Following her acclaimed debut Diaries, pianist Tiffany Poon returns with Nature, an album that explores the evocative power of French music in capturing the beauty of the natural world from the delicate shimmer of water to the quiet mysteries of the forest and the animals found within. Nature, which Tiffany recorded at legendary Provence recording studio Miraval Studios (Pink Floyd, Sade, Nick Cave and the Bad Seeds) with producer Damien Quintard, brings together works by French composers across centuries, united by an instinctual admiration for the world around them. Guided by intuition and deep personal connection, Tiffany's curated selection featuring pieces by Ravel, Debussy, Rameau and Daquin, moves beyond the structured rigor of Germanic tradition into the fluid, sensuous soundscapes of the French repertoire. Inspired by Rameau's belief that music is rooted in nature itself, she curates a program reflecting her love of animals, woods, and water - translating them into vivid musical expressions. Nature is a testament to music's ability to mirror the natural world, inviting listeners to embrace it's beauty with instinct and abandon.

Beloved worldwide, Chloe Chua returns to PENTATONE with Mozart's complete violin concertos - a project that began when she was just 15 years old. The album features Mozart's Rondo in B-Flat Major, K. 269 and Rondo in C Major, K. 373 as well as the Sinfonia Concertante for Violin, Viola & orchestra in E-Flat Major, K. 364. The latter also features the outstanding young Chinese violist Ziyu He, winner of the 2016 Yehudi Menuhin Competition at just 16. In this performance, he showcases his remarkable artistry alongside Chloe, herself a former winner of the same prestigious competition. The soloists are accompanied by the Singapore Symphony Orchestra under the baton of Hans Graf, for whom the relationship with the violin star is particularly special. For Chloe, Mozart's music holds a special place in her heart and she has embraced the challenge of following in the footsteps of so many legendary violinists. In these refined and fresh interpretations, her deep connection to the music - written by Mozart when he was around her age - is unmistakable. Even without a trained ear, one can appreciate her extraordinary technique, elegance, and effort to capture the vitality of these beloved works. This album continues Chloe's exclusive collaboration with PENTATONE, complementing the already released and acclaimed Butterfly Lovers & Paganini (2024) and Vivaldi Four Seasons and Locatelli Harmonic Labyrinth (2023).

On Italian Perspectives, the Bamberger Symphoniker and Riccardo Frizza trace the revival and evolution of Italian instrumental music. Giuseppe Martucci's Symphony No. 1 in D minor, completed in 1895, illuminates the Italian symphonic tradition often overshadowed by opera, blending Brahmsian rigor with striking, passionate outbursts. Respighi's Trittico Botticelliano brings Renaissance paintings to life with luminous chamber orchestration, while his masterful orchestrations of Rachmaninoff's *5 �tudes-Tableaux* reveal a rare synthesis of Italian colour and Russian narrative depth. From desolate seascapes and dramatic funeral marches to the playful, suspenseful tale of Little Red Riding Hood and the Wolf, Respighi transforms piano works into vivid orchestral landscapes, preserving every nuance of Rachmaninoff's originals. Riccardo Frizza, featured on PENTATONE in The Three Queens and Signor Gaetano (2022), leads the Bamberger Symphoniker in their PENTATONE debut, bringing these works to life with precision, colour, and expressive intensity.

Johannes Moser's acclaimed interpretation of Elgar's profoundly elegiac and lyrical Cello Concerto and of Tchaikovsky's elegant Rococo Variations returns to the market in an affordable stereo edition. The programme also contains Tchaikovsky's Nocturne and Morceau de Concert for Cello and Orchestra, as well as an arrangement of the famous Andante cantabile from his First String Quartet. Performed together with Orchestre de la Suisse Romande under the baton of Andrew Manze, Moser's rendition was praised by Gramophone as "one of the finest we've had in years."

