Utopia, Limited, Gilbert & Sullivan's penultimate work, is a rarely performed gem that pokes fun at the workings of the British Empire, thoughtfully revived and now presented alongside Sullivan’s evocative incidental music for King Arthur. Expect dazzling patter, lush choruses, and moments of beauty performed by a stellar cast (many of whom performed in Scottish Opera's 2021 semi-staging) in this compelling pairing of satire and symphonic storytelling. Conducted by Derek Clark and featuring Neal Davies, Richard Suart, Ellie Laugharne, and Yvonne Howard.

Korngold was just 23 when his most celebrated stage work was premiered in 1920 by no less than Otto Klemperer. The rich orchestration and brilliant bel canto vocal writing is here superbly realized by a cast led by Klaus Florian Vogt and Camilla Nylund, with “conducting to die for” (The Guardian) from Mikko Franck. “I regard Die tote Stadt as one of the greatest operas of the first quarter of the 20th century and the Finnish National Opera’s production makes it stand out as a true masterpiece, scenically and musically.” -Seen and Heard International

This studio recording of Alexander Glazunov's Raymonda was captured in October 2022. The arrangement was created for the ENB's 2022 production, with a score specially adapted and edited by Gavin Sutherland and Lars Payne. The lavish orchestral adaptation retains the best of the composer's original score, updating it to match the dramatic new narrative devised by Tamara Rojo.

Experience a staple of the Oxford calendar in this set of works inspired by the May Morning tradition, with music spanning from the traditional to contemporary. Starting with The College Clock welcoming in the sunrise, this special recording displays The Magdalen College Choir in radiant form, shining in the glorious acoustics of the Church of St. John the Evangelist, Oxford. The Choir of Magdalen College, Oxford was founded in 1480 with provision made in the statutes for 16 singing boys, eight Academical Clerks and four chaplains. Magdalen College was then one of the oldest and largest choral foundations in late-medieval England, and this historic legacy has been preserved and maintained over five centuries. The Choir, which now enjoys an international reputation as one of the finest ensembles in the UK, exists primarily to sing the daily church services in Magdalen College Chapel.

Sensuous contemporary ballet meets the energy of musical theatre in four distinctive short works showcasing the extraordinary versatility of The Royal Ballet's Artistic Associate, Christopher Wheeldon. His hugely successful career, spanning ballet to musical theatre from London to New York and beyond, has garnered international acclaim. These exceptional pieces - Fool's Paradise, The Two of Us, Us and An American in Paris - are a feast for the senses highlighting the Tony- and Olivier-award-winning choreographer's remarkable range. This collection is a testament to Wheeldon's diverse expression and creativity.

Through the haze of the years, a poet remembers the women he loved. But when it comes to matters of the heart, nothing is as it seems. Particularly when the devil himself is involved. Journeying back to his school days, Hoffmann (Juan Diego Florez) relives his childhood romance with Olympia, a model student in every sense. Doomed love follows him into adulthood, where the dancer, Antonia, is taken from him too soon. Meanwhile, the sensual courtesan Giulietta has her own secret agenda. As memory and fantasy become increasingly blurred, will Hoffmann find the enigmatic Stella before it is too late? Olivier award-winning director Damiano Michieletto returns to The Royal Opera for a new production of Offenbach's The Tales of Hoffmann alongside conductor Antonello Manacorda.

A celebration of the masterful artistry of Frederick Ashton, this collection presents three defining works from the Founder Choreographer of The Royal Ballet. A pioneer of 20th-century dance, Ashton brought elegance, innovation and emotional depth to the stage, shaping the identity of British ballet for generations. Scenes de ballet distils classical technique into a striking study of form and symmetry. Ashton gracefully reimagines Turgenev's play A Month in the Country as a one-act ballet where all the drama unfolds in the family's living room upon the arrival of a dashing young tutor. Rhapsody, created for Mikhail Baryshnikov and Lesley Collier, blends virtuosic movement with lyrical beauty, set to Rachmaninoff's sweeping score. Together, these works offer a vivid portrait of Ashton's genius.

