Classical Music

Beethoven: Symphony No. 9, "Choral"

About this Release GHOSTBUSTERS: AFTERLIFE (ORIGINAL MOTION PICTURE SOUNDTRACK) features score music written by Rob Simonsen for the latest chapter in the original Ghostbusters universe. The film marks the third collaboration between Simonsen and Ghostbusters: Afterlife co-writer and director Jason Reitman, the duo working closely to reimagine the iconic soundscape crafted by Elmer Bernstein for director Ivan Reitman's original 1984 film, which was written by Dan Aykroyd and Harold Ramis. Of the soundtrack, composer ROB SIMONSEN says, "Working with Jason Reitman on Ghostbusters: Afterlife has been a career highlight for me and my twelve-year-old Ghostbusters-loving self. To reflect the idea of passing the torch from old Ghostbusters to new, from Ivan Reitman to his son Jason, we integrated and reimagined Elmer Bernstein's classic original score into something for a new generation." Simonsen has reprised familiar themes and expanded upon them, ultimately crafting a nostalgia-tinged score that both pays homage to Bernstein's muchloved music and establishes an entirely new sound for the new chapter. ABOUT GHOSTBUSTERS: AFTERLIFE From director Jason Reitman and producer Ivan Reitman, comes the next chapter in the original Ghostbusters universe. In Ghostbusters: Afterlife, when a single mom and her two kids arrive in a small town, they begin to discover their connection to the original ghostbusters and the secret legacy their grandfather left behind. Based on the 1984 film "Ghostbusters" an Ivan Reitman film written by Dan Aykroyd and Harold Ramis. The film stars Carrie Coon, Finn Wolfhard, McKenna Grace, Annie Potts and Paul Rudd.

Pianist and Oscar-nominated composer returns to the pure piano for his first album with Sony. He writes: "In A Different Forest, I'm focusing on the forest as a natural environment and contrast to the urban everyday life; to my surroundings. Where do I want to live and work? What surroundings do I need in order to feel fulfilled? By examining these questions I always come back to nature. How often have I gone for a walk and finished on the crest of a hill or mountain top, and found a new perspective on things. It's quite a moving experience. The experience of the sublime. Realizing that everything has been there for such a long time and will continue to exist, yet in contrast, our human existence is reduced to but a fraction of the earth's history." The forest is also a symbol of change for Hauschka. Here people can find themselves again and feel surrounded by, as well as a part of, a unified whole.

DIABELLI: Grande Sonate Brillante

Rossini: L'Italiana in Algeri

Weber: Der Freischütz, Op. 77, J. 277

POWER OF FATE

Tchaikovsky, Rimsky-Korsakov, Respighi, Stravinsky, Mussorgs

Conductors Profiles: Réne Leibowitz

Haydn, Mozart, Beethoven, Schumann & Ravel: Piano Concertos

Classical Music

Grammy-nominated star saxophonist Amy Dickson returns with her most personal album yet, exploring connections between classical composers and the folk music of their homelands. From the red dirt of the Australian desert to the rolling green hills of the Scottish Highlands, In Circles celebrates folk music and the tremendous influence it has had on music around the world and throughout history. As Dickson says, "Folk music breathes the very identity of a country, and in troubled times can be a source of solace, over and over again. At the core of folk music lies a beating heart of humanity to which we return again and again. The creation itself of this music requires personal, family and social connections - in a word: kinship." This sense of community and togetherness is amplified by the collaborations on this album. With celebrated composer and didgeridoo virtuoso William Barton, Dickson explores music by Australian composers Ross Edwards, Peter Sculthorpe and Barton himself. With acclaimed pianist Daniel de Borah she traverses Europe, from Brahms to Falla, Pessard and Vaughan Williams. With Nicholas Carter and the Adelaide Symphony Orchestra, she explores archetypes of traditional Scottish music in a world premiere recording of Sir James MacMillan's Saxophone Concerto, written specifically for Dickson. Dickson continues, "In today's frenetic digital age, folk music offers us a refuge: the enduring simplicity and nostalgia embodied in this music provides timeless sanctuary from the relentless surge of modernity."