A celebration of Bohemian spirit and rhythmic brilliance, Antonin Dvorak's Slavonic Dances come to life in a vibrant new recording by the Czech Philharmonic, led by the masterful Sir Simon Rattle. These vivid orchestral gems, full of rhythmic vitality, folkloric color, and lyrical charm, are central to Dvorak's legacy and pivotal in defining a Czech national sound. Composed at a turning point in the composer's career, the Slavonic Dances radiate with joy, invention, and national character qualities that captivated audiences across Europe and beyond. As Principal Guest Conductor: Rafael Kubelik Chair, Sir Simon Rattle has already graced the label alongside the orchestra and Magdalena Ko�ena with Czech Songs (2024) and Folk Songs (2023). This release continues the exclusive collaboration between PENTATONE and the Czech Philharmonic (awarded Gramophone's Orchestra of the Year in 2024), committed to bringing Czech music to life on a global stage. It follows the acclaimed recordings of Dvorak's Symphonies Nos. 7, 8 & 9 (2024) and, 2025's winner of the BBC Music Magazine Orchestral Award, Smetana's Ma Vlast with Chief Conductor and Music Director, Semyon Bychkov, as well as Dvorak's Legends and Rhapsodies with Tomas Netopil.

The Orchestre Symphonique de Montreal and it's Music Director Rafael Payare explore Berlioz's Symphonie fantastique and Le carnaval romain - two works that reveal the composer's flair for drama, colour, and psychological intensity. In Symphonie fantastique, Berlioz charts the delirious inner world of an artist undone by passion, hallucination, and obsession. From dreamy reveries to a diabolical witches' sabbath, the symphony is a milestone of musical storytelling. Paired with the exhilarating Le carnaval romain, this album captures Berlioz at his most imaginative and uncompromising. In a special touch, the performance of Symphonie fantastique features OSM's two newly acquired carillon bells - G and C - that expand the orchestra's sonic palette and bring striking brilliance to Berlioz's original vision. After their acclaimed PENTATONE recordings of Mahler's Fifth Symphony (2023), Ruckert-Lieder and Strauss's Ein Heldenleben (2024), and Schoenberg's Pelleas und Melisande & Verklarte Nacht (2024), Payare and the orchestra continue their compelling exploration of Romantic repertoire with this vivid Berlioz program.

On her solo debut album Indomita, soprano Eleonora Buratto pays tribute to the greatest composers and most insurmountable heroines of Italian nineteenth-century opera, together with the Orchestra & Coro dell'Opera Carlo Felice Genova under the baton of Sesto Quatrini. For Buratto, these scenes from Bellini's Il pirata, Donizetti's Anna Bolena and Lucrezia Borgia, as well as Verdi's I due Foscari and Aroldo, constitute a core repertoire for any soprano moving into the dramatic post-1850 operas in which she is currently thriving onstage. The combined demand of agility and power of the indomitable women portrayed fit her voice like a glove, and the combination of pieces offers an illuminating perspective on the development of Italian opera during the nineteenth century. Eleonora Buratto is one of the most highly acclaimed lyric sopranos in the world. Besides the Orchestra & Coro dell'Opera Carlo Felice Genova and conductor Sesto Quatrini, Indomita contains contributions by mezzo-soprano Irene Savignano, tenor Didier Pieri and bass Giovanni Battista Parodi. All artists make their PENTATONE debut.

The Miro Quartet, celebrating their 30th anniversary this year, presents an album featuring the complete string quartets of Alberto Ginastera, one of the most influential Latin American composers of the 20th century. A master of vivid contrasts and emotional depth, Ginastera infused his music with the spirit of Argentine folk traditions, bold modernist language, and a profound sense of expression. These three quartets span the entirety of his creative development, tracing a fascinating journey across three distinct stylistic periods. The first two quartets are considered undiscovered masterpieces, often performed live to great reception but rarely recorded in their entirety alongside the third. The vibrant rhythmic energy and folkloric colours of the first quartet, the introspective lyricism of the second, and the haunting intensity of the third each reflect Ginastera's unique fusion of influences, drawing from composers like Bartok and Stravinsky to create a sound full of emotional rawness and storytelling. Together, these quartets form a powerful cycle, showcasing Ginastera's ability to create distinct narratives within each piece, while also weaving them into a larger, cohesive musical story. This is the Miro Quartet's third album on PENTATONE, following the recording of Beethoven's Complete String Quartets (2019) and Home (2024).

On Milestones, violinist Philippe Quint offers a deeply personal exploration featuring works by trailblazing women composers who have shaped his personal and artistic journey. This recording includes concertos written especially for Quint by Errollyn Wallen and Lera Auerbach, as well as a new work by Lora Kvint - Quint's mother, marking their first collaboration. With each composer bringing a unique perspective and distinct voice to the album, Milestones focuses on life's pivotal moments such as Wallen's second movement of the concerto inspired by a Yiddish Lullaby sung to young Philippe by his grandfather and Auerbach's multilayered violin concerto reflecting the distortion of memory by future experience. Multiple Grammy Award nominee Philippe Quint is recognized as one of America's leading violinists. The Royal Scottish National Orchestra, with a distinguished history spanning over 125 years, ranks among Europe's finest ensembles. Andrew Litton, one of the most celebrated American conductors and a renowned pianist, joins this remarkable collaboration. This release marks the PENTATONE debut for all artists.

