On her solo debut album Indomita, soprano Eleonora Buratto pays tribute to the greatest composers and most insurmountable heroines of Italian nineteenth-century opera, together with the Orchestra & Coro dell'Opera Carlo Felice Genova under the baton of Sesto Quatrini. For Buratto, these scenes from Bellini's Il pirata, Donizetti's Anna Bolena and Lucrezia Borgia, as well as Verdi's I due Foscari and Aroldo, constitute a core repertoire for any soprano moving into the dramatic post-1850 operas in which she is currently thriving onstage. The combined demand of agility and power of the indomitable women portrayed fit her voice like a glove, and the combination of pieces offers an illuminating perspective on the development of Italian opera during the nineteenth century. Eleonora Buratto is one of the most highly acclaimed lyric sopranos in the world. Besides the Orchestra & Coro dell'Opera Carlo Felice Genova and conductor Sesto Quatrini, Indomita contains contributions by mezzo-soprano Irene Savignano, tenor Didier Pieri and bass Giovanni Battista Parodi. All artists make their PENTATONE debut.

The Netherlands Radio Philharmonic Orchestra and it's chief conductor Karina Canellakis continue their Bartok journey with the composer's only opera, Duke Bluebeard's Castle, starring mezzo-soprano Rinat Shaham (Judith) and bass-baritone Gabor Bretz (Bluebeard). One man, one woman, and a dark castle with seven mysterious doors are all it takes to create a psychological thriller full of suspense and intense emotion. Karina Canellakis and the Netherlands Radio Philharmonic Orchestra received a Grammy nomination for their recording of Bartok's Concerto for Orchestra and 4 Orchestral Pieces, which BBC Music Magazine praised as "enticing and brilliantly engineered", while Gramophone lauded how orchestra and conductor "paint the soundscapes with both finesse and fire." For Canellakis, Bartok's opera recorded here is "an homage to life itself, to life's brevity and fleeting beauty, to being human, to love, and to death." Internationally acclaimed for her emotionally charged performances, technical command and interpretive depth, Karina Canellakis has become one of the most in-demand conductors of her generation. She returns to PENTATONE as Chief Conductor of the Netherlands Radio Philharmonic Orchestra continuing their Bartok cycle that began with the aforementioned Concerto for Orchestra in 2023. Rinat Shaham and Gabor Bretz are sought after by the world's greatest opera houses and have long-standing experience performing Bartok's Bluebeard's Castle with various orchestras and conductors around the world.

On Milestones, violinist Philippe Quint offers a deeply personal exploration featuring works by trailblazing women composers who have shaped his personal and artistic journey. This recording includes concertos written especially for Quint by Errollyn Wallen and Lera Auerbach, as well as a new work by Lora Kvint - Quint's mother, marking their first collaboration. With each composer bringing a unique perspective and distinct voice to the album, Milestones focuses on life's pivotal moments such as Wallen's second movement of the concerto inspired by a Yiddish Lullaby sung to young Philippe by his grandfather and Auerbach's multilayered violin concerto reflecting the distortion of memory by future experience. Multiple Grammy Award nominee Philippe Quint is recognized as one of America's leading violinists. The Royal Scottish National Orchestra, with a distinguished history spanning over 125 years, ranks among Europe's finest ensembles. Andrew Litton, one of the most celebrated American conductors and a renowned pianist, joins this remarkable collaboration. This release marks the PENTATONE debut for all artists.

