Vinyl LP pressing. Live album from the iconic blues guitarist and vocalist.

There's nothing like the sound of a world-class bluesman getting back to business. Last October, when Bernard Allison returned to his old haunt of Bessie Blue Studios, Tennessee, to be greeted by fabled producer and career-long collaborator Jim Gaines, it felt like coming home. And when Allison fired up the amps, counted in the band and embarked upon his latest studio album,�Highs And Lows, everything felt right with the world. "Just to be able to create music again after the pandemic," he says of that long-awaited rebirth, "was incredible." For 56 years, music has been Bernard Allison's essence. As the youngest son of the much-missed Chicago bandleader Luther Allison, he was a bluesman from birth, naturally drawn to this ancient music that seemed to heal deep wounds, and held spellbound by early encounters with heavyweights like Muddy Waters, Albert King and Hound Dog Taylor.

The term 'legend' doesn't do justice to B.B. King. The eight-decade story of how a Mississippi cotton-picker rose to the heights of the blues - changing the genre forever with his soul-drenched voice and 'one-note' touch - is told by his acclaimed studio catalogue and fabled live shows. Now, as the men who walked alongside him every step of the way for over 35 years, The B.B. King Blues Band write the next chapter, on an album that salutes King's classic songs and showcases their own. "It's important," nods executive producer Terry Harvey, "to continue what he started." Boasting several world-class songwriters in their ranks, The Soul Of The King finds the lineup supplying material that stands alongside their late leader's catalogue. There's the addictive brass-bolstered shuffle of Low Down. The slow-burn balladry of She's The One. The spring-heeled funk of Taking Care Of Business, and trumpet legend James 'Boogaloo' Bolden's own Hey There Pretty Woman. Joe Louis Walker gives a soulful hat-tip on Regal Blues - while the King would surely approve of Louisiana gunslinger Kenny Wayne Shepherd's masterful solo on opener Irene Irene. As Harvey says: "This record is a representation of B.B.'s musical styles and influences, to those who never got to hear or see him live." Mission accomplished, with The Soul Of The King making a bracing return to some of King's greatest cuts. There's a heartfelt turn from Michael Lee on The Thrill Is Gone. Mary Griffin and Taj Mahal combine their vocal and guitar talents on Paying The Cost To Be The Boss. Kenny Neal lends poignant vocals and licks to Sweet Little Angel. "Recording with the different artists and the band was an enlightening experience," reflects Harvey. "Everyone came in prepared, but when Mary Griffin came to record, she came in all bubbly - and nailed her vocals in two takes."

Dangerous" - that's the word Luther Allison came up with to describe his son's guitar playing. At the age of 32, Bernard Allison combines the fiery influences of his father and others of that generation (like Freddy King and Albert Collins) with blues rockers like Jimi Hendrix and Eric Clapton, while capturing an aggressive, no-holds-barred sound all his own. 1st singles: "I Can't Get You Out Of My Mind" and "The Way Love Was Meant To Be.

Bernard's next release will be a tribute to Luther Allison... All Luthers songs re-done by Bernard

The great Chicago bluesman Luther Allison lived by a simple philosophy that he was happy to share ("Leave your ego, play the music, love the people"). Now, twenty-three years after Luther's passing, the great man would surely be thrilled to hear Bernard Allison's Songs From The Road, and proud to find that his ferociously talented son is sworn to the same mission, bringing soul-soaked, all-guns-blazing blues to audiences who need it more than ever. Released in February 2020 as a CD/DVD set on Ruf Records, Songs From The Road is a live snapshot so raw and real that hearing it feels like hanging off the security barrier of Dortmund's Musiktheater Piano club when Bernard and his crack-squad band hit town last October 23rd. With an A-list crew on-hand - and a dynamic mix from industry legend Jim Gaines - this immersive recording catches every last flash of virtuosity, bead of sweat and drop of atmosphere. "I actually prefer live performances," says Bernard, "because you can communicate and interact with the audience. I basically feed off of that energy, combined with my group's talent and personalities."

Reissue of 1997 album. The title is program. Born in 1965 in Chicago Bernard Allison was introduced into the roots of black music and playing electric guitar by his father, the living blues legend luther allison. At the age of 20 he played with the Queen of Blues Koko Taylor for two years and took part in countless sessions with musicians like Johnny Winter, Stevie Ray Vaughan and Jeff Healey. He joined the tour band of Luther Allison in 1989 after a furious collaboration of "Father & Son" at the '89 Chicago Blues Festival. A recording of this formation is to be heard on the Luther Allison album Let's Try It again. Bernard released his first solo album in 1990 with the significant title The Next Generation. Bernard was not only influenced by the old masters or musicians like Jimmy Hendrix and Stevie Ray Vaughan but also grew up with the music of George Clinton and Johnny Guitar Watson. Born With The Blues was recorded in Chicago and mixed in Memphis - together with the band of blues legend Buddy Guy (with Ray Killer Allison/drums). Bernard's co-producer is the Rounder Bullseye producer Ron Levy who also plays the keyboards.