2017 release. A rolling juggernaut of hard-edged northeastern funk and rock, punctuated by a tight horn section, this disc highlights the full throated voice and cocky attitude of lead singer, Miss Velvet. Coming straight out of a Janis Joplin/Chi Coltrane bag, Miss Velvet and the Blue Wolf have been blowing away audiences in the Northeast US for the past few years. Recorded at Detroit's legendary United Sound studios and produced by Constance Hauman, Bad Get Some at once gives a nod to hard-driving blues and rock bands of the past while forging a red-hot sound all it's own. This is gut bucket, funky rock and roll... total body music.

Phil Collins - Both Sides (All the Sides) 5xLP This deluxe edition contains the remastered full original album, cut at half-speed by Miles Showell at Abbey Road Studios, and is a compendium of early demo tracks from the recording of the album as well as rarities from the singles originally released on the album - "Both Sides of the Story," "Everyday" and "We Wait and We Wonder." BOTH SIDES (ALL THE SIDES) brings this full collection together with live tracks from the era, such as "Can't Turn Back the Years," "Both Sides of the Story" taken from Collins' MTV Unplugged performance, "Doesn't Anybody Stay Together Anymore" and more, as one release for the first time on vinyl. The set is housed in a slipcase with picture sleeves and a 16-page booklet containing newly-written and extensive liner notes by esteemed journalist Michael Hann. RHI/Rhino Records

These Wicked Things is the fourth release from the determinedly eclectic Boston-based band Beat Circus and the final installment in singer/multi-instrumentalist/composer Brian Carpenter's "Weird American Gothic" trilogy. The record bridges a number of disparate genres including experimental music, cowpunk, post-punk, Mexican folk music, mariachi music, and "spaghetti western" and giallo film scores. The cover and booklet include an 18-page graphic novelette by renowned Croatian artist Danijel Zezelj, best known for his live paintings, multimedia, and collaborations with DC Comics/Vertigo. These Wicked Things began after Carpenter was commissioned by the Berkeley Repertory Theater in Berkeley, California to compose music and lyrics for Dominic Orlando's play The Barbary Coast in 2014. Based on the true crime book by Herbert Asbury (Gangs of New York), The Barbary Coast detailed the violent rise of San Francisco in the late 1800s. The play centers around Joaquin Murieta, a Mexican who went on a revenge spree after his wife Rosita was killed by gold miners. Two versions of "Rosita" and some incidental music from the play are included. After recording These Wicked Things with Beat Circus at the legendary Q Division Studios in Boston, Carpenter flew out to Tucson, Arizona to mix the record with es-teemed producer Craig Schumacher (Calexico, Neko Case, Giant Sand.) Carpenter worked with Schumacher previously on his singer/songwriter outing The Far End of the World (2015, Accurate.) Special guests on These Wicked Things include trumpeter Jacob Valenzuela of Calexico, bass saxophonist Dana Colley of Morphine, and guitarist Stephen Ulrich of the NYC guitar noir trio Big Lazy.

Four CDs. Deluxe edition. Wilco's third album, Summerteeth, arrived in March 1999 to glowing reviews for it's daring arrangements, lush harmonies and revealing lyrics. Summerteeth: Deluxe Edition includes a Bob Ludwig 2020 remastered version of the original album along with an entire disc of unreleased studio outtakes, alternate versions and demos that chart the making of the album from songwriting demos to alternate studio arrangements to finished masters. The two remaining discs feature a previously unissued live show. The concert took place late in the Summerteeth tour, on November 1, 1999 in Colorado at The Boulder Theatre, when the new songs had been road-tested and the band was in top form. Sourced from an uncirculated soundboard recording, it features band members Jeff Tweedy, John Stirratt, Ken Coomer and Jay Bennett. Most of the songs on Summerteeth were performed during the show, along with several tracks from the band's two previous records, Being There (1996) and A.M. (1995), as well as Mermaid Avenue (1999).

