180 gram vinyl soundtrack to Quentin Tarantino's motion picture Jackie Brown. Originally released on December 9, 1997.

Narziss und Goldmund is one of Hermann Hesse's best-known novels and has now been adapted for the big screen for the first time by Stefan Ruzowitzky, director of the Oscar-winning production "Die Fälscher. The soundtrack to this extraordinary production with a star-studded German cast (including Jannis Niewöhner, Emilia Schüle, Jessica Schwarz, Uwe Ochsenknecht and many more) was composed by Henning Fuchs, who already proved his talent for sensitive compositions and arrangements with his first album "A New Beginning". The former assistant of Max Richter delivers the most exciting film music of spring 2020 for a daring and fascinating film project.

The Iron Lady tells the compelling story of Margaret Thatcher (Meryl Streep), a woman who smashed through the barriers of gender and class to be heard in a male - dominated world. The story concerns power, the price that is paid for power, and is a surprising and intimate portrait of an extraordinary and complex woman. Directed by Phyllida Lloyd.

Best known for his many film scores, Thomas Newman is one of the more respected and recognized composers for modern film. He has scored over fifty feature films in a career which spans nearly three decades. Newman has received a total of ten Academy Award nominations on such diverse scores as Road To Perdition, Finding Nemo, Lemony Snicket’s A Series of Unfortunate Events and Steven Soderbergh’s The Good German. He has won two Grammy Awards, an Emmy and has been nominated for a Golden Globe.

Double tan colored vinyl LP pressing. Atlantic Records & Universal Pictures are proud to announce Twisters: The Album - the star-studded musical companion to Twisters, a current-day chapter of the 1996 blockbuster, Twister. The unprecedented 29-track album features brand new tracks from Luke Combs, Miranda Lambert, Jelly Roll, Lainey Wilson, Bailey Zimmerman, Kane Brown, Thomas Rhett, Megan Moroney, Shania Twain, Tyler Childers and many more. From the producers of the Jurassic, Bourne and Indiana Jones franchises, Twisters is directed by Lee Isaac Chung, the Oscar � nominated writer-director of Minari, and stars Daisy Edgar-Jones (Where the Crawdads Sing), Glen Powell (Top Gun: Maverick) and Anthony Ramos (Transformers: Rise of the Beasts) as equal forces, with opposing motivations, who come together to try to predict, and possibly tame, the immense power of tornadoes.

Carl Davis writes: "Buster Keaton's subjects ranged from the Stone Age to the American Civil War of the 1860s, as well as the present day, meaning the 1920s. Part of the fun of the show has been to include as a curtain raiser, Buster's 1920-21 shorts, which reveal much about his development as a filmmaker. Some of these are considered to be masterpieces in their own right. This recording consists of highlights from the original soundtracks." (CDC)

Who on this planet has never seen KING KONG and heard Max Steiner’s powerful innovative music more than once? Here’s a treasure trove of classic scary music that these 20th-century composers gave their best and probably never thought would ever be heard again and especially newly recorded! Film fans and scholars in every future century will continue to discover and study this music art form and give the composers their unexpected and rightful immortality!
— Craig Spaulding, Screen Archives Entertainment

Versatile composer, sought-after musical collaborator and guitarist Bryce Dessner will make his Sony Classical d�but on August 23, 2024 with Solos, a collection featuring a series of unaccompanied instrumental works written by the composer over the past few years. Dessner, who is also a founding member of Grammy Award-winning rock band The National has selected works from both his classical and soundtrack worlds, which showcase not only his compositional flair but also the immense talent of his acclaimed collaborators, many of whom work regularly with him and are his friends. Featured soloists include cellist Anastasia Kobekina; violinist Pekka Kuusisto; pianist Katia Lab�que; harpist Lavinia Meijer; violist Nadia Sirota; percussionist Colin Currie; and Bryce Dessner himself on guitar.

