Soundtracks & Film Scores CDs
Soundtracks & Film Scores CDs
271 products
Shore: A Dangerous Method / Original Soundtrack
Howard Shore has composed music for more that 80 films, working with directors such as Martin Scorsese and Jonathan Demme, with whom he collaborated on Silence of the Lambs and Philadelphia. His outstanding success was with the Lord of the Rings trilogy for which he received three Academy Awards®, two Golden Globes® and four Grammy® Awards,including the Grammy® for Best Song from a Motion Picture,“Into the West,” from The Return of the King.
Called “The hottest artist on the classical musical planet” by the New York Times, Lang Lang is one of the most popular classical pianists playing today. He was named one of Time magazine’s 100 Most Influential People in the world and was one of the headliners at the iTunes Festival in July 2011. His dazzling technique is matched by serious thought about the pieces he plays, and his performance of “Siegfried Idyll,” by Richard Wagner on this soundtrack, is nothing short of brilliant.the West,” from The Return of the King.
Kon Tiki - Original Motion Picture Soundtrack
Born in 1966 in Täby outside the capital, Söderqvist studied composition and arranging at the Royal College of Music in Stockholm. He wrote his debut film score in 1991 (Agnes Cecilia), and the same year wrote his first score for Danish director Susanne Bier (Freud Leaving Home). The soundtrack CD featuring both scores earned a Swedish Grammy for the composer. Bier remains a valuable colleague for Söderqvist, who has written the scores for most of her films, including Brothers (which won him the UCMF Film Music Award at the Cannes Film Festival), along with the Academy Award® nominated After the Wedding and In a Better World, winner of the Academy Award® for Best Foreign Film in 2011.
Söderqvist’s signature scores also include the acclaimed 2008 vampire thriller Let the Right One In by director Tomas Alfredson, for which So?derqvist was nominated for the European Film Award for Best Score and won the Bernard Hermann Award, and Effi Briest, the touching 2009 adaptation of Theodor Fontane’s popular novel.
Whilst writing the score for Kon-Tiki, Söderqvist worked primarily with Tormod Ringnes, one of Norway’s most prominent sound designers, with whom he had collaborated on Together (2009) and King of Devil’s Island (2010), along with Patrik Andre?n (Söderqvist’s assistant). The team worked together to create a soundtrack, a combination of music and sound effects that function as an emotional unit, with the aim of the audience not knowing where one starts and the other ends. Using Skype for daily discussions, they collaborated on cues and sound design concepts before Ringnes would show the sketches to the two directors in Oslo, Joachim Roenning and Espen Sandberg. Andre?n also provided additional music for the process.
A trademark of Söderqvist’s scores, Kon-Tiki is characterised by a unique atmosphere based on many exotic and unusual instruments recorded especially for this score.
“The first thing that came to my mind” says Söderqvist, “was the sound of the conch horn for Tiki, the God of the Sun in ancient Polynesian mythology. Tiki is omnipresent in the score; even the opening that still plays in Norway has a foreboding episode with the conch horn playing over the frozen lake. I looked high and low for a conch horn soloist, looking up websites in Polynesia and France, then I happened to find the best soloist right here in Stockholm! His name is Tommy Adolfsson. We scheduled a recording session where Tommy brought in his conch horns of all sizes. We mostly made use of the smaller and medium conch horns and found a way to play the instrument with much more air, a more ‘leaking’ sound a bit similar to the Armenian instrument called ‘Duduk’. In the end I think we found a very significant sound with an ‘ancient’ quality to it.”
There were also two major pre-recording sessions of percussion with three players playing on the largest drums they could find. This material was used to create initial sketches to find the tone of the film score.
“You never know if a recording is going to stand all the way to the final mix but in this case, both the conch and the drums helped us to set the tone of the film. When some of the first sketches were made, I sent them confidentially to Tormod and asked him not to show anything to the directors just yet, all I wanted was a little check through his fine ears... Apparently Tormod didn’t follow my orders and showed the sketches to the filmmakers who luckily loved the half-finished work. We had a direction and everyone was happy. The track on the album called ‘Tiki’ is an early recording of the conch horn, and to conclude the project it is also the last thing you hear on the album.”