The BYU Young Ambassadors’ new production, "Heartsongs: Melodies of Love," is a fast-paced musical revue created for family audiences. + "Heartsongs" features show tunes from award-winning Broadway musicals as well as popular international hits by the Beatles, Elvis Presley, Adele and Michael Jackson. + Since their premier performance at Expo ’70 in Osaka, Japan, the BYU Young Ambassadors have performed in over 67 countries and appeared before millions, including many government and arts leaders.

Feed The Wolf is the 2nd album by Miss Velvet and The Blue Wolf. Their debut recording, Bad Get Some, received international critical acclaim. Miss Velvet & The Blue Wolf is a dynamic 8-piece New York-based band that brings a vital and original dimension to the contemporary Indie Rock/Funk scene. Fronted by the genre defying powerhouse lead vocalist Miss Velvet and featuring a rhythm and brass section comprised of some of America's leading studio musicians, the band has been garnering rave reviews for their highly accomplished musicianship and on-stage flair. The band has performed over 100 concerts opening for George Clinton Parliament Funkadelic. The iconic worldwide tour has seen them play before audiences across the States, Europe, Asia, and Australia. Miss Velvet and the Blue Wolf have headlined at the SXSW Festival in Austin, Texas, Tallinn Music Week, Jogevatreff Festival, Augustibluus Festival and concerts in Riga, Helsinki and Tallinn. The Band is also a favorite and regular throughout the New York concert circuit.

In Genesis' incredible body of work, 'The Lamb Lies Down On Broadway' is a landmark record, and one of the most influential progressive rock albums of all time. Originally released in November 1974, 'The Lamb' is celebrating it's 50th Anniversary with a 5LP + Blu-ray Super Deluxe Edition. This definitive compendium was created with input from all band members involved in the record and follows the arc of the album's creation and tour, giving fans a deep dive into the music and visual elements. - The 5LP + Blu-ray box includes the original album remastered by Miles Showell at Abbey Road from the 1974 analogue tapes; the complete 'Live From The Shrine Auditorium, Los Angeles, CA' show from January 1975, including two previously unreleased encore tracks; 'The Lamb' Dolby ATMOS mix overseen by Peter Gabriel and Tony Banks at Real World Studios; Download card featuring three never-before-released demos from the Headley Grange Sessions, plus 96kHz/24-bit high resolution audio of the new remasters. The set is complete with a 1975 tour programme reproduction, replica ticket, poster and a 60-page coffee table style book featuring rare images and new liner notes by Alexis Petridis.

The Lamb Lies Down On Broadway (Deluxe Edition) In Genesis' incredible body of work, 'The Lamb Lies Down On Broadway' is a landmark record, and one of the most influential progressive rock albums of all time. Originally released in November 1974, 'The Lamb' is celebrating it's 50th Anniversary with a 4CD + Blu-ray Super Deluxe Edition. This definitive compendium was created with input from all band members involved in the record and follows the arc of the album's creation and tour, giving fans a deep dive into the music and visual elements. The 4CD + Blu-ray box includes the original album remastered by Miles Showell at Abbey Road from the 1974 analogue tapes; the complete 'Live From The Shrine Auditorium, Los Angeles, CA' show from January 1975, including two previously unreleased encore tracks; 'The Lamb' Dolby ATMOS mix overseen by Peter Gabriel and Tony Banks at Real World Studios; Download card featuring three never-before-released demos from the Headley Grange Sessions, plus 96kHz/24-bit high resolution audio of the new remasters. The set is complete with a 1975 tour programme reproduction, replica ticket, poster and a 60-page coffee table style book featuring rare images and new liner notes by Alexis Petridis. Blu-Ray W/Bonus CD 6

We continue our popular and successful series devoted to the biggest chart records of each calendar year in the early chart era as we focus on 1946, the sixth full calendar year of the Billboard Best Sellers chart - the chart was launched in July 1940 - and the second year to feature both a Most Played in Juke Boxes and Most Played by Disc Jockeys charts as well. This great value 98-track 4-CD set comprises every record which peaked in the Top 10 of the Best Sellers and Disc Jockey charts during the year, plus those which reached the Top 7 of the Disc Jockey chart - the DJ chart often had several records tied at each position.

