John Ireland is widely regarded as one of the greatest British composers of the twentieth century. His contribution to the piano solo repertoire is of great significance. This album, performed by award-winning pianist Rebeca Omordia, is an exploration of John Ireland's piano music composed over a period of almost forty years. His distinctly English yet individualistic musical style is reflected in works bearing evocative titles that reveal Ireland's deep connection to landscapes and literature, creating a unique sound world. The release includes Decorations, published in 1915, as the earliest pieces; the substantial Piano Sonata in E minor (1920), described by Lisa Hardy in her book as "the outstanding example of all British piano sonatas"; the large-scale Sarnia: An Island Sequence (1940-41); and Columbine, the last piano piece he wrote, from 1951.
The album 'OCULUS' is Julie Cooper's 2nd to be released on the Signum Classics label. It is an eye into the world of colour in music, from the Italian Renaissance through to present day. Inspired by the talent of the artists recording the tracks, by paintings, dances and architecture of the Italian Renaissance and the vividly descriptive colours the Oculus Ensemble's Conductor Jessica Cottis sees when conducting in certain keys through her synaesthesia.
Songs are the heart of the African people. -Rebeca Omordia SOMM Recordings is excited to announce African Art Song, a continuation of pianist and "African classical music pioneer" (BBC World Service), Rebeca Omordia's exquisite exploration of African classical music repertoire in her African Pianism series, in which she partners award-winning soprano Omo Bello. Throughout, an illuminating, and frequently mesmerizing musical tapestry appears, incorporating five indigenous languages and cultures with songs that merge African and Western European musical forms with African melodies to produce songs full of simplicity, playfulness, and most importantly, joy. The repertoire recorded by the two artists ranges from the love songs of Joseph Bologne (1745-1799), to works by living composers Shirley Thompson and Errollyn Wallen, whose "Peace on Earth" has grown from a song for Christmas to a song of peace for all seasons. The plaintive longing heard in "Adura fun Alafia" (Prayer to God / Prayer of Peace," by Nigerian composer Ayo Bankole, is a prayer reflecting the depth of devastation and starvation experienced during the Nigerian Civil War, known as the Biafra War (1967-1970). Ghanian-Nigerian composer Fred Onovwerosuoke's "Twelve African Songs" are a kaleidoscope of dances, healing dances and calls on the rain. Percussionist Richard Olatunde Baker's two compositions "serve as intermission, as a way of bridging the multiple musical languages". Baker's compositions join those of Ayo Bankole, Akin Euba, Christian Onyeji, and Chijioke Ngobili as first recordings. French-Nigerian Omo Bello is the winner of many of Europe's most prestigious awards, including the Luciano Pavarotti Giovani competition (2010), Arca d'Or Prize (2013), Paris International Opera Competition (2014), and more after beginning her career as a scientist. Bello combines her talents by giving charity performances in the service of medical research associations and in working with the Operabuja festival in Nigeria to build a music conservatory and promote classical music and the lyrical arts. Nigerian-Romanian Rebeca Omordia has been labelled "a classical music game changer" (Classical Music). Her recording of Errollyn Wallen's Piano Concerto won the BBC Music's 2024 Premiere Award. Alongside her wide-ranging career as a soloist and chamber musician, she is artistic director of the African Concert Series, in residence at London's Wigmore Hall. African Pianism, Volume One was hailed by Gramophone as a "fascinating new series", featuring, "a bounty of largely unfamiliar yet richly rewarding music", and selected as a Top Album of 2022 by Canada's Textura Magazine for "the remarkable music and Omordia's sterling realization." Volume Two, was named an August 2024 Gramophone Editor's Choice.
