, Renato Chicco on organ and Andrea Michelutti on drums, take these standards down new harmonic paths and use them as a launching pad for fertile and impressive improvisation. The playing is always intense and distinctive, fresh and spontaneous.

MD66

When I go into the studio with these guys, it's not like I feel pressure. It's like, oh boy, let's go have some fun, ays saxophonist Jerry Bergonzi, recalling how his previous Savant recordings came together. In short, the acclaimed veteran didn't want the fun to end. So now here we have another terrific recording to complement the reedman's impressive Savant discography and another chance to delight in the exceptionally responsive company he keeps. Revelling in the company of long-time partners bassist Dave Santoro and drummer Andrea Michelutti, Jerry also brings Pasadena-born pianist Bruce Barth into the studio. Jerry doesn't often record with a pianist �" when one cuts their musical teeth with a pianist like Dave Brubeck the titan's shadow must loom large over the keyboard but he and Bruce have become muy simpatico over the years and their interplay here is remarkable indeed. With Jerry's imaginative compositions and his intense approach to music-making, this is jazz that cuts you no quarter. The whole session swings, communicates and challenges as only Jerry Bergonzi can.

Tenor saxophonist J.D. Allen was born in Detroit, MI, on December 11, 1972. He is a member of the third wave of Young Lion mainstream jazz players. As a young man, he was influenced by the great musicians who stayed in Detroit, but upon his arrival in New York City his real apprenticeship began, as he worked with such notables as George Cables, Betty Carter, Ron Carter, Jack DeJohnette, Frank Foster's Loud Minority big band, Butch Morris, David Murray, and Wallace Roney.

Alto saxophonist Jim Snidero brings the sum total of his experiences to the fore on Main Street, including those as a leader as well as a sideman with Frank Wess, the Mingus Big Band, Jack McDuff, and Toshiko Akiyoshi. Here he draws upon a quarter-century of touring experiences for a trip through some of the American experience via a cycle of new compositions and two covers. With bassist Linda Oh, drummer Rudy Royston and Cuban pianist Fabian Almazan, Main Street offers fresh original material, imaginative arrangements, inspired soloing, and cohesive yet spontaneous group interaction.

Jim Snidero is known to spin out wonderfully clean, inventive lines. His transparent sound and rapid execution evoke the early Art Pepper, as well as one of Snidero's own teachers Phil Woods. He never resorts to aimless scribbling, even at the quickest tempos, while his ballad interpretations are filled with exquisitely oblique lines. This, the saxophonist's second release for Savant, presents a unique ensemble, with no keyboard of any kind, the rhythm section of Paul Gill, bass and Billy Drummond, drums propel the proceedings forward while fret-master Paul Bollenback lays down the changes.

Two CDs. Available for the very first time, the intergalactic icon Sun Ra and his Arkestra's Lights On A Satellite: Live At The Left Bank was recorded on July 23, 1978 at the Famous Ballroom in Baltimore, Maryland by the Left Bank Jazz Society.

The music on this recording is at once far-reaching and intimate. It has a quality enjoyed well beyond contemporary fans of this style of music, and yet this recording gives the listener the sense of being privy to a very precise moment in music history with Memphis Slim (1915-1988) as he plays piano. Slim (born Peter Chatman) grew up listening to his father perform blues in various venues in Memphis, Tennessee. He started performing around town at a young age before moving to Chicago at 25. He is accompanied on this album- the third of his four recordings for Folkways Records - by Arnold "Jump" Jackson (drums) and Arbee Stidham (guitar). The liner notes feature a biography of Slim by music critic Martin Williams.

Peter Chatman Jr.., aka Memphis Slim, stomps out a "progressive boogie and blues" on the piano. Self-taught in the honky-tonk juke joints of Tennessee, he produced some of the most powerful boogie-woogie out there, with an incessant bass like you wouldn't believe.