This album, which Denis Kozhukhin dedicates in memory of his parents, is very special and deeply personal to him. It brings together the innocence of Tchaikovsky's Children's Album, the playful yet technically demanding Music for Children by Prokofiev, and Alexey Shor's emotionally rich Piano Sonata No. 2. Tchaikovsky's pieces evoke childhood wonder and the fragility of life, while Prokofiev's "easy" works cleverly disguise technical challenges with mischievous charm. Shor's Sonata, filled with bold contrasts and introspective melodies, takes the listener on a journey of emotional discovery and resilience. Together, these works transcend their individual stories to offer a profound exploration of human experience - from the simplicity of childhood to the complexities of adulthood - all brought to life with Kozhukhin's masterful artistry. A prize-winner in prestigious competitions, including the Leeds International Piano Competition (2006) and the Queen Elizabeth Competition (2010), Denis Kozhukhin, has established himself as one of the greatest and most acclaimed pianists, with worldwide success. He now presents another chapter to his exclusive collaboration with PENTATONE, enriching the already extensive discography, after albums Grieg and Tchaikovsky's piano concertos (2016) which received a Gramophone Editor's Choice, Brahms' Ballades and Fantasies (2017) which was awarded 5 stars in Diapason, piano concertos by Ravel and Gershwin, Richard Strauss' Burleske (both 2018), Grieg: Lyric Pieces & Mendelssohn: Lieder ohne Worte (2019) which was selected as Gramophone's Recording of the Month, as well as the Cesar Franck's Symphonic Variations for piano and orchestra (2020).

Organist and pianist James McVinnie makes his PENTATONE debut with Dreamcatcher, an intimate sequence of contemporary classical music centred around the act of imagining. The recording features the organ of St Albans Cathedral—an epoch-making instrument closely associated with legendary organists Peter Hurford and Ralph Downes. The piano segments of the album were recorded on a Steinway D of exceptional beauty at Studio Richter Mahr, co-founded by composer Max Richter and visual artist Yulia Mahr. A mesmerising sonic trip, Dreamcatcher reflects the unique artistic persona of McVinnie, whose mastery of core organ repertoire extends to an extensive body of work written for him by leading contemporary classical composers, as well as collaborations in the world of electronic and experimental music. The album features works by Nico Muhly, Meredith Monk, Laurie Spiegel, John Adams, inti figgis-vizeuta, Gabriella Smith, Giles Swayne, Bryce Dessner & Marcos Balter. The album's title is taken from Marcos Balter’s work of the same name, written in response to the child separation crisis at the US-Mexico border in 2018—“dreamers” being the name given to children separated from their families by the Trump administration’s immigration policy. This record also presents the first ever recording of Giles Swayne's Riff-raff made on the St Albans organ for which the work was written in 1983—McVinnie’s rendition embodying a perfect synergy between the piece’s minimalist roots and the modernist tonal philosophy of this instrument. Through his boundless approach to music making, innovative programming and captivating musicianship, James McVinnie has carved out a unique career as an organist and keyboard player. “McVinnie's Dreamcatcher is a smartly curated album, where a thoughtful artist challenges us — with extraordinary results — to think of the pipe organ as an instrument of our time.” – Tom Huizenga, NPR All Things Considered

The Netherlands Radio Choir and Benjamin Goodson present The Voice of the Beloved, a powerful collection of 20th-century sacred choral works by Frank Martin, Jean-Yves Daniel-Lesur, and Olivier Messiaen. At it's heart is Martin's Mass for Double Choir, a deeply personal expression of faith composed in 1922 and kept private for decades. It's austere beauty and luminous harmonies make it one of the most moving sacred works of the last century. Daniel-Lesur's Le Cantique des cantiques transforms the Song of Songs into a sensual and spiritual choral tapestry, weaving up to twelve voices into a radiant soundscape. Messiaen's O sacrum convivium, a brief but transcendent motet, completes the program with shimmering reverence. Following their acclaimed 2023 release Rheinberger & Mendelssohn: Choral Works, the choir returns with a recording that reveals the sacred not only in worship, but in the raw, expressive power of the human voice.

