{"title":"One-Day Sale | September 16th, 2026","description":"\u003cp class=\"isSelectedEnd\" style=\"text-align: center;\"\u003e\u003cspan\u003eFor \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eone day only\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, save on more than \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e500 handpicked titles\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e from some of the biggest names in classical music! Explore outstanding recordings from \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eChandos, Sony Masterworks, Brilliant Classics, BIS Records, Naxos DVD\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, and more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\" style=\"text-align: center;\"\u003e\u003cspan\u003eFrom celebrated performances and essential repertoire to hidden gems and must-have additions to your collection, there’s something for every classical music lover!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan\u003eShop now—these savings disappear Thursday, September 17th at 9:00am!\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","products":[{"product_id":"kuhnau-zelenka-bach-magnificats-suzuki-persson-et-83563","title":"Bach, Kuhnau, Zelenka: Magnificats \/ Suzuki, Persson, Bach Collegium Japan","description":"\u003cp\u003e\u003cstrong\u003eREVIEW\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eIn the early 1730s Bach revised his E flat major Magnificat of 1723, transposing it to D major and omitting the interpolations peculiar to Christmas performances in Leipzig. (Recent research suggests such richly scored Latin Magnificats could be performed in Lutheran churches at some 15 annual festivals, not just the three – Xmas, Easter, Ascension – previously supposed.) The D major was apparently Bach’s preferred version and is the one commonly played today, as on this latest instalment of Masaaki Suzuki’s acclaimed survey of Bach’s sacred vocal music. Suzuki’s Magnificat, like his earlier Bach recordings, is sharply focused and performed with engaging conviction. My benchmark disc, by Philippe Herreweghe, grips with its palpable air of excitement. Suzuki’s reading is cooler, more nuanced and has a clearer acoustic; yet Herreweghe’s soloists retain a slight edge – few could match Barbara Schlick and oboist Marcel Penseele in rapt duet on ‘Quia respexit’. Herreweghe’s coupling is the splendid Cantata, BWV 80; Suzuki offers a trio of fascinating rareties. The Magnificat by Kuhnau, Bach’s predecessor at Leipzig, resembles Bach’s in instrumentation and division of text: it’s a lively, attractive piece, trumpets ringing out boldly in the bright opening chorus. Two shorter Magnificats by Bach’s Dresden-based contemporary Zelenka represent a very different and highly individual approach, the C major’s tripartite structure creating an almost concerto-like framework for soprano soloist. Suzuki’s excellent, scrupulous performances should provoke greater interest in Kuhnau’s and Zelenka’s church music – the latter’s Missa Dei Filii, by Tafelmusik\/Frieder Bernius (DHM), is also highly recommended. Performance: 5 (out of 5), Sound: 5 (out of 5)\u003cbr\u003e \u003cbr\u003e -- Graham Lock, BBC Music Magazine\u003cbr\u003e\u003c\/p\u003e","brand":"BIS","offers":[{"title":"CD","offer_id":44626500845802,"sku":"7318590010112","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2263133.jpg?v=1786742233"},{"product_id":"smetana-ma-vlast-jarvi-detroit-symphony-orchestra-243295","title":"Smetana: Má Vlast \/ Järvi, Detroit Symphony Orchestra","description":"\u003cp\u003eRecorded in: Orchestra Hall, Detroit 28-29 January 1993, 26-27 March 1994 \u0026amp; 23 May 1994 Producer(s) Brian Couzens Charles Greenwell Leslie B. Dunner Sound Engineer(s) Dan Dene Robert Shafer \u003c\/p\u003e","brand":"Chandos","offers":[{"title":"CD","offer_id":44624882696426,"sku":"095115936627","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/107458.jpg?v=1786771046"},{"product_id":"tchaikovsky-dvorak-serenades-berglund-240532","title":"Tchaikovsky \u0026 Dvorak: Serenades \/ Berglund","description":"Classical Music","brand":"BIS","offers":[{"title":"CD","offer_id":44624829710570,"sku":"7318590002438","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2265582.jpg?v=1786749518"},{"product_id":"fanny-felix-mendelssohn-choral-works-temple-london-mozart-players","title":"Felix \u0026 Fanny Mendelssohn: Choral Works \/ Temple, London Mozart Players","description":"\u003cp\u003eDavid Temple conducts the Crouch End Festival Chorus and London Mozart Players with a formidable group of soloists on this album celebrating the works of the siblings Felix Mendelssohn and Fanny Hensel (nee Mendelssohn). Fanny’s cantata Hiob, based on the Book of Job, is the second of three cantatas composed between February and November 1831, although it remained unpublished until 1992. Later in her short career, encouraged by her brother and her friend Robert von Keudell, Fanny did begin to publish her works. The Gartenlieder, Op. 3 for unaccompanied choir were composed in 1846, and inspired by the gardens and summerhouse at the family’s Leipzigerstraße residence, in Berlin, where she held her choir rehearsals. Mendelssohn’s Die erste Walpurgisnacht is a secular cantata, a setting of the poem by Goethe, originally performed in 1831. Mendelssohn revised the work extensively in 1843, and it is this later version that is performed here. His Christmas cantata Vom Himmel hoch, based on a Lutheran chorale, was completed in 1831.\u003c\/p\u003e","brand":"Chandos","offers":[{"title":"SACD","offer_id":44624350380266,"sku":"095115531822","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4275148-3124349.jpg?v=1786661460"},{"product_id":"berg-lulu-095115954027","title":"Berg: Lulu","description":"Berg: Lulu","brand":"Chandos","offers":[{"title":"CD","offer_id":44624167141610,"sku":"095115954027","price":32.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/107578.jpg?v=1786751917"},{"product_id":"rachmaninov-songs-095115937426","title":"RACHMANINOV: Songs","description":"Classical Music","brand":"Chandos","offers":[{"title":"CD","offer_id":44624154165482,"sku":"095115937426","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/107462.jpg?v=1786759320"},{"product_id":"stravinsky-3-movements-from-petrushka-ravel-la-valse-g-095115873328","title":"STRAVINSKY: 3 Movements from Petrushka \/ RAVEL: La Valse \/ G","description":"Classical Music","brand":"Chandos","offers":[{"title":"CD","offer_id":44624152068330,"sku":"095115873328","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/107125.jpg?v=1786713246"},{"product_id":"tchaikovsky-seasons-the-borodin-petite-suite-095115930922","title":"Tchaikovsky: Seasons (The) \/ Borodin: Petite Suite","description":"Classical Music","brand":"Chandos","offers":[{"title":"CD","offer_id":44624151118058,"sku":"095115930922","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/107417.jpg?v=1786771037"},{"product_id":"walton-in-honor-of-the-city-of-london-fanfares-and-marche-095115899823","title":"WALTON: In Honor of the City of London \/ Fanfares and Marche","description":"Classical Music","brand":"Chandos","offers":[{"title":"CD","offer_id":44624149283050,"sku":"095115899823","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/107256.jpg?v=1786713268"},{"product_id":"aho-symphony-no-10-syvien-vesien-juhla-7318590008560","title":"Aho: Symphony No. 10 \/ Syvien Vesien Juhla","description":"Classical Music","brand":"BIS","offers":[{"title":"CD","offer_id":44624146759914,"sku":"7318590008560","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2263009.jpg?v=1786721842"},{"product_id":"holmboe-symphonies-nos-1-3-and-10-7318590006054","title":"Holmboe: Symphonies Nos. 1, 3 And 10","description":"Classical Music","brand":"BIS","offers":[{"title":"CD","offer_id":44624097607914,"sku":"7318590006054","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2262894_3cf6ea31-f302-4b7d-b793-f3f98b73387e.jpg?v=1786750062"},{"product_id":"schnittke-symphony-no-2-st-florian-7318590006672","title":"Schnittke: Symphony No. 2, \"St. Florian\"","description":"Classical Music","brand":"BIS","offers":[{"title":"CD","offer_id":44624054092010,"sku":"7318590006672","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2262923.jpg?v=1786742158"},{"product_id":"stenhammar-complete-solo-piano-music-vol-2-7318590006344","title":"Stenhammar: Complete Solo Piano Music, Vol. 2","description":"Classical Music","brand":"BIS","offers":[{"title":"CD","offer_id":44624044327146,"sku":"7318590006344","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2265740.jpg?v=1786741859"},{"product_id":"laboccetta-a-tenor-cellist","title":"Laboccetta: A Tenor Cellist'- Chamber Music \/ Malagoli, De Polo, Centa et al.","description":"\u003cp\u003e\u003cspan class=\"TextRun SCXW114018062 BCX0\" lang=\"EN-US\" data-contrast=\"none\" xml:lang=\"EN-US\"\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003eRomantic miniatures by a forgotten Italian cellist and composer: the first album ever dedicated to the music of Domenico \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW114018062 BCX0\"\u003eLaboccetta\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003e. Born to a poor family in the Sicilian town of \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003eMessina\u003c\/span\u003e\u003cspan class=\"LastReplacedFindHitThemed SCXW114018062 BCX0\"\u003e,\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003e Domenico \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW114018062 BCX0\"\u003eLaboccetta\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003e (1823-1896) was entrusted to the care of an orphanage where his musical talents rapidly revealed themselves as a child. At the age of seven he made an appearance in concert at the Teatro Nuovo in Messina\u003c\/span\u003e\u003cspan class=\"LastReplacedFindHitThemed SCXW114018062 BCX0\"\u003e,\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003e and soon won a scholarship to study gratis at the conservatoire in Naples. At just 18\u003c\/span\u003e\u003cspan class=\"LastReplacedFindHitThemed SCXW114018062 BCX0\"\u003e,\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003e he became principal cellist of the Teatro San Carlo\u003c\/span\u003e\u003cspan class=\"LastReplacedFindHitThemed SCXW114018062 BCX0\"\u003e,\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003e at a time when the opera house was known across Europe for staging and advancing the works of bel canto composers such as Donizetti and Bellini. Through this \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003eexperience\u003c\/span\u003e\u003cspan class=\"LastReplacedFindHitThemed SCXW114018062 BCX0\"\u003e,\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW114018062 BCX0\"\u003eLaboccetta\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003e developed a superb tenor voice alongside his cello playing\u003c\/span\u003e\u003cspan class=\"LastReplacedFindHitThemed SCXW114018062 BCX0\"\u003e,\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003e and soon began taking lead roles in those bel canto masterpieces such as Bellini’s La \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW114018062 BCX0\"\u003eSonnambula\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003e. He went on to tour Europe and America in the 1850s\u003c\/span\u003e\u003cspan class=\"LastReplacedFindHitThemed SCXW114018062 BCX0\"\u003e,\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003e but eventually settled back in his adopted home of Naples\u003c\/span\u003e\u003cspan class=\"LastReplacedFindHitThemed SCXW114018062 BCX0\"\u003e,\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003e where he became professor of cello at the conservatoire in \u003c\/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW114018062 BCX0\"\u003e1877\u003c\/span\u003e\u003cspan class=\"LastReplacedFindHitThemed ContextualSpellingAndGrammarErrorV2Themed SCXW114018062 BCX0\"\u003e,\u003c\/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW114018062 BCX0\"\u003e and\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003e passed on his mastery of the instrument to students for \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003ealmost the\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003e next 20 years until his death.