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Delve into the world of myths reconstructed in music by celebrated composers from different cultures and times. This unique album features three world premiere recordings, bringing fresh and exciting music to the programme. Greek pianist and professor Zoe Samsarelou has expertly curated a selection of works that weave together an interconnected narrative, taking you on a journey through the myth of Dionysus. From the works of Couperin, Rameau, Dandrieu, and Daquin to the eminent Greek composers of the 20th and 21st centuries and the Late Romantics in between, each piece is thoughtfully selected and presented. The album is divided into themes of seduction, pathos, illusion, metamorphosis, transcendence, instinct, catharsis, mythos, paradox, and transition. This creates an immersive experience that guides the listener through the various stages of the myth and offers a musical perspective on the story. 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Composed in 1851, the third Piano Trio achieves the tonal balance Schumann was aiming for with an utmost independence of the three instruments while having ‘obsessive impulses’ running through it, to quote pianist Simon Crawford-Phillips. The Six Studies in Canonic Form that follow appear as small contrapuntal jewels that testify to Robert Schumann’s keen interest in Johann Sebastian Bach’s Preludes and Fugues. Finally, the Quartet composed when Schumann was 18 reveals a wildly creative mind at work, inspired in turn by Beethoven, Mendelssohn and Chopin. 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Four years in the making, this album is the culmination of Iman's passion for Debussy and Donald Martino, as well as his permiere of work from composer and sound designer, Jenny Beck. Iman's masterful interpretations of Martino's Fantasies and Impromptus are nothing short of awe-inspiring, and his renditions of Debussy's works provide the perfect contrast, bringing together the past and present in a way that is both exciting and unique. But it is Beck's electrifying compositions that truly set this album apart.\u003c\/p\u003e\n\u003cp\u003eIman says, \"I have played Stand Still Here more times than any other work in my repertoire. Each of the five pieces that comprise the work are brief–the longest is four minutes–but Jenny Beck achieves a depth of introspection and emotional sweep that is absolutely magnetic.” What makes Beck's work so remarkable is the way she achieves such depth and complexity with seemingly simple motives and harmonies. The pieces on this album hover and linger, creating a hypnotic and immersive listening experience that is nothing short of miraculous. Iman's passion and dedication to this project are evident in every note he plays. 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On this session Lynne is joined by bassist\/co-producer Jasper Somsen and drummer E.J. Strickland, both outstanding, in-demand musicians on the international jazz scene. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLynne’s ten original, highly evocative compositions begin with the persistent Afro-Cuban influenced “March On,” a tribute to activists worldwide. “The Lights Are Always On” features a lyrical melody in perpetual motion; the foundation of a thematic arc that soars over the entire piece. It is followed by the jubilant, gospel-influenced “Sisters.” Lynne’s dedication to Lt. Colonel Alexander Vindman, “Honor,” is the melding of two engaging melodic ideas; each reinforcing the other. Together they convey the heroic character and unwavering strength of this American patriot. “Loved Ones” expresses joyful appreciation for those who are precious to us. The set continues with “Sounds Like America,” where Lynne creates an optimistic melody and solo, culminating in a celebratory chordal finish. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e“The Notorious RBG,” is an exuberant dedication to Ruth Bader Ginsburg, assertively propelled by drummer E.J. Strickland. Following that, Lynne and Jasper deftly navigate the angular harmonic construction of “Into the Breach,” Lynne’s ominous remembrance of the January 6th Insurrection and the heroes that saved democracy on that day. “Walk in My Shoes,” a dedication to civil rights icon John Lewis, reflects the tenacity and strength of this remarkable leader. Lynne begins her solo with two motivic statements, which she skillfully integrates into a cohesive, powerful performance. The album concludes with “Heroes”, a heartfelt ballad composed in recognition of those who enlightened a very dark period in our history, and who embody the greatest humanistic virtues of mankind.