In celebration of the 20th anniversary of Spider-Man 2, Sony Classical proudly presents Danny Elfman's iconic original score on vinyl for the first time ever. Conducted by Pete Anthony and performed by the 100+ piece Hollywood Studio Symphony orchestra, this special release features Elfman's masterful compositions for the second installment of Sam Raimi's Spider-Man trilogy, starring Tobey Maguire, Kirsten Dunst, James Franco, and Alfred Molina. - As Peter Parker navigates his dual life as a college student and superhuman crime fighter, Elfman's score delves deep into character emotions, revisiting and expanding on his classic Spider-Man themes while introducing a bold and ominous new motif for Peter's latest nemesis, Doc Ock. The album also includes two bonus tracks composed and recorded by Elfman but not included in the final film: the action-packed, brass and percussion-led "Train / Appreciation" and the tender, heartfelt "Aunt May Packs," offering fans a glimpse into Elfman's original vision. The album closes in true superhero fashion with a revisited villain motif on "Green Goblin Returns" and the emotionally charged "At Long Last, Love," which blends cinematic romance with Elfman's climactic "Farewell" theme from the first film. - The 20th Anniversary release features a soft-touch jacket with UV spot-gloss webbing on the front cover, along with a 12x12 credit insert showcasing photos from the film, offering a nostalgic addition to any Marvel fan's collection.

Double vinyl LP pressing. Versatile composer, sought-after musical collaborator and guitarist Bryce Dessner will make his Sony Classical d�but on August 23, 2024 with Solos, a collection featuring a series of unaccompanied instrumental works written by the composer over the past few years. Dessner, who is also a founding member of Grammy Award-winning rock band The National has selected works from both his classical and soundtrack worlds, which showcase not only his compositional flair but also the immense talent of his acclaimed collaborators, many of whom work regularly with him and are his friends. Featured soloists include cellist Anastasia Kobekina; violinist Pekka Kuusisto; pianist Katia Lab�que; harpist Lavinia Meijer; violist Nadia Sirota; percussionist Colin Currie; and Bryce Dessner himself on guitar.

Vinyl LP pressing.

Warriors is a concept album by Lin-Manuel Miranda and Eisa Davis. It is inspired by the 1979 action film The Warriors.

Double vinyl LP pressing. The highly anticipated 2024 sequel, Gladiator II - directed by Ridley Scott and starring Paul Mescal, Pedro Pascal and Denzel Washington - is an epic historical action film with a blockbuster original score by Harry Gregson-Williams.

About this Release GHOSTBUSTERS: AFTERLIFE (ORIGINAL MOTION PICTURE SOUNDTRACK) features score music written by Rob Simonsen for the latest chapter in the original Ghostbusters universe. The film marks the third collaboration between Simonsen and Ghostbusters: Afterlife co-writer and director Jason Reitman, the duo working closely to reimagine the iconic soundscape crafted by Elmer Bernstein for director Ivan Reitman's original 1984 film, which was written by Dan Aykroyd and Harold Ramis. Of the soundtrack, composer ROB SIMONSEN says, "Working with Jason Reitman on Ghostbusters: Afterlife has been a career highlight for me and my twelve-year-old Ghostbusters-loving self. To reflect the idea of passing the torch from old Ghostbusters to new, from Ivan Reitman to his son Jason, we integrated and reimagined Elmer Bernstein's classic original score into something for a new generation." Simonsen has reprised familiar themes and expanded upon them, ultimately crafting a nostalgia-tinged score that both pays homage to Bernstein's muchloved music and establishes an entirely new sound for the new chapter. ABOUT GHOSTBUSTERS: AFTERLIFE From director Jason Reitman and producer Ivan Reitman, comes the next chapter in the original Ghostbusters universe. In Ghostbusters: Afterlife, when a single mom and her two kids arrive in a small town, they begin to discover their connection to the original ghostbusters and the secret legacy their grandfather left behind. Based on the 1984 film "Ghostbusters" an Ivan Reitman film written by Dan Aykroyd and Harold Ramis. The film stars Carrie Coon, Finn Wolfhard, McKenna Grace, Annie Potts and Paul Rudd.

The Joker soundtrack album features an original score by Emmy Award-winning composer Hildur Guðnadóttir, whose composition features the cello as the centerpiece of the score, leading string-based melodies played by a symphony orchestra of 90 musicians.

REVIEW:

Set to a rich orchestral score, JANE the film offers an unprecedented, intimate portrait of Jane Goodall — a trailblazer who defied the odds to become one of the world’s most admired conservationists.

“Serengeti,” one of the score's most joyful cues, is a celebration of optimism, the piano rolls and the flute and horn section carrying it even higher. It’s a spectacular piece that shows the endless imagination of the composer.

