In a remote Spanish town, the free-spirited Carmen declares that any man she loves should beware. But even she is unprepared for what happens when she decides to seduce police officer Don Jose. Though initially uninterested in Carmen's charms, Don Jose - against the wishes of his mother and of Micaëla, the woman who loves him - soon abandons his respectable career for a life of danger with Carmen, joining her and her smuggler friends as they outrun the law. But Carmen quickly wearies of Don Jose's possessiveness, longing to return to her life of independence. When she turns her attention to the celebrated toreador Escamillo, Don Jose's jealousy and despair threaten to violently erupt. Damiano Michieletto's searing production casts scorching light on the lust, violence and passion of Bizet's ever-popular opera.
A festive classic, including some of Tchaikovsky's - and indeed, the classical ballet canon's - most instantly recognisable tunes, Peter Wright's production of The Nutcracker has been enchanting children and adults alike since it's first performance by The Royal Ballet in 1984. Julia Trevelyan Oman's designs bring the story wonderfully to life, from the 19th-century German home of the Stahlbaums - which features a Christmas tree that transforms beyond one's imagination - to the Kingdom of Sweets, where everything is sugar and sparkle.
A festive classic, including some of Tchaikovsky's - and indeed, the classical ballet canon's - most instantly recognisable tunes, Peter Wright's production of The Nutcracker has been enchanting children and adults alike since it's first performance by The Royal Ballet in 1984. Julia Trevelyan Oman's designs bring the story wonderfully to life, from the 19th-century German home of the Stahlbaums - which features a Christmas tree that transforms beyond one's imagination - to the Kingdom of Sweets, where everything is sugar and sparkle.
In a remote Spanish town, the free-spirited Carmen declares that any man she loves should beware. But even she is unprepared for what happens when she decides to seduce police officer Don Jose. Though initially uninterested in Carmen's charms, Don Jose - against the wishes of his mother and of Micaëla, the woman who loves him - soon abandons his respectable career for a life of danger with Carmen, joining her and her smuggler friends as they outrun the law. But Carmen quickly wearies of Don Jose's possessiveness, longing to return to her life of independence. When she turns her attention to the celebrated toreador Escamillo, Don Jose's jealousy and despair threaten to violently erupt. Damiano Michieletto's searing production casts scorching light on the lust, violence and passion of Bizet's ever-popular opera.
Lise is the only daughter of Widow Simone, the owner of a prosperous farm. She is in love with the young farmer Colas, but her mother has higher ambitions for her, hoping to marry her off to Alain, the son of the wealthy proprietor Thomas. Desperate to marry Colas rather than Alain, Lise contrives to outwit her mother's plans. When La Fille mal gardee premiered in Covent Garden on 28 January 1960, it instantly won all hearts. Inspired by Jean Dauberval's French ballet, Ashton's version combines exuberant good humour and an affectionate portrayal of village life. The Royal Ballet's Founder Choreographer, Frederick Ashton, hoped to capture the 'leafy pastoral of perpetual sunshine... The suspended stillness of a Constable landscape of my beloved Suffolk, luminous and calm'. Osbert Lancaster's colourful designs bring the charm of the countryside to life.
Lise is the only daughter of Widow Simone, the owner of a prosperous farm. She is in love with the young farmer Colas, but her mother has higher ambitions for her, hoping to marry her off to Alain, the son of the wealthy proprietor Thomas. Desperate to marry Colas rather than Alain, Lise contrives to outwit her mother's plans. When La Fille mal gardee premiered in Covent Garden on 28 January 1960, it instantly won all hearts. Inspired by Jean Dauberval's French ballet, Ashton's version combines exuberant good humour and an affectionate portrayal of village life. The Royal Ballet's Founder Choreographer, Frederick Ashton, hoped to capture the 'leafy pastoral of perpetual sunshine... The suspended stillness of a Constable landscape of my beloved Suffolk, luminous and calm'. Osbert Lancaster's colourful designs bring the charm of the countryside to life.