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eREVIEWS\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis is an album that is drawing on a lot of important messages of solidarity, of resistance, of hope, of joy, and it’s absolutely exquisite… a gorgeous sense of space and melody... This album emotionally, feels very necessary right now… outstanding!\u003c\/p\u003e\n\u003cp\u003e-- A Closer Listen, Jazz at Lincoln Center (Seton Hawkins)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eHer last two albums especially reveal how her vision, insight and passion cohere with her sense of being a fellow human and citizen in America, and of the world in very troubled times. Emotional and musical eloquence radiate from her playing with heartfelt ardor and honesty, and focused intensity. We are hearing a sort of heroism at work, her generous spirit and commitment, her exquisitely pointed and expansive testimonies.\u003c\/p\u003e\n\u003cp\u003e-- Culture Currents (Kevin Lynch)\u003c\/p\u003e\n\u003cp\u003eArriale has great emotional pull, and there are whirlpools and whirlwinds in her playing. There is this pattern in Arriale where she begins with darkness, then everything is bathed in light. This is a strong recording, about strength. She has succeeded in putting us in the hero’s shoes, the light of the powerful mind pushing on through protests, and making change. 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Everything else is illustrious art of playing, is a fine feeling for the breath of the counterpart.\u003c\/p\u003e\n\u003cp\u003e-- Jazzthing\u003c\/p\u003e","brand":"Challenge Records","offers":[{"title":"CD","offer_id":46012579119338,"sku":"0608917353327","price":9.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4118962-2904822.jpg?v=1778243103"},{"product_id":"the-african-serenades","title":"The African Serenades","description":"\u003cp\u003eThis album features a selection of African Art Music songs for voice and piano. 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They both express the melancholic longing for the past and the hopes it becomes present once again. They also express the belief in destiny as a fortunate and fatalistic power that you cannot escape from. This music is about how I feel Fado and how I love it, free of definitions, free of limitations. This is no Fado album. This is no traditional Jazz music. This is an adventure that is real and can be felt by everyone. As love is.\" --Maria Mendes\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eEditor's Choice at \u003cem\u003eJazziz\u003c\/em\u003e October 2022\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREVIEWS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith her critically acclaimed 2019 album \u003cem\u003eClose To Me\u003c\/em\u003e, Mendes spotlighted her ability to bring disparate influences together with her vibrant fusion of symphonic jazz and Portuguese Fado, the folk music of her homeland. 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The present recordings, made immediately after the public performances in the 2022 Festival, bear witness to this, in sparkling accounts of two concertos by Johann Sebastian Bach and two choral settings by Johann Christian Bach, an earlier sprig on a very prolific family tree.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"dxeBase_PlasticBlue\"\u003e-- Audio Video Club of Atalnta (Phil Muse)\u003c\/span\u003e\u003c\/p\u003e","brand":"Sono Luminus","offers":[{"title":"CD + Blu-Ray","offer_id":46012664676586,"sku":"053479226501","price":11.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4182501-2949365.jpg?v=1778207320"},{"product_id":"supra","title":"Supra: A Feast of Georgian Polyphony \/ Iberi","description":"Iberi invite you to a supra feast full of gorgeous Georgian polyphonic singing! With sacred songs, historical ballads, lullabies, work songs and ‘table songs’ for feasting, they celebrate the age-old tradition of supra and its popular toasting themes. This traditional style of polyphonic singing is inscribed in UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity. Iberi have released an accompanying cookbook to provide the full Georgian experience – the holy trinity of food, wine and song! “They look like warriors and sing like angels!” (Nick Hobbs, Charmenco Music Agency)","brand":"Naxos World Music","offers":[{"title":"CD","offer_id":46012671033578,"sku":"636943716229","price":8.