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"TextRun SCXW114018062 BCX0\" lang=\"EN-US\" data-contrast=\"none\" xml:lang=\"EN-US\"\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003eIn \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW114018062 BCX0\"\u003eLaboccetta\u003c\/span\u003e\u003cspan class=\"LastReplacedFindHitThemed SCXW114018062 BCX0\"\u003e,\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003e the cellist and indefatigable researcher Matteo \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW114018062 BCX0\"\u003eMalagoli\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003e has turned up another remarkable figure down the byways of cello history. His booklet essay introduces \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW114018062 BCX0\"\u003eLaboccetta’s\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003e eventful life\u003c\/span\u003e\u003cspan class=\"LastReplacedFindHitThemed SCXW114018062 BCX0\"\u003e,\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003eproviding\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003e invaluable context to these miniatures written for salon performances among friends and patrons in Neapolitan musical life in the later decades of the 19th century – music written \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003eabove all to\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003e charm and entertain. ‘\u003c\/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW114018062 BCX0\"\u003edeserves\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003e the attention of listeners intrigued by history and appreciative of fine playing. \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003eIt’s\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003e an album that will make a genuine contribution to any collector’s album hoard. Album leaves\u003c\/span\u003e\u003cspan class=\"LastReplacedFindHitThemed SCXW114018062 BCX0\"\u003e,\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003e romanzas and instrumental songs are scored for cello and piano or cello and harp\u003c\/span\u003e\u003cspan class=\"LastReplacedFindHitThemed SCXW114018062 BCX0\"\u003e,\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003e but there is also a ‘\u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW114018062 BCX0\"\u003eNotturnino\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003e’ for two cellos and piano. More substantial is a cycle of four songs for soprano\u003c\/span\u003e\u003cspan class=\"LastReplacedFindHitThemed SCXW114018062 BCX0\"\u003e,\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003e tenor\u003c\/span\u003e\u003cspan class=\"LastReplacedFindHitThemed SCXW114018062 BCX0\"\u003e,\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003e cello and piano: all beautifully evocative pieces with an affectingly folk-like simplicity of expression.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"TextRun SCXW114018062 BCX0\" lang=\"EN-US\" data-contrast=\"none\" xml:lang=\"EN-US\"\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW114018062 BCX0\"\u003eLaboccetta\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003e was also a pioneer in the genre of cello quartets\u003c\/span\u003e\u003cspan class=\"LastReplacedFindHitThemed SCXW114018062 BCX0\"\u003e,\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003e and the album closes with several such works\u003c\/span\u003e\u003cspan class=\"LastReplacedFindHitThemed SCXW114018062 BCX0\"\u003e,\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003e ingeniously scored to exploit the full register and richness of the instrument. \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW114018062 BCX0\"\u003eMalagoli’s\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003eprevious\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003e albums for Brilliant Classics include a disc of music by Greco and Francone (96345)\u003c\/span\u003e\u003cspan class=\"LastReplacedFindHitThemed SCXW114018062 BCX0\"\u003e,\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003e welcomed in glowing terms by Fanfare magazine: ‘Early Neapolitan Cello Music… deserves the attention of listeners intrigued by history and appreciative of fine playing. \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003eIt’s\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW114018062 BCX0\"\u003e an album that will make a genuine contribution to any collector’s album hoard.’\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}' class=\"EOP SCXW114018062 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46012430123242,"sku":"5028421969527","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4237547-3141832.jpg?v=1786639792"},{"product_id":"xuares-sacred-music-amystis","title":"Xuáres: Sacred Music \/ Chenoll, amystis","description":"\u003cp\u003eWorld premiere recordings of sacred music by a forgotten master of the Spanish Baroque. As maestro de capilla (Capellmeister\/Music director) of the choir and music of the cathedrals in Seville and Cuenca, Alonso Xuárez (1640-1696) made valuable contributions to Spanish polychoral literature which have, as yet, barely been recognised beyond academic circles. This album of new recordings begins to bring his name to a wider audience with a selection of pieces discovered in the archives of Cuenca Cathedral, edited for performance and recorded by an ensemble with extensive experience in the field of the Spanish Baroque.\u003c\/p\u003e\n\u003cp\u003eThe resulting portrait of Xuárez reveals a remarkably individual figure, pushing the boundaries of form and harmony for his time but always beautifully conceived for the rich forces at his disposal. Little is known of Xuárez’s early life and formation. His father probably educated him in music, at least until he became a pupil of Tomás Micieces in the late 1650s. By 1664, his talents were sufficiently developed as to be worthy of the post of music director in Cuenca. He appears to have retained some influence over the musical organization there once he moved to Seville in 1675, and then returned to Cuenca in 1684. His surviving work, as represented here, embodies the Spanish polychoral style of the time, blending Italianate counterpoint with spectacular antiphonal writing conceived for multiple ensembles to fill the space of the cathedral.\u003c\/p\u003e\n\u003cp\u003eThe Missa surge propera is written for a rich, seven-voice texture, and the motets are even more ambitious, exploiting the colours and effects made available by eight and even nine separate parts. The performances recorded here follow the style of the time in making use of instrumental accompaniment – not just organ but viola da gamba and harp. This is a superb addition to the distinguished Brilliant Classics discography of Amystis, which has already attracted international praise for its adventurous repertoire and polished performances. ‘Chenoll has an endearing way of letting his singers express the music with a natural flow free of effects.’ (Fanfare – Comes, 95231). ‘An original and enlightening album.’ (Fanfare – ‘Masters of the Spanish Renaissance, 96409).\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46012430942442,"sku":"5028421969541","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4247980-3141833_d26b920c-a03e-4fe7-8479-38a0f7e7320d.jpg?v=1786639848"},{"product_id":"bossi-jongen-poulenc-l-orgue-soliste-music-for-organ-orchestra-mazzoletti","title":"Music for Organ \u0026 Orchestra \/ Mazzoletti, Carmona, Helvetica Orchestra","description":"\u003cp\u003eWhen we think of a concerto for solo instrument and orchestra, the organ is certainly not the first instrument that comes to mind. And yet, the symphonic organ is perfectly adapted to the role of soloist, being capable of duelling as well as duetting with the orchestra. The Concerto for organ, strings, horns and timpani Op. 100 by Marco Enrico Bossi, for example, is one of the most important and successful pieces in the entire repertoire, and yet it does not enjoy the recognition it deserves among the wider public. Structured in three movements of genuine expressive power, this is music that is both majestic and intimate, able to touch the hearts of listeners and performers alike – a work on which this great composer really lavished his extraordinary creativity.\u003c\/p\u003e\n\u003cp\u003eHymne by Joseph Jongen is a real rarity. The organ has less of a ‘solo’ role than in the Bossi and Poulenc works; rather, it blends into the warm textures of the orchestra as an integral part of the sonic conversational flow so typical of Jongen’s impressionist idiom. Here too, the composition of the Gland organ and its eminently full, warm and poetic sound are an ideal showcase for the mysterious atmosphere of this work.\u003c\/p\u003e\n\u003cp\u003eUnlike the Bossi and Jongen works, the Concerto for organ, strings and timpani by Francis Poulenc is very well known indeed. Uncharacteristically written in a single movement divided into seven sections, this concerto is surely one of the best-known organ works of the 20th century. In certain sections the sonorous, weighty and deliberately strident organ writing is juxtaposed alongside orchestral textures that are extremely graceful and poetic, almost like a rough country giant trying to attract the attentions of a refined princess. At other moments, the organ imposes itself upon the orchestra, only to come together with it at other times, before proceeding to turn everything upside down once again.\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46012431794410,"sku":"5028421969558","price":8.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4223208-3130275.jpg?v=1786635614"},{"product_id":"vacchi-complete-music-for-guitar","title":"Vacchi: Complete Music for Guitar","description":"\u003cp\u003eBorn in 1949, Fabio Vacchi stands among the pre-eminent Italian composers of his generation. Working primarily in the operatic field, he has had pieces staged at the Teatro alla Scala and by the Opéra Comique in Paris, the Opera de Lyon, the Maggio Musicale in Florence and the Teato Comunale in his home city of Bologna. Vacchi’s instrumental pieces have attracted similar high-profile performances. His chamber cycle Luoghi Immaginari (1987-1992), has been given across the world, including at the Salzburg Mozarteum conducted by Daniel Harding. Other pieces were commissioned by Claudio Abbado and by the Tokyo Quartet.