Simon Majaro writes: “When I decided to mount a memorial concert for Pamela it was clear to me that chamber music had to be the basis upon which to plan the event. Chamber music pervaded her life for many years and it was appropriate to use it as the vehicle for projecting her love and dreams. The other decision I reached very quickly was that the best ensemble to perform the whole programme was the Wihan Quartet from Prague. Pamela looked after them with great affection ever since they won the First Prize as well as the Audience Prize of the London International String Quartet Competition in 1991. The Wihan Quartet always referred to her as ‘our English mother’.” In every generation one encounters a few individuals, who through their dedication, steadfastness and creative determination have left an indelible mark on the community at large. The late Pamela Majaro was one of those individuals. She adored chamber music and its vast repertoire from an early age. She harbored a nostalgia for the days when chamber music in the more enlightened western world was performed in homes in front of invited friends. She was determined to remove the notion that chamber music was an elitist genre of music. Any group of players, including enthusiastic amateurs, she felt, could form an ensemble and play for their own pleasure and their friends. That was what she viewed as the essence of chamber music.