{"title":"Sofia Gubaidulina","description":"\u003cp\u003ecomposer. in the Spiritual Minimalism tradition.\u003c\/p\u003e\n\u003cp\u003eMajor contemporary Russian-German composer known for deeply spiritual and mystically charged works; frequently references religious symbolism and uses unconventional instrumental combinations.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSignature works:\u003c\/em\u003e Offertorium for Violin and Orchestra, Stimmen... Verstummen... Symphony in 12 Movements, In Croce for Cello and Organ, Seven Words for Cello, Bayan and Strings, St. John Passion.\u003c\/p\u003e","products":[{"product_id":"gubaidulina-seven-words-silenzio-in-croce-selmeczi-234484","title":"Gubaidulina: Seven Words, Silenzio, In Croce \/ Selmeczi","description":"GUBAIDULINA: Seven Words \/ Silenzio \/ In Croce","brand":"Naxos","offers":[{"title":"CD","offer_id":44625366614250,"sku":"730099455725","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/127352.jpg?v=1778346275"},{"product_id":"gubaidulina-s-piano-music-complete-7318590008539","title":"Gubaidulina, S.: Piano Music (Complete)","description":"Classical Music","brand":"BIS","offers":[{"title":"CD","offer_id":44624100786410,"sku":"7318590008539","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2263007.jpg?v=1778319742"},{"product_id":"gubaidulina-silenzio-de-profundis-et-exspecto-in-erwa-7318590007105","title":"Gubaidulina: Silenzio \/ De Profundis \/ Et Exspecto \/ In Erwa","description":"Classical Music","brand":"BIS","offers":[{"title":"CD","offer_id":44711197671658,"sku":"7318590007105","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2262940.jpg?v=1778312868"},{"product_id":"gubaidulina-bassoon-concerto-etc-ahmas-palli-vanska-240640","title":"Gubaidulina: Bassoon Concerto, Etc. \/ Ahmas, Pälli, Vänskä","description":"Classical Music","brand":"BIS","offers":[{"title":"CD","offer_id":44711253999850,"sku":"7318590006368","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2265741.jpg?v=1778297145"},{"product_id":"gubaidulina-offertorium-rejoice-freue-dich-7318590005668","title":"Gubaidulina: Offertorium \/ Rejoice! Freue Dich","description":"Classical Music","brand":"BIS","offers":[{"title":"CD","offer_id":44711323893994,"sku":"7318590005668","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2265715_68516432-12a8-4bde-89ad-f430413219b3.jpg?v=1778315392"},{"product_id":"sieben-worte-in-croce","title":"SIEBEN WORTE  IN CROCE","description":"This Wergo recording features two of Sofia Gubaidulina's works from the late 1970s\/early 1980s that see her establishing a mature style after years of journeyman efforts. The titles of the works point to the Russian composer's deep religious belief, and while there is no text in these purely instrumental works, the spirit of contemplation and wrestling with spiritual questions persists throughout. The pieces are centered around cello and accordion, played here by Julius Berger and Stefan Hussong respectively. \"In Croce\" was originally written in 1979 as a piece for organ and cello, but it is represented here in a 1991 arrangement for cello and accordion by Elsbeth Moser which Gubaidulina has approved. As it's title suggests, this is an exploration of \"vertical\" music (the organ or accordion) intersected by the \"horizontal\" (cello). The work is a steady slow of eerie chords from the accordion with the sinuous, yearning voice of the cello threading through them. While the first half of the work offers a feeling of stasis with the occasional outburst, the second half offers a suspenseful, gradually rising development. The work draws to a close with the cello playing harmonics by which the music seems to evaporate. The Kammerorchester Diagonal conducted by Florian Rosensteiner joins in for the next piece. \"Sieben Worte (Seven Words)\" for cello, bayan, and strings is a depiction of Jesus' death on the cross in the venerable classical tradition started by Heinrich Sch�tz (whom Gubaidulina subtly quotes at one point). Gubaidulina was attracted to writing for the accordion because it has a very living quality to it, it \"breathes\", and here the instrument depicts the gradual dying of breath. This is one of Gubaidulina's best pieces, the seven movements offering a variety of textures - even a tragic subject like the crucifixion can still be painted in many shares.","brand":"Wergo","offers":[{"title":"CD","offer_id":44711800766698,"sku":"4010228626322","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2858305.jpg?v=1778302635"},{"product_id":"gubaidulina-string-quartets-1-3-trio-danish-quartet-384426","title":"Gubaidulina: String Quartets 1-3, Trio \/ Danish Quartet","description":"Classical