This December 1977 recording features two of the most prominent AACM musicians, Roscoe Mitchell and Anthony Braxton. Mitchell's composition "run the gamut, beginning with the darkly gorgeous opener that features Braxton's contrabass clarinet nestling evocatively beneath the composer's earthy flute, Mitchell's other pieces investigate the sparer, more abstract realm, as the duo's wide variety of reeds populate the sonic environment with scattered moans, squeaks and pops. Overall, this is a fine meeting between two of the most forward-looking thinkers and players in the music. Recommended. " - Brian Olewnick, allmusic. Com Anthony Braxton also contributes three compositions.

Chicago tenor saxophone legend and proprietor of the longest standing and most adventurous avant garde jazz club in Chicago, Fred Anderson celebrated his 80th birthday this past March and Delmark was there to capture it.

Dave Specter'S 30 YEAR MUSICAL JOURNEY ON DELMARK showcases the guitarist, songwriter and vocalist surrounded by a stellar lineup of special guests including: OTIS CLAY, JIMMY JOHNSON, RONNIE EARL, LURRIE BELL, BILLY BRANCH, WILLIE KENT, JORMA KAUKONEN, JACK McDUFF, LYNWOOD SLIM, SHARON LEWIS, JESSE FORTUNE, BARKIN' BILL SMITH, STEVE FREUND, FLOYD McDANIEL, TAD ROBINSON, LENNY LYNN and more! Specter's career has been intertwined with the deepest roots of Chicago blues and Delmark's rich musical history. This double CD release constitutes a definitive testimony to one of today's most tasteful and versatile blues artists featuring Specter in a wide variety of styles, all played with six string soul., ALL TRACKS REMASTERED AT DELMARK'S RIVERSIDE STUDIO BY JULIA A. MILLER. INCLUDES GATEFOLD JACKET WITH EXTENSIVE DISCOGRAPHY, LINER NOTES BY HISTORIAN DICK SHURMAN, DIGITAL DOWNLOAD CARD OF THE COMPLETE DOUBLE CD EDITION FEATURING 11 MORE TRACKS.

The Heat is turned up again for another chapter in the 25-year history of Pierre Lacocque's Mississippi Heat. The Living Blues review of their previous album said "Warning Shot (DMK 839) showcases bandleader and principal songwriter Lacocque's eloquent harp playing, supported by a cast of heavy hitters that delivers the trademark big band sound and one of the hottest, tightest bands in Chicago today, and the original songs on this album are pure fun and are worthy additions to the great history of Chicago blues." Cab Driving Man features 15 new songs with Inetta Visor and Michael Dotson as lead vocalists again. The songs are a wonderful blend of Mississippi, Chicago, boogie, swing and south of the border.

Chicago tenor sax legend Fred Anderson has been getting a lot of press recently because of the forthcoming closing of the current location of the internationally renowned Velvet Lounge. Features Hamid Drake on drums/percussion and Harrison Bankhead on bass. This third live Anderson recording follows "On the Run" (DMK #534) and "Back at the Velvet Lounge" (DMK #549).

This is an intensely personal, painfully revealing portrait of one of jazz's greatest alto saxophonist, Art Pepper. A remarkable expressive soloist and composer who alos was an addict, thief, womanizer and wildman. In candid interviews, he recounts his troubled marriages, dependence on drugs, prison terms, and luck in meeting his last wife, an articulate, compassionate defender of her errant husband. Year 1982. 50 minutes.

Vinyl LP pressing of this 2020 release.

HOOCHIE COOCHIE MAN IN MONTREAL

HEARTS REFLECTION

The music is both avant-garde and accessible, one of the highpoints of the decade for Sun Ra

PIANO SOLO 1

SCHWEIZER-CYRILLE

WISDOM IN TIME

DOUBLE TROUBLE TWO

WILLISAU TAKTLOS

FIRST CHOICE

HARMOS

LIVE AT TAKTLOS

PORTRAITS

ODE