The CD Kinetic Valves offers a listening journey inspired by the pluralism of contemporary languages, in a mix of different styles and poetics, between the sounds of the euphonium and the ophicleide. A listening journey dedicated to the new Italian compositional panorama that unfolds through the works of Matteo Tundo (Innesti e Germinazioni), Pasquale Punzo (Mirrored in the brass), Maria Vittoria Agresti (Mutea: I, II and III) and Daniele Vulpiani (Inventario di oggetti introvabili), all in firstever recordings. The conclusion of this journey into a world of rarely heard sounds is the reinterpretation of the piece PostPraeLudium per Donau by Luigi Nono. The protagonist of the recording is Marina Boselli, a virtuoso of the instrument who, after her studies, perfected herself with internationally renowned teachers. Winner of numerous national and international competitions, she is active in Italy and abroad as a soloist. Since 2018 he has been the first euphonium soloist of the Civica Filarmonica di Lugano and collaborates as a guest musician at the Accademia Nazionale di Santa Cecilia for the creation of new repertoires for euphonium and electronics, also holding masterclasses on composition for brass and extended techniques in conservatories and international composition campuses.

Vladimir Misik is back with a new album, Vteriny, mesice a roky (Moments, Months and Years). The album is Misik's third collaboration with the producer Petr Ostrouchov and follows the prize-winning projects, Jednou te potkam (Once, I Will Meet You; 2019) and Nocni obraz (Night Image; 2021). The album is comprised of fifteen new songs, with lyrics by Vladimir Misik and Michael zantovsk�, songs based on poems by Jan Skacel, Jiri Dedecek and Frantisek Gellner, and one text tailored directly for Misik by Tomas Belko, a one-time fellow band-member of Ostrouchov in Sto zvirat. In the studio, Misik surrounded himself by ten musicians, with the Blue Shadows quartet at the core, which also performed on the previous recordings, featuring Josef stepanek and Petr Ostrouchov on the guitar, Matej Belko on the bass guitar and Martin Novak on the drums. The other players include pianist Jan Steinsdorfer and Hammond organist Ondrej Pivec (now living in the USA), who both were involved on the album Nocni obraz as well, guitarist Lukas Martinek, double bassist Tomas Liska and two special international guests - the Cuban-American percussionist Michito Sanchez and the British performer on the pedal steel guitar B.J. Cole - who both have featured in projects of illustrious colleagues such as Sting, Rolling Stones, Elton John, Depeche Mode, Crosby, Stills and Nash, James Taylor, David Gilmour, R.E.M., Bjork, Stevie Wonder, and others. The album is released on CD and as a 2LP and includes a comprehensive booklet with studio session photos and the lyrics.

Vladimir Misik is back with a new album, Vteriny, mesice a roky (Moments, Months and Years). The album is Misik's third collaboration with the producer Petr Ostrouchov and follows the prize-winning projects, Jednou te potkam (Once, I Will Meet You; 2019) and Nocni obraz (Night Image; 2021). The album is comprised of fifteen new songs, with lyrics by Vladimir Misik and Michael zantovsk�, songs based on poems by Jan Skacel, Jiri Dedecek and Frantisek Gellner, and one text tailored directly for Misik by Tomas Belko, a one-time fellow band-member of Ostrouchov in Sto zvirat. In the studio, Misik surrounded himself by ten musicians, with the Blue Shadows quartet at the core, which also performed on the previous recordings, featuring Josef stepanek and Petr Ostrouchov on the guitar, Matej Belko on the bass guitar and Martin Novak on the drums. The other players include pianist Jan Steinsdorfer and Hammond organist Ondrej Pivec (now living in the USA), who both were involved on the album Nocni obraz as well, guitarist Lukas Martinek, double bassist Tomas Liska and two special international guests - the Cuban-American percussionist Michito Sanchez and the British performer on the pedal steel guitar B.J. Cole - who both have featured in projects of illustrious colleagues such as Sting, Rolling Stones, Elton John, Depeche Mode, Crosby, Stills and Nash, James Taylor, David Gilmour, R.E.M., Bjork, Stevie Wonder, and others. The album is released on CD and as a 2LP and includes a comprehensive booklet with studio session photos and the lyrics.