The Dresdner Philharmonie and Marek Janowski present a recording of Antonin Dvorak's Stabat Mater, together with the MDR Leipzig Radio Choir, Hanna-Elisabeth Muller (soprano), Roxana Constantinescu (mezzo-soprano), Christian Elsner (tenor) and Tareq Nazmi (bass). In terms of scope and duration, Dvorak's Stabat Mater is the largest setting of this sacred text to date. Likely inspired by the tragic death of all his three children - in the timespan of just two years - the work is heartrending, yet establishes a gradual path from darkness to light, from despair to peace and hope; ascetic and restrained, yet full of suspense. This recording, made in connection to a live performance commemorating the bombing of Dresden, offers a rendition that never drags, avoids excessive sentimentality, and is all the more moving as a result. Marek Janowski is one of the most celebrated conductors of our time and has a vast PENTATONE discography, chiefly consisting of German operas and symphonic works. From 2019 to 2023 he was Chief Conductor and Artistic Director of the Dresdner Philharmonie. Dvorak's Stabat Mater is his seventh PENTATONE recording with this orchestra, with whom he recently released Schubert's Unfinished and Great Symphonies (2023), Schumann's complete symphonies (2024), as well as Haydn's Die Schopfung (2024). The MDR Leipzig Radio Choir also appeared on that recording, has frequently featured on other PENTATONE recordings and starred on Bruckner Haydn Motets (2021) and Mendelssohn Choral Works (2023). Hanna-Elisabeth Muller released Reine de coeur (2018) and Sinnbild; Strauss Songs (2022) on PENTATONE. Roxana Constantinescu featured on PENTATONE recordings of Mascagni's Cavalleria rusticana and Puccini's Il tabarro (both 2020), as well as Kodaly & Bartok (2023). Christian Elsner also has a longstanding relationship with the label, including his solo recording of Schubert Lieder (2015). Tareq Nazmi appeared on the beforementioned recording of Die Schopfung.

Soprano Rosa Feola, Cappella Neapolitana and maestro Antonio Florio pay tribute to Niccolo Piccinni, master of the 18th-century Neapolitan opera tradition, with Son regina e sono amante. Deliberately avoiding his most famous work, La buona figliola, the album offers arias from his French and Italian operas, including some in Neapolitan vernacular. Given her origins, Feola is the ideal ambassador to bring the once world famous Piccinni back into the limelight. Soprano Rosa Feola has received many accolades for her achievements, and is a regular guest at the most important opera houses worldwide. Cappella Neapolitana and it's artistic director Antonio Florio have played a seminal role in the rediscovery of Neapolitan music since it's foundation in 1987. All artists make their PENTATONE debut.

The Detroit Symphony Orchestra and it's Music Director Jader Bignamini present Wynton Marsalis' Blues Symphony. The piece is a triumphant ode to the power of the blues and the scope of America's musical heritage. With a blend of influences from ragtime to habanera, the piece takes listeners on a sonic journey through America's revolutionary era, the early beginnings of jazz in New Orleans, and a big city soundscape that serves as a nod to the Great Migration. Detroit being one of the most vibrant melting pots of musical cultures in the US, the Detroit Symphony Orchestra seems the ideal advocate for this original contribution to the symphonic repertoire. The recording is also the first with Jader Bignamini, giving a new dimension to his music directorship. Wynton Marsalis is a world-renowned trumpeter, bandleader, composer, and a leading advocate of American culture. Jader Bignamini has worked with the world's leading orchestras and opera companies, preferably conducting without a score to guarantee maximum engagement with his players. The Detroit Symphony Orchestra, America's fourth-oldest, has a history as varied and exciting as that of it's hometown.

The Czech Philharmonic and its Chief Conductor and Music Director Semyon Bychkov continue their acclaimed Mahler cycle with the composer's Third Symphony, working together with mezzo-soprano Catriona Morison, the Prague Philharmonic Choir and Pueri Gaudentes. In this monumental work, Mahler combines a text from Nietzsche's Also sprach Zarathustra with the folk song inspirations of Des Knaben Wunderhorn, culminating in eternal bliss in the closing Adagio. To Bychkov, this longest Mahler symphony offers his "least hysterical" music, and hearing it for the first time as a 10-year-old choirboy kindled his life-long fascination and love for this composer. With this recording, it comes full circle.

