Showtunes / B'Way CDs
Showtunes / B'Way CDs
109 products
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CURIOUS CASE OF BENJAMIN BUTTON THE MUSICAL
$17.28CDWARNER CLASSICS
Sep 05, 2025WCL277203.2 -
LES MISERABLES: 10TH ANNIVERSARY / VARIOUS
$19.72CDWARNER CLASSICS
Dec 19, 2025WCL285784.2 -
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Call Me Madam / Dinah Shore & Original Broadway Cast
Call Me Madam is a pure adrenalin shot of circa-1950 zeitgeist, a screwball comedy pulled from the headlines with impeccable timing. The show was conceived as a vehicle for Ethel Merman, at that moment arguably the biggest star in Broadway musicals, and reunited her with Irving Berlin, composer/lyricist of her blockbuster 1946 hit Annie Get Your Gun. A red-hot ticket when it opened on October 12, 1950 at the Imperial Theatre, Call Me Madam proved to be the blockbuster Merman and Berlin hoped for. They were in the very best of hands: George Abbott directed, Jerome Robbins choreographed and the casting was supervised by Abbott’s new young assistant, Harold Prince. The cast included an Oscar-winning leading man (Paul Lukas), the bright new presence of Russell Nype as Mrs. Adams’s lovelorn attaché and – as Merman’s underutilized understudy – the young Elaine Stritch. The capitalization for the entire show came from NBC and its record division, RCA Victor. Unfortunately a big problem loomed as Merman was under contract to Decca Records who refused to release her to star in what was sure to be a hit record. Ultimately, RCA Victor turned to one of its hottest singers, Dinah Shore, to step into Merman’s shoes for the original cast recording. It rose to No. 6 on the Billboard album chart but by the late 1950s, it had been deleted from the catalog. The recording got an LP reissue in 1977 but it disappeared again until this Masterworks Broadway release, and is the first and only authorized CD version of RCA Victor’s Call Me Madam digitally remastered from the original tapes.
Annie Get Your Gun: An Original Cast Album (1966)
Though Irving Berlin came from the old school of Broadway songwriters, he was also highly adaptable. He approached his assignment as substitute for Jerome Kern (who had died suddenly) on Dorothy and Herbert Fields' musical about Annie Oakley in the spirit of integrated musicals that producers Richard Rodgers and Oscar Hammerstein II had established with Oklahoma! only three years before. Berlin's songs for Annie Get Your Gun were all about character and plot, from the bawdy "Doin' What Comes Natur'lly" in which Annie affirms the value of a common-sense barnyard education, to the witty "Anything You Can Do," which illuminates her final confrontation and reconciliation with love interest Frank Butler. Ordinarily, that should have meant that the songs were less easy to extract for the hit parade, but in fact Berlin's score produced more chart hits through cover versions than any Broadway score before or since. Star Ethel Merman and her co-star Ray Middleton were Broadway veterans of the pre-microphone era, experts at projecting their voices from the footlights to the rear balcony, and their stage styles carried over to the cast recording. Merman, of course, possessed a clarion voice that was never better represented than in songs like "Doin' What Comes Natur'lly" and "I Got the Sun in the Morning," while Middleton's sonorous baritone informed "The Girl That I Marry" and "My Defenses Are Down." But even though Berlin wrote simply and directly, the singers hit his meanings as surely as they did his notes. The result was exactly what a cast album should be, an accurate representation of the music of a show. And since this show was a landmark in Broadway history, that made the cast album an important contribution to musical history as well as an aural delight.
Sondheim: Sweeney Todd / Original Broadway Cast
THE WIND IN THE WILLOW
Carousel - Studio Cast Recording / Robert Merrill, Patrice Munsel, Florence Henderson
The 1955 Studio Cast of Carousel was the first comprehensive recording of Rodgers and Hammerstein’s great score. Metropolitan Opera stars Patrice Munsel and Robert Merrill bring their sumptuous voices to the roles of Julie Jordan and Billy Bigelow plus a cast that includes the future “Mrs. Brady,” Florence Henderson, Tony-winner George S. Irving, Gloria Lane and Herbert Banke. Legendary Broadway maestro Lehman Engel conducts this recording, of which Richard Rodgers wrote, “It is my hope that you will enjoy the splendid artists who have made this album as much as I enjoy them.”
SUNDAY IN THE PARK WITH GEORGE
JERSEY BOYS / O.B.C.
MEAN GIRLS / O.B.C.R.
Great Musicals
All tracks have been digitally remastered.
GREAT MUSICALS is part of RCA's 100 Years Of Music series.
AMELIE (O.L.C.R.)
Funny Girl (New Broadway Cast with Lea Michele)
Sony Masterworks Broadway is proud to announce the release of the Funny Girl New Broadway Cast Recording. Starring Emmy Award Nominee Lea Michele as Fanny Brice, Tony and Olivier Award nominee Ramin Karimloo as Nick Arnstein, the cast also features Tony & Drama Desk Award Nominee Jared Grimes and four-time Tony Award nominee Tovah Feldshuh. (Sony)
& JULIET / O.B.C.R.
American in Paris (An) / Porgy and Bess Suite / Gershwin in Hollywood
Ahrens: Once On This Island / McClendon, Marzullo, Williams, Gibbs
"A 90-minute Caribbean fairy tale told in rousing song and dance, this show is a joyous marriage of the slick and the folkloric, of the hard-nosed sophistication of Broadway musical theater and the indigenous culture of a tropical isle." – Frank Rich, The New York Times
MERRILY WE ROLL ALONG / N.B.C.R.
HAMILTON / O.B.C.R.
WARRIORS
CURIOUS CASE OF BENJAMIN BUTTON THE MUSICAL
LES MISERABLES: 10TH ANNIVERSARY / VARIOUS
OLIVER (2024 LONDON CAST)
King Mackerel And The Blues Are Running
CATS / O.B.C.
M-G-M'S CENTENARY ALBUM: A FESTIVAL OF SONG / VAR
Originals - Musical Comedy 1909-1935
Originals – Musical Comedy 1909-1935 is the perfect introduction to a lost world: the Broadway musical just as it was changing from a vaudeville-style entertainment to an art form. This unique collection from 1968 includes legendary names and recordings from the era: Blanche Ring’s “Rings on My Fingers,” Cole Porter himself singing “You’re the Top” and Fanny Brice in “Second Hand Rose,” along with Helen Morgan, Libby Holman, Eddie Cantor, Al Jolson, Beatrice Lillie and the comedy team of Gallagher and Shean in the number that stopped The Ziegfeld Follies, “Mr. Gallagher and Mr. Shean.” Collectors will want to own this long-unavailable set and for younger listeners, it will be a fascinating piece of cultural archeology.