"Tales of Song of Sadness" is a double tribute from the Orchestra of the Eighteenth Century and Cappella Amsterdam, commemorating the demise of Frans Brüggen and Louis Andriessen, two giants of Dutch music culture. The album also documents the unique entanglement of early and contemporary music pioneers in post-war Netherlands, whose influence stretched far beyond national borders. The centerpiece of this program is Andriessen’s May, commissioned by the musicians of the orchestra to commemorate the death of Brüggen, eventually turning out to be that composer’s swan song as well. It is flanked by other Andriessen works for choir, orchestra, and recorder, respectively, as well as excursions into early music by Josquin des Prez, Thomas Preston, Jacob van Eyck, and Jean-Philippe Rameau.

Cappella Amsterdam and Daniel Reuss have released In Umbra Mortis (Rihm & de Wert, 2021, awarded an Edison Klassiek Award), David Lang’s The Writings (2022), and Schnittke’s Psalms of Repentance (2023) on PENTATONE. This is the first time that recordings of the Orchestra of the Eighteenth Century, Sour Cream, and Frans Brüggen appear on PENTATONE.

This captivating new release from PENTATONE celebrates the glittering world of 19th-century opera and the timeless beauty of the golden age of bel canto. Featuring music by Gaetano Donizetti, Gioacchino Rossini, Georges Bizet, Leo Delibes, and Giuseppe Verdi, the album showcases soprano Erin Morley and tenor Lawrence Brownlee two of today's most exciting voices joined by the Munchner Rundfunkorchester under the baton of conductor Ivan Repusic. Together, they bring fresh brilliance to the French and Italian repertoire with performances that balance vocal agility, lyrical finesse, and emotional power. This carefully curated collection of operatic gems highlights iconic duets and arias that continue to resonate with modern audiences through their passion, beauty, and dramatic flair. It marks an exciting PENTATONE debut for both Lawrence Brownlee and Ivan Repusic, while Erin Morley returns following her acclaimed performance in the label's recording of Handel's Alcina (2024). The Munchner Rundfunkorchester also makes a welcome return, having previously appeared on PENTATONE's release of Gordon Getty's Plump Jack (2012).

Vienna Mandolin Stories�is Alon Sariel's first full concerto album, inviting listeners on a journey through late-18th- and early-19th-century Vienna. The album features works for mandolin and orchestra by Haydn, Mozart, Krahmer, and Paisiello. While some pieces were originally composed for mandolin, others have been skillfully adapted by Sariel.�The album thrives on Sariel's inventive and playful approach, as represented in "Haydn's Mandolin Concerto", an imaginative rearrangement combining movements from different concertos, including one by Malzat long misattributed to Haydn. Highlights also include the "bluegrass" cadence in the slow movement of the "Haydn" concerto and the clever nod to Bach's�Well-Tempered Clavier�in Sariel's arrangement of Mozart's�Andante for Flute and Orchestra.�Sariel brings to light Ernest Krahmer's works for mandolin and orchestra, recently found at the Bavarian State Library and recorded here for the first time.�The period musicians of�the�Kolner Akademie, under the direction of Michael Alexander Willens, deliver an ideal soundscape for these vibrant and colorful works. Alon Sariel is one of today's most versatile plucked-string performers, earning recognition as a multi-instrumentalist and a captivating Bach interpreter. Following the releases of�Plucked Bach�(2022),�Plucked Bach II�(2023), and�Schubert's Mandolin�(2024) on PENTATONE, he now presents his first concerto recording. The Kolner Akademie and it's music director Michael Alexander Willens, make their PENTATONE debut with this recording.

The Czech Philharmonic and its Chief Conductor and Music Director Semyon Bychkov continue their acclaimed Mahler cycle with the composer's Third Symphony, working together with mezzo-soprano Catriona Morison, the Prague Philharmonic Choir and Pueri Gaudentes. In this monumental work, Mahler combines a text from Nietzsche's Also sprach Zarathustra with the folk song inspirations of Des Knaben Wunderhorn, culminating in eternal bliss in the closing Adagio. To Bychkov, this longest Mahler symphony offers his "least hysterical" music, and hearing it for the first time as a 10-year-old choirboy kindled his life-long fascination and love for this composer. With this recording, it comes full circle.