John Goodman as a government official is tasked with uniting the world against a common extra-terrestrial enemyMusic by Rob Simonsen, co-composer of Academy Award Best Score winning soundtrack Life of Pi​​​​​​​MAIN CASTJohn Goodman (10 Cloverfield Lane, Barton Fink, Argo),Vera Farmiga (Up in the Air, The Departed, Orphan),Aston Sanders (Moonlight, The Retrieval, The Equalizer 2),Jonathan Majors (Hostiles, White Boy Rick, TV: When We Rise)INFOSet in a Chicago neighborhood nearly a decade after an occupation by an extra-terrestrial force, CAPTIVE STATE explores the lives on both sides of the conflicts - the collaborators and the dissidents.ABOUT THE COMPOSERHaving learned to play the piano at a young age and with an educational background in jazz, electronic and traditional orchestral music, Rob Simonsen has lent his scoring talents to a wide range of film projects.  Since the early 2000s, he’s worked on an expansive list of film soundtracks, among them Love, Simon, Nerve, Foxcatcher, The Way, Way Back and The Spectacular Now.  Under the apprenticeship of composer Mychael Danna, Simonsen worked on films like 500 Days of Summer and Moneyball, in addition to collaborating with Danna on his Academy Award-winning score for Ang Lee’s Life of Pi.  In addition to his lengthy catalogue of film scores, Simonsen is the founder of The Echo Society, a Los Angeles-based non-profit artist collective.  Surrounding himself with a network of like-minded artists, Simonsen founded The Echo Society in order to connect, inspire, challenge and enrich the creative community in Los Angeles by sponsoring live, professional sonic/visual performances and offering immersive and interactive audience experiences.

Sony Music announces the release of MUSIC INSPIRED BY THE FILM ROMA, an album of music inspired by Alfonso Cuar�n's award winning film. The film was nominated for 10 Academy Awards including Best Picture. The album features songs from BECK, BILLIE EILISH, EL-P, IBEYI, JESSIE REYEZ, LAURA MARLING, PATTI SMITH, UNKLE and more, recorded exclusively for this project. Included is BECK's first musical offering of 2019, entitled "Tarantula". Beck's radical reimagining of "Tarantula," a 1982 B-Side by 4AD artists Colourbox, replaces the minimalist groove of the original with an epic arrangement by Beck in collaboration with his father, David Campbell. Produced by Beck and mixed by Tom Elmhirst, the track features a riveting Beck vocal performance at it's centerpiece with the backing of a 24-piece ensemble. After completing work on ROMA, director Alfonso Cuar�n was struck with the notion of having his favorite musical artists create songs inspired by the film. Interested in hearing what the film might inspire in artists across the globe, Cuar�n and his music supervisor Lynn Fainchtein began exploring possibilities with the help of their friend Randall Poster. They approached artists of all genres and backgrounds, inviting them to contribute either an original piece of music or a cover of one of the songs heard in the film. For some, ROMA inspired new originals, including Billie Eilish's "WHEN I WAS OLDER". Like most of the original songs contributed to the collection, it incorporates various sound elements from ROMA's dense audio tracks. From shouts of student protests to barkings of Borras to the grinding of knives, artists drew inspiration from the sonic landscape meticulously crafted by ROMA, imbuing their compositions with the day-to-day soundtrack of the streets of Mexico City. 16-year-old Bu Cuar�n makes her musical debut with her contribution "PSYCHO," opening with a dramatic audio clip from ROMA before descending into a synth-heavy, electro-pop gem. Elsewhere, British singer-songwriter Laura Marling covers the Mary Hopkin original "Those Were The Days," which is heard in the film as a cover by Ray Conniff & The Singers. The legendary Patti Smith records a new version of her 1996 track "Wing," while French musical duo Ibeyi draws inspiration from the character of Cleo and her story. From hip-hop's El-P to R&B breakout Jessie Reyez and electronic producers UNKLE and DJ Shadow, the remainder of the collection is a diverse tapestry that transcends genre, geography and age. From Sonido Gallo Negro and Quique Rangel's Mexico City roots to singer-songwriter Asaf Avidan's native Israel, and with artists belonging to five different generations, Music Inspired by the Film ROMA is a contemporary touchstone that further reiterates the film's ability to connect with audiences of all ages across the globe. Music Inspired by The Film ROMA is the latest addition to the sonic universe of Alfonso Cuar�n's semi-autobiographical film, following the release of ROMA (Official Motion Picture Soundtrack). Delivering a sonic portrait of Mexico in the 1970s, the soundtrack presents a mosaic of sounds that further encapsulate the sociopolitical transitions of the era.