– Soundtrack Dreams

JOHN WILLIAMS - THE ANTHOLOGY, VOLUME 1

"Mr. Jenness, who passed away in 2017 at age 80, had a straightforward, unpretentious approach, which fondly put the spotlight on craft and moods of the songs, not on him as a performer. While singing was not his main occupation, and he doesn't have the most dazzlingly distinctive or resonant sound, there are some appealing and endearing qualities that make the listening rewarding beyond the satisfaction of hearing so many rare and rarified pieces. There's infectious joie de vivre in numbers like "Have Feet, Will Dance" (Burton Lane/ Dorothy Fields, from the TV musical Junior Miss) and the gleefully goofy "Gus the Gopher," an independent song with music and lyric by Sheldon Harnick. Serious and sad subject matter like the lamenting "Paris Is a Lonely Town" (Harold Arlen/ E.Y. Harburg, from the feline-focused animated Gay Purr-ee) doesn't hesitate to cue earnest, melancholy approaches, but doesn't sink into mopey morass … Accompaniment is uncluttered: the sturdy (but subtle when needed) piano work of Bert Dalton, sometimes joined by bass and percussion, never pulling focus or adding swaths of instrumental time … If you're looking for a big portion of high-quality theatrical treats from the 1930s to the 1960s to drink in and savor, with 26 samples provided by David Jenness, your cup will runneth over." -Rob Lester (Talkin' Broadway)

David Jenness (1937–2017) is best known as the co-author of the widely read and influential book "Classic American Song: The Second Half-Century, 1950–2000.” In it he explores the final work of the Masters and introduces us to songs written by the next generations of composers and lyricists who upheld the demanding criteria established by their forebears. But Jenness was also a cabaret singer held in the highest regard in Santa Fe clubs. Between 1993 and 1998 he made frequent visits to recording studios, preserving his performances of songs he held dear. He said, “I’ve always loved good songs from the theater and film. In my life I’ve been lucky enough to get to know some of the forgotten songs of songwriters and performers—the kind of songs that singers like to sing late at night during the last set or at a party, or the songs that songwriters have a sneaky love for. “There’s kind of a revival going on of cabaret and theater tunes from earlier eras. I wanted to get the ones I know and love down on tape, hoping you’ll like them, too.” Jenness, who passed away three years ago, only shared his recordings on cassettes with friends. This release marks the first chance all of us have to appreciate a warm, understated vocal style that always honored the songwriters’ intent. He’s accompanied by piano or a tasty jazz trio. And the hall-of-fame songwriters include Cole Porter, Irving Berlin, Arlen & Koehler, Kern & Hammerstein, Rodgers & Hart, Lane & Loesser, Ellington & Latouche, Hugh Martin and Stephen Sondheim. This album is nirvana for all lovers of vintage American popular song—especially those who want to be introduced to rarely heard (or completely unknown) material courtesy of Jenness’s marvelous interpretations.

After releasing the complete set of Ennio Morricone's Cinema Suites for violin and orchestra on two�albums�(Cinema Suites, A495 and�Cinema Rarities, A554),�Marco Serino now presents world premiere recordings of the Maestro's own arrangements for violin and piano. Marco is joined by pianist Leandro Piccioni, who, like Marco, brings over twenty years of experience working closely with Morricone in his favoured orchestra, Roma Sinfonietta. These original arrangements, all from celebrated soundtracks,�represent the point of departure for an original anthology in which the two musicians investigate the wider repertoire connected to the cinema.�Cinema Memories�ranges from works that have since become classics such as the�Three Pieces from Schindler's List�by John Williams to Bernstein's�West Side Story Suite, one of the outright masterpieces of musicals on film, and Myroslav Skoryk's Melody in A minor, a jewel of a piece that has since become a sort of national anthem for the Ukrainian people. It is a programme that interweaves memory and imagination, melancholy and light, dreams and reality, making each listening experience a truly multifaceted experience.

Zdenek Liska Archives is a project aimed at releasing a sequence of vinyl records featuring a selection of original recordings of film music by this important Czech composer, from his personal audio-tape archive. The first album of the collection contains music from three short films by Jan svankmajer from 1966 to 1977 - Don sajn (Don Juan), Leonarduv denik (Leonardo's Diary) and zvahlav aneb saticky Slameneho Huberta (Jabberwocky). Out of a total of ten short films by svankmajer, which Zdenek Liska provided music for, the recordings of these three films have been preserved in his home archive. In the album's booklet, Jan svankmajer highlights Liska's brilliant film-composing skills: "What was amazing about Liska's music was that, unlike most other composers, he didn't attempt to go with the mood of the film and milk the emotions but listened to the rhythm of the movie itself. Especially in an animated film, this helped to greatly enhance the sense of the picture's pace and drama. He was able to discover rhythms in films that even their authors weren't aware of." The album is released in the year of Jan svankmajer's 90th birthday. The work of this exceptional surrealist artist is represented by a retrospective exhibition presenting works by Jan and Eva svankmajer in the Central Bohemian Region Gallery or a program section dedicated to his film work in the Dafilms online cinema.