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4075276-2806083.jpg?v=1778240627"},{"product_id":"zivkovic-citadel-of-love","title":"Živkovic: Citadel of Love \/ Repo, Burstedt, Norbotten Neo","description":"\u003cp\u003eSerbian-Swedish Djuro Živkovic has quickly established himself as one of Europe’s leading young composers. His musical style is strongly marked by Byzantine Orthodox music – spiritual, mystical and characterized by fantastic narration, virtuosic instrumentation and a stylistic, highly profiled sound. Živkovic’s music presents a profound and abstract space to reflect on the subject matter of mystery, ecstasy and transcendence. Citadel of Love is a highly personal ensemble work which manages to create a mystical aural experience. The narrative voice of the piano together with the other six instruments, subtly adding voices as well as percussion instruments, carries the listener from beginning to end through an inner drama of intensity and fullness of soundscapes.\u003c\/p\u003e\n\u003cp\u003eI Shall Contemplate… II is an intimate chamber piece for viola and small ensemble, stylistically similar to a sacred cantata, in which improvisatory techniques contribute to the free and unencumbered compositional process. Here, Živkovic’s use of ancient scales creates an archaic, echoing space. The text, spoken by the soloist, comes from old Byzantine mystical books. Finally, Night Music is a fascinating crossover work in which piano works by Alexander Scriabin are mixed with newly composed musical layers, thus adding to the Russian composer an absurd fantasy, estranged passion and exotic illusions.\u003c\/p\u003e","brand":"BIS","offers":[{"title":"SACD","offer_id":46012673458410,"sku":"7318599926858","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4218695-3006087.jpg?v=1778233882"},{"product_id":"korean-tapestry-747313912971","title":"Korean Tapestry","description":"\u003cp\u003eKorean Tapestry\u003c\/p\u003e","brand":"Naxos","offers":[{"title":"CD","offer_id":46012677193962,"sku":"747313912971","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4202489-3143580.jpg?v=1778232541"},{"product_id":"mozart-piano-concertos-nos-15-20-michelangeli","title":"Mozart: Piano Concertos Nos. 15 \u0026 20 \/ Michelangeli, Bavier, SWR Symphony","description":"\u003cp\u003eArturo Benedetti Michelangeli’s piano playing is highly praised for its tremendous reflectiveness. He could spend decades immersing himself in a piece in order to get to know it inside out. His art of touch, his wealth of overtones and his highly refined sense of sound are just as praiseworthy – qualities that came in especially useful for playing Chopin and Debussy. Michelangeli is, however, less known as a Mozart interpreter which makes these 1956 recordings with the orchestra of Süddeutscher Rundfunk conducted by Anton von Bavier so fascinating. Here, Michelangeli presents a life-affirming, even vigorous Mozart with almost Olympian pride. His manner of playing is always forward-pushing, at times boisterously passionate. In his interpretation there is no exaggerated sensitivity, no fiddling with sound, no over-reflectiveness and, in particular, no sentimentality in the slow movements.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREVIEW\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eSWR has brought out Arturo Benedetti Michelangeli’s 1956 Ludwigsburg Festival Mozart K. 450 and 466 performances that ICA originally released back in 2013. Reviewing Michelangeli’s EMI 1950 studio recording of K. 450, I wrote how the pianist “subjects each phrase to finely-tuned gradations of touch and dynamic scaling, leaving not one note unscrutinized and unaccounted for.” That’s equally true here, albeit with faster tempos in the outer movements, plus additional vigor and continuity on the soloist’s part, and a better (if not particularly distinctive) orchestra.\u003c\/p\u003e\n\u003cp\u003eMichelangeli’s astonishing command of the D minor concerto’s decorous figurations and strenuous left-hand broken octaves will keep most mortal pianists humble. If Michelangeli’s slow-movement dynamic taperings are decidedly “old-school” in the context of today’s leading Mozart practitioners, at least they’re not so caricatured as in his 1989 DG recording.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe slightly dry and drab-sounding SWR source tape seems to have been reproduced with relatively little intervention, in contrast to ICA’s boosted midrange and hint of added reverberation. Notwithstanding this release’s sonic and stylistic limitations, pianophiles will want to hear Michelangeli on prime form.