The Czech Philharmonic - recently awarded Gramophone's Orchestra of the Year Award - is one of the world's orchestral gems, recognized for its rich tradition with the Czech masters as well as European repertoire. Together with their Chief Conductor and Music Director Semyon Bychkov, they have so far recorded for PENTATONE Mahler's First, Second, Fourth and Fifth Symphonies (2022-2023), part of the complete Mahler cycle to be released by the label, as well as Smetana's Ma vlast and Dvorak's Seventh, Eighth and Ninth Symphonies (2024). The Orchestra is also featured on the albums Folk Songs (2023) and Czech Songs (2024) recorded by Magdalena Ko�ena and Sir Simon Rattle, as well as Dvorak Legends & Rhapsodies with Tomas Netopil.

Soprano Rosa Feola, Cappella Neapolitana and maestro Antonio Florio pay tribute to Niccolo Piccinni, master of the 18th-century Neapolitan opera tradition, with Son regina e sono amante. Deliberately avoiding his most famous work, La buona figliola, the album offers arias from his French and Italian operas, including some in Neapolitan vernacular. Given her origins, Feola is the ideal ambassador to bring the once world famous Piccinni back into the limelight. Soprano Rosa Feola has received many accolades for her achievements, and is a regular guest at the most important opera houses worldwide. Cappella Neapolitana and it's artistic director Antonio Florio have played a seminal role in the rediscovery of Neapolitan music since it's foundation in 1987. All artists make their PENTATONE debut.

Quatuor Diotima celebrates Pierre Boulez' centenary with a recording of his Livre pour quatuor, containing the world-premiere of the piece's fourth movement, which the composer conceived in close cooperation with the members of Diotima, and was completed by Philippe Manoury after his death. This recording adds a fascinating chapter to Boulez's "work in progress", and is a fitting successor to the quartet's acclaimed Ligeti recording from 2023. Quatuor Diotima is one of the most in-demand chamber ensembles in the world today, and has worked in close collaboration with several of the greatest composers of the late twentieth century. Reflected in the mirror of today's music, the quartet projects a new light onto the masterpieces of the 19th and 20th centuries. The quartet returns to PENTATONE after their acclaimed Metamorphosis Ligeti (2023) and Bruckner & Klose String Quartets (2024), which was awarded a Jahrespreis der Schallplattenkritik.

Organised Delirium is pianist Tamara Stefanovich' personal exploration of the sonata form, centred around Boulez' Piano Sonata No. 2 which she studied in close collaboration with the composer, reigniting her passion as a performer. Boulez' Piano Sonata No. 2 represents a restructuring of music after it's destruction during World War II. Boulez' iconoclast piece is paired with twentieth-century sonatas by Eisler, Bartok and Shostakovich, each questioning the use of the term 'sonata', while the programme closes with a return the sonata's origins by way of Domenico Scarlatti. Appearing in the context of Boulez' centenary, this adventurous album reveals a strong kinship to Stefanovich' PENTATONE debut Influences (2019), and deepens our understanding of the sonata, it's history and it's many shapes. The New York Times lauded Tamara's recent concert performance of Boulez' Piano Sonata No. 2, stating that "Ms. Stefanovich's performance was staggeringly brilliant". Praised by The Guardian as "fearless, dazzling, exceptional", Tamara Stefanovich is one of today's most adventurous and sought-after pianists. After Influences (2019), Visions (2022) and Nicolaou: Etudes & Frames (2023), she now releases her fourth PENTATONE album.

Le temps des lilas is an ode to Romanticism, a love song and a nostalgic reflection on the bittersweet beauty of lost happiness. Dedicated to the music of Ernest Chausson, this album oscillates between passion and melancholy, wonder and nostalgia. The Concert Op. 21, a masterly work on the borderline between chamber music and orchestra, is carried by Pierre Fouchenneret's magnetic violin and David Violi's colorful piano. I Giardini also deliver a previously unpublished version of Poeme Op. 25, reworked for violin, piano and string quartet. The album closes with Pauline Buet's equally sensitive retelling of Chausson and Barbara's 'Temps des/du lilas', using cello in the former and singing voice in the latter. Barbara's song and Chausson's melody stand as a simple, timeless tribute to the magic of past moments and the fragility of human existence. Le temps des lilas is I Giardini's first full-length album for PENTATONE, following an already rich discography: Nuits (which has been awarded the prestigious Diapason d'Or), Bleu, Shaw and Faure, an EP released with PENTATONE in 2024.