\u003c\/p\u003e\n\u003cp\u003eThe most substantial piece on this new collection of his chamber pieces was commissioned by the Swedish guitarist Magnus Andersson and first performed by him in 1997 as a guitar concerto; this Quintetto Notturno Concertante dates from 2012 and is a masterful condensation of the complexities of the original, rich instrumental texture, while preserving its fleeing moods and subtly shifting changes of harmony. At the other end of this collection, Livia Rado sings Flow my Dowland, a rapturous transformation of five songs by the Elizabethan lutenist, in which the original vocal part is richly embroidered by Vacchi’s own modern reimagination of the accompanying part, scored for a small ensemble of winds, strings, vibraphone and harp, to melting and magical effect. In between come a pair of solo works, though in fact Plynn quotes Britten’s Nocturnal after John Dowland as a study of harmonics on the guitar, evoking its most dreamlike and insubstantial timbres. The earliest piece here is a Suite for flute and guitar, dating from 1971. Here, the 22-year-old Vacchi is at his most experimental in terms of both form and harmony, employing extraneous elements such as pen and paper and sending both instruments to the extremes of their register, though always with an intrinsically idiomatic sympathy. Any listener with an ear for the Italian postwar avant-garde will find this newly recorded album full of delight and discovery.\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46012437758186,"sku":"5028421969763","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4223209-3130276.jpg?v=1786640368"},{"product_id":"monteverdi-frammenti-koetsveld-le-nuove-musiche","title":"Monteverdi: Frammenti \/ Koetsveld, Le Nuove Musiche","description":"\u003cp\u003e\u003cspan\u003eOn this album, we find a wonderful collection of often short sacred works by Monteverdi, all published in compilations made by others. Parts of psalms and hymns of all descriptions make up the texts – and always in the style that we know so well from, among others, the concertos in the Vespro della Beata Vergine; the pieces from the Selva Morale e Spirituale (a collection by Monteverdi himself, containing only his own music); and the posthumous collection from 1650, Messa a quattro voci ed salmi.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe repertoire on this album derives from multiple sources and was probably included in the various collections because the compiler simply liked it. Besides the polyphonic, madrigal-like pieces such as Adoramus te, Christe adoramus te and Domine in furore, the often highly virtuosic duets and solo pieces stand out. Sometimes, for example in Salve o regina, the embellishments are written out, which in turn teaches us a lot about how Monteverdi envisioned them.\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46012441788650,"sku":"5028421969824","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4237548-3141838.jpg?v=1786633292"},{"product_id":"sancan-a-musical-tribute-yan-pascal-tortelier-bbc-philharmonic","title":"Sancan: A Musical Tribute \/ Bavouzet, Tortelier, BBC Philharmonic","description":"\u003cp\u003eWithout question born a little too late in a century of huge upheavals, Pierre Sancan has almost completely disappeared from our memories. He nevertheless occupied a place at the heart of the history of French music in the second half of the twentieth century: composer, pianist, teacher, and an extremely endearing personality, as one will discover on this disc.\u003c\/p\u003e\n\u003cp\u003eThis program of the Piano concerto, orchestral works, works for solo piano, and the flute Sonatine (played by Adam Walker) serves as a personal tribute to Sancan from both pianist and conductor, and will hopefully help to raise awareness of this gifted composer.\u003c\/p\u003e","brand":"Chandos","offers":[{"title":"CD","offer_id":46012449325290,"sku":"095115215425","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4201659-2975984.jpg?v=1786680256"},{"product_id":"holt-meandres","title":"Holt: Meandres","description":"A mesmerising piano cycle by the master  of Dutch minimalism.  'I write music like this not because I'm  isolated,' Simeon Ten Holt once said. 'I'm  isolated because I write music like this.'  And yet, since his death in 2012,  performances and recordings of his music  have multiplied like one of his motivic  cells, gathering energy and momentum to  spread the reputation of a composer who  took the rhythmic precepts of American  minimalists such as Reich and Glass, and  coloured them with a European-Romantic  glow of harmony.  Composed in 1995-97 for four pianos,  Meandres is another monumental yet  approachable piano cycle in the mould of  his celebrated Canto Ostinato, more  complex and more chromatic than the  earlier cycle but sharing with it a hypnotic  clarity and an improvisatory freedom which  leaves a good deal of liberty to the  performers. At first, there is no melody, in  the usual sense of the word. However, over  time, a pattern emerges like a puzzle taking  shape before the listener.  The title refers to the meandering course of  rivers, which takes them to mountain slopes  as well as lowlands. 'Because it is like a  work in progress which never reaches  closure,' remarks the composer, 'the  meandering structure of the piece is quite  demanding on the performers. It is the  condensation of an inquiry into the very  limits of time and space.'  This recording of Meandres was made in 1999  by a team of Dutch pianists who had all worked  with Ten Holt on his music, and accordingly it  vibrates with disciplined authenticity. Sharp  accents continually break and articulate the line  and the restatement of the germinal motif, but  it always loops back to a cadence which Robert  Schumann would have recognised. Combining  Baroque rigour with early-Romantic harmony  and late-20th-century form, Meandres is both  post-modern and timeless as an extension of  piano literature.","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46012449915114,"sku":"5028421970059","price":8.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4335059-3177825.jpg?v=1786667788"},{"product_id":"coates-orchestral-works-vol-3-john-wilson-bbc-philharmonic","title":"Coates: Orchestral Works, Vol. 3 \/ Wilson, BBC Philharmonic","description":"\u003cp\u003eJohn Wilson’s third volume of the music of Eric Coates combines some of the composer’s larger-scale works with miniatures and two marches.\u003c\/p\u003e\n\u003cp\u003eThe Cinderella Phantasy frames the well-known fairy-tale from Cinderella’s perspective, glossing over the more brutal elements of the original, with some notably descriptive writing for the dream sequences, the ball and of course the happy ending.\u003c\/p\u003e\n\u003cp\u003eThe Three Men is to some extent autobiographical, as Coates explores his love of his native Nottinghamshire countryside, his love for London and his love of the sea.\u003c\/p\u003e\n\u003cp\u003eThe Three Elizabeths is a suite of portraits of three great figures in English History – Queen Elizabeth I; Elizabeth of Glamis (then the Queen Consort, now remembered as the Queen Mother), and Princess Elizabeth (who of course became Queen Elizabeth II).\u003c\/p\u003e\n\u003cp\u003eLost Love is a wistful Romance written in 1939, while the much later Sweet Seventeen is a beautiful waltz, inspired by Eric and his wife Phyliss’ love of dancing. In fact, the title refers to his first date with Phyllis, at the Blenheim Restaurant, the day before her seventeenth birthday. Two marches complete the program – the Television March was commissioned by the BBC (just three weeks before the date of broadcast!) for the resumption of television broadcasting in 1946. The Dam Busters March was used as the main title for Michael Anderson’s 1955 film and is arguably the composer’s most widely known work.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREVIEW\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"c-product-review--quote\"\u003eThe Dam Busters march became the biggest and final hit of Coates’s career. John Wilson’s way with it – letting that tune glide in almost imperceptibly, relishing the moment when the violins decorate it, like sprinkling icing on a cake – typifies his approach.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"c-product-review--quote\"\u003e-- Gramophone\u003c\/span\u003e\u003c\/p\u003e","brand":"Chandos","offers":[{"title":"CD","offer_id":46012451586282,"sku":"095115216422","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4207016-3140385.jpg?v=1786672786"},{"product_id":"dowland-melancholy-britten-nocturnal-pascal-boels","title":"Dowland: Melancholy; Britten: Nocturnal - Guitar Music \/ Boëls","description":"\u003cp\u003ePavans and galliards by the Elizabethan master of melancholy, complemented by a new recording of Benjamin Britten’s magnificent Nocturnal inspired by both Dowland’s music and by the playing of Julian Bream. After the success of ‘The Golden Age of the Guitar in Europe’ (2CD, 96157), Brilliant Classics releases a second album by the French guitarist Pascal Boëls, a unique collection of music by 17th and 20th-century English masters. In a booklet introduction, the guitarist explains how he sees Dowland as ‘a universal genius, eternal wanderer who – already! – knew how to rub shoulders with all facets of the human soul.’ Pascal Boëls plays a personal selection of Dowland’s piece originally written for solo lute, pieces which embody a spirit of introversion such as the ‘Forlorn Hope’ Fancy and the ‘Lachrymae’ Pavan which became famous across Europe, much imitated and adapted by other composers of the day.\u003c\/p\u003e\n\u003cp\u003eLightening the mood are also the kind of courtly dances and romances which delighted the composer’s aristocratic patrons such as the Earl of Essex and King Christian of Denmark. The English guitarist Julian Bream played Dowland’s pieces on the guitar from an early stage of his career, and made a best-selling album of them for RCA. It was this antique palette of gentle, musing expression that inspired Benjamin Britten to write a Nocturnal for guitar which builds as a sequence of eight variations towards (rather than away from) the Dowland song on which they are based. The resulting work, according to Bream, was the greatest solo work ever written for guitar, exploring a slippage between wakeful and dream states with a subtle ambiguity between major and minor harmonies and a language that bridges the divide between the 17th and 20th centuries.\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46012457484522,"sku":"5028421970134","price":8.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4247981-3141841.jpg?v=1786639835"},{"product_id":"strauss-schumann-weber-owen-wilson-bbc-philharmonic","title":"Strauss, Schumann \u0026 Weber: Works for Horn \/ Owen, Wilson, BBC Philharmonic","description":"\u003cp\u003eRegarded as one of Europe’s leading horn players, Martin Owen appears as a soloist and chamber musician around the world. Currently principal horn at the BBC Symphony Orchestra, he has previously served as principal horn of the Royal Philharmonic Orchestra and as solo horn of the Berliner Philharmoniker.