Music","brand":"CPO","offers":[{"title":"CD","offer_id":44714284318954,"sku":"761203906420","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/139736.jpg?v=1778284252"},{"product_id":"mozart-triple-concerto-for-violin-cello-bayan-rejoice","title":"Gubaidulina: Triple Concerto; Rejoice! \/ Manze, NDR Radiophilharmonie","description":"One of Gubaidulina's special merits is that at the end of the 1970s she discovered the sound characteristics and expressive possibilities of the bayan, a button accordion that had previously only been popular as a folk music instrument in Russia, and established it as an instrument of contemporary music through numerous inspired compositions. She was supported and accompanied in this endeavour by bayan performers such as Friedrich Lips in Moscow and the Swiss Elsbeth Moser, who taught in Hanover. The creation of the Triple Concerto for violin, cello and bayan can be traced back to a suggestion by Elsbeth Moser.    For the five movements of the duo composition Rejoice! For violin and cello (1981), Gubaidulina chose various quotations from the writings of the Ukrainian 'travelling philosopher' Grigori Skoworoda (1722-1794), who called for poverty and self-deepening as a prerequisite for finding God. The composer explained: \"The theme of my work is the metaphorical representation of the transition to another reality, expressed through the juxtaposition of normal sound and harmonics.\" Due to the unmistakable religious references it was not possible to premiere the work until 1988 and the premiere took place in Finland.","brand":"Orfeo","offers":[{"title":"CD","offer_id":46012607987946,"sku":"4011790230023","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4353072-3201846.jpg?v=1778235176"},{"product_id":"ander-perrino-double-bass","title":"Ander Perrino - Double Bass","description":"The double bass is the instrument through which I express myself in it's purest form. I feel that creating this album is my way of expressing gratitude to it. It is essential for me that everything has meaning. By taking the sonata form as the guiding thread for the album, I have meticulously assembled the pieces, as if they were a puzzle. Each of the works holds great significance for me, representing an important part of my relationship with music. The sonata is the structural form that has been widely used in European classical music since the mid-eighteenth century. Therefore, given that Johannes Brahms, especially his sonatas for violin and piano, has had the most significant impact on my musical life, I wanted to pay him a small tribute.","brand":"IBS Classical","offers":[{"title":"CD","offer_id":46012617851114,"sku":"8436597700665","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4293804-3144757.jpg?v=1778220854"},{"product_id":"gubaidulina-liebermann-proto-contemporary-sonatas-for-double-966128","title":"Gubaidulina, Liebermann, Proto: Contemporary Sonatas for Double Bass and Piano \/ Romanowski, Holeksa","description":"\u003cp\u003eThis album is the Polish phonographic premiere of works by three outstanding contemporary composers: Gubaidulina, Liebermann and Proto. The album presented by the performers is the outcome of ten years of cooperation, quest for a common sound, discovering new areas in music, artistic trips and creative interpretations. In their activities, double bass player Marek Romanowski and pianist Hanna Holeksa are guided by their common will to popularize new repertoire for this seemingly unobvious instrumental combination, proving its enormous potential.\u003c\/p\u003e","brand":"DUX","offers":[{"title":"CD","offer_id":46013026173162,"sku":"5902547017464","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4018091-2769643.jpg?v=1778265750"},{"product_id":"glorious-percussion-in-tempus-praesens-gubaidulina-concertos-83668","title":"Glorious Percussion, In Tempus Praesens - Gubaidulina: Concertos","description":"\u003cb\u003eA real winner of a CD.\u003c\/b\u003e\u003cbr\u003e  \u003cbr\u003e Sofia Gubaidulina, the 80-year old Russian\/Tatar composer, is one of the most respected of living composers. She has composed in a variety of genres, but her concertos have gained a wide following and for good reason. As witnessed by the concertos on this CD, they are indeed remarkable and glorious works. In tempus praesens is her second violin concerto. The first such concerto, Offertorium, was written more than twenty-five years before this one. Both have received multiple performances and are considered two of the finest in recent times. Gubaidulina composed In tempus praesens for Anne-Sophie Mutter, who recorded it with the London Symphony and Valery Gergiev for Deutsche Grammophon. The concerto receives its second recording here.