This captivating new recording by violinist Viviane Hagner brings together two composers whose music, at first glance, seems to come from very different worlds-yet reveals striking artistic affinities. Max Bruch, a pillar of German Romanticism, and Alexandre Tansman, a cosmopolitan Polish composer who spent much of his life in France, share a gift for melody and expressive nuance. Hagner, joined by the Poznan Philharmonic Orchestra under conductor Lukasz Borowicz, offers radiant performances of Bruch's Konzertst�ck and the beloved Kol Nidrei, alongside Tansman's rarely heard Violin Concerto and Cinq Pi�ces pour violon et petit orchestre. Recorded in July 2025 at the Poznan Philharmonic Hall, the album highlights the rich cultural threads linking German and Polish musical traditions, as well as the composers' shared appreciation for their Jewish heritage. With her luminous tone and keen musical insight, Viviane Hagner brings these works to life with both emotional depth and precision. This album is an invitation to rediscover two remarkable composers-and to experience the beauty and breadth of a repertoire that deserves far wider recognition.

2020 release. Norah Jones' seventh solo studio album Pick Me Up Off The Floor features collaborators from Brian Blade to Jeff Tweedy, and grew out of her acclaimed singles series of the past two years as the songs she hadn't yet released unexpectedly congealed into an album of tremendous depth and beauty connected by the sly groove of her piano trios, lyrics that confront loss and portend hope, and a mood that leans into darkness before ultimately finding the light.

2016 release. Nine time Grammy award winner Norah Jones returns to the piano and her roots on her sixth solo album Day Breaks, a kindred spirit to her multi-platinum breakthrough Come Away With Me. Features legendary jazz musicians saxophonist Wayne Shorter, organist Dr. Lonnie Smith, and drummer Brian Blade. "This new album feels full circle because I'm going back to my early influences," says Jones. "After the first record, I drifted away from the piano a little bit. I still played it, but was more inspired to write on guitar. I really loved playing piano on this record." With the help of co-producer Eli Wolf, Jones enlisted renown jazz musicians such as drummer Blade, organist Smith and saxophonist Shorter for recording the album. Blade previously worked with Jones on her debut, Come Away with Me. Having just had a baby and a piano in her kitchen, Jones wrote much of the album during late-night sessions at the piano while drawing influence from a wide range of jazz music. There are three cover songs on Day Breaks: "Peace", originally performed by Horace Silver, "Fleurette Africaine (African Flower)", originally performed by Duke Ellington and "Don't Be Denied", originally performed by Neil Young.

2019 release by the nine-time Grammy-winning singer/songwriter Norah Jones. Begin Again is a collection of singles that gathers seven eclectic songs that Jones has recorded over the past year with collaborators including Jeff Tweedy and Thomas Bartlett. Features the new song "Just a Little Bit," which was produced by Jones and features her on vocals, piano, and organ along with Brian Blade on drums.

The great cellist Jacqueline Du Pr� would have been 80 years old on January 26, 2025, if illness had not taken her too early at the age of 42. This LP brings together Camille Saint-Sa�ns' famous 1st Cello Concerto with Jackie's husband Daniel Barenboim at the baton, and Frederick Delius' rarer Cello Concerto, which perfectly fits with Du Pr�'s playing and sensitivity (this time accompanied by Sir Malcolm Sargent). Warner re-released on LP a few years ago the 1968 EMI studio recording of the Saint-Sa�ns Concerto, also with Barenboim (but with the New Philharmonia Orchestra). The live recording on this new vinyl was made three years later, in 1971, with the Philadelphia Orchestra in it's city, and released on CD at the end of the 90s by Teldec. It is released here on vinyl for the first time.