\u003c\/p\u003e\n\u003cp\u003eWeber’s Concertino was written for the old, valveless ‘natural horn’; its limited range of notes (tied to the harmonic series) was extended mechanically with additional tubing (‘crooks’) and, more artfully, by virtuoso players bending notes, and varied hand stopping. The technical demands of the Concertino are testament to the extraordinary facility of the hornists of the period. The first Horn Concerto by Richard Strauss, written at the age of nineteen, whilst a student, is widely considered his first uncontested masterpiece. Although the influence of Brahms and Schumann are evident, his own compositional voice is unmistakable. Strauss would continue to write significant parts for horn in all of his orchestral scores (possibly an influence of his father, who was a virtuoso hornist), but the second Concerto was not composed until 1942 – some sixty years later. The style is much more neo-classical, even ‘Mozartian’. Schumann’s riotous Concertstück for four horns opens the programme, and features three more outstanding soloists: Christopher Parkes (Swedish Radio Symphony Orchestra, Sinfonia of London), Alec Frank-Gemmill (Gothenburg Symphony Orchestra), and Sarah Willis (Berliner Philharmoniker).\u003c\/p\u003e","brand":"Chandos","offers":[{"title":"CD","offer_id":46012457615594,"sku":"0095115216828","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4226831-3132087_72883de0-5006-44c3-ab3d-ad68bb770766.jpg?v=1786640329"},{"product_id":"befreit-a-soul-surrendered-whately-middleton","title":"Befreit – A Soul Surrendered \/ Whately, Middleton","description":"\u003cp\u003eMezzo-soprano Kitty Whately trained at Chetham’s School of Music, the Guildhall School of Music and Drama, and the International Opera School of the Royal College of Music. Having won both the Kathleen Ferrier Award and Royal Overseas League Award in the same year, she attended the prestigious Academy of the Verbier Festival. She writes of this project: ‘It has been my great pleasure to record with Joseph once again. We have long shared a mutual passion for early-twentieth-century-romantic Lieder and talked of making a disc including songs by Mahler and Strauss. The opportunity to discover and research lesser-known composers from their era has been thrilling and fascinating. As the world endured the pandemic, we all experienced fear and danger and loss in a way that most of our generation never did before, on such a global scale. Joseph and I felt drawn to reflect on grief, mortality, and bereavement.’ The two lesser-known composers featured in the recording are Johanna Müller-Hermann (who studied with several of the most prominent teachers in Vienna – Josef Labor, Guido Adler, Alexander Zemlinsky, Josef Bohuslav Foerster, Franz Schmidt) and Margarete Schweikert, who’s upbringing and life in Karlsruhe and studies with Joseph Haas in Stuttgart could hardly provide a greater contrast – clearly audible in their music.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCONTENTS\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMüller-Hermann\u003c\/strong\u003e: Wie eine Vollmondnacht, Op. 20 No. 4\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMüller-Hermann\u003c\/strong\u003e: Der letzte abend, Op. 2 No. 4\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStrauss, R\u003c\/strong\u003e: Befreit, Op. 39 No. 4\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStrauss, R\u003c\/strong\u003e: Allerseelen, Op. 10 No. 8\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSchweikert\u003c\/strong\u003e: Wolke I\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSchweikert\u003c\/strong\u003e: Totenhausen\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSchweikert\u003c\/strong\u003e: Zusammen sterben\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStrauss, R\u003c\/strong\u003e: Auf ein Kind, Op. 47 No. 1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStrauss, R\u003c\/strong\u003e: Rückleben, Op. 47 No. 3\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStrauss, R\u003c\/strong\u003e: Morgen, Op. 27 No. 4\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMüller-Hermann\u003c\/strong\u003e: Die Stille Stadt, Op. 4 No. 1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMüller-Hermann\u003c\/strong\u003e: Herbst, Op. 20 No. 2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMüller-Hermann\u003c\/strong\u003e: In Memoriam, Op. 28 No. 5\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSchweikert\u003c\/strong\u003e: Unser Haus\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSchweikert\u003c\/strong\u003e: Die Entschlafenen\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMahler\u003c\/strong\u003e: Kindertotenlieder\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMüller-Hermann\u003c\/strong\u003e: Widmung, Op. 20 No. 1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSchweikert\u003c\/strong\u003e: Einem Vorangegangenen\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eREVIEW\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"c-product-review--quote\"\u003eThroughout Whately and Middleton prove highly persuasive guides; the pianist bringing the accompaniments vividly to life and the mezzo fully committed to the works and impressive, in particular, in getting the texts across.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"c-product-review--quote\"\u003e-- Gramophone\u003c\/span\u003e\u003c\/p\u003e","brand":"Chandos","offers":[{"title":"CD","offer_id":46012459122922,"sku":"095115217726","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4169954-2947520.jpg?v=1786684632"},{"product_id":"fiorillo-36-caprices-op-3-for-violin-transcribed-for-viola-marco-misciagna","title":"Fiorillo: 36 Caprices, Op. 3 \/ Misciagna","description":"\u003cp\u003eFederigo Fiorillo (1755-1823) is principally remembered now as a composer, and in particular the author of a set of solo Caprices which formed a method of which formed a method of instruction for every advanced violinist. Until now, however, they have never been recorded on Fiorillo’s ‘second’ instrument of the viola; and indeed complete recordings of the set, even on violin, are very few.\u003c\/p\u003e\n\u003cp\u003eWith this new recording, Marco Misciagna demonstrates that these 36 pieces have much more than pedagogic interest to them. While they systematically address technical issues in the bow arm and fingering, testing the player’s technique for playing octaves, multiple stopping, passagework, chromatic scales and so on, Fiorillo was a Italianate melodist who naturally wrote and thought in long, cantabile lines which are as grateful to hear as they are to play.\u003c\/p\u003e\n\u003cp\u003eBorn in 1984, Marco Misciagna studied in Bari and Rome and then with Salvatore Accardo; he now lives and works in Spain. Among his previous recordings is a Brilliant Classics album of a similar undertaking, the 41 Capricci for viola by Bartolomeo Campagnoli (1751–1827).\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46012459450602,"sku":"5028421970189","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4230667-3141842.jpg?v=1786676278"},{"product_id":"mendelson-bacewicz-chamber-works","title":"J. Mendelson \u0026 Bacewicz: Chamber Works \/ Silesian Quartet","description":"\u003cp\u003eThe award-winning Silesian quartet present a new album featuring two composers from Warsaw – Joachim Mendelson and Graznya Bacewicz. After completing his music studies in Warsaw and Berlin, Joachim Mendelson moved to Paris in 1929, where he joined the Association des Jeunes Musiciens Polonais, a society founded in 1926 to facilitate the study, publication, and promotion of the works of young Polish composers. Bacewicz also received support from the Association, and from Paderewski, and studied in Paris with Nadia Boulanger. The associations’ aims included re-establishing a national musical life at the highest level back in Poland (after more than a century of joint occupation by Russia, Prussia, and Austria), and both composers returned to Warsaw and worked there until 1939. Mendelson taught at the Institute of Music, and Bacewicz became leader of the Polish Radio Symphony Orchestra and continued her career and a composer and soloist. Mendelson was imprisoned in the Warsaw ghetto until 1943 when he was murdered by the Gestapo. Five of his works survive, thanks to the French publisher Max Eschig, including the quartet and quintet recorded here. Both Bacewicz works on this recording were rejected by the composer, and never included in her catalogue of works. It is extremely lucky that the manuscripts have survived, preserved at the National Library in Warsaw. Half a century after her death the Royal String Quartet prepared performing scores and gave the first performances.\u003c\/p\u003e","brand":"Chandos","offers":[{"title":"CD","offer_id":46012461318378,"sku":"0095115218129","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4220712-3006228.jpg?v=1786640508"},{"product_id":"couperin-dynasty-19-cd","title":"Couperin Dynasty","description":"\u003cp\u003eAdmiration for the French composer, harpsichordist and organist, \u003cstrong\u003eLouis Couperin\u003c\/strong\u003e continues to grow steadily today, but it was not so during his lifetime. The first important edition of his work in modern times, in its latest revision by Thurston Dart (used for this set), catalogues 129 pieces as authentic. Collectively, they help to place Couperin among the greatest composers of the 17th century alongside Frescobaldi, Chambonnieres, Froberger, and D’Anglebert.\u003c\/p\u003e\n\u003cp\u003eThough he wrote religious works as well as chamber music, harpsichord music forms the lion’s share of Louis’s nephew \u003cstrong\u003e\u003cspan class=\"expandableItem\" data-mce-fragment=\"1\"\u003eFrançois Couperin\u003c\/span\u003e\u003c\/strong\u003e’s output: 235 pieces in all, most of them published in the four volumes (or Livres) of Pièces de Clavecin, divided into 27 ordres.\u003c\/p\u003e\n\u003cp\u003eLike the better-known Jacques Duphly and Claude Balbastre, \u003cstrong\u003eArmand-Louis Couperin\u003c\/strong\u003e belongs to the last generation of French harpsichord composers. The modesty and success which profited Armand-Louis handsomely during his lifetime rather dimmed the light of his creative legacy. He published little during his own lifetime. One of only a few opuses, the magnificent volume of Pièces de clavecin deserves consideration alongside the viol fantazias of Purcell and the Lachrymae of Dowland, examples of lateness in music, where the fruit has ripened beyond high summer, yet there is much of interest in these pieces, beyond their historical value at the end of a distinguished family line.\u003c\/p\u003e\n\u003cp\u003eArmand-Louis’s son, \u003cstrong\u003eGervais-\u003cspan class=\"expandableItem\" data-mce-fragment=\"1\"\u003eFrançois Couperin\u003c\/span\u003e\u003c\/strong\u003e, studied with his father then replaced him at the Sainte-Chapelle organ. His keyboard compositions reveal a profound understanding of the delicate nuances and expressive capabilities of the harpsichord, characterized by elegance, refinement and meticulous attention to ornamentation. Yet Gervais-François was also a virtuoso on the new instrument of his day, the fortepiano, and this set features his music performed on that keyboard of greatly expanded expressivity.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eREVIEW\u003c\/b\u003e:\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eBrilliant Classics’ Couperin Dynasty collection usefully gathers together François’s four dazzling books of harpsichord pieces (Michael Borgstede), Massimo Berghella playing harpsichord suites by Louis (historically the first important member of the Couperin family), harpsichord pieces by Armand-Louis (cousin of François) played by Yago Mahugo and catchy, vivacious fortepiano music by Gervais-François (a son of Armand-Louis and a contemporary of Beethoven) adeptly performed by Simone Pierini. The range of music on offer stretches from Gervais-François’s feisty variations to François’s majestic Passacaille, one of the finest masterpieces in the genre. It’s a musical feast to relish, more varied than you might expect. Excellent sound, too, and informative notes by Michael Borgstede, Peter Quantrill, Brigida Cristallo and Massimo Berghella.