\u003cbr\u003e  \u003cbr\u003e Gubaidulina’s Russian Orthodox faith is never very far away in her compositions and they have religious significance. In the case of this violin concerto the title refers to the present time. More important, the work embodies the divine wisdom personified in the orthodox religion by the saint Sophia. Since Gubaidulina’s Christian name is Sophia and she composed the concerto for and dedicated it to Anne-Sophie Mutter, the figure of Sophia has a special significance in the work not only in her divine wisdom, but also in the very creative power of God. This is reflected throughout the work in the contrast between the dark as demonstrated by the use of the low brass and strings and the light by the violin solos. The concerto is in a single, long movement that is sub-divided into five parts. It is a shame that neither Mutter’s première recording nor this new one has more than a single track. It would have made it much easier to assimilate the work had there been separate tracks for the individual sections. As it is, though, the concerto grips the listener from the beginning and does not let go until it reaches ever upward in a spectacular climax by the whole orchestra like a burst of light, only to have the low brass (trombones and tubas) growl at the very bottom of the orchestra. The solo violin, however, gets the final say and ends the work on a high, sustained note. In tempus praesens is one of those works that exhilarate the listener so that you want to immediately go back and hear it all over again. There is a DVD out titled “Sophia: Biography of a Violin Concerto” with Gubaidulina and Mutter on this very composition. I haven’t seen it, but it has received critical acclaim. One would imagine, then, that Anne-Sophie Mutter “owns” the work, but here is a challenger in Vadim Gluzman who has his own equally valid interpretation. He is superbly accompanied by Jonathan Nott and the Lucerne Symphony and the recorded sound is indeed stunning. One associates Nott more with Schubert or Mahler, but it should be remembered that he did yeoman service to the large orchestral works of Ligeti in the Volume II of Warner’s Ligeti Project. To briefly sum up my impression of the main difference between these two recordings, Mutter’s is the more extrovert and Gluzman’s the more inward. Certainly, Mutter with her larger-than-life tone grabs the listener from the beginning and Gergiev’s orchestra also makes more of an impact for most of the concerto. Part of this is due to the recordings, where the DG seems to be somewhat more closely recorded; that is not to say the BIS is by any means distant. The balance on the BIS seems about perfect and there are places where the subtlety pays off. For example, in the last five or so minutes of the piece, there are tremendous percussion effects by cymbals, gongs, and bells. With their more distant placement down in the depths of the Lucerne orchestra, they create an especially eerie effect that is somehow more felt than heard. It plays right into Gubaidulina’s symbolism of dark vs. light. Gergiev here is more obvious, but nonetheless magnificent as well. The very ending of the concerto is telling. Gergiev builds the orchestral crescendo so that the light is almost blinding, but the following low brass and strings do not make the same impact as they do with Nott. Nott’s light may not be as blinding, but the low brass really growl and create a very unsettling experience before the violinist completes the work on the high, sustained note. Again that note is more intense with Mutter, but Gluzman with his purer tone is also convincing as he is throughout the concerto. I frankly would not want to be without either of these different interpretations of what is perhaps the greatest violin concerto this century has produced so far.\u003cbr\u003e  \u003cbr\u003e With that said, the primary interest of this CD must be the world première recording of Gubaidulina’s Glorious Percussion. I am familiar with a number of percussion concertos, including James MacMillan’s Veni, Veni Emmanuel, Toru Takemitsu’s From me flows what you call Time, and Joseph Schwantner’s Percussion Concerto. While all three of these possess their considerable merits, they did not prepare me for this extraordinary new work in the genre. As with the violin concerto, this percussion concerto requires a very large orchestra. In addition to the five percussion soloists placed at the front of the orchestra there is the usual contingent at the back; and the brass also plays a major role with the addition of four Wagner tubas interchanging with horns, two bass tubas, bass and tenor