Johnny Hodges - The Clef & Norgran Albums 1951-54 - It's a snapshot of a particular and intriguing phase of Johnny Hodges' career. - Johnny Hodges was a jazz alto saxophonist, who enjoyed a performing and recording career that lasted from the 1920s through to his death in 1970. Best-known for his work with Duke Ellington, he had a pure tone and economy of melody on both the blues and ballads that won him admiration from musicians of all eras and styles, and made him ubiquitous on recording sessions across the spectrum of jazz. He occasionally led his own bands, and this 41-track 2-CD collection focuses on albums he made in a concentrated period in the mid-1950s with his small orchestra for the Clef and Norgran labels, owned by renowned impresario and producer Norman Granz, which were forerunners of Verve. It features the titles from the albums. "Johnny Hodges Collates", "Johnny Hodges Collates No. 2", "Swing With Johnny Hodges", "Memories of Ellington", "Castle Rock", "The Blues" and "In A Tender Mood", with some of the titles appearing on more than one album. A number of the titles were also released as singles, and two of them "Castle Rock " and "A Pound Of Blues", were US R&B hits. It naturally features some notable musicians of the era, including Al Sears, Leroy Lovett, Billy Strayhorn, Al McGibbon, Sonny Greer, Emmett Berry, Lloyd Trotman, Flip Phillips, Red Callender, Ray Brown, J.C. Heard and others. It's a snapshot of a particular and intriguing phase of Johnny Hodges' career, and a great showcase for his understated virtuosity as a jazz musician and leader.

2020 collection. On this very personal selection - mostly up-tempo numbers and brilliantly arranged pop - you will find rarities and greatest hits. Among them her smash hits 'What A Diff'rence A Day Made' (she sang makes instead of made), 'September In The Rain', 'Mad About The Boy' as well as the two duets with Brook Benton: 'A Rockin' Good Way' and 'Baby (You Got What It Takes)'! Rarities such as the hard-to-find Mercury single 'Honky Tonky', which was released in 1958 under the pseudonym The Queen, are also included With this Juke Box Pearls edition from the great Dinah Washington we are erecting a small but fine memorial. This compilation of 29 songs does not follow a chronological order, but it outlines the great career of the artist, who died far too early.

FIVE CLASSIC ALBUMS

From Julie London, the smoky-voiced vocalist, a CD containing 24 tracks from her singles that have never appeared on any of her many LPs. One of the most distinctive pop singers of the 1950s, (between 1955 and 1957, Billboard proclaimed London the most popular female vocalist around) Julie London enjoyed a varied career that included releasing thirty-two albums and appearing on television and film. Her hit single of "Cry Me a River" remains the benchmark rendition of this much-covered song. In this tribute to London's varied singing career, Sepia Records presents twenty-four tracks from her single releases from the 1950s and early 1960s, including her earliest known recordings from 1955 - recordings that have almost disappeared between the cracks but show the expressive and technical range of this unique artist.

This long awaited CD presents over a dozen previously unissued masters of surprisingly high quality from the premier artist on the American Music label, Bunk Johnson. Digital technology made it possible to remove the reasons - often not musical - that they were not issued at the time, seventy years ago. The venues for the recording sessions varied between the legendary 1944 sound of the San Jacinto Hall to the homes of Bertha Gonsoulin in San Francisco and George Lewis in New Orleans. The 16 page booklet includes rare images, a history of the San Jacinto Club and a detailed discography.

RARE & UNISSUED MASTERS VOLUME TWO

12 songs recorded in 1942 by Gene Williams for the Jazz Information label, which was part of Commodore at the time, plus two very different takes of Big Chief Battle Axe and Franklin Street Blues that were recorded for Purist Records in England. Some of the finest work this New Orleans jazz legend ever did!

with all-star aggregate incl.. Omer Simeon, Edmond Hall+, 1947, 20tracks.

Many never heard before treats are contained here, like "I Don't Want to Be Without You Baby", as well as Bunk playing waltzes & standards, feat. Don Ewell, George Lewis, Jim Robinson, Alcide Pavageau, Baby Dodds +.

Bunk Johnson-tpt and his band, includes nine previously unreleased tracks.

Bunk's band recording at San Jacinto Hall.

W. G. Lewis, Baby Dodd's + Myrtle Jones vocals, some prev. Unissued New Orleans 1944.

The fourth volume of the complete Bix Beiderbecke retrospective is finally here! This one includes over 60 tracks of both Bix solo and with Paul Whiteman, Frank Trumbauer, Hoagy Carmichael and Irving Mills. Great sound, great player!