\u003cp\u003e— Gramophone \u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46012463153386,"sku":"5028421970516","price":64.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4281846-3124880.jpg?v=1786639572"},{"product_id":"haydn-piano-sonatas-vol-11-0095115219324","title":"Haydn: The Complete Piano Sonatas, Vol. 11 \/ Bavouzet","description":"\u003cp\u003e\u003cstrong\u003e\"Bavouzet’s Haydn is unmatched in its zest and its wit. But it is also substantial, informed and deeply rewarding.\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e--The \u003cem\u003eNew York Times\u003c\/em\u003e\u003cstrong\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/strong\u003eon Bavouzet's Haydn Sonatas cycle, 2022\u003c\/p\u003e\n\u003cp\u003eJean-Efflam Bavouzet’s survey of Haydn’s piano sonatas reaches its conclusion with this 11th and final volume. As with the previous releases, the acclaimed pianist has included repertoire from different periods of Haydn’s career to create a recital of interest in its own right, as well as the completion of the series.\u003c\/p\u003e\n\u003cp\u003eJean-Efflam notes: ‘It has been eleven years since the launch of this project to present Haydn’s sonatas, not in their chronological order, but as collections juxtaposing works from different periods. The program for this final album was actually the first one to be devised: I wanted to place side by side the very first and the very last sonata. Then the idea of fleshing out the sonata cycle with other major pieces began at volume four, with the addition of the famous \u003cem\u003eVariations in F minor\u003c\/em\u003e, and finally this last volume is made up of as many sonatas as other types of works. The complete series is thus able to offer music lovers all the sonatas identified to date, together with the other major keyboard works.’\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREVIEWS\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cdiv class=\"review\"\u003e\n\u003cdiv class=\"review-text\"\u003e\n\u003cdiv class=\"review-text\"\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eFive stars \u0026amp; editor's choice\u003c\/strong\u003e |\u003cstrong\u003e \u003c\/strong\u003eJust when I thought it couldn’t get any better, this last volume hits new heights. --\u003cem\u003eGramophone\u003c\/em\u003e (Michelle Assay)\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e---\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"review-author\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"review-text\"\u003eThis album concludes Jean-Efflam Bavouzet’s epic and scintillating cycle of the complete Haydn Piano Sonatas. Sandwiched between the first and last sonatas – the former delightfully without a hint of angst, the latter richly expressive and exploratory – lies a wealth of contrasts…As on previous occasions [Bavouzet] makes it difficult to imagine Haydn presented with greater gusto, precision and charms[.] --\u003cem\u003eInternational Piano\u003c\/em\u003e (Bryce Morrison)\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"review-text\" style=\"text-align: center;\"\u003e---\u003c\/div\u003e\n\u003cdiv class=\"review-text\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"review-text\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"review-text\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"review-text\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"review\"\u003e\n\u003cdiv class=\"review-text\"\u003e\n\u003cp\u003eA project that began in 2011 is completed; what a journey it has been. Bavouzet’s gifts of insightful exposition and revelation are matched by the wisdom of his curation… A triumph. --The Sunday \u003cem\u003eTimes \u003c\/em\u003e(Dan Cairns)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"review\"\u003e\n\u003cdiv class=\"review-stars stars0\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Chandos","offers":[{"title":"CD","offer_id":46012464988394,"sku":"0095115219324","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4112389-2877017.jpg?v=1786814896"},{"product_id":"rocking-horse-road","title":"Rocking Horse Road \/ Dankworth, Broadsky Quartet","description":"\u003cspan data-mce-fragment=\"1\"\u003eRocking Horse Road is the debut recording of Jacqui Dankworth and the Brodsky quartet, bearing witness to a musical relationship that stretches back almost two decades. Jacqui Dankworth is one of the most highly regarded and celebrated vocalists in the UK. The Sunday Times called her ‘One of our finest singers, regardless of category’, whilst the Guardian noted she ‘exhibits a subtle control of dynamics and a voluptuous tonal richness that seems to make almost any material sound special’. Formed in 1972, the Brodsky Quartet have given more than 3,000 concerts around the world, and recorded over 70 albums, covering both the core classical repertoire and collaborations with a wide range of artists from all walks of musical life. The album covers a wide range of material that this partnership has gathered and honed over the years: compositions by Harvey Brough, David Gordon, Charlie Wood and Jacqui Dankworth herself sit alongside arrangements of songs by Björk, Sting, Diana Krall and Elvis Costello.\u003c\/span\u003e","brand":"Chandos","offers":[{"title":"CD","offer_id":46012466462954,"sku":"095115221921","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4046063-2796653.jpg?v=1786664072"},{"product_id":"mozart-violin-sonatas-kv301-kv303-kv305-kv454","title":"Mozart: Violin Sonatas \/ Dego, Leonardi","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFollowing her critically acclaimed recording of Mozart Concertos with Sir Roger Norrington and the RSNO, Francesca Dego turns to a selection of his Sonatas with her long-term recital partner Francesca Leonardi. Dego commented ‘Francesca and I have been playing together for seventeen years, more than half my life and the totality of my career. To work as a duo on a regular basis means reaching common interpretative solutions, ones that sum up each player’s qualities, and creates a great sense of mutual responsibility. What you do together somehow feels naturally complete. We decided to build this album around our very favorite Sonata, KV 454 in B flat major, which we had been performing for many years and in which Mozart’s simplicity and flamboyance coexist in perfect harmony.’\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREVIEWS\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cdiv class=\"review\"\u003e\n\u003cdiv class=\"review-text\"\u003e\n\u003cp\u003e“… the balance between Dego and Leonardi is impeccable, along with the sense of two musicians singing from the same hymn sheet…If you’re looking for unfailingly tasteful and refined playing, then Dego and Leonardi neatly tick that box…”\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"review-author\"\u003e– Gramophone (Charlotte Gardner)\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"review\"\u003e\n\u003cdiv class=\"review-stars stars0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"review-text\"\u003e“…The approach is modern-instrument with period awareness, the youthful playfulness of much of this music well caught…Dego and Leonardi’s polished and deeply considered performances of all four sonatas provide 70 minutes of unvarnished pleasure.”\u003c\/div\u003e\n\u003cdiv class=\"review-text\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"review-author\"\u003e– The Strad (David Threasher)\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"review\"\u003e\n\u003cdiv class=\"review-stars stars0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"review-text\"\u003e\n\u003cdiv\u003e“…There is an infectious delight in give-and-take between piano and violin throughout …an exquisite recital.”\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"review-author\"\u003e– BBC \u003cem\u003eMusic\u003c\/em\u003e magazine (Julian Haylock)\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Chandos","offers":[{"title":"CD","offer_id":46012469444842,"sku":"095115223222","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4057331-2867080.jpg?v=1786664043"},{"product_id":"de-araujo-organ-music-soares","title":"De Araujo: Organ Music","description":"\u003cp\u003ePedro de Araújo (c. 1630-1707) is an important figure in Portuguese keyboard music of the late 17th century. His oeuvre consists of a total of 13 keyboard works, one of them with merely attributed authorship. These have come down to us through two manuscript sources in Portuguese collections: the Livro de obras de Orgaõ juntas pella coriosidade de Fr. Roque da Conceição, a source dated 1696, and the Livro de Obras de Órgão, a source compiled in the 17th and 18th centuries and originating in the Bouro Monastery (Braga). De Araújo’s output covers the genres that were in vogue in his day on the Iberian Peninsula (e.g. Batalha, Tento, Meio Registo, Fantasia) and which constituted the traditional repertoire of Iberian keyboard players in the service of ecclesiastical institutions.\n\u003cbr\u003eThe Batalha do 6º Tom and the [Susana] do 2º Tom hark back to the 16th century tradition of intabulating existing vocal works, the former based on the chanson ‘La Guerre’ by Clement Janequin, the latter on ‘Susane un jour’ by Orlando di Lasso, a famous vocal work throughout Europe and the target of many other composers’ intabulations.\n\u003cbr\u003eThe Phantasias, Obras and Tentos fall within the stylistic sphere of the tento (Spanish: tiento), an Iberian genre characterised by contrapuntal writing and multiple contrasting sections. In them De Araújo displays his mastery at weaving contrapuntal lines and varying the thematic material. The Consonâncias de 1º Tom corresponds stylistically to a tento de falsas (Sp.: tiento de falsas \/ It.: durezze e ligature), with the work developing in a succession of dissonances. The Passo solto de 7º Tom is a work entirely in triple meter with a succession of iambic rhythms reminiscent of the vilancico style.\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46012473180394,"sku":"5028421970769","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4281845-3124909.jpg?v=1786662335"},{"product_id":"henze-reinventions-arrangements-mozart-c-p-e-bach-vitali-caroli-tifu-battigelli","title":"Henze: Reinventions of Mozart, C.P.E. 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During the last year of his life, in 1787, Carl Philipp Emanuel Bach composed a Fantasia libera per tastiera sola (Free Fantasia for keyboard alone) which he expanded into the Clavier-Fantasie mit Begleitung einer Violine (Fantasy for harpsichord with violin accompaniment), one of his most personal and expressive works.\u003c\/p\u003e\n\u003cp\u003eHenze transcribed it for solo flute, harp and strings, aiming to project the extremely interesting and expressive harmonic material of the composition into a larger instrumental apparatus, thus making its future-oriented harmonic structures more manifest and moulded. He proposed two options for division of the: string quartet + string quintet or string quartet + tutti (the latter version is recorded here).