Pianist and Professor Emeritus of Music and Director of Jazz Studies at Arizona State University Chuck Marohnic (b. 1941) has an impressive background having played with Ira Sullivan, Eddie Jefferson & Richie Cole, Bill Hardman, Junior Cook, Chet Baker, Buddy Rich to mention a few. Marohnic was in Denmark in the summer of 1981 in European tour. He recorded this intriguing solo album in Copenhagen.

Everything I Love

Tenor Saxophonist Stephen Riley - as an aspiring student of jazz at William Paterson College in New Jersey - had a brief but significant encounter with guitarist Vic Juris who at the time taught ensemble playing class there. A couple decades has passed since and here on his new album Riley asked his former teacher to join him. Sadly, it turned out to be Juris’ last ever recording. He succumbed to cancer a few weeks after the session, although he did not show any sign of physical and mental decline on this date. On the contrary his strong presence in the dialog among the quartet made this album truly extraordinary. “Tenor-saxophonist Stephen Riley has a sound of his own, featuring a tone that is both light and piercing … Riley and Magnarelli who, while tied to the bebop tradition, in this setting do not feel compelled to stick to it. Their fresh ideas and sly song quotes are invigorating…easily recommended. (Scott Yanow – Los Angeles Times on SCCD 31881 Oleo)

Rich Perry’s previous release Other Matters (SCCD 31876) was his first album that consisted solely of his original compositions. The master of intelligent and creative improvisation tenor saxophonist Perry does not usually see himself as a composer, but we all know the line between composing and improvising in jazz is just a blur. On this his 26th album on SteepleChase Perry again pens all the tunes and offers the outstanding rhythm section ample space to enrich the original material. Tom Conrad of NYCJR remarks on SCCD 31776 Nocturne: “Probably Perry’s most passionate fans are other tenor saxophone players. Those who have spent their lives studying the instrument understand that the purity of Perry’s minimalism is a rare quality to which they themselves aspire.” “Rich Perry has been known for his ability to play coherent and creative solos over the most complex chord changes and for his relatively mellow sound. For Other Matters, he decided to try something different. Perry wrote nine original pieces that avoid regularly recurring chord changes… Perry’s excellent departure. (Scott Yanow – NYCJR on SCCD 31876 Other Matters)

Ian Patterson of AAJ remarked, “Rathbun's music is intellectually challenging and yet immediately accessible...”, when he was reviewing The Idea of North (SCCD 31762) Rathbun’s previous album. New York-based Canadian saxophonist/composer Andrew Rathbun has been releasing series of innovative albums which delight us with consistent creative and entertaining quality. Here on his latest recording Rathbun joins forces with NY’s finest rhythm section to produce another unique instrumental jazz. “This outstanding release remains fresh with each hearing, as new facets of these performances become apparent to the listener.” (Ken Dryden - AAJ on Shadow Forms SCCD 31598)

Veteran pianist/composer/educator Andy LaVerne has been a stalwart of SteepleChase Label for almost four decades. His latest album here is the sequel to “Live At The Kitano” with his unique piano/organ trio named One Of A Kind, which aptly describes its out-of-the-ordinary nature of the ensemble. C. Andrew Hovan of AAJ commented on the first SteepleChase release of the group Intelligent Design (SCCD 31618), “Really one of the most welcomed surprises of the season, Intelligent Design lives up to its name as one of LaVerne's best efforts thus far and one of the finest jazz releases of the year.”

John Tchicai (1936 - 2012) to whom this CD is dedicated was one of the most celebrated jazz musicians hailing from Europe (Denmark) of our time. Pierre Dørge owes the considerable part of his musical roots to John Tchicai whose impact on contemporary jazz is immeasurable. “Danish composer-guitarist Pierre Dørge, like Charles Mingus before him, possesses an antic ardor for the striking horn voicings and ruminative soundscapes of Duke Ellington, …. The other signature trait that Dørge’s New Jungle Orchestra semi-big bands have displayed over their 30-plus years of existence is an ability to unleash a cosmopolitan pinwheel of moods, tones and textures.” (Brittania Thompson – JazzTimes on Sketches of India SCCD 31728) “Talk about your pan-cultural jazz. What isn’t in here? Pierre Dørge admits all sorts of influences and styles into the music of his New Jungle Orchestra, ..The aesthetic varies widely from tune to tune, and yet it all feels part of the greater whole… .” (Steve Greenlee – JazzTimes on Jazz Is Like a Banana SCCD 31636)

The twosome of cornettist Kirk Knuffke and pianist Jesse Stacken made SteepleChase Debut in 2009 with the highly acclaimed album “Mockingbird” (SCCD 31677) with subtitle The Music of Thelonious Monk & Duke Ellington. Martin Longley of AAJ commented, “… it's refreshing to find the two pianist/composers united in a single conception, pointing out that they probably have more similarities than differences. …This is nostalgia made vibrant, played with precision, depth, good taste and a leisurely refusal to overcrowd its sonic space.”

“Alto saxophonist Stillman, in his early 20s, is quite a discovery and destined for a bright future in jazz.. ” was an opening assertion by JazzTimes’ Owen Cordle reviewing Loren’s 2004 album “How Sweet It Is” (Nagel-Heyer label). Mark Gardner shares Mr. Cordle’s opinion in the linernotes for this album stating, “Sudden mergence as a prodigy need not be a career handicap, and certainly not in the case of saxophonist Loren Stillman, who makes his SteepleChase leadership debut with this impressive CD… ”.