This is an addendum to the acclaimed "Bix Restored" series that featured meticulous restoration of every recording on which cornetist Bix Beiderbecke played. The highlight of this volume is three newly discovered alternate takes of recordings featuring Beiderbecke: one by Paul Whiteman's orchestra and two by Frankie Trumbauer's orchestra, one of which, "Futuristic Rhythm," contains the best and most significant new solo by Bix to be discovered in nearly three decades. The rest of the CD is filled with the reverberations of Bix's influence on his contemporaries between 1927 and 1939. On this CD, you will hear the work of well-known horn men like Jimmy McPartland and Bobby Hackett, as well as more obscure disciples such as Andy Secrest and Stirling Bose. Also included are other performers such as Bing Crosby, Benny Goodman and Red Norvo, showing that Bix's influence was not limited to cornetists and trumpeters. The package also features a new essay on Bix's influence by renowned author, Bix scholar and cornetist Richard M. Sudhalter.

This is an intensely personal, painfully revealing portrait of one of jazz's greatest alto saxophonist, Art Pepper. A remarkable expressive soloist and composer who alos was an addict, thief, womanizer and wildman. In candid interviews, he recounts his troubled marriages, dependence on drugs, prison terms, and luck in meeting his last wife, an articulate, compassionate defender of her errant husband. Year 1982. 50 minutes.

69 tracks that cover the first three years of Bix's career, from Fidgety Feet to Wringin' and Twistin'.

YOU DON'T HAVE TO BE A BABY TO CRY / OUR FAIR LADY

With the 10 arias on Tormento d'amore, Ian Bostridge demonstrates the important place that the tenor voice held in Italian opera from the mid-17th to the mid-18th century - often thought of as the era of the castrato. At this time, there were two main centres of opera in Italy: Venice, where such composers as Cavalli, Vivaldi, Cesti, Stradella, Sartorio and Legrenzi were active, and Naples, home to Provenzale, Caresana, Vinci and Fago. In addition to arias - two of them in world premiere recordings - the album offers five instrumental sinfonie and a traditional Neapolitan song, 'Lu cardillo', or 'The Goldfinch', a songbird closely associated with Naples. Bostridge is partnered by conductor Antonio Florio and his ensemble Cappella Neapolitana.

'The Absence' is the third record from grammy-nominated Melody Gardot. Produced by Heitor Pereira, renowned for his work as a film composer ('Despicable Me', 'It's Complicated', 'From Prada to Nada') and world-class session guitarist (Sting, Seal, Caetano Veloso), the Brazilian-born, US-based artist shared Melody's enthusiasm for driving off the beaten path of western pop, jazz, blues and soul. And he was as adventurous as melody when it came to inventive sonic ideas. From the deserts of Morocco to the streets of Lisboa, from the tango bars of Buenos Aires to the beaches of Brazil, 'The Absence' captures the essence of each of these exotic locales, while at the same time remaining quintessentially Melody Gardot.

Feat. Drummer Steve Cushing (Lee Jackson, Magic Slim, Smokey Smothers) & Willie Black (bass) & special guest on one track - Big Time Sarah.

Prev. On Columbia Records, but now w. two alternates added from digitally restored masters.

Guitarist fearlessly sets out on a new exploration of modern Chicago blues music on this inventive & creative effort - it's as good & honest a representation as you're likely to find of Lurrie's talents without having to pop into a Chicago blues club.

Vocalist/guitarist shows new facets in his blues talents, inc. his skills at smooth-swinging T-Bone-esque guitar, feat. Ken Saydak, Harlan Terson, Kenny Smith + 2 songs w. guitarist Dave Specter.

Legendary Tennessee blues poet toured Europe in 1964 - these are the studio recordings he made while in Copenhagen & London, feat. Hammie Nixon on harmonica & jug.

This 1968 recording was originally issued as Electric Sleep, the title a riff on the Muddy Waters LP title Electric Mud. But the similarities ended there; whereas Mud was psychedelic and musically quite a departure from a traditional blues sound, Electric Sleep simply combines a country blues artist with an electric blues band. This 2007 reissue is re-mixed and mastered from the original analog tapes and has a brand new cover with photos from the recording session. The legendary blues poet is accompanied by Jimmy Dawkins (guitar), Sunnyland Slim (piano), Carey Bell (harmonica/bass), Earl Hooker, Joe Harper (bass), Odie Payne, Jr. (drums).(Previously deleted: 4/1/05. Original release date: 5/91)