trombones, etc. Incidentally, Gubaidulina also employed Wagner tubas in the violin concerto. The work is thus distinguished by the percussion soloists who have seven sections in the work where they improvise in contrast to the more static nature of the rest of the orchestra. Again it’s unfortunate that the concerto receives a single track on the disc where it would have made a lot of sense to divide it into these sections. Glorious Percussion begins with the lower brass and percussion playing a chordal theme that lumbers like some behemoth in the depths of the orchestra. This theme recurs in key places in the work and at the end of it with the cymbals and tam-tam as they resonate, having the final say. Contrasting with the rather static nature of the orchestral part, the solo percussionists have a heyday with a huge variety of instruments, including all kinds and sizes of gongs, marimbas and xylophones, bells, woodblocks and rattles, four bass drums, and a whole variety of Asian folk instruments with such strange names as cabaza and darabuca. At one point in the piece the soloists go wild with their mallets on the marimbas and xylophones and later they do the same with the bass drums, creating quite a racket. While one can get a good appreciation of the concerto simply from listening to the fabulous performance on this recording, I think the visual element is of almost equal importance. Fortunately, you can “attend” a performance by the Berlin Philharmonic with Gustavo Dudamel and the Glorious Percussion soloists by visiting the Philharmonic’s website. There is a free preview of the concert - also including a blistering account of Shostakovich’s Twelfth Symphony - that will entice you to buy a ticket to the concert well worth the modest cost. Dudamel premiered the concerto with the Gothenburg Symphony in 2008 and this concert took place not long after that première. The percussion ensemble contributes a theatrical element — almost balletic at times — that adds a whole other dimension to the work. It really must be seen to be fully appreciated! The concerto in fact was co-commissioned by Anders Loguin, whose ensemble took their name from Gubaidulina’s composition, and four orchestras including the Lucerne Symphony. “Glorious” of the title of the work has its spiritual connotation as one would expect from any piece by Gubaidulina, and the concerto does connect with heaven and earth. If Mahler claimed to possess the whole world in his symphonies, Gubaidulina would seem to occupy the universe in this concerto. There is an interesting interview with her on the Berlin Philharmonic website accompanying the concert, where she talks about the concerto and her fascination with the different tones of the percussion and the whole complex of pulsating sounds in nature they depict. The interview is free of charge.\u003cbr\u003e  \u003cbr\u003e Except for the lack of multiple tracks and notes on the two works that could be more detailed, BIS has come up with a real winner here. It will likely rank high on my list of best recordings of 2012.\u003cbr\u003e  \u003cbr\u003e -- Leslie Wright, MusicWeb International\u003cbr\u003e","brand":"BIS","offers":[{"title":"CD","offer_id":46013273964778,"sku":"7318590017524","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2263740.jpg?v=1778298929"},{"product_id":"gubaidulina-sonnengesang-80710","title":"Gubaidulina: Sonnengesang","description":"\u003cp\u003eA profoundly spiritual composer, Sofia Gubaidulina has said that ‘True art for me is always religious, it will always involve collaborating with God.’ As the present release demonstrates, it is therefore less than fruitful to try to divide her music into sacred and secular compositions. Jauchzt vor Gott, the opening work, is here being released for the first time. The nine-minute piece for choir and organ sets three verses from Psalm 66, and opens with a long cappella section on the word jauchzt, ‘rejoice.’ At this point, the organ enters with an extensive solo involving a massive dynamic intensification, after which choir and organ continue together in music which makes the concept of contrast a determining element. As the title signals, the organ work Hell und dunkel (Light and Darkness) also explores contrasts, especially in terms of color and brightness. Composed in 1976, the work is the earliest on the disc, and it is followed by the large-scale Sonnengesang, written some twenty years later and dedicated to Mstislav Rostropovich. The choir sings the words of St. Francis of Assisi’s celebrated Canticle of the sun, but it is the solo cello that is responsible for interpreting the meaning of the text. The important solo part is performed here by Ivan Monighetti, in dialogue with the eminent NDR Chor of the North German Radio, and with the support of percussionists from Elbtonal Percussion. Philipp Ahmann conducts this work as well as Jauchzt vor Gott, with Christian Schmitt performing the organ parts.