The legendary husband-and-wife duo-Irena and Vojtech Havlovistarted to work togetherin the mid-80s andsince the very beginning have hada very unorthodox approach to bothhistorical and modern compositional techniques and interpretative procedures. Graduallythey created their typically unclassifiable, multi-layered sound and stylethat is howevereasily discernableand appreciated by audienceseven far beyond the bordersofthe CzechRepublic. Their music is poetic, meditativeand inspired by non-Europeanculturesas well asminimalism. They recorded and released several very original CDs which earned themacclaim both at home and abroad. They have been appearing in concert across the CzechRepublic, Europe, Canada, the USA as well as Africa and Japan, thanksto the collaborationwith avant-garde artists Petr Nikl and Jana Svobodova. Irena dna Vojtech Havlovi are alsowriting music forshort and featurefilms, documentariesand theatre (film Little Crusader byVaclav Kadrnka was awarded by the Czech Film and TVAcademy for the best film score). Intheir music, they are using various musical instruments-cello, piano, viola da gamba, bells, tibetian bowls and others. On their newalbumFour Handsthey bringnew compositions for4 hand piano and organ. The album �s release will be accompanied by several videos andtouring in the Czech Republic and abroad.

How can an artist move forward and keep finding new ways of creativity and not stagnate? This question is as old as art itself but those who search can make a discovery. Such musicians whose every album develops the never-ending story of searching and discovering are undoubtedly the Prague-based Clarinet Factory. This internationally renowned ensemble, which has redefined the approach to and use of clarinets, has written another chapter of it's fascinating exploration on it's new record, Towers. In comparison with their previous album, Pipers (2020), they now put more emphasis on instrumentals, so the first single, Obloha seda (The Grey Sky), is one of only two songs with lyrics on this record. The main role is played by clarinets, drums and loopers while the human voice is often used as an instrument or as ambient sound. The resulting sound of the album is largely contributed to by their guest, Beata Hlavenkova, who conjures up many distinct and colourful layers on the piano and Fender Rhodes. Besides Beata Hlavenkova and the quartet of Ludek Boura, Vojtech N�dl, Jindrich Pavlis and Petr Valasek, another important figure is Milan Cimfe of the SONO Records Studio, who collaborated with the Clarinet Factory on Pipers and who is in charge of the drums, samples and other electronics on the new record. Other guests include drummer Daniel soltis, who has collaborated with the ensemble for many years. Towers is another important item (not only) in the Clarinet Factory discography. It's multiple layers are a joy to discover with every listening. The album is released only in digital formats and as a three-side double LP, whose graphical design was created by the renowned artist, Pavel Fuksa. / The Clarinet Factory have written another chapter of their remarkable exploration of the world of sounds

L'integrale Fremeaux & Associes de Charles Trenet realisee sous la direction de Daniel Nevers, puis de Vincent Lisita et Pascal Halbeher, reunit la totalite des enregistrements phonographiques originaux disponibles aupres des collectionneurs sensibilises a l'ambition museographique d'un "catalogue raisonne de l'oeuvre enregistree" du fou chantant. Aux enregistrements choisis et commercialises de l'epoque, le directeur artistique presente les "alternates" qui proposent d'autres versions des memes titres. Cette vocation d'exhaustivite historiographique dediee au patrimoine sonore phonographique s'accompagne (toujours chronologiquement) de documents radiophoniques, de publicites chantees afin d'eclairer la diversite de la production de l'artiste et de reveler retrospectivement les raisons de son appartenance a notre memoire collective.