\u003c\/p\u003e\n\u003cp\u003eAlthough it was probably composed in the early 18th century, Vitali’s Ciaccona ‘Il Vitalino’ – whose musical form is inspired by dance and consists of variations on a ground bass – was only rediscovered in 1867, published by the German virtuoso violinist Ferdinand David. Henze’s Il Vitalino raddoppiato – called “raddoppiato” (“doubled”) because of his extension of the composition by means of interpolated variations of each original section in the style of 18th-century doubles – retains Vitali’s bass almost throughout the entire composition. It alternates Vitali’s variations on his chaconne theme with Henze’s variations of Vitali’s variations, in an ever-changing dialogue between the 18th-century past and Henze’s present.\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46012474065130,"sku":"5028421970776","price":8.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4247982-3141848.jpg?v=1786650766"},{"product_id":"mozart-piano-concertos-vol-8-k-537-595-overtures-bavouzet","title":"Mozart: Piano Concertos, Vol. 8 - K. 537 \u0026 595; Overtures \/ Bavouzet","description":"\u003cspan data-mce-fragment=\"1\"\u003eVolume 8 of Jean-Efflam Bavouzet’s survey of Mozart’s piano concertos with Gábor Takács-Nagy and Manchester Camerata features two late concertos – Nos 26 and 27 – along with the overtures to Così fan tutte, Die Zauberflöte (The Magic Flute), and La clemenza di Tito. Concerto No. 26, the ‘Coronation’, was completed in 1788, premièred in Dresden, and then played at the coronation of Leopold II as Holy Roman Emperor, in Frankfurt, on 15 October 1790. As Mozart did not prepare the score for publication, large sections of the left hand were left blank in the manuscript score. It’s not known who created the part for the first printed edition, although this has been widely accepted ever since. Jean-Efflam Bavouzet has created his own version for this recording. Mozart premièred his final piano concerto, No. 27, in Vienna on 4 March 1791, in his last public performance. The album was recorded in Manchester’s Stoller Hall, Bavouzet playing a Yamaha CFX nine-foot Concert Grand Piano.\u003c\/span\u003e","brand":"Chandos","offers":[{"title":"CD","offer_id":46012476326122,"sku":"0095115224625","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4246189-3271934.jpg?v=1786639903"},{"product_id":"bridge-britten-works-for-viola-beatson-clement-connolly","title":"Bridge \u0026 Britten: Works for Viola \/ Beatson, Clément, Connolly","description":"\u003cp\u003eHélène Clément, violist with the Doric String Quartet, is the current holder of the viola previously owned by both Bridge and Britten. Her ambition, quickly formed once she first played this instrument, has been to create a testament to both composers and the instrument that binds them all together. This recording, where Hélène is joined by pianist Alasdair Beatson and Dame Sarah Connolly, is the realization of that ambition. Hélène writes: ‘Frank Bridge owned and played the beautiful viola made by Francesco Giussani, in Italy, in 1843. Benjamin Britten was Frank Bridge’s most beloved pupil, and Bridge gave him the viola as a parting gift when Britten had to embark on a ship’s journey to the United States at the outbreak of the Second World War. The composers were never to see each other again. To record the viola repertoire of both composers, producing the very sound that they would have had in their ears, the sound that inspired their love for the instrument and its special language, became a priority for me.’\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREVIEW\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"c-product-review--quote\"\u003eThe soul of this beautifully constructed recital is the luminous variety Hélène Clément extracts from the 1843 Giussani viola owned by Frank Bridge and passed on to his favorite pupil, Benjamin Britten. 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She has been praised for her serious talent, outstanding musicianship, extraordinary instinctive artistry, and fine technical command. For this her début recording, she presents works by two contrasting Bulgarian composers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePancho Vladigerov was arguably the most influential Bulgarian composer of all time. He was one of the first successfully to combine idioms of Bulgarian folk music and classical music. He was also among the founding members of the Bulgarian Contemporary Music Society (1933), which later became the Union of Bulgarian Composers. The British-Bulgarian composer Dobrinka Tabakova studied composition under Simon Bainbridge, Diana Burrell, Robert Keeley, and Andrew Schultz. Her composition \u003cem\u003ePraise\u003c\/em\u003e was sung at St Paul's Cathedral to celebrate the Golden Jubilee of Queen Elizabeth II, and she has received commissions from the Royal Philharmonic Society, BBC Radio 3, Cheltenham Music Festival, Britten Sinfonia, Three Choirs Festival, Wigmore Hall, and, in 2014, the PRS Foundation's first UK New Music Biennial.\u003c\/span\u003e\u003c\/p\u003e","brand":"Chandos","offers":[{"title":"CD","offer_id":46012478849258,"sku":"095115225127","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4069297-2810011.jpg?v=1786664024"},{"product_id":"antonioni-my-river-music-for-strings-ashkenazy-antonioni","title":"Antonioni: My River - Music for Strings \/ I Solisti Aquilani","description":"\u003cp\u003eThe legendary pianist and conductor joins his clarinettist son and Italian musicians in music by one of Italy’s most powerfully individual living composers. 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These are songs about love, seen from two opposite points, near the beginning and the end of life, and their meeting-point in this modern Ballata is bittersweet and charged with tension.\u003c\/p\u003e\n\n\u003cp\u003eThe origins of Sull’Ombra are no less distinguished. Yuri Bashmet conducted the Moscow Soloists in the premiere in 2014. Antonioni found himself moved to write it by lines of John Donne, which themselves reminded him of poetry by Eugenio Montale. The shadows here are dark indeed, though always lit with imagination, and harmony that leads the listener on, just as the concertante Lights after the Thaw draws out the intrinsically songful character of both solo instruments, in search of a point of reference amid a pervasive melancholia. There is a refined ear for harmony and texture evident in all three works, which reward attentive listening by anyone interested in the music of today.\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46012479308010,"sku":"5028421970868","price":8.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4289562-3141850.jpg?v=1786662180"},{"product_id":"grieg-lyric-pieces-vol-1-peter-donohoe","title":"Grieg: Lyric Pieces, Vol. 1 \/ Peter Donohoe","description":"\u003cp\u003eIf Chopin ‘invented’ the Mazurka, then surely by the same token Grieg ‘invented’ the Lyric Piece. Over his lifetime he published ten volumes of Lyric Pieces, containing 66 individual works.\u003c\/p\u003e\n\u003cp\u003eBorn in Bergen, Grieg studied in Leipzig and became established as Norway’s leading composer, successfully synthesizing Norwegian folk music with the forms and conventions of the German tradition. While he was internationally acclaimed for his Piano Concerto and the incidental music to Peer Gynt, the vast majority of his output lies not in large-scale works, but in smaller, more intimate forms, especially songs and, of course, his Lyric Pieces.\u003c\/p\u003e\n\u003cp\u003ePeter Donohoe writes: ‘as a teenager I expanded my knowledge of the music of Grieg to include many solo piano pieces as well as the better-known orchestral works. I was beguiled by his style, and the reason remains somewhat intangible. Although one is able to identify the originality of Grieg as a composer – the Norwegian folk element in his music, his natural gift for memorable melodic lines, his occasional diversions into unique and extraordinarily forward-looking harmonies, and, to some degree, his emotional naïveté – there is a unique, unidentifiable kernel in his output that defies analysis, as is true of the work of all the great composers... All these works are pristine examples of his diverse and original style – Norwegian with a Germanic flavour – and it has been a huge and satisfying pleasure to return to them to create this and future recordings.’\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREVIEW\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"c-product-review--quote\"\u003eDonohoe, with a devotion to Grieg’s music dating back to his early years, clearly has the measure of this repertoire. He gets inside the gentler pieces, such as ‘Melancholy’ and ‘Summer Evening’, with beautifully poised playing. Grieg in his more overtly national mood, as in the famous and virtuoso ‘Halling’, is presented with infectious enjoyment and the simpler pieces are never patronized.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"c-product-review--quote\"\u003e-- BBC Music Magazine\u003c\/span\u003e\u003c\/p\u003e","brand":"Chandos","offers":[{"title":"CD","offer_id":46012481306858,"sku":"0095115225424","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4092640-2854286.jpg?v=1786675090"},{"product_id":"amarcord-dun-tango","title":"Piazzolla, Gardel, et al.: Amarcord d'un Tango \/ Albonetti, Bonaventura, Orchestra Filarmonica Italiana","description":"\u003cspan data-mce-fragment=\"1\"\u003eMarco Albonetti writes: ‘”Amarcord” signifies memory, the nostalgic re-enactment of the past. 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It represents the ideal point of embarkation.’\u003c\/span\u003e","brand":"Chandos","offers":[{"title":"CD","offer_id":46012482814186,"sku":"095115225929","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4069298-2811225_430cf82f-ec7b-4104-be7c-787d2953d7a1.jpg?v=1786694623"},{"product_id":"mosaic-voices-letter-to-kamilla-music-in-jewish-memory","title":"Letter to Kamilla – Music in Jewish Memory \/ Mosaic Voices","description":"\u003cspan data-mce-fragment=\"1\"\u003eMosaic Voices are the Resident Choir at the New West End Synagogue, in London. The synagogue, designed in 1877 by the Scottish architect George Audsley, is a masterpiece of Victorian architecture, known for its beautiful choral acoustic. A great deal of the material on this album is therefore music sung by Mosaic Voices, in Hebrew, during religious services and festivals, of which this music forms a functional element. Ochila la’El, El Melech Yoshev, and Avinu Malkeinu are key musical works that form part of the New Year festival liturgy. Shomer Yisrael is sung during the little-known, but beautiful, midnight service of Selichot, which is part of the penitential prayers of the Hebrew month of Elul leading up to the New Year. Tree of Life, Generation to Generation, Yis’mechu, Ein Keloheinu, Uv’nucho Yomar, and Veh’al Kulam are pieces that the ensemble regularly sings at weekly Shabbat services, and form part of the liturgy for those services. The Musical Director, Michael Etherton, writes: ‘Exactly eighty years ago, my great grandmother Kamilla wrote a letter to her children. It was 1942. Fortunately, her children had escaped Nazi-occupied Austria, but Kamilla had not been so lucky. She endured four terrifying years of brutality and unimaginable suffering. The letter to her children was the last thing she wrote before being sent to Auschwitz, where she died. She did not know if her letter would ever reach her children. Eighty years later, my vocal ensemble, Mosaic Voices, is writing back to her in the form of an album of Jewish songs. We want Kamilla to know that, although she, her husband, and her sister, Minka, lost their lives in the Holocaust, all her children survived, and lived their lives successfully and happily in Britain, as proud Jewish people. Hitler’s mission failed. Her touching letter, which Kamilla wrote in German, has been set to music as one of the songs on this album (Letter from Kamilla). The other tracks that we have chosen to record celebrate the diversity, mysticism, and beauty of the music that Jewish people have brought to the world over time.’