Second instalment in the ongoing complete Ferdinand Ries (1784-1838) symphony cycle by Tapiola Sinfonietta and conductor Janne Nisonen includes the composer's Symphonies Nos. 4 and 5. Often remembered in music history as Beethoven's 'right hand', these new recordings by the Tapiola Sinfonietta reveal a major symphonist. The first volume in the series has received oustanding reviews in the German music press.

Ronald Stevenson, still unknown to many outside the British Isles, is considered by several pianists as among one of the most important pianist-composers of the 20th Century. Following the tradition of many great pianists, Stevenson created piano transcriptions from the works of other composers and also wrote music in a variety of styles. This piano album by Peter Jablonski offers a compelling portrait of the Scottish piano master. The album includes four world premiere recordings.

This new album by the Finnish Radio Symphony Orchestra and its chief conductor Nicholas Collon features some of the most recent orchestral compositions by Magnus Lindberg culminating with his new Viola Concerto, a substantial new work masterfully performed by Lawrence Power as soloist.

Composer Magnus Lindberg (b. 1958) is one of Europe's leading names in contemporary music. Having traveled a long road as a composer, from the steely and edgy modernism of his early period to the soft and sonorous sound worlds of his most recent output, Lindberg's new, more emollient sound world building on a harmonic environment rooted in pentatonic scales at times seem to hark back even to Debussy and Impressionism.

This album of two piano quartets by Johannes Brahms (1833–1897) captures pianist Lars Vogt’s last recordings. Before his premature death and between treatments, Lars Vogt was able to record a multi-award-winning album of piano chamber music works by Schubert together with Christian Tetzlaff and Tanja Tetzlaff, as well as albums of Mozart’s and Mendelssohn’s piano concertos. However, a project to record Brahms’ complete piano quartets was left unfinished after the studio recording of Piano Quartet No. 2 was completed. With the help of recording producer Christoph Franke, we are now able to offer this recording together with Piano Quartet No. 3 from a live concert performance in connection with the studio recording. Combined, these make up Lars Vogt’s last recordings. Violinist Christian Tetzlaff, violist Barbara Buntrock and cellist Tanja Tetzlaff offer stellar performances in these landmark recordings and fulfill Lars Vogt’s late wish to have these performances released.

REVIEW:

The final recordings of pianist Lars Vogt have offered many riches, but this one is arguably the most profound of all. This may be the most intense recording of the C minor quartet on recordings. In both works, the coordination among the players evinces a joy that characterizes the highest ideals of chamber music.

— AllMusic.com (James Manheim)

Award-winning composer Gabriel Erkoreka (b. 1969) is one of the leading composers of contemporary music from the Iberian Peninsula. This new album by the Basque National Orchestra conducted by Juanjo Mena is dedicated to his orchestral works. Erkoreka studied composition with Michael Finnissy at the Royal Academy of Music in London and after graduating, his works have been performed in important festivals across the globe. In 2021 Gabriel Erkoreka received the National Music Award given by the Spanish Ministry of Culture.

First volume in a new cycle by Tapiola Sinfonietta under Janne Nisonen presenting the symphonies of Ferdinand Ries (1784–1838), Beethoven’s only acknowledged composition pupil, close friend and biographer. Often remembered in music history as Beethoven’s ‘right hand’, these new recordings by the Tapiola Sinfonietta are showcasing a remarkable and talented early 19th-century symphonist with a voice of his own.

REVIEW:

The Tapiola Sinfonietta play admirably well under Janne Nisonen, empowering the music to speak for itself. It’s a fascinating portrait of what else was going on in Vienna in Beethoven’s orbit and thus valuable on its own terms.

— Gramophone

This new album by flutist Stathis Karapanos represents Paul Hindemith’s (1895–1963) complete works for flute, featuring an impressive roster of accompanying artists. This selection, which also includes one world premiere recording, showcases the unexpected versatility of Hindemith, one of the major names in 20th-century music, as a composer.

“[Bach] speaks to us in his work in such clear terms that we may quite well call these fugues poems. (…) These have warmth, quiet joy, love. And running through all the poems, dressed in different guises, is the main theme, creating order, binding the work as a whole together: it is a safe bond in all its diversity. Over all lies the proximity of death.” (Enzio Forsblom)

In this new recording, Bach’s final magnum opus is played by Aapo Häkkinen on a harpsichord built in 1614 by Andreas Ruckers the Elder (1579–?1652) and which belonged to the composer John Blow (1649–1708), organist of Westminster Abbey and former teacher of Henry Purcell. A tradition exists that G.F. Handel had also played this harpsichord.

Outi Tarkiainen (b. 1985) has rapidly risen to the ranks of Finland’s internationally most successful composers. Born in Lapland, the landscape of this mystic Arctic region has proved a constant source of inspiration for her. This new album by the Finnish Radio Symphony Orchestra and Nicholas Collon featuring Nicholas Daniel as soloist, includes some of the composer’s most recent orchestral works, including Midnight Sun Variations commissioned by the BBC Philharmonic and by the National Arts Centre Orchestra in Canada, and premiered at the BBC Proms in 2019. Outi Tarkiainen’s works are marked by strong atmosphere and rich orchestral textures.

