The album HETH contains a range of world premiere recordings of new works for flute and guitar, flute and piano and flute solo. This album offers a broad range of musical experience spanning XXI country's works. The composers of the album include: Daniel Adams, Greg Bartholomew, Paolo Geminiani, Yorgos Karagiannis, Carmelo Mantione, Ross James Carey, Dimitris Karnasopoulos, David W. Pyke, Theodore Karathodoros, Louis Sauter and Charles Norman Mason. Produced by the Phasma-Music, it is a fine demonstration of contemporary music in USA, Greece, Italy, France, New Zeland and Australia. Iwona Glinka's playing is exceptional, and the pieces are all, without exception, fascinating, and deserve to become the stapes of flute repertoire in the future.

Award-winning recording artist, Iwona Glinka's new album GIMEL, consists of twelve compositions, written by ten contemporary composers: Aaron Alter (USA), Keith. R. Gambling (Australia), Louis Sauter (France), José Jesus de Azevedo Souza (Portugal), Peter Walton (UK), Aris Carastathis (Canada), Hari Kanakis, Dimitris Kostopoulos, Rene Nikolaou, Giorgos Papamitrou (Greece). In each case, they are world premieres, recorded by soloists specializing in the performance of contemporary music: Iwona Glinka (flute), Anna Sikorzak-Olek (harp) and Adam Eljasinski (clarinet). Seven of the pieces were composed for flute and harp, while the remaining ones for solo flute, for solo alto flute, for flute and clarinet, and for flute, harp, and clarinet.

The album was recorded in September 2017 in Warsaw, and is the culmination of work on compositions, often dedicated to the Polish flutist Iwona Glinka, who devoted the subject of contemporary flute music in her two doctoral dissertations.

The works on the album present all the techniques of the new music, highlighting not only the unique characteristics of the instrument but also the extraordinary virtuosity and musicality of Iwona Glinka. The flutist in cooperation with an outstanding harpist has created a unique and coherent thematic album, presenting to the listeners the world of the newest flute music.

The album FOUR MINUTES for woodwind quartetcontains 18 four-minute works, written by 18 composers from 9 countries. A woodwind quartet, sometimes casually called wind quartet, is an ensemble of four woodwind instruments, or music written for four instruments. The usual scoring is flute, oboe, clarinet and bassoon. The instruments in a woodwind quartet usually have different ranges that allow for rich harmonies with high and low tones. Since these four instruments are from different subgroups of the instrument family, wind quartet music has timbral variety from each instrument's resonance. The composers of the album include: Giovanni Albini, Aaron Alter,Jerome de Bromhead, Ricky Chaggar, James C. Danly, Lars Fetzek, Martin Lennartz, Chan Wing Lun, Allen Molineux, Claudio Passilongo, Andrew Sigler, Randall Snyder, José Jesus de Azevedo Souza, Stamatia Statherou, Alan Terricciano, William Toutant, Michail Travlos and Douglas Wagoner.

The outstanding album BALLET MUSIC is the third album in a series dedicated to the one of Greece's leading composers, Alkis Baltas. The ballet Panoria was composed during the period 2002-3, following the assignment by the Greek National Opera. The play was first presented in 2004 in five shows by the ballet of the Greek National Opera, with choreography by Charis Mantafounis, who transferred the story to the modern era. The story of the ballet is based freely on the theatrical play Panoria by the Cretan Renaissance writer Georgios Chortatsis (1550-1610). Two haughty Amazons refuse the love of two young men. At the end, the two girls' refusal is transformed into strong love. The nature of the music follows the sometimes lyrical and sometimes comic scenes of the play. Sometimes, in parts of intense rhythmic character, some distant references to Cretan traditional music are made. Musical references are also made to Renaissance music, mostly by the use of the melody of the song "So ben, mi, c'ha bon tempo" of Chortatsis's contemporary, Italian composer Orazio Vecchi. The ballet Monologue for alto saxophone and orchestra was composed in 2009. It is intended to be interpreted by only one dancer, who, during the composition, renders various sentiments and emotions. After the intense orchestral introduction, the solo saxophone plays a broadly expressive melody. With gradually increased movement, the music moves to intense, anguished dancing movement. The saxophone's melody aims to express the internal philosophic mood of the lead dancer. A development part follows, in which the solo saxophone has an intense dancing dialogue with the orchestra. Immediately after, the saxophone's second cadenza is heard, which also has the character of internal meditation. The play finishes with a calm coda and the music fading as the lights of the scene dim. The composition is dedicated to the saxophone soloist Theodore Kerkezos.