Torn between her desire of a life of splendour and riches and her devotion to her true love Des Grieux (Reece Clarke), the alluring and capricious Manon (Natalia Osipova) pays the ultimate price. MacMillan's adaptation of Abbe Prevost's novel L'Histoire du Chevalier des Grieux et de Manon Lescaut?embodies his acute insight into human psychology and his mastery of narrative choreography. This is MacMillan at his best; finding full expression in the impassioned duets of the central couple, visceral and urgent in their desire.

When young Japanese geisha Cio-Cio-San marries American naval officer Pinkerton, she believes she is entering a marriage for life. Forsaking her religion and community, she dreams of a future with her new husband, only to learn that for Pinkerton, their marriage is merely an illusion - one with tragic consequences. With it's exquisite score, Giacomo Puccini's poignant 1904 opera is as beautiful as it is shattering. Drawing inspiration from 19th-century European images of Japan, Moshe Leiser and Patrice Caurier's production stars Asmik Grigorian with Kevin John Edusei conducting.

Classical ballet's most powerful tale of love, treachery and forgiveness returns to the Royal Opera House stage. Out hunting, Prince Siegfried chances upon a flock of swans. One among them transforms into the beautiful human Odette and he is immediately enamoured. But Odette is bound by a spell which keeps her captive as a swan during the day. Can Siegfried free her? Tchaikovsky's sensational score combines with the evocative imagination of choreographer Liam Scarlett and designer John Macfarlane to heighten the dramatic pathos of Marius Petipa and Lev Ivanov's quintessential ballet classic. Swan Lake remains to this day one of the best-loved works in the classical ballet canon.

From a kaleidoscopic abstract ballet to a poignant elegy, celebrate Kenneth MacMillan's endless invention in three works. Kenneth MacMillan (1929-92) was the leading choreographer of his generation. Renowned for his full-length dramatic works which dug deep into the human psyche, MacMillan's creativity knew no bounds. His one-act works also reshaped the collective identity of The Royal Ballet, challenging the art form to reflect real-life emotions, passions and human frailty. In three varied works, this mixed programme offers a taster of MacMillan's exceptional craft.

Country boy Nemorino is determined to win the haughty Adina's heart, but she refuses to give him the time of day. Can Doctor Dulcamara's so-called 'elixir of love' work it's magic? Conductor Sesto Quatrini makes his house debut, as does soprano Nadine Sierra in the role of Adina. She is joined by Liparit Avetisyan, Boris Pinkhasovich and the incomparable Bryn Terfel as the genial wheeler-dealer Doctor Dulcamara.

From a mysterious Cheshire Cat and a tap-dancing tea party, to frogs acting as footmen and unknown potions that turn you tiny, many treats and eccentricities await in this weird and wonderful world. You never know what you might find when you fall down the rabbit hole. Christopher Wheeldon's?Alice's Adventures in Wonderland?burst onto the stage in 2011 in an explosion of colour, stage magic and inventive, sophisticated choreography. Joby Talbot's score combines contemporary soundworlds with sweeping melodies that gesture to ballet scores of the 19th century. Bob Crowley's wildly imaginative, eye-popping designs draw on everything from puppetry to projections to make Wonderland wonderfully real. The result shows The Royal Ballet at it's best, bringing together world-class dance with enchanting family entertainment and ingenious music and design.

Love and duty collide and nations clash in Verdi's political drama, starring Elena Stikhina. In this new production, director Robert Carsen situates Verdi's large-scale drama within a contemporary world, framing it's power struggles and toxic jealousies in the apparatus of a modern, totalitarian state. Antonio Pappano conducts Verdi's glorious, monumental score.