The son of Johann Sebastian Bach (1685–1750), Carl Philipp Emanuel, described his father’s Sonatas BWV 1014–1019 as among the best works his father ever wrote and continued to perform them extensively after his father’s death. This is music of implication and inference, the emotions no less real for their apparent lack of specificity. There is pleasure in the paradox: even without a text, the music sings. “They still sound very good and give me much joy, although they date back more than fifty years. They contain some Adagios that could not be written in a more singable manner today”, writes C. P. E. Bach. In these new recordings, some of the greatest exponents of Baroque music in the Nordic countries, violinist Sirkka-Liisa Kaakinen-Pilch and keyboardist Tuija Hakkila join forces. Tuija Hakkila plays copy of a Gottfried Silbermann fortepiano 1747 by Andrea Restelli — J. S. Bach played one of his fortepianos in 1747 in Potsdam for Frederick the Great and his court musicians.

Composing has always formed an integral part of the artistic life of pianist-conductor Olli Mustonen. Mustonen studied composition under the direction of Einojuhani Rautavaara since the age of 8. His first compositions mainly consisted of chamber works, but in the early 2010s, Mustonen has emerged as a symphonist. This album contains two of his most latest symphonies. Mustonen’s dramatic symphonies are firmly rooted and continuing the tradition of the great classical composers and seek inspiration from multiple sources. The theme of Mustonen’s 2nd Symphony, ‘Johannes Angelos’ (2013), is Byzantium and the ancient city of Constantinople with its mysticism. Mustonen’s 3rd Symphony (2020) is based on the Songs 47-49 in the Finnish national epic Kalevala. This work has been inspired by the cosmic and shamanistic elements in Finnish mythology. In this recording, the solo part is sung by Ian Bostridge who also premiered the work.

The calendar year 2023 marks the 90th birthday of Krzysztof Penderecki (1933–2020), one of the most prominent 21st Century Polish composers. Sacred themes and texts surround the creative work of Penderecki, including many of his large-scale works. This album consists of the majority of his impressive sacred a cappella choral works which are mainly written in Latin. These deeply religious choral works are modern classics which will, no doubt, remain in the choral repertoire for years to come.

REVIEW:

Penderecki’s sacred choral oeuvre is usually worthy of the best efforts singers are willing to bring to it. And here we have the self-recommending proposition of one of the world’s finest choirs bringing that music to life in the warm, reverberant space of St John’s Church in Riga, Latvia. The Ondine engineering makes it an even more emphatic win.

— American Record Guide

This new album continues Ondine’s award-winning series of orchestral works by Witold Lutosławski (1913–1994) together with the Finnish Radio Symphony Orchestra. The series has gathered several accolades, including a Grammy nomination, a BBC Music Magazine Awards nomination, and several recording of the month awards and best recordings of the year nominations. This album includes the composer’s early hit, his folklorish masterpiece Concerto for Orchestra, which is among his most performed compositions.

The album also includes Partita for Violin and Orchestra (with Christian Tetzlaff as soloist), a virtuosic 5-movement work which in its orchestral version is not short of a Violin Concerto. The rarity in the album is Lutosławski’s Novelette from 1979, which, although fragmentary, is already pointing toward the ideas of his 3rd Symphony.

REVIEW:

This illuminating program constitutes an ideal introduction as well as a must for the composer’s admirers. In the early Concerto for Orchestra, the orchestra plays with surging vitality, but also great delicacy. In the later works on the program, the playing is again incisive rather than heavy. This is a recording to cherish.

— American Record Guide

This second and final volume of Chopin’s Mazurkas by Peter Jablonski includes the composer's Mazurkas Nos. 30-51 alongside six posthumous mazurkas. For Chopin, the Mazurkas became a deeply personal, intimate statement of his feelings as an émigré Polish composer living in Paris. From some of his very first compositions to his last, it is the only form that Chopin composed regularly throughout his life. Similarly, Chopin’s Mazurkas have followed Peter Jablonski throughout his entire career as a pianist in nearly every solo recital. This album also includes Chopin’s final composition that was written just few weeks before his death, the Mazurka No. 49 in F minor (1849).

This album by violinist Christian Tetzlaff and cellist Tanja Tetzlaff, together with the Deutsches Symphonie-Orchester Berlin conducted by Paavo Järvi, is dedicated in the memory of their longtime artistic partner, pianist Lars Vogt (1970–2022). At the heart of this album is Brahms, one of Lars Vogt’s favorite composers, and his late orchestral masterpiece, the Double Concerto. Brahms himself had admired one of Viotti’s violin concertos so much that he included material from the violin concerto into his work. With Christian Tetzlaff’s recording of the violin concerto, this album finally brings these two works together. Also included is Dvorák’s beautiful Silent Woods for cello and orchestra, a work by another composer that was very close to Lars Vogt’s heart.