\u003c\/p\u003e\n\u003cp\u003e-- ClassicsToday.com (Jed Distler)\u003c\/p\u003e","brand":"SWR","offers":[{"title":"CD","offer_id":46012677980394,"sku":"747313912988","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4226883-3143581.jpg?v=1778234262"},{"product_id":"from-jewish-life-swr","title":"From Jewish Life","description":"\u003cp\u003e\u003cstrong\u003eNote: This set is a collection of previously released recordings.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt was apparently Rimsky-Korsakov, himself a member of the “Mighty Handful” of Russian nationalist composers, who encouraged his students at the St. Petersburg Conservatory to go out and collect Jewish folk music and music sung in the synagogues, getting thus the ball rolling for a specific Jewish classical music. The movement led in 1908 to the founding of the St. Petersburg Society for Jewish Folk Music and, in 1923, of the Society for Jewish Music in Moscow. The success of the latter and its members was however, short-lived. The antisemitic, anti-cosmopolitan forces that started to brew under the new soviet regime led many potential members of the society to emigrate. The ones that remained were forced to focus on proletarian themes and, even when complying to the requirements, still found themselves often repressed or incarcerated outright.\u003c\/p\u003e\n\u003cp\u003eThe last notable concert with the society’s music in the Soviet Union took place in Moscow, in April of 1929. Most of this music had then lain dormant for decades until the pianist Jascha Nemtsov (himself the son of a Gulag survivor) and his musical collaborators unearthed it in the last few years of the 20th century. The present collection contains on five discs the recordings – many of them world premieres – realized between 1999 and 2004.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREVIEWS\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eOne of the real strengths of this program is the number of pieces that received their world premiere recordings here and it’s probably the case that many of them can still only be heard in these performances. I make it around 42 pieces in total – which includes the individual movements of suites and cycles – made their disc premieres here, a tribute to the industry, application and ardent appreciation shown principally by Nemtsov.\u003c\/p\u003e\n\u003cp\u003eFortunately, these discs make an appeal on recital-by-recital basis. Yes, there are generic settings and yes, nothing is developed extensively so that the pleasures here are of a localised, focused and specialised nature. Nemtsov may be disheartened by the relative obscurity of much of this music still, feeling it, perhaps, funnelled to the outlying ethnic borderland where folk, cabaret and lighter classical meet and mingle. He, however, in particular, and his disc confreres, have made a real contribution to the vivacious and continuing life of this music on disc and are deserving of high praise.\u003c\/p\u003e\n\u003cp\u003e-- MusicWeb International\u003c\/p\u003e\n\u003cp\u003eThis \u003cspan class=\"dxeBase_PlasticBlue\" id=\"ctl00_MainContent_gvReviews_cell3_12_ASPxPopupControl1_ASPxLabel2\" data-mce-fragment=\"1\"\u003e is a fascinating five-disc collection that shines light on a short-lived movement in early 20th-century Russia to bring about a Jewish classical music idiom. Fine performances, too, from the likes of Tabea Zimmermann, Jascha Nemtsov, and Wolfgang Meyer\u003c\/span\u003e.\u003c\/p\u003e\n\u003cp\u003e-- BBC Music Magazine\u003c\/p\u003e\n\u003cp\u003e\u003cspan id=\"ctl00_MainContent_gvReviews_cell4_12_ASPxPopupControl1_ASPxLabel2\" class=\"dxeBase_PlasticBlue\"\u003eSWR’s imaginative five-disc chamber collection From Jewish Life (recorded 1999-2004) should be of interest to listeners whether or not you’re religious or indeed of the Jewish faith. The excellent line-up of performers consists of Jascha Nemtsov (piano), Wolfgang Meyer (clarinet), Tabea Zimmermann (viola), Ingolf Turban (violin), David Geringas (cello) and Helene Schneiderman (mezzo-soprano). The chosen repertoire includes Bloch’s masterly Suite for viola and piano, Joseph Achron’s Stempenyu and other works, music by Julian and Alexander Krein, Alexander Weprik, Joachim Stutschewsky and Solomon Rosowsky and much more. This is, musically speaking, a most nourishing collection, and the digital sound is excellent. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"dxeBase_PlasticBlue\"\u003e-- Gramophone\u003c\/span\u003e\u003c\/p\u003e","brand":"SWR","offers":[{"title":"CD","offer_id":46012733980906,"sku":"747313943487","price":21.48,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4201687-3143600.jpg?v=1778206896"},{"product_id":"shaporin-complete-piano-music","title":"Shaporin: Complete Piano Music \/ Kozlovski","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eWith its roots in the tradition of Borodin and Mussorgsky, the music of the Ukrainian-born Soviet composer Yuri Shaporin (1887–1966) sits between the late Romanticism of Scriabin and the harder edges of Shostakovich and Prokofiev, blending a mastery of counterpoint with an acute sense of Russian keyboard color. In Shaporin’s piano music his fondness for the epic – expressed in two large-scale sonatas and a mighty passacaglia – is contrasted with a number of gentle, almost whimsical miniatures.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eKirill Kozlovski is a Finnish-Belarusian pianist, harpsichordist and researcher. He holds a doctoral degree from the Sibelius Academy in Helsinki for his research into the music of Dmitri Shostakovich (2017). His present research interests include Soviet music and cultural history, as well as performance practices within the Russian piano school.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eREVIEW\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan id=\"ctl00_MainContent_gvReviews_cell4_12_ASPxPopupControl1_ASPxLabel2\" class=\"dxeBase_PlasticBlue\"\u003eShaporin is a composer of greater interest and merit than I had hitherto suspected, and it has left me wanting to hear more of his music. I strongly recommend this release to those interested in the Russian piano repertoire and those who would like to discover an unfamiliar but worthwhile Soviet-Russian composer. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"dxeBase_PlasticBlue\"\u003e-- Fanfare\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Toccata","offers":[{"title":"CD","offer_id":46012737093866,"sku":"5060113446213","price":10.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4080167-2821995.jpg?v=1778238866"},{"product_id":"jaques-dalcroze-piano-music-vol-4","title":"Jaques-Dalcroze: Piano Music, Vol. 4","description":"\u003cp\u003eThe Swiss composer Émile Jaques-Dalcroze (1865–1950) is best remembered for his development of Eurhythmics, which teaches the appreciation of music through movement. The buoyant miniatures recorded on this fourth album of his piano music document his fascination with dance, but nonetheless display a degree of variety: some are winsome and charming, others vigorous and folk-like, and occasionally they suggest echoes of some of his French contemporaries, not least Chabrier, Debussy, Fauré and Ravel.\u003c\/p\u003e","brand":"Toccata","offers":[{"title":"CD","offer_id":46012741189866,"sku":"5060113446275","price":10.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4218789-3014555.jpg?v=1778265648"},{"product_id":"kurpinski-moniuszko-noskowski-works-for-string-quartet","title":"Kurpiński, Moniuszko \u0026 Noskowski: Works for String Quartet \/ Lutosławski Quartet","description":"\u003cp\u003eProviding an overview of almost a century, this album reflects the aspirations of Polish nationalism through the works of three pivotal figures: Karol Kurpinski, whose Fantasy for String Quartet is both serious and ingenious in design, Zygmunt Noskowski, whose witty piece on a theme of Viotti includes the use of a polacca, and Stanislaw Moniuszko, whose quartets balance the hymnal with the rustic.\u003c\/p\u003e","brand":"Naxos","offers":[{"title":"CD","offer_id":46012744630506,"sku":"747313397877","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4211144-2990458.jpg?v=1778214467"},{"product_id":"come-in-945113","title":"Come In","description":"\u003cp\u003eRay Anderson (born October 16, 1952) is a jazz trombonist. Trained by the Chicago Symphony trombonists, he is regarded as someone who pushes the limits of the instrument. He is a colleague of trombonist George Lewis. Anderson also plays sousaphone and sings. He was frequently chosen in Down Beat magazine's Critics Poll as best trombonist throughout the late 1980s and early 1990s. After studying in California, he moved to New York in 1973 and freelanced. In 1977, he joined Anthony Braxton's Quartet (replacing George Lewis)and started working with Barry Altschul's group. In addition to leading his own groups since the late '70s (including the funk-oriented Slickaphonics), Anderson has worked with George Gruntz's Concert Jazz Band. In the '90s, he