SOMM Recordings is thrilled to announce African Pianism, Volume 2, a new installment in a collection of piano music by African composers. Following suit from her critically acclaimed first African Pianism album, Rebeca Omordia brings us a fascinating program with no less than 8 First Recordings. Among these is the 4th in a selection of three Studies in African Pianism by Akin Euba, a Nigerian composer who makes a return on this second volume and whose “African Pianism” style, inspired by the research of Ghanaian composer J.H. Kwabena Nketia. The music of Algerian composer Salim Dada attempts to be a means by which a natural message of peace and dialogue may exist between the Arab-Muslim world and European civilization. Moroccan composer Nabil Benabdeljalil, like Akin Euba, makes a second appearance in this series with a new set of four pieces including 3 first recordings. Fellow South African Grant McLachlan contributes his arrangement for solo piano of the anti-apartheid protest song “Senzeni Na?”, which begins “What have we done? Is our sin that we are black?”. Fela Sowande, a Nigerian composer of the previous century, figures on the program with hauntingly original “K’A Mura” from 2 Preludes on Yoruba Sacred Folk Melodies. Also representing the first half of the 20th century is celebrated African American composer Florence Price in her luxuriantly pianistic Fantasie nègre.
Hailed as an "African classical music pioneer" (BBC World Service) and "a classical music game changer" (Classical Music), award-winning pianist Rebeca Omordia is an exciting virtuoso with a wide-ranging career as soloist, chamber musician and recording artist.
SOMM Recordings is thrilled to announce African Pianism, a revelatory collection of music by seven African composers. Released to coincide with Black History Month in the United States, it marks the label’s solo debut of Nigerian-Romanian pianist Rebeca Omordia.
First recordings include three haunting Nocturnes and percussion enhanced En attente du printemps by Moroccan Nabil Benabdeljalil. And Five Kaleidoscopes for Piano by Ghanaian-born to Nigerian parents, Fred Onovwerosuoke, best known for Bolingo, featured in the 2006 Robert de Niro film, The Good Shepherd. They evocatively reference a beehive, love of homeland, Nubian folklore and the elemental power of Nature. African Pianism takes its title from Ghanaian J.H. Kwabena Nketia’s set of Twelve Pedagogical Pieces, richly influenced by the rhythmic, tonal accent of African percussion music. Ayo Bankole’s Egun Variations, remarks Robert Matthew-Walker in his booklet notes, “skilfully melds… Nigerian musical language within a European G major tonal structure”.
Fellow Nigerians Christian Onyeji and Akin Euba also interrogate African drumming technique to brilliant effect in the former’s Ufie (Igbo Dance), the latter’s Three Yoruba Songs Without Words celebrating indigenous song. David Earl’s Princess Rainbow, from his autobiographical Scenes from a South African Childhood, is a touching memory of fly-fishing with his father.
Hailed as an “African classical music pioneer” (BBC World Service), award-winning pianist Rebeca Omordia is an exciting virtuoso with a wide-ranging career as soloist, chamber musician and recording artist. She is artistic director of the African Concert Series in London, part of Wigmore Hall’s Family of Partners. The 2022 series launches at London’s Africa Centre on January 25. Rebeca’s previous SOMM release, The Piano Music of Ralph Vaughan Williams was hailed by MusicWeb International as “spellbinding music”.
REVIEW:
With African Pianism, Rebeca Omordia has delivered what is sure to be one of the most mesmerizing, invigorating and frankly marvelous piano records of 2022.
That the music on this outstanding album isn’t already better known seems to me a perplexing injustice.
Kudos to Omordia for so eloquently bringing this truly great music to a wider audience; she is the most gracious but compelling of advocates, and we must hope her stellar efforts turn the tide.
-- Pianodao.com (Andrew Eales)
In casting her gaze exclusively on the music of African composers Akin Euba, Ayo Bankole, Christian Onyeji, David Earl, Fred Onovwerosuoke, J. H. Kwabena Nketia, and Nabil Benabdeljalil, London-based pianist Rebeca Omordia has created something truly special. Not only does she bring attention to figures whose names might be new to many a Western listener, she also presents a compelling argument on behalf of the classical music originating from their homeland, especially when so much of it entices for its distinctive melodic quality, rhythmic drive, and folk-influenced tone.