\u003c\/span\u003e","brand":"Chandos","offers":[{"title":"CD","offer_id":46012484518122,"sku":"0095115226124","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4041634-3207680.jpg?v=1786694043"},{"product_id":"neeme-jarvi-in-concert-estonian-national-symphony-orchestra","title":"Neeme Järvi in Concert \/ Estonian National Symphony Orchestra","description":"\u003cp\u003eThe legendary conductor Neeme Järvi celebrated his eighty-fifth birthday in the summer of 2022, in Tallinn, giving a series of concerts with his beloved Estonian National Symphony Orchestra. This album serves not just as a commemoration of those wonderful concerts, but also as a personal calling card for this remarkable musician. The concert overture Polonia, published in 1836, may well have been inspired by Wagner’s encounters with defeated Polish nationalists in Leipzig in 1832. Wagner wrote several concert overtures during this period – whilst plans for his revolutionary operatic output were developing – including Christoph Columbus and Rule Britannia!!\u003c\/p\u003e\n\u003cp\u003eMax Reger composed the Serenade in G major in 1905 – 06; it demonstrates the style and talent of this too-little-heard composer. Brahms set Schicksalslied (Song of Destiny), a poem by Friedrich Hölderlin, in two movements with chorus, but then added a third, an orchestral postlude. Ave verum corpus, possibly Mozart’s best-known setting for chorus, rounds off the program.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREVIEWS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe quality of choral singing of the Latvian State Choir is rightly celebrated, and this is a beautifully shaped performance [of the \u003cem\u003eSchicksalslied\u003c\/em\u003e], with vocal warmth and blend, and the orchestral postlude bringing a radiant conclusion.\u003c\/p\u003e\n\u003cp\u003e-- BBC \u003cem\u003eMusic \u003c\/em\u003eMagazine\u003c\/p\u003e\n\u003cp\u003eThis is a marvellous recording...Although Brahms’s Schicksalslied enjoys numerous recordings, Järvi’s is distinguished by the radiance and depth of the first and last sections as well as the vehemence of the central allegro.\u003c\/p\u003e\n\u003cp\u003e-- Gramophone\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs well as being a thoroughly attractive concert conducted with characteristic élan by Chandos star conductor Neeme Järvi, this program represents for collectors a very useful way of acquiring a variety of pieces, some unfamiliar, some less so… this is a very tempting disc.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-- CDChoice.co.uk\u003c\/span\u003e\u003c\/p\u003e","brand":"Chandos","offers":[{"title":"CD","offer_id":46012485173482,"sku":"095115226223","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4164110-3140394.jpg?v=1786684283"},{"product_id":"hoffmann-mandolin-quartets-5028421971179","title":"Hoffmann: Mandolin Quartets","description":"\u003cp\u003eThere is still much we do not know about the veritable mandolin-mania of late 18th-century Europe, particularly Vienna, which in that period was home to the three greatest musicians of the Classical period: Haydn, Mozart and Beethoven. The instrument certainly enjoyed dazzling success in Viennese musical circles, embraced by the cultured aristocrats who resided in the Habsburg capital, and its meteoric rise was supported by some extraordinary virtuosos who helped promote its high-quality and fast-growing repertoire.\n\u003cbr\u003eGiovanni Hoffmann’s refined chamber music featuring the mandolin was warmly received among the Viennese elite, making him one of the foremost figures behind the burgeoning mandolin repertoire of late 18th-century Vienna. Very little is known about his life; the Italianate first name alongside a clearly central-European surname adds to the mystery shrouding his birthplace and sphere of education.\n\u003cbr\u003eHoffmann was both a mandolin virtuoso and an esteemed composer. In 1799, the music merchant Johann Traeg advertised a list of the mandolin scores available to purchase from his shop on Vienna’s Singerstraße. It included a Trio for mandolin \u0026amp; bass by Hoffmann, and that same year, the composer released a further number of manuscript works through Traeg including his Quartets for mandolin, violin, viola \u0026amp; cello and\n\u003cbr\u003eSerenatas for mandolin \u0026amp; viola. Hoffmann’s work is recorded again in Austria in the early decades of the 19th century, but – like his birth – the place and date of his death have not yet come to light. His music, however, lives on, a testament to his talent for composing delightful music in a Classical style evoking the fascinating gatherings of the Viennese literati.\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46012487401706,"sku":"5028421971179","price":6.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4281843-3124935.jpg?v=1786662296"},{"product_id":"shadow-dances-british-works-for-flute-adam-walker-huw-watkins","title":"Shadow Dances - British Works for Flute \/ Walker, Watkins","description":"\u003cp\u003eFor his second album for Chandos, the flute virtuoso Adam Walker explores the music of British composers with pianist Huw Watkins. Vaughan Williams’s Suite de ballet was commissioned by the French flute virtuoso Louis Fleury (who had given the première of Debussy’s Syrinx). The work uses eighteenth-century French dance forms, a common practice in ‘neo-classical’ composition. Bax’s Four Pieces rescue music from an abandoned ballet originally conceived for Diaghilev’s Ballets Russes. Sir Lennox Berkeley’s Sonatina was originally written for treble recorder; James Galway’s championship of the piece made it a staple of the flute repertoire. Howard Fergusson’s Three Sketches were composed intermittently over a period of twenty years. The theme of the third piece is a Hindu melody, ‘Koyalinya bole ambuvan’ (Cuckoos sing in the mango tree). Sonatas by York Bowen and William Alwyn complete this varied and engaging program.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREVIEW\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"c-product-review--quote\"\u003eSeventy-seven minutes of British music for flute and piano might at first glance seem like 40 minutes too much. But that ’s without taking on board the nimble and dazzling skills of flautist Adam Walker, or the individual strengths of the works presented...a new pleasure is never far away in this most accomplished recital, full of the sounds of spring.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"c-product-review--quote\"\u003e-- BBC Music Magazine\u003c\/span\u003e\u003c\/p\u003e","brand":"Chandos","offers":[{"title":"CD","offer_id":46012487663850,"sku":"095115226520","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4201660-3140395.jpg?v=1786672847"},{"product_id":"berlin-stories-trio-gaspard","title":"Berlin Stories \/ Trio Gaspard","description":"\u003cp\u003eBerlin Stories is the first in a new series of recordings by the Trio Gaspard, based on different cultural capitals and composers associated with them. The album features three composers who lived and worked in Berlin for a period of their lives – for different reasons and in varying circumstances.\u003c\/p\u003e\n\u003cp\u003eMendelssohn’s grandfather, Moses, was a philosopher and leader of the Haskalah, or Jewish Enlightenment, establishing a pre-eminent position for the family in Berlin, and creating the opportunities for both Felix and Fanny to realize their musical potential. The second piano trio is a perfects example of Mendelssohn’s style, combining a total mastery of classical structure and counterpoint with romantic sensibility. Moscow-born, but of Swiss parentage, Paul Juon came to Berlin in 1894 to study composition at the city’s foremost Conservatory, and remained in the city until he retired to Switzerland in 1934. Litaniae, his fourth piano trio, is unlike anything else in the piano trio repertoire. It is cast as a single movement and resembles Richard Strauss’s tone poems in scale and ambition. Greek composer Nikos Skalkottas, arrived in Berlin in 1921, and stayed until 1933. He studied composition with a number of leading tutors, before spending 5 years studying with Arnold Schoenberg. His eight variations exemplify his ability to combine serial composition with his native folk music. All the members of Trio Gaspard have lived or still live in Berlin and Berlin Stories expresses their love and admiration for this endlessly fascinating and invigorating metropolis.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREVIEW\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eThe playing in Mendelssohn’s Second Piano Trio is of quicksilver clarity but the musicians are equally alive to its stormy turbulence. 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His Trio in G minor was composed in 1855 as a response to the death of his four-year old daughter and shows the influence of Liszt. Josef Suk was a favorite pupil of Dvorak's, and his early Piano Trio, whilst shorter in length and less intense than Smetana's, is embedded in that Czech tradition. Also deeply influenced by Dvorak, Samuel Coleridge-Taylor was inspired by his African heritage, as well, and his Twenty-Four Negro Melodies for Piano was a prime example of his research. He subsequently arranged five of these pieces into the suite for piano trio that we hear on this album. The program concludes with Frank Martin's Trio from 1925, which is based on traditional Irish melodies. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eREVIEWS\u003c\/b\u003e:\u003c\/p\u003e\u003cp\u003eThese four chamber works explore music of a definitive national identity. The members of the ensemble brandish their considerable skills in the service of otherwise neglected composers and scores, with astonishing brilliance in their recorded sound.\u003c\/p\u003e\u003cp\u003e— Audiophile Audition\u003c\/p\u003e\u003cp\u003eThe program's characteristically eclectic mix of works nurtures the Trio's well-upholstered warmth, attention to detail, and compelling rapport.