\u003c\/p\u003e","brand":"BIS","offers":[{"title":"SACD","offer_id":46013315940586,"sku":"7318599922768","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/3493140.jpg?v=1778308056"},{"product_id":"echoes-of-a-hidden-legacy","title":"Echoes of a Hidden Legacy","description":"Ilona Timchenko's upcoming album Echoes of a Hidden Legacy is a deeply personal and artistically courageous tribute to the music of Albert Semyonovich Leman, a composer of profound humanism whose voice, shaped by brilliance and adversity, has remained largely unheard beyond Russia Bringing together two major piano cycles written for and dedicated to her (Verhaeren Suite and Schallwellen (Waves of Sound)) both presented here in world premiere recordings. Timchenko restores a living connection to her teacher's artistic vision. Having inherited Leman's final piano, the very instrument on which these works were composed, she creates a rare continuity of sound and spirit, bridging past and present in a performance that is at once intimate, poetic, and architecturally luminous. Inspired by the symbolist poetry of emile Verhaeren, the Verhaeren Suite transforms atmosphere into music of striking psychological depth, while Schallwellen explores resonance and vibration with a contemplative modernity grounded in expressive sincerity.    The album is completed by Sofia Gubaidulina's powerful Chaconne, written during her studies with Leman, forming a symbolic arc from teacher to student, from legacy to continuation. In this carefully curated program, Timchenko does more than interpret: she listens, remembers, and reawakens. The result is not merely a recording, but an act of artistic restoration, a testament to resilience, mentorship, and the enduring force of sound itself. With her commanding presence and lifelong commitment to contemporary music, Ilona Timchenko invites us to rediscover a voice that speaks not as an echo of the past, but as a vibrant and necessary presence in today's musical landscape.","brand":"Challenge Classics","offers":[{"title":"CD","offer_id":46025289629930,"sku":"608917200584","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4503251-3553327.jpg?v=1778221477"},{"product_id":"gubaidulina-complete-guitar-works-tanenbaum-74926","title":"Gubaidulina: Complete Guitar Works \/ Tanenbaum","description":"\u003cp\u003eSofia Gubaidulina has found a soulfulness and freedom in the guitar which speaks to her musical language of expressive mood and often mysterious but precise sonorities. In both Repentance and Sotto Voce she combines guitars with lower stringed instruments, creating a virtuosic, multi-dimensional and deeply poetic role for each voice. Fascinating new sounds from the guitar are produced from the most eloquent chorales to remarkable effects using a drinking glass. The earlier Serenade is ‘music for pleasure’, while this première recording of the Toccata reveals a work with a driving momentum that hardly stops.\u003c\/p\u003e","brand":"Naxos","offers":[{"title":"CD","offer_id":46025939714282,"sku":"747313337972","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2892711.jpg?v=1778286982"},{"product_id":"gubaidulina-fachwerk-silenzio-oyvind-gimse-geir-draugsvoll-235352","title":"Gubaidulina: Fachwerk, Silenzio \/ Oyvind Gimse, Geir Draugsvoll","description":"Gubaidulina emerged onto the international stage as Perestroika gradually liberated artists and ideas.  \u003cbr\u003e   \u003cbr\u003eBorn in the Tatar Republic she studied with Grigory Kogan in the Kazan Conservatory. Later she worked with composition professors Nikolai Peiko and the much older Vissarion Shebalin. For many years now she has been a cosmopolitan voice celebrated on disc, at music festivals, quickly published and multiply commissioned. Her keynote works, at least in terms of exposure, are the Violin Concerto \u003ci\u003eOffertorium\u003c\/i\u003e and the Symphony \u003ci\u003eStimmen\u003c\/i\u003e.  \u003cbr\u003e   \u003cbr\u003eThe music is much taken with exotic mysteries, ideas and texts - somewhat in the manner of Tavener though her music differs. The two pieces recorded here are part of a not large but noteworthy stream of modern works written for the bayan - the folk derived accordion. \u003cb\u003e\u003ci\u003eFachwerk \u003c\/i\u003e\u003c\/b\u003eis dedicated to the player featured here who also premiered it in Amsterdam in 2009. The single movement 37 minute span suggests a mercurial and lapidary fairy tale. The music is accessible enough with rumbling, cajoling, howling, ululating and balladeering from both bayan and orchestra. It's a virtuoso display in the manner of \u003ci\u003eThe Firebird\u003c\/i\u003e - the latest manifestation of the Russian folktale. The music glitters and rings. Then comes the five movement \u003cb\u003e\u003ci\u003eSilenzio\u003c\/i\u003e\u003c\/b\u003e. This is more internalised and reflective, severe and less endearing.     \u003cbr\u003e   \u003cbr\u003eDraugsvoll - a pupil of Mogens Ellegaard - proves himself a most subtly facetted artist whose collaborations with composers of the stature of Gubaidulina have yielded rewards for both himself and the composers.    \u003cbr\u003e   \u003cbr\u003eDraugsvoll and Gubaidulina are by no means alone in the field of concert music for bayan. Another bayan player, Friedrich Lips has been active with symphonic works by Solotarjov, Podgaits, Bronner and Berinsky.  \u003cbr\u003e   \u003cbr\u003eGubaidulina's two works for bayan prove much more than curiosities.  \u003cbr\u003e   \u003cbr\u003e-- Rob Barnett, MusicWeb International","brand":"Naxos","offers":[{"title":"CD","offer_id":46026125705450,"sku":"747313277278","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/1900586.jpg?v=1778315519"},{"product_id":"gubaidulina-repentance-yang-halasz-kellermann-brar-stubenrauch-80728","title":"Gubaidulina: Repentance \/ Yang, Halasz, Kellermann, Brar, Stubenrauch","description":"This is a hybrid Super Audio CD playable on both regular and Super Audio CD players. \u003cbr\u003e  \u003cbr\u003e Within the output of Sofia Gubaidulina, solo and chamber music occupies a position of prominence; she has written more than eighty such works. One of the earliest is the brief – and not really typical – Serenade for solo guitar from 1960, composed as a commission from a Moscow publishing house for inclusion in a collection of guitar compositions. The composer was asked to write a piece not overly difficult or progressive, and has later described the result as ‘music for pleasure’. Demonstrating a particular closeness to the guitar, Gubaidulina’s later writing for it has exploited its sound spectrum in previously unimagined ways. Two further works involving the guitar are included here, with Repentance from 2008 being a reworking of an earlier work, just as its title is a translation of the original’s Italian one, Ravvedimento. Her latest work involving the guitar, and also the latest on this disc (and a world première recording) is Sotto voce for viola, double bass and two guitars. About this unusual combination, Gubaidulina has remarked: ‘It fascinated me on account of its dark colour and its potential for contrast between a muted, almost whispered sotto voce sound and that particular sort of expressivity that low-pitched instruments possess’. Each with a duration of more than 20 minutes, these two works frame the equally substantial but much earlier Piano Sonata. Looking back at her youth, the composer has described the piano in her family home as ‘the only light’ in ‘a fairly grey and uninteresting existence’. Striking features of the sonata include borrowings from jazz and the twelve-tone row which underpins all its three movements – a nod towards the dodecaphony through which Gubaidulina asserted her place in the Russian musical avant-garde at an early stage. This varied and fascinating journey into the world of Sofia Gubaidulina’s chamber music is given us by a Munich-based group of eminent musicians.\u003cbr\u003e","brand":"BIS","offers":[{"title":"SACD","offer_id":46026405118186,"sku":"7318599920566","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2604744.jpg?v=1778321126"},{"product_id":"gubaidulina-in-the-mirror-3-works-3-genres-3-epochs-7318590008980","title":"Gubaidulina: In The Mirror - 3 Works, 3 Genres, 3 Epochs","description":"Classical Music","brand":"BIS","offers":[{"title":"CD","offer_id":46026639474922,"sku":"7318590008980","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2263044.jpg?v=1778320800"},{"product_id":"gubaidulina-the-canticle-of-the-sun-etc-132752","title":"Gubaidulina: The Canticle Of The Sun, Etc \/ Geringas, Et Al","description":"\u003cp\u003eSofia Gubaidulina is one of the world's most famous living composers and her music has a tremendous worldwide following. This is currently the only available recording of Hommage à Marina Tsvetayeva, and there is only one other recording of The Canticle of the Sun. Recorded in: Danish Radio Concert Hall, Copenhagen 7 \u0026amp; 8 May 1999 (The Canticle of the Sun) and 15 \u0026amp; 16 November 2002 (Hommage à Marina Tsvetayeva) Producer(s) Claus Due (The