We could also have called this disc 'The Ilya Kaler Showcase', as he is the dazzling soloist in the Violin Concertos and the 24 Caprices. The American Record Guide described them as "in a class by themselves", and the Gramophone described him as "a first-rate fiddler". Paganini was such an incredible virtuoso that in his lifetime rumors were rife that he was possessed of the devil, a fact greatly inflamed by his appearance. He was also a highly suspicious man, the scores of his works for violin and orchestra being devoid of the violin part so that no one could become his rival in his own music. We know the date of composition of the second concerto as 1826, but the first is more doubtful, and probably as early as 1817. They are both demonstrations of violin technique, his frequent use of playing plucked notes (pizzicati) with the left hand creating a cascade of notes. He also composed a considerable amount of music for other instruments including works for violin and guitar, and the Gramophone magazine writing about the Cantone di Sonata included on this disc says "it is unlikely that the Centone will ever be better played".

BEST OF OPERETTA, Vol. 3

BEST OF OPERETTA, Vol. 2

BEST OF OPERA, VOL. 5

BEST OF OPERA, VOL. 3

BEST OF OPERA, VOL. 1

Claudio Monteverdi was a musical revolutionary who championed the new style of music that replaced intricate Renaissance counterpoint with the more theatrical music of the early Baroque. Yet he was a master in both these styles, as this selection.

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Classical Music

Classical Music

In the popular imagination, Nashville remains a city of rhinestones and twangy guitars, but the city’s world-famous reputation as Music City rests on so much more. Ever since the rise of the city’s recording industry, a wide array of musical styles has fed the city’s pulse, from the yearning fiddles of the Grand Ole Opry to the supple groove of the city’s R&B scene in the ’60s to today’s explosion of buzz-worthy rock ’n’ roll bands.

Since its own beginnings in 1946, the GRAMMY®-winning Nashville Symphony has been at the very heart of that Nashville sound. For decades, the players in the orchestra have been the same pros adding sparkle and polish to the country and pop records being cut in the studios along Music Row. And in a town that has always prided itself on being the creative hub for a uniquely American art form, the Nashville Symphony has maintained an abiding commitment to performing, commissioning and recording the music of American composers.

The orchestra’s earliest seasons included music from Barber, Copland and Persichetti—at a time when their work was fresh and new — along with homegrown works like Charles Faulkner Bryan’s Bell Witch Cantata. The same holds true in the 21st century, as the orchestra, now under the leadership of Giancarlo Guerrero, continues to champion the work of this country’s most distinctive musical voices, including Michael Daugherty, Richard Danielpour and Roberto Sierra (all of whom are included on this recording) along with hometown heroes like Edgar Meyer, Béla Fleck and Ben Folds.

This “Best of” collection, drawn from seven years’ worth of commissioning and recording projects, captures the full breadth of the American experience. Michael Daugherty taps into popular culture with his Superman-themed Metropolis Symphony, while Stephen Paulus’ Grand Organ Concerto draws inspiration from hymns and folk tunes. The music of Richard Danielpour and Roberto Sierra reminds us that we live in a nation of immigrants, with thematic elements that draw on each composer’s respective roots in Persian and Latin culture. The music of Astor Piazzolla, meanwhile, expands the scope of American music to include the composer’s beloved Argentinean tango.

Recorded in concert at Schermerhorn Symphony Center, Live From Music City also captures this world-class venue’s crystalline acoustics and the palpable sense of excitement you can feel every time the Nashville Symphony takes the stage. Warmth, reverberation, clarity — it’s all here, delivered by an orchestra that’s truly in tune with its place and time.

-- Jonathan Marx, V.P. of Communications, Nashville Symphony

1990 release. Delibes the Best of French Ballet performed by the Slovak Rasio Symphony Orchestra (Bratislava) conducted by Ondrej Lenard. Recorded at the Concert Hall of Slovak Radio in Bratislava, April 3-6, 1989, December 1, 1988 & October 23, 1989. "An attractive hour of Delibes, with five key items from Copp�lia, including the Music for the Automatons and Waltz, four from Sylvia, not forgetting the Pizzicato, and four from La Source. Perhaps most enjoyable of all are the six pastiche ancient 'airs de danse', provided for a ballroom scene in Victor Hugo's play, Le Roi s'amuse. They are played most gracefully, and the excerpts from the major ballets are spirited and nicely turned. "- Penguin Guide.

Gerald Finzi made an important contribution to British twentieth-century song, choral and orchestral repertoire. His acute awareness of the frailty of existence found it's musical expression not only in his song settings, but in the Cello Concerto.

Classical Music