A dazzling double-bill of classic G&S comedy and new writing from Scottish Opera. Trial by Jury, first performed in 1875, is the first major hit from the partnership of W.S. Gilbert and Arthur Sullivan. Set around a classic case of broken vows - the defendant having literally left the claimant at the altar - the trial bubbles over with emotion, humour, and downright chaos, leaving the jury divided. How will they decide between the charming yet swindling defendant and the utterly captivating claimant? In A Matter of Misconduct!, Emma Jenkins and Toby Hession present a daring new operetta set in the press room at Number 9 Downing Street. When a scandal threatens to break about the front runner in a bloody leadership campaign, a lawyer is needed to prevent information from reaching the press. Sylvia Lawless from the firm Lawless, Lawless, Lawless and Crook must find the loopholes in this modern take on unsavoury behaviour.
A dazzling double-bill of classic G&S comedy and new writing from Scottish Opera. Trial by Jury, first performed in 1875, is the first major hit from the partnership of W.S. Gilbert and Arthur Sullivan. Set around a classic case of broken vows - the defendant having literally left the claimant at the altar - the trial bubbles over with emotion, humour, and downright chaos, leaving the jury divided. How will they decide between the charming yet swindling defendant and the utterly captivating claimant? In A Matter of Misconduct!, Emma Jenkins and Toby Hession present a daring new operetta set in the press room at Number 9 Downing Street. When a scandal threatens to break about the front runner in a bloody leadership campaign, a lawyer is needed to prevent information from reaching the press. Sylvia Lawless from the firm Lawless, Lawless, Lawless and Crook must find the loopholes in this modern take on unsavoury behaviour.
Marius Petipa’s exotic ballet, set in legendary India, is a story of love, death and vengeful judgement. Natalia Makarova’s sumptuous recreation of Petipa’s choreography, with atmospheric sets by Pier Luigi Samaritini and beautiful costumes by Yolanda Sonnabend, stars Tamara Rojo as the Bayadère (temple dancer) Nikiya, CarlosAcosta as Solor, and Marianela Nuñez as Gamzatti whose alluring presence challenges Solor’s love for Nikiya. Filmed in High Definition and recorded in true surround sound.
‘There wasn’t a single physical gesture that didn’t mean something, that didn’t speak of love trying and failing to blossom.’ -- The Daily Telegraph
Solar – Carlos Acosta Gamzatti – Marianela Nuñez Nikiya – Tamara Rojo The High Brahmin – Gary Avis Rajah – Christopher Saunders Magdaveya – Kenta Kura Solor's Friend – Valeri Hristov
Royal Ballet Royal Opera House Orchestra Valeriy Ovsyanikov, conductor
Natalia Makarova, choreographer
Recorded live from the Royal Opera House, January 2009
- Tamara Rojo on dancing La Bayadère - Leanne Cope and Francesca Filpi on the corps de ballet -Tamara Rojo and Carlos Acosta rehearse with Alexander Agadzhanov - Natalia Makarova on choreographing La Bayadère
Picture format: NTSC 16:9 anamorphic Sound format: LPCM Stereo / DTS 5.0 Region code: 0 (worldwide) Menu languages: English Subtitles (Bonus): English, French, German, Spanish Running time: 166 mins No. of DVDs: 1
Puccini: Manon Lescaut / Domingo, Kanawa, Friedrich, Royal Opera House [DVD]
Opus Arte
DVD
$24.99Mar 25, 2022
Puccini began to compose Manon Lescaut in 1889. It was an act of supreme bravado as only five years previously Massenet had premiered Manon, based on the same novel by Abbé Prévost. The story is set in France and Louisiana in the early 18th century and focuses on – in a way different to Massenet – the fortunes and tragedy of the hero, the Chevalier des Grieux, and his lover, Manon. Its ceaseless melodic beauty and drama were recognized immediately and the first night was an overwhelming triumph, with Puccini effectively anointed as Verdi’s successor and Italy’s greatest operatic composer. Ninety years after its 1893 premiere in Turin, the work was staged by the Royal Opera House, Covent Garden. The 1983 production was conducted by Giuseppe Sinopoli, making his British operatic debut to such remarkable effect that The Times referred to him as ‘Europe’s most spectacular new opera star’. The cast included three of the greatest exponents of their roles; Plácido Domingo as the romantic hero whose performance ‘was a cause for drop-jawed wonder’ (The Spectator), the radiant Kiri Te Kanawa as Manon and Thomas Allen as her brother, Lescaut. Director Götz Friedrich’s largely traditional staging proved a major theatrical success.
