PIANO DUETS

BEETHOVEN: SYMPHONY 1 & SYMPHONY 4

CUTTER HEADS

SYMPHONY NO 7

FIRST NOWELL / CANTATA 63 / VOM HIMMEL HOCH

THE MADNESS CROWDS

SYMPHONY NO. 5

BRUCKNER: SYMPHONY NO. 5

DOUBLE TROUBLE TWO

Julian Anderson is one of the UK's most exciting living composers. He has been described by the Times as 'a composer to cherish' and by the Evening Standard as 'one of the finest composers of his generation.' His work Harmony opened the 2013 BBC Proms and his opera Thebans will be premiered at English National Opera in May 2014. This season he also starts a three-year post as Composer in Residence at Wigmore Hall, and he's been the London Philharmonic Orchestra's Composer in Residence since 2010. This is the first album of his works performed by the orchestra, and includes one world premiere performance and two world premiere recordings. This world premiere performance of 'The Discovery of Heaven' won a 2012 Sky Arts Award in the Classical category. This disc is conducted by Vladimir Jurowski, the LPO's Principal Conductor; and young British conductor/composer Ryan Wigglesworth, who is rapidly making a name for himself on the international scene.

WILLISAU TAKTLOS

FIRST CHOICE

� Commissioned to celebrate the bicentenary of the United States Declaration of Independence, Olivier Messiaen's Des canyons aux etoiles (From the Canyons to the Stars) was inspired by the composer's tours around Utah's magnificent landscapes. � The work's unusual instrumentation creates a texture that evokes the majesty and loneliness of the landscape, as well as it's inhabitant birds with astonishing effect. � This recording presents a rare opportunity to hear a work not available extensively on record and infrequently performed live. � Recorded in concert at Royal Festival Hall on 2 November 2013, as part of Southbank Centre's The Rest Is Noise year-long festival of 20th c. music, inspired by Alex Ross's bestselling book of the same name. � Christoph Eschenbach, a champion of 20th - 21st c. music, has gained a reputation as a key interpreter of more unusual and challenging works. � Pianist Tzimon Barto is one of America's foremost pianists, and has enjoyed a close musical collaboration with Christoph Eschenbach for 25 years. � "... it's the teeming richness of the whole that overwhelms, and Eschenbach and his players had the measure of the music's vast perspectives." (Evening Standard)

This live 2011 concert recording from Royal Festival Hall features two of Britain's finest soloists: tenor Toby Spence and mezzo-soprano Sarah Connolly, who is particularly renowned for her Mahler interpretations. LPO Principal Guest Conductor Yannick Nezet-Seguin has a great affinity with the German Romantic repertoire. His previous LPO Label disc, Brahms's Ein deutsches Requiem, received great critical acclaim and is one of the most popular discs on the label.

REQUIEM

THREE LITTLE PIGS / LITTLE RED RIDING HOOD

SYMPHONY NO. 3 / TINTAGEL

GERMAN REQUIEM (EIN DEUTSCHES REQUIEM)

WAR REQUIEM

POST-WAR REVIVAL

70TH BIRTHDAY CONCERT: ORCHESTRAL WORKS

PALINDROME 1 2002

Christoph Eschenbach has a longstanding association with the London Philharmonic Orchestra and this release adds to critically acclaimed recording of Bruckner Symphony No. 6 released in 2011. a prolific recording artist over five decades, Eschenbach has recorded as both a conductor and a pianist on labels including Deutsche Grammophon, Sony/BMG, Decca, Ondine, Warner and Koch. The stellar quartet of soloists includes the great lyric soprano Anne Schwanewilms, who enjoys an unparalleled reputation for her performances of Strauss and Wagner, and tenor Nikolai Schukoff who is destined to become a leading voice of his generation.

At any given time in the past few decades, saxophonist Ellery Eskelin, bassist Christian Weber and drummer Michael Griener have been members of genre-defining trios across Europe and the US, proving just how vital jazz is today in it's historical form as well as in free playing styles. In the trio Ellery Eskelin, Christian Weber and Michael Griener play free music and traditional jazz. They do not melt down the playing styles, but alternate, contrast and deepen them. With the new album The Pearls they present the second studio record after their critically acclaimed release "Sensation of Tone". Ellery Eskelin writes in the liner notes: "In jazz we talk about playing time and playing free. Playing time usually means expressing a steady pulse and playing free usually means not adhering to a steady pulse. Either way there is still the sensation of movement, time. In making this recording I was struck by the ways in which time can simultaneously be so exacting, so malleable and so multi-dimensional. In these performances you'll hear free improvisations (with no preconceived forms or steady time pulse) as well as renditions of classic compositions from an earlier musical form directly addressing time, Ragtime."

PORTRAITS