Tracks:
1. Kon-Tiki (Opening Credits) 2:09
2. Thor and Liv 1:20
3. Fatu Hiva 1:10
4. The Shaman 2:22
5. Kon-tiki is On Course 3:06
6. Into Space 2:18
7. Thor Meets Herman 1:12
8. the flight To Peru 0:56
9. Calling Liv 1:41
10. Thor’s Failure 0:52
11. Following the Sun 1:47
12. The Crab 1:25
13. Tiki 2:16
14. Building the Raft 1:59
15. The Whale Shark 2:35
16. The Journey Begins 0:35
17. The Swede 0:51
18. Luminescent Creatures 0:52
19. lorita The Parrot 1:52
20. The Letter 1:57
21. Herman Is Afraid 0:56
22. Shark Attack 2:11
23. Thor Is Sad 2:06
24. The Seagull 1:00
25. The Raroia Reef 2:14
26. The 13th Wave 0:56
27. Reaching Land 1:59
28. Thor Laughs 1:12
29. Kon-Tiki (End Credits) 5:04
30. Epilogue 5:15
Citizen Kane: Classic Film Scores Of Bernard Herrmann
FANFARE: Arthur Lintgen
Concussion (Original Motion Picture Soundtrack)
Home Fires [original Television Soundtrack]
A Christmas Carol [Cast Recording]
The Man Who Knew Infinity (Original Motion Picture Soundtrack)
Call Me by Your Name (Original Soundtrack)
Molly's Game / O.s.t.
THE BREADWINNER
The Crown: Season One Soundtrack / Zimmer, Gregson-Williams
Sony Music and Madison Gate Records proudly announce the release of the soundtrack for season 1 of The Crown, the Netflix original series, available on November 4, 2016. All 10 episodes of the first season of the series will premiere the same day on Netflix. The album features Hans Zimmer’s main title theme for the series as well as Rupert Gregson-Williams’ original score.
Russo: Fargo / Original TV Soundtrack
Smurfs - The Lost Village: Original Motion Picture Soundtrack
Christopher Lennertz is a composer and producer for film, television, records, and video games. He first made a splash with his breakout score for Alvin and the Chipmunks. Since then he’s proven his steadfast talent with films like the star-studded Horrible Bosses, the box office smash Ride Along, and the upcoming Think Like A Man Too.Lennertz’ adeptness for a multitude of genres has put him on the map time and time again. Furthermore, he’s tapped into the indie world, scoring films like Alfred P. Sloan winner Adam (Fox Searchlight), Girl In Progress, andTortilla Heaven, which garnered the very first Film-Music award for Best Independent Score.
How To Talk To Girls At Parties / O.s.t.
THE CHAMBER
Paint Your Wagon
Fargo Year 2 (Original Score) - O.s.t.
Barbershop: The Next Cut - O.s.t.
Kismet On Broadway
Fargo Year 2 / Various
SHAFT
SHAFT
HAMILTON MIXTAPE / VARIOUS
Gotti / O.s.t.
Music from the Promised Land / Duo Mantar
This selection of pieces for mandolin and guitar represents the rich variety of music from Israel. Styles range from the diaspora of Babylonian Jewry through European klezmer traditions, and Balkan Ladino songs, to contemporary influences from America. Paul Ben-Haim and Marc Lavry pioneered the use of music originating in the Jewish East, and Jan Freidlin continues the tradition, employing Oriental dance figures in his music. Oren Lok's Ahavais an homage to love, while Ittai Rosenbaum’s Duet offers a vibrant and jazzy conclusion to this wide-ranging conspectus.
REVIEW:
This a distinctive program takes us to the Promised Land and, in fine interpretations, will probably cause most music lovers to explore new musical territories.
– Pizzicato