Rusalka, a water spirit, lives with her family in the pure waters of the forest lake. When she falls in love with a Prince, she sacrifices her voice and leaves her home in the hope of finding true love in a new world - a world that does not love her back. Natalie Abrahami and Ann Yee create a poetic, contemporary new staging of Dvorak's lyric fairy tale, revealing our uneasy relationship with the natural world and humanity's attempts to own and tame it. Semyon Bychkov conducts an all-star cast featuring Asmik Grigorian in the title role.
Poulenc wrote his "Stabat Mater," a hauntingly passionate work, after visiting the sacred shrine of the Black Madonna of Rocamadour. He made a pilgrimage to her remote chapel in the south of France after a good friend of his was hilled in a car accident.
PROM AT THE PALACE Roberto Alagna, Angela Gheorghiu, Dame Kiri Te Kanawa, Sir Thomas Allen,The London Adventist Chorale, Julian Bliss, Ashley Wass, Roberto Bolle, Zenaida Yanowsky, Mstislav Rostropovich with cello section LSO, The Band of Her Majesty’s Royal Marines, BBC Symphony Orchestra, BBC Symphony Chorus Sir Andrew Davis
All-time classical favourites from the first ever public concert held in the grounds of Buckingham Palace, hosted by Her Majesty Queen Elizabeth II FEATURING Music by Walton, Handel, Bizet, Gershwin, Messager, Holst, Tchaikovsky, Rossini, German, Arnold, Villa-Lobos, Puccini, Verdi, Elgar and Arne. PLUS special performances from the magnificent ballroom & the music room of Buckingham Palace ‘...some of the world’s finest classical artists gave their all. ...The whole atmosphere even before the concert was great. It doesn’t get better than this.’ THE MAIL ON SUNDAY
‘This is a souvenir d’occasion of the first ever public concert held in the grounds of Buckingham Palace… Bob Coles’s slick direction captures the spirit of the evening… undoubtedly gives us – the uninvited millions – a better view and sound mix than that which those present experienced. …[an] unmissable turn was the astonishing 12-year-old clarinettist Julian Bliss in Messager’s Solo de concours.’ BBC Music Magazine
Note: This Blu-ray Disc is only playable on Blu-ray Disc players, and not compatible with standard DVD players.
Franz Léhar THE MERRY WIDOW (Sung in English) (Blu-ray Disc Version)
Anna Glawari – Yvonne Kenny Count Danilo Danilovitch – Bo Skovhus Valencienne – Angelika Kirchschlager Camille de Rosillon – Gregory Turay Baron Mirko Zeta – Carlo Hartmann Vicomte Cascada – Curtis Sullivan Raoul de St. Brioche – Jonathan Boyd Kromow – Bob Amaral Olga – Marnie Breckenridge Pritschitch – William Saetre Praskowia – Jayne Taini Bogdanovitch – Peter Strummer Sylviane – Colleen McGrath Njegus – Elijah Chester Zozo – Janice Lynde Maître d’hôtel – Matt Logan
San Francisco Opera Ballet San Francisco Opera Chorus San Francisco Opera Orchestra Erich Kunzel, conductor
Lotfi Mansouri, stage director
Recorded live at the War Memorial Opera House, San Francisco on 8 December 2001.
Bonus: - Illustrated synopsis and cast gallery - Impressions - Lotfi Mansouri, Yvonne Kenny, Bo Skovhus, Angelika Kirchschlager and Gregory Turay discuss The Merry Widow.
Picture format: 1080i High Definition Sound format: DTS-HD Master Audio 2.0 and 4.0 Region code: 0 (worldwide) Menu language: English Subtitles: French, German, Spanish Running time: 189 mins No. of DVDs: 1 (BD 50)
Ballet Spectacular - Giselle, La Fille Mal Gardee, Coppelia
Opus Arte
DVD
$39.99Jan 27, 2015
This special DVD collection presents The Royal Ballet in three of the world's most popular ballets, as featured in the best-selling book Ballet Spectacular.