In a showcase for the genius of The Royal Ballet's Resident Choreographer, this collection brings together some of Wayne McGregor's most outstanding and internationally acclaimed works, comprising Three Ballets: Chroma, Infra, Limen (recorded 2008), Woolf Works (2017) and The Dante Project (2021). The diversity of Wayne McGregor's astonishing invention is demonstrated first through Chroma, Infra and Limen. Intimate yet universal, both light and dark, vigorous and lyrical, these three ballets reveal McGregor's passion for exploring the inner workings of the human body and mind, providing visual, sensual and kinaesthetic stimulus for the viewer. In Woolf Works, McGregor's first full-length work for The Royal Ballet, the distinctive stream-of-consciousness writing of Virginia Woolf takes new form in a work of luminous beauty. Inspired by another celebrated literary figure, The Dante Project follows an epic journey through the afterlife, a monumental reinvention of Dante Alighieri's The Divine Comedy, by turns terrifying, poetic and dazzling. McGregor's gift for collaboration lies at the heart of his practice and is demonstrated here with an extraordinary team of trailblazing artistic minds, including Thomas Ades, Tacita Dean, Max Richter, Julian Opie and John Pawson. This collection also affords viewers a prized opportunity to admire the remarkable artistry of Royal Ballet dancers past and present.

This special Blu-ray brings together two compelling works showing the dramatic range of Lauren Cuthbertson, and The Royal Ballet. Internationally acclaimed choreographer Cathy Marston, previously Associate Artist of The Royal Opera House and Director of Bern Ballett, created The Cellist for The Royal Ballet in 2020. The inspiration for her first work for the Royal Opera House Main Stage is the momentous life and career of cellist Jacqueline du Pr� - from her discovery of the cello and her celebrity as one of it's most extraordinary players, to her pain, frustration and struggle with multiple sclerosis. Composer Philip Feeney incorporates some of the most moving and powerful music for cello by Elgar, Beethoven, Faur�, Mendelssohn, Piatti, Rachmaninoff and Schubert into an exquisite score that is itself an homage to the cello. In The Two Pigeons, Lauren Cuthbertson and Vadim Muntagirov lead a charismatic cast in Ashton's poignant and heart-warming reflection on love, based on an old French folk tale and first performed on Valentine's Day 1961. Created by the Company's Founder Choreographer, this recording captures The Royal Ballet's famous skill and distinctive style as Barry Wordsworth conducts the Orchestra of the Royal Opera House in Messager's rapturous score.

The Gondoliers, the twelfth of fourteen operas from Gilbert & Sullivan, has been an audience favourite since it's 1889 premiere. The tunes are infectious, the romantic and family conflicts heartfelt, and the satire of rank and station constantly entertaining and relevant. This Scottish Opera co-production with the D'Oyly Carte Opera Company and State Opera South Australia is created by some of the world's foremost G&S enthusiasts and experts.

Opera was in its infancy when Monteverdi wrote L’Orfeo, only six years after the first example of a drama set wholly to music had been performed in Florence. He brought to the work a revolutionary synthesis of text, staging and musical architectural that virtually defined the future of opera.

John Eliot Gardiner first conducted L’Orfeo at the Proms in London in 1967. For decades he has been at the forefront of Monteverdi performance and scholarship and in 2017, the 450th anniversary of Monteverdi’s birth, and the 50th anniversary of his own first performance of the opera, he undertook the crowning achievement of his association with the composer, an odyssey to perform all three surviving full-length operas. This performance of L’Orfeo was given at the historic Teatro La Fenice in Venice – which has seen triumphant premieres of works by Rossini, Donizetti, Verdi and many others – in a critically acclaimed semi-staged production.

Kes reimagined is a new film by award-winning choreographer Jonathan Watkins and International Emmy award-winning director Ross MacGibbon, based on the novel A Kestrel for a Knave by Barry Hines. Jonathan Watkins’s acclaimed production was conceived and created for Sheffield’s Crucible Theatre in 2014. Set in a Yorkshire mining community, this re-imagining of Hines’ tale told through dance and puppetry, takes us on a journey with the young working-class boy, Billy Casper. Billy is troubled at home and at school but his outlook on life is transformed when he finds and trains a kestrel. As the beloved Kes swoops and spins in the expansive freedom of the Yorkshire countryside, Billy’s self-confidence begins to soar, and boy and bird become one.