Pennsylvania, 1947) go way back into the late 1970s when the two young musicians cut their teeth in the Thad Jones / Mel Lewis Orchestra. Although they have performed together in all types of groups and bands over the years, this is the first time they perform in a duo setting where “there is never a dull or wasted moment as two minds connect in perfect harmony.” (Mark Gardner from the linernotes)

Saxophonist Gregory Tardy, a New Orleans native who has been one of the central figures of American jazz scene for the last decade joined SteepleChase as its new recording artist. SteepleChase is proud to present his first recording for the label. “… This carefully conceived and beautifully executed set can only enhance the reputation of an exceedingly accomplished saxophonist/composer… ” (Mark Gardner)

Stephen Riley (tenor, soprano sax & alto clarinet) is another new SteepleChase recording artist. Although this is his debut recording as the leader, Stephen Riley at the age 30 has an impressive career that includes Wynton Marsalis, the Harper Brothers, the Brecker Brothers, Ray Charles, Clark Terry, the Mingus Big Band, to mention a few. “… From the listener’s point of view, the Stephen Riley Trio has made a most significant and satisfying start… As a leader, Stephen has hit the bull’s-eye first time…” (Mark Gardner)

Gregory Tardy follows up his SteepleChase debut album of 2006 with this immensely inspiring recording. Matthew Miller of All About Jazz wrote of “The Truth” (SCCD 31583): “Of the many stars to have emerged on the jazz horizon during the ‘90s, one of the most disciplined, emotive and perhaps underrated is the multi-faced Gregory Tardy … With this release Tardy takes another step toward establishing himself as one of the most important saxophonists of his generation…..”

In A New York Minute

For this new recording bassist Steve LaSpina put together a quartet in order to create a quieter and lyrical instrumentation with his new compositions.

Lazy Bird

SteepleChase opens a new century with one of its favourite genre, piano trio, with the label’s long time contributor Andy LaVerne. This LaVerne’s 20th entry on the label features recent originals by the pianist including title tune “Know More”.

Brian Charette, hailed as the best of the new breed of B3 players” (Bill Milkowski of JazzTimes) brings here a new trio format with Mike DiRubbo on alto saxophone for his second outing for the label. Charette’s SteepleChase debut album “Upside” (SCCD 31678) met enthusiastic acclaims. Among others, “… he does have something valuable to say as evidenced by the pleasures and strengths indicative to this debut “ (Derek Taylor – Master of A Small House)

That's All

Severe Clear

Dave Stryker’s music is deeply rooted in blues, having performed with Jack McDuff in the 80s and Stanley Turrentine in the 90s. Dave’s special blend of jazz and blues culminated first time in 1996 in the form of “Blue To The Bone I” (SCCD 31400). Since then the project has become a popular on-going series. The fourth addition features Stryker’s regular organ trio (Jared Gold on B-3 and McClenty Hunter on drums). “There are solid solos from all hands throughout the album …. Based on the personnel and the feeling of these performances, I'd like to catch this group live”. (Owen Cordle – JazzTimes on Blue To The Bone III SCCD 31465) “As great as the first set was, it's without hesitation that I deem this new one a valiant leap forward. …..They, along with the charts and an elation that the blues almost paradoxically provide, make for an end product that is indeed greater than the sum of the parts” (C. Andrew Hovan-AAJ on Blue To The Bone II SCCD 31524)

SteepleChase proudly introduces a new trumpet star Jason Palmer, the winner of the First prize of 2009 Carmine Caruso International Jazz Trumpet Solo Competition. Jason makes his SteepleChase debut with his quintet, which has been serving as the house band at Boston’s historical Wally’s Jazz Café since 2001. “…Jason Palmer reveals a singular originality that surely places him among the foremost brass players of his generation.” (Mark Gardner – from the liner notes)

Accolade to Jack Walrath the trumpeter and composer includes “imaginative”, “unpredictable” and “whimsically humorous”. Most of the material on this new album is inspired by the composer’s recent trip to Greece which takes us To Hellas And Back of Jack’s enhanced devotion to lyricism and his strong projection on all emotional spectrum. “Jack Walrath not only displays tremendous trumpet playing, a rich and varied approach to composition and wonderful band, he also puts something into this fantastic CD that's missing from too much new jazz: a sense of fun and humour…. Musical food for thought with amazing jazz playing, this recording can't be praised highly enough.” (Francis Lo Lee – AAJ on “Ballroom” SCCD 31650) “Forsooth! Provides ample proof that the trumpeter should be on a larger stage.” (Ken Dryden – The New York City Jazz Records on “Forsooth!” SCCD 31722)

Sienna

Discovering new talents has been SteepleChase’s raison d’être throughout its history. John McNeil’s debut on SteepleChase label “Embarkation” SCCD 31099 in 1978 was a most typical example of such endeavor. During the late 70s and early 80s McNeil made 7 albums on SteepleChase. After 17 years of absence McNeil returns to the label with this thoughtful and stimulating CD, revealing his new height of maturity as an artist. The label itself grew 400 titles richer during the past 17 years.