BALLET SPECTACULAR (3-DVD Box set)
Adolphe Adam GISELLE
Giselle - Alina Cojocaru Count Albrecht - Johan Kobborg Myrtha - Marianela Nuñez Hilarion - Martin Harvey
Royal Ballet Royal Opera House Orchestra Boris Gruzin, conductor
Marius Petipa, choreographer (after Jean Coralli and Jules Perrot) John MacFarlane, stage and costume designer Jennifer Tipton, lighting designer
Léo Delibes COPPÉLIA
Swanilda - Leanne Benjamin Franz - Carlos Acosta Doctor Coppélius - Luke Heydon Coppélia - Leana Palmer
Royal Ballet Royal Opera House Orchestra Nicolae Moldaveanu, conductor
Ninette de Valois, choreographer (after Lev Ivanov and Enrico Cecchetti) Osbert Lancaster, stage and costume designer John B. Read, lighting designer
Ferdinand Hérold LA FILLE MAL GARDÉE
Colas - Carlos Acosta Lise - Marianela Nuñez Simone - William Tuckett Alain - Jonathan Howells
Royal Ballet Royal Opera House Orchestra Anthony Twiner, conductor
Frederick Ashton, choreographer Osbert Lancaster, set and costume designer John B. Read, lighting designer
Recorded live at the Royal Opera House, Covent Garden, London, January 2006 (Giselle), 2000 (Coppélia) and 2 February 2005 (La Fille Mal Gardée)
On a distant island, a man waits. Robbed of his posiiton, power and wealth, his enemies have left him in isolation. But this is no ordinary man, and this is no ordinary island. Prospero is a magician, able to control the very elements and bend nature to his will. When a sail appears on the horizon, he reaches out across the ocean to the ship that carries the men who wronged him. Creating a vast magical storm, he wrecks the ship and washes his enemies up onto shore. When they wake, they find themselves lost on a fantastical island where nothing is as it seems
'The school for lovers', Mozart's alternative title for Così fan tutte, is given a playful, theatrical treatment by German director Jan Philipp Gloger, who sets this new production for The Royal Opera in a theatre. The four lovers are performed by a cast of young rising stars, with Sabina Puertolas as the fun-loving Despina and acclaimed German baritone and comic genius Johannes Martin Kranzle as the impresario Don Alfonso, who leads the lovers on a role-playing journey full of picturesque settings. Semyon Bychkov conducts the Orchestra of the Royal Opera House in one of Mozart's most beautiful scores, packed with wonderful arias and ensembles. "Ensemble singing is strong; the standout is Daniel Behle's gorgeous tenor as Ferrando. Above all, Semyon Bychkov's impeccable balance and pacing in the pit allows it full space to blossom." (The Independent) "Semyon Bychkov gives an enthralling lesson in Mozart from the outset. Conducting his first Mozart opera in 20 years, he has a style might be said to belong (in the best sense) to the old school. But, Bychkov draws glowingly warm playing, and the textures are lithe and lively. The score's darker colours are all brought out in a performance that bristles with dramatic tension." (The Daily Telegraph)
Ercole – Luca Pisaroni Iole – Veronica Cangemi Giunone – Anna Bonitatibus Illo – Jeremy Ovenden Deianira – Anna Maria Panzarella Licco – Marlin Miller Nettuno / Tevere / Spirit of Eutyro – Umberto Chiummo Bellezza / Venere – Wilke te Brummelstroete Cinzia / Pasitea / Spirit of Clerica – Johannette Zomer Mercurio / Spirit of Laomedonte – Mark Tucker A Page / Spirit of Bussiride – Tim Mead
Netherlands Opera Chorus Concerto Köln Ivor Bolton, conductor
David Alden, stage director
Recorded live from the Het Muziektheater, 2009.
Bonus: - Illustrated synopsis. - Cast gallery. - Behind the scenes with Johanette Zomer. - Behind the scenes with Luca Pisaroni. - The making of Ercole Amante.