In celebration of his 80th birthday, this four-disc set spans more than five decades of Michael Tilson Thomas' compositional career. It features 18 works, from premiere recordings to remastered archival recordings available for the first time. The deluxe collection also includes an extensive booklet containing composer's notes, original essays, and a timeline of archival photos chronicling MTT's life as a pianist, conductor, composer, recording artist, and teacher. All proceeds from GRACE: The Music of Michael Tilson Thomas will be donated to brain cancer research at the University of California, San Francisco Brain Tumor Center.

Immerse yourself in the enchanting world of Tiffany Poon, "classical pianist of the new generation", with this deluxe vinyl edition of her PENTATONE debut album Diaries: Schumann. Through her vivid interpretation of Robert Schumann's masterpieces, Tiffany invites us on a journey through her musical diary. This album topped the Billboard Traditional Classical Albums charts in the first weeks of it's release. With a selection ranging from the introspective Kinderszenen to the passionate Davidsbundlertanze, she creates a tapestry that reflects the different aspects of her life and her personal growth. With this album, Tiffany invites listeners to connect with themselves and be vulnerable and imaginative, like Schumann's Eusebius and Florestan. This album also encourages daydreaming in open spaces, "feeling all the feels", without any judgement. Experience the brilliance of this rising star as she shares her innermost thoughts and musical prowess through the captivating melodies of Schumann. This special vinyl product contains a 12" booklet with exclusive photo content of Tiffany. Born in Hong Kong, Tiffany Poon has appeared with orchestras and in recital throughout the United States, Canada, Europe, Australia and China since she was first accepted to the Juilliard pre-college program at the age of eight. She made her PENTATONE debut in 2024 with Diaries.

The acclaimed Schubert symphonies recordings by B'Rock Orchestra and Rene Jacobs now appear in a complete boxset. Finally recording Schubert offered Jacobs the opportunity to return to his first great musical love. His interpretation is rooted in profound research into early nineteenth-century developments and ideas, as well as a thorough exploration of Schubert's music and persona. Jacobs perceives this cycle as a series of multiple contrasting tandems of symphonies, oscillating between Italianate lightness and darker currents of Romanticism, between elegant forms and expansive endeavours, all in line with Schubert's dynamic, multi-faceted personality. Schubert's symphonies never acquired the paradigmatic status of his contemporary Beethoven, but with these recordings, Jacobs makes a compelling case to value and understand them on their own terms. He performs these works together with B'Rock Orchestra, one of the most adventurous period instrument ensembles of our times, with whom he has built up a congenial working relationship. In addition to his Schubert symphonies, multi-award-winning conductor Rene Jacobs released Haydn's Stabat Mater (2023) on PENTATONE, together with the Kammerorchester Basel and Zurcher Sing-Akademie. B'Rock Orchestra returned to the label with Antwerp Requiem (2022) and Handel: Water & Fire (2023).

Nine years after its initial release, Arabella Steinbacher’s acclaimed interpretation of two of the greatest concertos ever written for the violin is presented in an attractively priced Stereo re-issue. Steinbacher joins forces with the Orchestre de la Suisse Romande under the baton of Charles Dutoit, one of the most eminent conductors of our age. Both the Orchestre de la Suisse Romande and Arabella Steinbacher, a multiple award-winner, have an extensive Pentatone discography spanning more than a decade.

Jacqueline is powerful, award-winning new opera that dives into the real-life struggle between famed cellist Jacqueline du Pre and the multiple sclerosis that ravaged her body, mind, and talent - robbing her of her identity, her breathtaking musical gift, and ultimately her life. The story is brought to life by celebrated American soprano Marnie Breckenridge (as Jacqueline) and former du Pre protege and world-renowned cellist Matt Haimovitz, playing the role of her constant companion: her cello. GRAMMY-nominated composer Luna Pearl Woolf and Pulitzer Prize-winning librettist Royce Vavrek chart the development of great prodigy and, ultimately, great tragedy. Told in four movements - I. Star Birth; II. Super Nova; III. Meteorite; IV. Impact - the opera references Haimovitz's personal recollections of du Pre herself. Colorful and at times funny, raw, joyful and audacious, the form of the work echoes du Pre's iconic interpretation of Edward Elgar's Cello Concerto, using the concerto's four-movement structure to navigate a prismatic and passionate, if all too short, life in music.