began taking an occasional good-humored vocal, during which he shows the ability to sing two notes at the same time (a minor third apart). Anderson has worked with David Murray, Charlie Haden's Liberation Music Orchestra, Dr. John, Luther Allison, Bennie Wallace, Gerry Hemingway, Henry Threadgill, John Scofield, Roscoe Mitchell, Randy Sandke's Inside Out Band, Sam Rivers' Rivbea Orchestra, Bobby Previte, George Russelland others. Anderson is a member of Jim Pugh's Super Trombone with Dave Bargeron and Dave Taylor. He received a grant from the National Endowment for the Arts for a series of solo trombone concerts. Anderson has frequently returned to his early love of New Orleans music for inspiration. His Alligatory Band and Pocket Brass Band, featuring tuba player Bob Stewart or sousaphonist Matt Perrine and trumpeter Lew Soloff, are rooted in it's tradition. Since 2003 he has taught and conducted at Stony Brook University.\u003c\/p\u003e","brand":"Double Moon Records","offers":[{"title":"CD","offer_id":46012759048426,"sku":"608917138122","price":8.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/3998687-2799986.jpg?v=1778258640"},{"product_id":"cooley-evans-reich-weiser-8-track","title":"Cooley, Evans, Reich \u0026 Weiser: 8-Track \/ Ashley Bathgate","description":"\u003cp data-mce-fragment=\"1\"\u003eCellist Ashley Bathgate releases her third solo album featuring her performance of Steve Reich’s\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eCello Counterpoint\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003ealongside three new works that take advantage of the versatile format of soloist with layered tracks. Composers Emily Cooley, Alex Weiser, and Fjóla Evans wrote works that expand on Reich’s template, exploring harmonic, dramatic, and gestural contrasts. The homogeneity of timbre inherent in works for layered tracks of the same instrument gives the listener a sense they are hearing a hyper-cello; the compositional strategy both echoes studio techniques that are ubiquitous in commercial music while also amplifying more Romantic impulses of extroverted expression and immersive textures.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe structure and motivic material in Fjóla Evans’\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eAugun\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003eis inspired by the traditional Icelandic song,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eVísur Vatnsenda Rósu\u003c\/em\u003e. Evans organizes overlapping motives taken from the traditional song and creates a shimmering, undulating texture, pushing and pulling between dissonant and consonant voicings. The atmospheric quality of the work tells a non-linear story, painting a complex mix of mournful and resolute emotions.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEmily Cooley’s approach to the layered ensemble was to focus on various groupings of the eight celli as they take on shifting roles in the overall texture. She writes of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eAssemble\u003c\/em\u003e, “The title describes what I felt like I was doing while composing: assembling a sort of puzzle. Only at the end of the piece do the eight parts truly assemble into one voice. They all play a slow, resonant chorale that fades into silence.\" The work ventures through moments of insistent pulse, poignant anticipation, and exuberant lyricism, expanding beyond the bounds of mere assemblage.\u003c\/p\u003e","brand":"New Focus Recordings","offers":[{"title":"CD","offer_id":46012771500266,"sku":"690277901225","price":10.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4218757-3014510.jpg?v=1778234004"},{"product_id":"obrien-algebra-of-night","title":"O'Brien: Algebra of Night \/ Kendall, 21st Century Consort","description":"\u003cp\u003eIndiana-based composer Eugene O'Brien and the 21st Century Consort (contemporary ensemble led by Christopher Kendall in residence at the Smithsonian Museum) release Algebra of Night, featuring two ensemble works that highlight O'Brien's rich harmonic palette and carefully articulated structural approach.\u003c\/p\u003e","brand":"New Focus Recordings","offers":[{"title":"CD","offer_id":46012774908138,"sku":"690277901294","price":10.