Canticle of the Sun) Chris Hazell (Hommage à Marina Tsvetayeva) Sound Engineer(s) Jørn Jacobsen \u003c\/p\u003e","brand":"Chandos","offers":[{"title":"CD","offer_id":46027573100778,"sku":"095115110621","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/575859.jpg?v=1778185373"},{"product_id":"gubaidulina-works-for-double-bass-in-croce-140607","title":"Gubaidulina: Works For Double Bass - In Croce Sonata Pantomine","description":"The double bass is the focus of this collection of music by Sofia Gubaidulina presented here in powerful interpretations by Daniele Roccato. Written over a span of over forty years, these compositions have become staples of the double bass literature. In Pantomime, one immediately senses a certain theatricality, which is evoked by melodic contours, dramatic pauses and dynamic progressions. Originally written for cello, the Preludes were later arranged for double bass. For in Croce, Gubaidulina pairs the bass with a bayan, (a Russian accordion). The work was inspired by the composer's experiments in improvisation using either ancient or folk instruments. Roccato is accompanied by pianist Fabrizio Ottaviucci and bayan player Massimiliano Pitocco.","brand":"Wergo","offers":[{"title":"CD","offer_id":46027703910634,"sku":"4010228676020","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2251111.jpg?v=1778312655"},{"product_id":"gubaidulina-solo-piano-works-haefliger-klee-hannover-261992","title":"Gubaidulina: Solo Piano Works \/ Haefliger, Klee, Hannover","description":"GUBAIDULINA: SOLO PIANO WORKS","brand":"Sony Masterworks","offers":[{"title":"CD","offer_id":46034384879850,"sku":"074645396026","price":13.99,"currency_code":"USD","in_stock":true}]},{"product_id":"shostakovich-string-quartet-no-15-gubaidulina-rejoice-262004","title":"Shostakovich: String Quartet No 15; Gubaidulina: Rejoice \/ Kremer, Phillips, Ma, Kashkashian","description":"Of the several works by Sofia Gubaidulina released on disc in the past year, I was most affected by the problematically entitled  \u003ci\u003eRejoice!\u003c\/i\u003e—joined on disc with an equally taut rendering of Shostakovich's Ode to Desolation. \u003cbr\u003e  \u003cbr\u003e  -- Edward Strickland, FANFARE [Want List, 1990]\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  The background to Sofia Gubaidulina's  \u003ci\u003eRejoice!\u003c\/i\u003e...is in the spiritual lessons of Grigory Skovoroda, an eighteenth-century Ukrainian philosopher and religious thinker. These supply the sub-titles (rather Messiaen-like in resonance) of each of the five movements. The composer herself cautions, \"It should not be assumed that I wanted to illustrate the theme of joy in my music... the religious theme is experienced metaphorically.\" It is meant to be experienced musically as well, through the juxtaposition of \"normal\" sounds and harmonics: \"The possibility for string instruments to derive pitches of various heights at one and the same place on the string can be experienced in music as the transition to another plane of existence. And that is joy\"...  \u003ci\u003eRejoice!\u003c\/i\u003e is certainly not short of atmospheric ideas. The opening violin meditation gently evokes a stillness in the mind... \u003cbr\u003e  \u003cbr\u003e  Kremer and Ma perform with mastery and dedication... Shostakovich's last quartet is a bold and thought-provoking coupling... Despair! might be an appropriate sub-title were that the state of mind not so obvious anyway. The players have to somehow to call up the blackest images and then suppress them, they have to play as though with their thoughts elsewhere and yet with no loss of control, to enter regions where time is frozen. In all this Kremer and his colleagues succeed admirably, although perhaps because this is a public performance they make slight concession to conventional expressiveness which they might not allow if playing for themselves – nuances creep into the blank opening \"Elegy\" and in the excruciating \"Serenade\" the second violin cannot resist adding a vibrato his partners ruthlessly avoid. On the whole though, the music can take the intensity these fine musicians bring to it and the overall impression is moving and convincing.\u003cbr\u003e  \u003cbr\u003e  -- Gramophone","brand":"Sony Masterworks","offers":[{"title":"CD","offer_id":46034839601386,"sku":"886975563425","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/3568255-3334905.jpg?v=1778276006"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/collections\/960px-Sofia_Gubaidulina__282016-11-03_29.jpg?v=1777586861","url":"https:\/\/arkivmusic.com\/collections\/sofia-gubaidulina.oembed","provider":"ArkivMusic","version":"1.0","type":"link"}