\u003c\/p\u003e\u003cp\u003e— BBC Music Magazine\u003c\/p\u003e","brand":"Chandos","offers":[{"title":"CD","offer_id":46012491563242,"sku":"095115227220","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4344119-3201825.jpg?v=1786643301"},{"product_id":"path-to-the-moon-095115227428","title":"Path to the Moon \/ van der Heijden, Coleman","description":"\u003cp\u003eThe performers write: ‘Selecting the repertoire for our album Path to the Moon, we wanted to explore a number of possibilities for binding together a programme. To place different works alongside one another is a wonderful way of bringing out new and unusual qualities in each piece. William T. Horton’s fantastic image The Path to the Moon immediately inspired a flurry of ideas, including works on the subjects of both night and the moon, as well as pieces which invoke the exploratory nature of humankind’s voyage to the moon. Britten wrote his Sonata for Cello and Piano only two years after the first object made by humans had touched the surface of the moon, in 1959. Humans throughout history and from all cultures have been drawn to and taken inspiration from the moon and we have tried to reflect this in our eclectic choice of song repertoire: from Toru Takemitsu to Nina Simone and from Lili Boulanger to Florence Price. As we hope you will hear on this album, Walker’s Cello Sonata rings with echoes of the sound-worlds of blues and jazz and is infused with a beautiful lyricism. We really believe that Walker’s Cello Sonata deserves to become a staple of the chamber music repertoire and are absolutely thrilled to offer you a recording of it in the context of our own exploration of a path to the moon.’\u003c\/p\u003e","brand":"Chandos","offers":[{"title":"CD","offer_id":46012492185834,"sku":"095115227428","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4289986-3147683.jpg?v=1786649623"},{"product_id":"mystique-krzysztof-meisinger","title":"Mystique \/ Krzysztof Meisinger","description":"\u003cp\u003eBefore a phrase from the Gran vals by Francisco Tárrega unexpectedly shot to international fame as the Nokia ringtone, his most celebrated pieces included the Capricho árabe, composed in 1892. The piece is inspired by the mixture of Muslim Castilian and Christian cultures which had always been a feature of the Valencia region where Tárrega grew up.\u003c\/p\u003e\n\u003cp\u003eTárrega’s friend and near-contemporary Isaac Albéniz was a virtuoso pianist who also played the guitar. Even though he evoked the guitar brilliantly on the piano, he never composed any music for the instrument. ‘Malagueña’ was first published in the collection España. Published in 1892 as ‘Prélude’, the piece widely known as ‘Asturias’ is also imbued with the spirit of southern Spain.\u003c\/p\u003e\n\u003cp\u003eFederico Mompou’s Suite compostelana was commissioned by Andrés Segovia and was published in 1964, the same year as Segovia’s first recording of the piece.\u003c\/p\u003e\n\u003cp\u003eThe Italian guitarist and composer Carlo Domeniconi has drawn on several national traditions for his works, but has a particular interest in Turkish music which he has studied in depth. The Variationen über ein anatolisches Volkslied (Variations on an Anatolian Folksong) were composed in 1982 and are based on the song (türkü) ‘Uzun ince bir yoldayim’. Koyunbaba is a four-movement suite for guitar which started as an improvisation, and was then notated soon afterwards. The composer describes the score as ‘no more than a sketch’ and insists that players improvise in their performance – which Krzysztof Meisinger does to great effect with his additional ‘Invocazione’ at the start of the work.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREVIEW\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"c-product-review--quote\"\u003eIt’s a pity Mompou didn’t write more for the guitar. His only work for that instrument, the Suite compostelana, is a minor masterpiece, profound in its simplicity. It takes a player of Meisinger’s stature to pull off a successful performance, and here the Preludio, Cuna and Canción are especially well rendered.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"c-product-review--quote\"\u003e-- Gramophone\u003c\/span\u003e\u003c\/p\u003e","brand":"Chandos","offers":[{"title":"CD","offer_id":46012495921386,"sku":"0095115227824","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4226833-3132682.jpg?v=1786636016"},{"product_id":"adriana-deluxe-bosgraaf","title":"Adriana: Her Portrait, Her Life, Her Music [CD + Book]","description":"\u003cp\u003eThe forgotten figure of a 17th-century Dutch recorder virtuoso, illuminated by a unique synthesis of art history, scholarship and modern musicianship.\u003c\/p\u003e\n\u003cp\u003eDer Fluyten Lust-hof (The Flute's Pleasure Garden, or Garden of Delights) is the largest collection of music for a single wind instrument ever published by a single composer, and has supplied recorder players, amateurs and professionals, with music for reflection and entertainment ever since the publication of its initial volume in 1644.\u003c\/p\u003e\n\u003cp\u003eAn overlooked detail is the dedication of the first volume, to one Adriana vanden Bergh. Who was she? This book and CD tells the full and fascinating story, shedding light along the way on many aspects of culture, religion and everyday life in Amsterdam during the 17th century. As both a musicologist and art historian, Thiemo Wind is uniquely placed to tell this story. He has identified Adriana as the subject of a famous painting by Jacob Adriaensz Backer (1608\/09–1651), hitherto anonymous but considered one of the most beautiful portraits of the Dutch Golden Age.\u003c\/p\u003e\n\u003cp\u003eThrough original research, Thiemo Wind has assembled an eventful biography, which moves in short and lively chapters, each of them illustrated with a telling image, from her family background to her birth in 1631, her complex religious inheritance of both Protestant and Catholic observance, her apparently rapid mastery of the recorder, her participation in Amsterdam’s lively performing culture and her status as a musical celebrity even as a teenager, to her marriage in 1650, which probably occasioned the commission of Backer’s portrait. Thereafter the story turns darker, with a tale of bankruptcy, child-birth and -death, family splits and reconciliations, obscurity and ultimately Adriana’s death in 1668, having given birth to her ninth child.\u003c\/p\u003e\n\u003cp\u003eThe accompanying CD takes its cue from Der Fluyten Lust-hof, and from the music publications featured in Backer’s portrait, to present new recordings of music with which Adriana would have delighted audiences in her time. Performed by the internationally renowned virtuoso Erik Bosgraaf, in company with his Cordevento ensemble, the recording complements Thiemo Wind’s scholarship to present Adriana’s life and music in the round.\"\u003c\/p\u003e","brand":"Brilliant Classics","offers":[{"title":"CD","offer_id":46012496117994,"sku":"5028421971889","price":37.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4281842-3124970.jpg?v=1786662343"},{"product_id":"chandoshaydn-complete-piano-trios-vol-3","title":"Haydn: Complete Piano Trios, Vol. 3 \/ Trio Gaspard","description":"\u003cp\u003eAs with the previous volumes in this series, Trio Gaspard has conceived a programme of contrasting trios that works as a standalone recital. The musicians have again included a contemporary work commissioned as part of the project – in this instance the world première recording of Kit Armstrong’s Revêtements. The earliest trio on the album – No. 12 – takes its form from the dance suite, with an opening allemande and concluding minuet framing a minor-key polonaise. Trio No. 19 which opens the programme features two contrasting movements in the same tonality – a spirited Vivace offset by a graceful minuet. The long and complex first movement of Trio No. 25 is followed by two shorter ones. Whilst the outer movements of Trio No. 43 sit firmly in C major, the A major central movement (with an extended central minor key section) displays yet another form of contrast. Trio Gaspard is regularly invited to major international concert halls across Europe and further afield. Highlights of the 2023 \/ 24 season will include a residency at Wigmore Hall, a performance of Beethoven’s ‘Triple’ Concerto with Uppsala Chamber Orchestra, and recitals in Firenze, Lucerne, Bern, Helsinki, Gateshead, and Heidelberg.\u003c\/p\u003e","brand":"Chandos","offers":[{"title":"CD","offer_id":46012496642282,"sku":"095115227923","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4322643-3140398.jpg?v=1786636633"},{"product_id":"mozart-piano-concertos-vol-9-bavouzet-takacs-nagy-manchester-camerata","title":"Mozart: Piano Concertos, Vol. 9 \/ Bavouzet, Takács-Nagy, Manchester Camerata","description":"\u003cp\u003eThe three concertos featured on this album were composed together in 1782 \/ 83 – shortly after Mozart had left his patron and position in Salzburg to establish himself as a freelance composer and performer in Vienna. The concertos were all performed by the composer in a series of subscription concerts that he gave in the city. All share the same form – opening movement in sonata form, slow movement in ternary form, and a bright rondo finale. Despite these similarities, though, each piece has its own distinct character and identity; such was the extent of Mozart’s genius for invention. Although formally scored for strings with wind, horns, trumpets, and timpani, Mozart also offered them to his publisher to be performed ‘a quatro’ – for strings only. These would be the last concertos he wrote in which this would be possible, and it is certainly likely that it reflected a need to earn greater income as opposed to being a purely artistic decision. As in the rest of this series, Jean-Efflam Bavouzet is joined by the Manchester Camerata and Gábor Takács-Nagy, who open the album with a dazzling performance of the Overture to Die Entführung aus dem Serail, which dates from the same period.\u003c\/p\u003e","brand":"Chandos","offers":[{"title":"CD","offer_id":46012501098730,"sku":"095115228623","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4293770-3140399.jpg?v=1786639748"},{"product_id":"barbieri-morricone-rota-silvestri-postcards-from-italy-italian-music-for-film","title":"Postcards from Italy - Italian Music for Film \/ Albonetti, Silvestri, Roma Sinfonietta","description":"\u003cp\u003eFor his third album for Chandos, the saxophonist Marco Albonetti turns to the rich tradition of film music from his native Italy. Marco writes: ‘Film music has been described as the defining new genre of classical music in the twentieth century. It engages both the ear and the heart of an audience. The masterpieces composed by two Italian film composers in particular, Nino Rota and Ennio Morricone, embody the cultural identity of most Italians and they have become recognised and loved by audiences around the world. The film themes on this album capture the magical combination of romance, melancholy, friendship, and violence. The notes vibrate with such passion that the compositions continue to engage the listener, bringing the work of these great Italian composers to life wherever and whenever it is performed.\u003c\/p\u003e\n\u003cp\u003eFilm music is meant to be an accompaniment to the action on screen. However, the music of the great Italian composers is so powerful and enduring that these melodies can stand on their own merit, transporting us to another time and place, evoking memories of past experiences or introducing us to new worlds, places which we can only see in our imagination. This album is a tribute to the Italian spirit, to my spirit, expressed through a musical journey: it offers Postcards from Italy.’\u003c\/p\u003e","brand":"Chandos","offers":[{"title":"CD","offer_id":46012504244458,"sku":"0095115229125","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4246190-3206436.jpg?v=1786635486"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/collections\/3_f8920f0a-e48d-4188-97dc-83a1eb2beb2b.png?v=1789477314","url":"https:\/\/arkivmusic.com\/collections\/one-day-sale-9-15.oembed?page=7","provider":"ArkivMusic","version":"1.0","type":"link"}