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Disillusioned with life, the aged philosopher Faust calls upon Satan to help him. The devil Méphistophélès appears and strikes a bargain with the philosopher: Faust can have youth and the love of the beautiful Marguerite, but only in exchange for his soul... Gounod’s masterpiece is given the grandest of Royal Opera stagings in David McVicar’s richly layered and theatrically exuberant production, with the drama moved to Second Empire Paris, spectacular sets and costumes, and extensive dance. Michael Fabiano as a seductively witty Faust, Erwin Schrott as a devilish Méphistophélès and Irina Lungu as a passionate Marguerite are joined by the Royal Opera Chorus and a cast of Royal Opera favourites. Dan Ettinger conducts the Orchestra of the Royal Opera House in Gounod’s gloriously tuneful score.

Teeming with comedy, wit and an abundance of bravura choreography, Carlos Acosta's production brings the Spanish heat and romance of Miguel de Cervantes' classic novel Don Quixote to life. Often regarded as the first modern novel, Cervantes' epic regales the chivalrous adventures of the eccentric nobleman Don Quixote (Gary Avis) and his faithful squire Sancho Panza (Liam Boswell). The ballet focuses on one of their adventures, where they help to bring a vivacious young couple, Kitri (Mayara Magri) and Basilio (Matthew Ball), together.

Sensuous contemporary ballet meets the energy of musical theatre in four distinctive short works showcasing the extraordinary versatility of The Royal Ballet's Artistic Associate, Christopher Wheeldon. His hugely successful career, spanning ballet to musical theatre from London to New York and beyond, has garnered international acclaim. These exceptional pieces - Fool's Paradise, The Two of Us, Us and An American in Paris - are a feast for the senses highlighting the Tony- and Olivier-award-winning choreographer's remarkable range. This collection is a testament to Wheeldon's diverse expression and creativity.

The Gondoliers, the twelfth of fourteen operas from Gilbert & Sullivan, has been an audience favourite since it's 1889 premiere. The tunes are infectious, the romantic and family conflicts heartfelt, and the satire of rank and station constantly entertaining and relevant. This Scottish Opera co-production with the D'Oyly Carte Opera Company and State Opera South Australia is created by some of the world's foremost G&S enthusiasts and experts.

Through the haze of the years, a poet remembers the women he loved. But when it comes to matters of the heart, nothing is as it seems. Particularly when the devil himself is involved. Journeying back to his school days, Hoffmann (Juan Diego Florez) relives his childhood romance with Olympia, a model student in every sense. Doomed love follows him into adulthood, where the dancer, Antonia, is taken from him too soon. Meanwhile, the sensual courtesan Giulietta has her own secret agenda. As memory and fantasy become increasingly blurred, will Hoffmann find the enigmatic Stella before it is too late? Olivier award-winning director Damiano Michieletto returns to The Royal Opera for a new production of Offenbach's The Tales of Hoffmann alongside conductor Antonello Manacorda.

A celebration of the masterful artistry of Frederick Ashton, this collection presents three defining works from the Founder Choreographer of The Royal Ballet. A pioneer of 20th-century dance, Ashton brought elegance, innovation and emotional depth to the stage, shaping the identity of British ballet for generations. Scenes de ballet distils classical technique into a striking study of form and symmetry. Ashton gracefully reimagines Turgenev's play A Month in the Country as a one-act ballet where all the drama unfolds in the family's living room upon the arrival of a dashing young tutor. Rhapsody, created for Mikhail Baryshnikov and Lesley Collier, blends virtuosic movement with lyrical beauty, set to Rachmaninoff's sweeping score. Together, these works offer a vivid portrait of Ashton's genius.