Picture format: NTSC 16:9 Sound format: PCM Stereo and 5.0 Region code: 0 (worldwide) Subtitles: English, French, German, Spanish, Italian, Dutch No. of DVDs: 2
Royal Ballet Principals Federico Bonelli, Laura Morera and Steven McRae dance the lead roles in Liam Scarlett's new ballet, based on the world's most famous work of horror fiction, Mary Shelley's Frankenstein. This ambitious theatrical collaboration brings the novel to life with spectacular period sets and costumes by John Macfarlane and a newly commissioned score by Lowell Liebermann. Scarlett's choreography draws out the emotional power of this classic story. Passionate encounters between Victor, Elizabeth and the Creature express their torment, regret, anger, yearning and love.
Puccini’s Japanese tragedy Madama Butterfly is given a ravishing production by The Royal Opera. Its alluring imagery of Japan from the 19th-century European Imagination heightens the intense clash of East and West. When the American naval officer Pinkerton seduces the young ‘Butterfly’ Cio-Cio-San, he seems to promise every happiness – but his cruel abandonment leads to her tragic self-sacrifice. Antonio Pappano, Music Director of The Royal Opera and renowned for his interpretations of Puccini, conducts an exceptionally fine cast with the Royal Opera Chorus and the Orchestra of the Royal Opera House. Powerful performances show why Madama Butterfly remains one of the all-time operatic favourites. ‘‘Always at his best in Puccini, Antonio Pappano conducts with passionate sincerity.’’ (The Guardian 5 Stars) ‘‘An opera that ranks among the very greatest of the 20th century.’’ (The Daily Telegraph 4 Stars) ‘‘Ermonela Jaho is the best Cio-Cio-San London has seen in years’’ (Independent 4 Stars) -----
REVIEWS:
The Albanian soprano Ermonela Jaho is one of the great singing actresses of our time. Hers is not a sumptuous soprano, but the colors she brings to her portrayal are astonishing. Her Flower Duet with Elizabeth DeShong's feisty, sympathetic Suzuki is quite beautifully sung. Pappano - arguably today's greatest Puccianian conductor - draws ardent playing from the orchestra, superbly detailed in its commentaries.
– Gramophone
Pappano is particularly alert to Puccini borrowing traditional Japanese melodies; at times he makes you hear this score, as well as the drama on stage, as a tug of war between East and West. It’s Sharpless and Suzuki who steal the show – a consul with a tender conscience from Scott Hendricks and Elizabeth DeShong as a maid who could melt the stoniest of hearts.
Balanchine's Jewels / Paris National Opera Ballet [Blu-ray]
Opus Arte
Blu-Ray
$39.99Oct 28, 2008
*** This Blu-ray Disc is only playable on Blu-ray Disc players and not compatible with standard DVD or HD DVD players. ***
In 2000, seventeen years after George Balanchine’s death, a rare and precious ballet arrived at the Paris Opéra: Jewels, a work first performed by the New York City Ballet in 1967. This alluring, abstract ballet, a triptych in which each piece sparkles with the brilliance of a precious stone, is a lyric tribute to women and to the capital cities of the great dance schools. Couturier, painter and craftsman Christian Lacroix created the glorious costumes and sets which, together with the outstanding performances of the dancers and the sensitive musical direction of Paul Connelly, results in a celebration of sumptuous splendour. Aurélie Dupont, Marie-Agnès Gillot, Agnès Letestu, Clairemarie Osta, Laëtitia Pujol, Jean-Guillaume Bart, Kader Belarbi, Mathieu Ganio
Ballet de L’Opéra national de Paris Orchestre de L’Opéra national de Paris
Choreography: George Balanchine Musical Director: Paul Connelly Set & costume design: Christian Lacroix
Recorded live at the Opéra national de Paris, October & November 2005.
