Once, driving in the rain, I had to pull over to the side of the road because I was so incredibly moved by the sublime music on the radio. The last movement of the mystery work turned out to be Korngold’s “Much Ado About Nothing” Suite — was so joyful and witty, featuring the horns prominently, that I was transported to a different world. This rarely performed work should be better known. — Mei-Ann Chen, Chicago Sinfonietta conductor (Pentatone)