The Czech Philharmonic - recently awarded Gramophone's Orchestra of the Year Award - is one of the world's orchestral gems, recognized for its rich tradition with the Czech masters as well as European repertoire. Together with their Chief Conductor and Music Director Semyon Bychkov, they have so far recorded for PENTATONE Mahler's First, Second, Fourth and Fifth Symphonies (2022-2023), part of the complete Mahler cycle to be released by the label, as well as Smetana's Ma vlast and Dvorak's Seventh, Eighth and Ninth Symphonies (2024). The Orchestra is also featured on the albums Folk Songs (2023) and Czech Songs (2024) recorded by Magdalena Ko�ena and Sir Simon Rattle, as well as Dvorak Legends & Rhapsodies with Tomas Netopil.

Organised Delirium is pianist Tamara Stefanovich' personal exploration of the sonata form, centred around Boulez' Piano Sonata No. 2 which she studied in close collaboration with the composer, reigniting her passion as a performer. Boulez' Piano Sonata No. 2 represents a restructuring of music after it's destruction during World War II. Boulez' iconoclast piece is paired with twentieth-century sonatas by Eisler, Bartok and Shostakovich, each questioning the use of the term 'sonata', while the programme closes with a return the sonata's origins by way of Domenico Scarlatti. Appearing in the context of Boulez' centenary, this adventurous album reveals a strong kinship to Stefanovich' PENTATONE debut Influences (2019), and deepens our understanding of the sonata, it's history and it's many shapes. The New York Times lauded Tamara's recent concert performance of Boulez' Piano Sonata No. 2, stating that "Ms. Stefanovich's performance was staggeringly brilliant". Praised by The Guardian as "fearless, dazzling, exceptional", Tamara Stefanovich is one of today's most adventurous and sought-after pianists. After Influences (2019), Visions (2022) and Nicolaou: Etudes & Frames (2023), she now releases her fourth PENTATONE album.

Johannes Moser's acclaimed interpretation of Elgar's profoundly elegiac and lyrical Cello Concerto and of Tchaikovsky's elegant Rococo Variations returns to the market in an affordable stereo edition. The programme also contains Tchaikovsky's Nocturne and Morceau de Concert for Cello and Orchestra, as well as an arrangement of the famous Andante cantabile from his First String Quartet. Performed together with Orchestre de la Suisse Romande under the baton of Andrew Manze, Moser's rendition was praised by Gramophone as "one of the finest we've had in years."

Twilight is the third album of tenor Ian Bostridge and pianist Saskia Giorgini, dedicated to Robert Schumann song cycles, all written in the miraculously productive year of 1840. The album title and cover photography were inspired by the song Zwielicht, which together with Mondnacht from the same Op. 39 cycle is often considered to be the epitome of German nineteenth-century Romanticism. It is also a fitting metaphor for Schumann's troubled soul, constantly oscillating between light and dark, between hope and despair. Shedding a fascinating light on Schumann's dark inner world, the recorded songs are both an expression of his profound love for his wife Clara and of euphoria after having overcome a period of severe mental disturbance. It is hard to think of better ambassadors for this repertoire than Ian Bostridge and Saskia Giorgini, whose acclaimed partnership has made them seasoned champions of the German lied. Ian Bostridge is one of the most celebrated tenors and lied interpreters of his generation. His PENTATONE recording of Schubert's Winterreise (2019) was crowned with the ICMA Vocal Music Award 2020. Bostridge has since released Schwanengesang (2022), The Folly of Desire (2023) as well as Die schone Mullerin (2020) and Respighi Songs (2021), both together with Saskia Giorgini, on the label. Giorgini's Liszt recordings Harmonies poetiques et religieuses (2021) and Consolations (2023), as well as her Debussy recital album Images (2024), have all received extensive praise.

Le temps des lilas is an ode to Romanticism, a love song and a nostalgic reflection on the bittersweet beauty of lost happiness. Dedicated to the music of Ernest Chausson, this album oscillates between passion and melancholy, wonder and nostalgia. The Concert Op. 21, a masterly work on the borderline between chamber music and orchestra, is carried by Pierre Fouchenneret's magnetic violin and David Violi's colorful piano. I Giardini also deliver a previously unpublished version of Poeme Op. 25, reworked for violin, piano and string quartet. The album closes with Pauline Buet's equally sensitive retelling of Chausson and Barbara's 'Temps des/du lilas', using cello in the former and singing voice in the latter. Barbara's song and Chausson's melody stand as a simple, timeless tribute to the magic of past moments and the fragility of human existence. Le temps des lilas is I Giardini's first full-length album for PENTATONE, following an already rich discography: Nuits (which has been awarded the prestigious Diapason d'Or), Bleu, Shaw and Faure, an EP released with PENTATONE in 2024.