Repertoire: Gabriel Fauré - Pelléas and Mélisande and Shylock Igor Stravinsky - Capriccio for Piano and Orchestra Pyotr Ilyich Tchaikovsky - Symphony No.3 in D major
Plus: George Balanchine forever - A film by Reiner E. Moritz
Reviews: "For Rubies nothing but delight. Aurélie Dupont, Marie-Agnes Gillot, Alessio Carbonne were electric, super charged, at the head of a fizzing cast, hard edged, hard driven, hard to beat." -- Financial Times
"A gem of dazzling brilliance." -- The Independent
Region code: 0 (all regions) Picture: 1080i Sound: 2.0 & 5.0 PCM Audio Subtitles: English, French, German, Spanish, Italian
This release is a delight, a relay from Covent Garden which was, as far as I’m aware, broadcast live into cinemas last December. It features their current production which has been doing the rounds since the early 1970s, here revived by the original director himself. Copley’s production is traditional and beautiful, its chief concern being to tell the story directly. In December 2009 some criticised it for looking a little worn and shabby. Don’t believe a word of it! In the close-up of the screen it looks neat, fresh and as good as new, every piece of furniture and inch of set design serving the purpose of the drama nicely. The garret is well designed on two levels so that the most intimate action takes place closest to the audience, away from the busyness of the entries and exits. The Barrière d’Enfer looks beautiful with its warm looking tavern and gently falling snow. The Cafe Momus is uncrowded and easy on the eye, though the action in the street outside seems rather cramped. Costumes and sets place us firmly in Paris in the 1830s and there is nothing to detract from the basic narrative. Some might find this unimaginative, but there is a lot to be said for telling a story well and this is certainly one production (or, by extension, DVD) to which I would happily take a newcomer to opera.
The cast of singers are all young up-and-comings, but they are all the better for that. Bohème is all about the energy of youth and the excitement of young love, and this cast all look the part as well as sounding great. Hibla Gerzmava is a lovely Mimi, lyrical and vulnerable with a very beautiful voice: she is at her best during the parting duet of Act 3. Teodor Illincai is a very fine Rodolfo with a great ring to his voice and lots of youthful ardour. Strangely, though, Che gelida manina is probably the weakest point of his performance as he attacks from below the note – a shame as the top of his voice is thrilling. Inna Dukach is a characterful Musetta, her bright, slightly sharp soprano contrasting well with Gerzmava’s. Viviani is a warm, likeable Marcello, powerful in Acts 2 and 3 and very moving in the duet at the start of Act 4. Kostas Smorginias is of rather pale voice until the Raincoat aria which he sings with strength, and Jacques Imbrailo’s Schaunard is lovely of presence and voice. Benoit and Alcindoro are acted well by two stalwarts who love every minute of it.
Like his cast, conductor Andris Nelsons brings youth, vigour and energy to this ever-young score. The pulse of the first Act is infectious and the great crashes that begin and end Act 3 are razor-sharp. The orchestra play this most familiar of scores as if it were the only performance they would ever give, enthusiasm and virtuosity coming through in every bar. They are helped in this by production values of the highest order: the DTS sound, in particular, is outstandingly clear and well-separated without drawing attention to itself. The picture is also crystal-clear and the camera-work is effective and entirely non-intrusive.
Opus Arte’s usual high standards are maintained in the presentation and title menus, and there are brief interviews with Nelsons and Copley about the production. There are many Bohèmes available on DVD, but this one is as recommendable as any, and it feels good to be able to say this about such a home-grown product. Covent Garden have kept this production for so long because it works so well, and I think that anyone with this DVD in their collection would feel the same way.
J Regions: All regions Picture Format: 1080i High Definition / 16:9 Sound Type: 2.0 LPCM & 5.1 DTS Surround Subtitles: English, French, German, Spanish, Italian
Rodolfo: Teodor Ilincai Mimì: Hibla Gerzmava Marcello: Gabriele Viviani Musetta: Inna Dukach Colline: Kostas Smoriginas Schaunard: Jacques Imbrailo Benoit: Jeremy White Alcindoro: Donald Maxwell Royal Opera Chorus Orchestra of the Royal Opera House Conductor: Andris Nelsons Director: John Copley
Recorded live at the Royal Opera House, Covent Garden, London, in December 2009
Extra features: Cast gallery Interview with Jonathan Copley Interview with Andris Nelsons
Puccini: La Bohème / Lopez-Cobos, Mula, Machado [Blu-ray]
Opus Arte
Blu-Ray
$39.99Aug 26, 2008
*** This Blu-ray Disc is only playable on Blu-ray Disc players and not compatible with standard DVD or HD DVD players. ***
Picture Format: 1080i High Definition, NTSC 16:9 Anamorphic Sound Format: 2.0 and 5.0 PCM audio Region Code: 0 (All Regions) Menu Language: English Subtitles: English, French, German, Spanish, Italian Running Time: 149 mins No. of Discs: 1 (Blu-ray)
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