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4223240-3131171.jpg?v=1778234529"},{"product_id":"stamp-chamber-music-vol-1","title":"Stamp: Chamber Music, Vol. 1","description":"\u003cp\u003eThe American composer John Stamp (b. 1954) – universally known as ‘Jack’ – is a familiar figure in the worlds of the symphonic wind-band movement that flourishes in US universities and of the brass band on both sides of the Atlantic. This first Toccata Classics album of his music presents a cross-section of his recent works for woodwinds, brass and strings, varied in mood, from upbeat to reflective, and in style, from a solemn hymn-setting to buoyant, outdoors Americana à la Copland, now and then coloured by a hint of Jazz.\u003c\/p\u003e","brand":"Toccata","offers":[{"title":"CD","offer_id":46012785131754,"sku":"5060113446879","price":10.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4218791-3014557_6c351012-f256-486e-8d79-146fe40e06c0.jpg?v=1778234146"},{"product_id":"voyage-exotique-christoph-croise","title":"Voyage Exotique \/ Christoph Croisé","description":"\u003cp\u003e\u003cspan\u003eChristoph Croisé channels his prowess as a cellist – “he’s got it all – technical chops, impeccable musicianship and imaginative daring” (Gramophone) – into compositional ingenuity on the first album devoted entirely to his own works. Christoph draws inspiration from a variety of musical role models, including contemporary and centuries past, paying homage to the time-honoured evolution of classical music that has melded current conventions with popular styles. Traditional forms, such as sonata and concerto, are imbued with jazz, blues, bossa nova and improv to create, as Christoph puts it, “a musical and cultural melting pot.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eChristoph’s compositional urge was spurred by the pandemic and lockdown. The four works on Voyage Exotique were written between 2020 and 2022. He also cites current world events as a motivating influence. His first cello concerto, imbued with high-wire virtuosity that makes full use of the cello’s – and Christoph’s – capabilities, opens a programme that also includes an imaginary intergalactic journey in the form of a clarinet trio, and a sonata for cello and piano that is by turns pensive, agitated and longing, yet ultimately hopeful. The title track, a “Grand duo” for two cellos is, in the truest sense of the word, an “exotic journey” through foreign sound cultures and myriad cello effects.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eREVIEW\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt is a bit difficult to categorize this release by cellist Christoph Croisé. The music borrows heavily from popular traditions, bossa nova and other tropical sounds, lots of jazz, and, in the finale of the grim, Ukraine-inspired Cello Sonata No. 1, Op. 9, Eastern European folk rhythms. Several pieces, most of all the Cello Concerto No. 1, are quite virtuosic, and this fits with the general concept; Croisé is adept at writing lines that show off his abilities on the cello, but he is also an alert chamber player who interacts well with the other musicians in the chamber pieces. A genuinely fresh album. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-- AllMusic.com (James Manheim)\u003c\/span\u003e\u003c\/p\u003e","brand":"Avie Records","offers":[{"title":"CD","offer_id":46012791324906,"sku":"822252259827","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4201633-3144238.jpg?v=1778205792"},{"product_id":"a-violins-life-vol-3-frank-almond","title":"A Violin's Life, Vol. 3","description":"\u003cp\u003eFrank Almond’s life is intertwined with that of his violin, the “Lipin´ski” Strad, an exceptional instrument named for the famed 19th-century Polish violinist Karol Lipin´ski and first owned by legendary 18th-century Italian composer-violinist Giuseppe Tartini, represented on A Violin’s Life, Volume 3 by his Sonata Prima in D, Op. 2, a trio sonata in all but name. The masterful Piano Trio in E flat by 19th-century Swedish virtuosa Amanda Meier connects with the instrument that had passed on to her future father-in-law Engelbert Ro¨ntgen. Another great Nordic composer, Edvard Grieg, opens the album with his great Sonata No. 3 in C minor.\u003c\/p\u003e\n\u003cp\u003eThe legend of the Lipin´ski Strad went viral in 2014 when, following a concert, walking towards his car, Frank Almond was tasered by an assailant and the prized instrument was stolen. An FBI pursuit resulted in the recovery of the instrument within weeks. International media ensued on the BBC, NPR, and a feature in Vanity Fair. An award-winning documentary film “Plucked” premiered at the 2019 Tribeca Film Festival. Frank Almond’s critically acclaimed and chart-topping recordings of A Violin’s Life are now a trilogy. 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