The Signature label having developed into Radio France's preferred means of expression for multiple form of music, it is now broadening it's space for creation with Radiophonie, an entire collection devoted to illustration in sound. Welcoming today's composers with a curiosity for this purely radiophonic object, one filled with relatively brief forms that are explicit as regards the themes developed or resolved, and sensitive to the sounds of the contemporary world, whether electronic, electro-acoustic or acoustic, this new collection Radiophonie has the vocation of being the place where experimentation meets functionality. It's a meeting place that makes note of the fact that, if the distinction between the different destinations of works of music has faded on it's own, the radiophonic form remains rich in perspectives, images, colors and emotions.

A Taste Of Doo Wop, Vol. 1

GREATS of the GRAMOPHONE, Vol. 1

For his 1985 Alligator debut, this blues-rock guitar master chose and arranged all the songs. That was a first, and it's certainly a big part of the reason Roy was able to call this Grammy nominee "the best record I've ever made." Otis Clay, Sonny Seals and Gloria Hardiman guest, but Roy's guitar is the star on "Chicago Smokeshop," "Mrs. Pressure," "A Nickel and a Nail," "Country Boy" and more! Alligator.

Stevie Ray Vaughan trades blistering riffs with Lonnie on "Double Whammy" and four other cuts on this 1985 LP-and that moment was a long time coming. The first record SRV ever bought was a Lonnie Mack LP; he and his hero co-produced this killer guitar album, which also includes "Hound Dog Man," "Satisfy Suzie," "Stop," "You Ain't Got Me," the title track and more! Alligator.

A list Hollywood stars perform songs from the Fox musicals between 1936-1938 remastered from studio playback discs sans dialogue etc. First time available and on 2 CDs listen to Judy Garland, Tony Martin, Shirley Temple, Dolores Del Rio, Barbara Stanwyck, Eddie Cantor, Ethel Merman, Betty Grable, Jane Withers etc.

Soft Machine is a journey through time and space and their glorious artistic past, but also through a classy present, with a band that, despite the changes in members, maintains intact that unique style of psychedelic jazz that combines power and subtlety and that is, almost six decades after it's formation, a registered trademark of one of the greatest contemporary instrumental bands. - ROCKAXIS MAGAZINE, CHILE. The very last studio recording of two icons of the British and European jazz and jazzz-rock, drummer John Marshall and bassist Roy Babbington.

United Records was the first successful black-owned record company. Operated by Leonard Allen, tailor, retired policeman and obviously one of exceptionally wide taste in music, the 2 labels (United and States) issued some of the best performances in the jazz, blues, gospel, R&B, Doo Wop, even country between 1951 & '57. Delmark is proud to release this important body of masters including many previously unissued, recorded in studios which pioneered high fidelity recording in the '50s. The United Records Story features many obscure & rare tracks: alternate takes by Jr Wells, Roosevelt Sykes, Jimmy Forrest; rarities by Leo Parker, Grant Jones, Tiny Grimes, The Pastels, Johnny Wicks; and more. 22 tracks(Previously deleted:1/1/11. Original release date:7/20/04)

Della Reese's first recordings, from June 30, 1953, were never issued by United. Jimmy Hamilton Orchestra (mostly from Duke Ellington's Orchestra) accompanies Della on "Yes Indeed, " "Blue And Orange Birds And Silver Bells" (both on a rare out-of-print LP), the unissued "There Will Never Be Another You, " plus an unissued alternate of the title track. Also featured are jazz vocals by Bixie Crawford, Terri Timmons, Betty Mays (with J.J. Johnson and Kai Winding), Helen Fox, Jewel Belle (with Chris Woods), Vanita Smythe, Rena Collins, Debbie Andrews and Helen Thompson. Contains many previously unissed performances.

BOP LIVES / VARIOUS