Anne of Green Gables is based on Lucy Maud Montgomery’s novel. Norman Campbell, the composer, and Elaine Campbell, the lyricist, collaborated with Don Harron and Mavor Moore to create Anne of Green Gables – The Musical. The musical first hit the stage in 1965, and is Canada’s longest-running musical. (Sony)

'Just Dance the Steps' is a personal portrait of the Dutch choreographer Hans Van Manen in the run-up to his 90th birthday. For over five years director Willem Aerts followed and observed this internationally acclaimed master of contemporary ballet during his life and work at Dutch National Ballet in Amsterdam, in the studio of the Ballett am Rhein in Du�sseldorf and at Nederlands Dans Theater in The Hague. This powerful tribute and inspirational portrayal looks back at van Manen's remarkable artistic legacy, and documents a life that remains inseparable from dance and choreography.

'Just Dance the Steps' is a personal portrait of the Dutch choreographer Hans Van Manen in the run-up to his 90th birthday. For over five years director Willem Aerts followed and observed this internationally acclaimed master of contemporary ballet during his life and work at Dutch National Ballet in Amsterdam, in the studio of the Ballett am Rhein in Du�sseldorf and at Nederlands Dans Theater in The Hague. This powerful tribute and inspirational portrayal looks back at van Manen's remarkable artistic legacy, and documents a life that remains inseparable from dance and choreography.

Based on the recordings of motor vehicles made in the 1960s by ORTF (Radiodiffusion-T�l�vision Fran�aise), to provide sound effects for it's radio dramas, this 3-CD box set, co-published with Radio France, is one of a kind. It faithfully captures the evolution of the automotive soundscape and brings back to life the mechanical melodies of a forgotten past. It allows us to rediscover the sounds of another century, from the horns of the famous Taxis de la Marne to the roar of the 1918 Cadillac Series 57 and a 1946 Jeep, to the clatter of the legendary 4L. The 16-page booklet is written with passion and precision by Bruno Guermonprez. The perfect tool for audiovisual productions, documentaries, or sound creations seeking to recreate the authentic atmosphere of an era. -Patrick Fr�meaux

Following the success of last year's release of Rodgers & Hammerstein's Oklahoma!, John Wilson and Sinfonia of London turn their attention to Rodgers & Hammerstein's Carousel. As in the case of the previous release in the series, this world premiere recording of the complete score features every note of music played at the first Broadway performance, here in the full thirty-five-piece orchestration made by Don Walker for the original production. The outstanding cast, led by Nathaniel Hackmann (Billy Bigelow), Mikaela Bennett (Julie Jordan), Sierra Boggess (Carrie Pipperidge), and Julian Ovenden (Enoch Snow), also features Francesca Chiejina (Nettie Fowler) and David Seadon-Young (Jigger Craigin). The extensive chorus material is sung by the 'Carousel' Ensemble - twenty-four young singers all currently working on stage across London's West End. John Wilson comments: 'Carousel is Rodgers & Hammerstein's greatest achievement. In it, Rodgers manages to create a score with operatic aspirations and dimensions. Everything in the score serves a dramatic purpose. Even in it's texture you can hear orchestral effects that are there to underline the drama's emotions, whether that's unease or joy or whatever. The drama is amplified by what's happening in the music.' Recorded in Surround Sound and Dolby Atmos, Rodgers & Hammerstein's Carousel will be available on Hybrid SACD and in spatial audio.

The music of Satyajit Ray's cinematic masterpiece (Jalsaghar, 1958), by Ustad Vilayat Khan (sitar) with the participation of Imrat Khan (sitar, surbahar), Bismillah Khan (shehnai), Akhtari Bai [aka Begum Akhtar] –thumri singing, Salamat Ali Khan –khyal singing etc. 'After the box office failure of my second film Aparajito (“The Unvanquished”), I was a little unsure as to what kind of film I should make next. After some deliberation, I decided on a film featuring singing and dancing –a formula which usually worked with the Indian audience. I chose a popular short story –Jalsaghar– about the last days of a music loving feudal baron. I was fortunate to be able to use some of the leading singers and instrumentalists for the film. As composer, I chose the great sitar virtuoso Vilayat Khan who was most ably assisted by his younger brother Imrat Khan, also a sitar virtuoso. The two of them provided superb solos and duets for the background music for which –with the exception of violins– only Indian instruments were used. All the background score is raga-based.' (Satyajit Ray)