Rising star violinist Chloe Chua presents a vinyl edition of her acclaimed recording combining Chen Gang and He Zhanhao's Butterfly Lovers Violin Concerto with Niccolo Paganini's First Violin Concerto, performed together with the Singapore Symphony Orchestra, Rodolfo Barraez and Mario Venzago. The Butterfly Lovers Violin Concerto was written in 1959, and inspired by a tale often called the Romeo & Juliet of ancient China. Chen and He deftly combine a Western classical idiom with elements from Chinese opera, such as grace notes and portamento effects, and the work has become one of the most famous and acclaimed pieces of Chinese classical music. This album also features an interpretation of Chen Gang's Sunshine over Tashkurgan, which adds Central-Asian maqam to the stylistic palette. The programme concludes with Paganini's First Violin Concerto, musically inspired by Rossinian bel canto. The three works share a richness of melodic invention and orchestral colours, as well as breathtaking virtuosic demands for the soloist. The solo parts are in excellent hands with Chloe Chua, who admires the steadfast love and perseverance of the Butterfly Lovers and feels fully at home in these evocative and exhilarating masterpieces. Chloe Chua and the Singapore Symphony return to Pentatone after their acclaimed recording of Vivaldi's Four Seasons and Locatelli's Labirinto armonico (2023).

Cappella Amsterdam and it's celebrated chief conductor Daniel Reuss present an integral recording of Lassus' Penitential Psalms. Building on their exquisite recording of Schnittke's Psalms of Repentance, this release explores new dimensions in the theme of penitence and marks a significant return to Renaissance repertoire following their celebrated PENTATONE debut album In Umbra Mortis. The album pairs Lassus' austere and introspective music with images from the richly-illustrated original score, one of the most visually beautiful manuscripts ever created. Under Daniel Reuss' artistic direction of over thirty years, the choir has garnered numerous accolades, including an Edison Klassiek Award for In Umbra Mortis (2021). This album was followed by David Lang: the writings (2022), Schnittke: Psalms of Repentance (2023) and Tales of song and sadness (2024), a tribute to those two giants of Dutch music culture, conductor Frans Bruggen and composer Louis Andriessen.

The Orchestre symphonique de Montreal and it's Music Director Rafael Payare celebrate Arnold Schoenberg's 150th birthday with a recording of two of his late-Romantic masterworks: Verklarte Nacht and Pelleas und Melisande. Both pieces are based on stories evolving around love, jealousy, acceptance and forgiveness, and showcase Schoenberg's expressive harmonic language and scintillating, multifarious orchestration. The album booklet features unique photography and paintings by Arnold Schoenberg, sketching a vivid picture of this extraordinarily versatile artist. After their acclaimed PENTATONE recordings of Mahler's Fifth Symphony (2023), as well as his Ruckert-Lieder and Strauss's Ein Heldenleben (2024), Payare and the orchestra further explore this late-Romantic repertoire that fits them like a glove.

Saxophonist Raaf Hekkema presents Sigfrid Karg-Elert's complete works for solo saxophone, stylistically encompassing Bach and baroque dances as well as dance-hall and atonality. This recording is the result of a life-long quest to unveil the musical intentions of this enigmatic, colourful composer. It's hard to think of a better ambassador for this vibrant repertoire than Raaf Hekkema, one of today's most-acclaimed saxophonists. Raaf Hekkema is an adventurous Dutch saxophonist. Performing mainly his own arrangements, he gives approximately 100 concerts per year the world over. This is his first solo project on PENTATONE, after having released Hidden Gems (2018), Dido & Aeneazz (2019), Bach's Musical Offerings (2020) and An American Rhapsody (2023) as member of the Calefax Reed Quintet.