{"title":"SUMMER BLOWOUT SALE 2026","description":"\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eOver 1,000 titles\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ef\u003cspan\u003erom top classical labels are on sale now at \u003c\/span\u003e\u003cem\u003eArkivMusic\u003c\/em\u003e\u003cspan\u003e!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eCelebrate summer with a collection of music filled with color, charm, and discovery. From the shimmering worlds of \u003cstrong\u003eDebussy \u003c\/strong\u003eand \u003cstrong\u003eRavel \u003c\/strong\u003eto the folk-inspired melodies of \u003cstrong\u003eDvořák \u003c\/strong\u003eand \u003cstrong\u003eGrieg\u003c\/strong\u003e, the vibrant landscapes of \u003cstrong\u003eRespighi \u003c\/strong\u003eand \u003cstrong\u003eCopland\u003c\/strong\u003e, and the timeless brilliance of \u003cstrong\u003eMendelssohn\u003c\/strong\u003e, \u003cstrong\u003eSaint-Saëns\u003c\/strong\u003e, and \u003cstrong\u003eVivaldi\u003c\/strong\u003e, this sale brings together recordings perfect for the season. Browse titles spanning beloved classics, orchestral favorites, chamber music, and contemporary discoveries, and find something new to enjoy all summer long.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003eShop now before the sale ends at \u003cstrong\u003e9:00am ET, Tuesday, July 28th, 2026.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"best-of-schubert-234757","title":"Best Of Schubert","description":"Classical Music","brand":"Naxos","offers":[{"title":"CD","offer_id":44626943738090,"sku":"730099666626","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/205604.jpg?v=1778349473"},{"product_id":"britten-peter-the-wolfyoung-persons-guide-234272","title":"Britten: Young Person's Guide; Saint-Saëns: Carnival of the Animals; Prokofiev: Peter \u0026 The Wolf","description":"\u003cp\u003e\u003cspan class=\"TextRun SCXW153610335 BCX0\" lang=\"EN-US\" data-contrast=\"none\" xml:lang=\"EN-US\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"NormalTextRun SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003eThe French composer Camille Saint-Saëns was prolific and lived a long time, although by the time of his death in 1921 music had changed beyond anything he could have conceived. He was a gifted pianist and, in common with many other \u003c\/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003ewell known\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e French composers, found employment and distinction as organist at one of the principal churches in Paris. The popular \u003cem\u003eCarnival of the Animals\u003c\/em\u003e, described as A Zoological Fantasy, was written in 1886, originally for two pianos and a small chamber orchestra, to celebrate that year's carnival. The composer forbade further performances of this occasional music, except for \u003cem\u003eThe Swan\u003c\/em\u003e, which enjoyed immediate and irresistible popularity.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"TextRun SCXW153610335 BCX0\" lang=\"EN-US\" data-contrast=\"none\" xml:lang=\"EN-US\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"NormalTextRun SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003eThe Soviet composer Sergey Prokofiev wrote his \u003cem\u003ePeter and the Wolf\u003c\/em\u003e in\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e1936 to introduce to children the instruments of the orchestra. He had taken\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003ehis two sons to see performances at the Moscow\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003eChildren's Music Theatre and\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003eth\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003eis had suggested to him the possibility of a composition of this kind. The\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"LineBreakBlob BlobObject DragDrop SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW153610335 BCX0\" lang=\"EN-US\" data-contrast=\"none\" xml:lang=\"EN-US\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"NormalTextRun SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003eboy Peter, represented by the strings, is playing in the meadow, forbidden\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"LineBreakBlob BlobObject DragDrop SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW153610335 BCX0\" lang=\"EN-US\" data-contrast=\"none\" xml:lang=\"EN-US\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"NormalTextRun SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003eterritory. A \u003c\/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003ebird,\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e shown by the flute, sings in a tree: a duck, the oboe, swims\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"LineBreakBlob BlobObject DragDrop SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW153610335 BCX0\" lang=\"EN-US\" data-contrast=\"none\" xml:lang=\"EN-US\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"NormalTextRun SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003ein the pond, and a cat, the clarinet, comes onto the scene, sending the bird up\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"LineBreakBlob BlobObject DragDrop SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW153610335 BCX0\" lang=\"EN-US\" data-contrast=\"none\" xml:lang=\"EN-US\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"NormalTextRun SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003eto a higher branch. Peter's grandfather, the bassoon, warns the boy not to\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"LineBreakBlob BlobObject DragDrop SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW153610335 BCX0\" lang=\"EN-US\" data-contrast=\"none\" xml:lang=\"EN-US\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"NormalTextRun SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003eventure out, but meanwhile a wolf, the French horns, comes into the meadow,\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"LineBreakBlob BlobObject DragDrop SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr class=\"SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW153610335 BCX0\" lang=\"EN-US\" data-contrast=\"none\" xml:lang=\"EN-US\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"NormalTextRun SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003eand adventures ensue with spoken narration.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"LineBreakBlob BlobObject DragDrop SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e\u003cbr class=\"SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW153610335 BCX0\" lang=\"EN-US\" data-contrast=\"none\" xml:lang=\"EN-US\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"NormalTextRun SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003eTen years later, in 1946, the English composer Benjamin Britten was asked\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"LineBreakBlob BlobObject DragDrop SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW153610335 BCX0\" lang=\"EN-US\" data-contrast=\"none\" xml:lang=\"EN-US\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"NormalTextRun SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003eto write music for an educational film introducing the instruments of the\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"LineBreakBlob BlobObject DragDrop SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW153610335 BCX0\" lang=\"EN-US\" data-contrast=\"none\" xml:lang=\"EN-US\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"NormalTextRun SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003eorchestra. For the purpose he chose a theme by the great 17th century\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"LineBreakBlob BlobObject DragDrop SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW153610335 BCX0\" lang=\"EN-US\" data-contrast=\"none\" xml:lang=\"EN-US\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"NormalTextRun SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003eEnglish composer Henry Purcell and wrote a set of variations, each of which\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"LineBreakBlob BlobObject DragDrop SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW153610335 BCX0\" lang=\"EN-US\" data-contrast=\"none\" xml:lang=\"EN-US\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"NormalTextRun SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003eshows the characteristics of a particular instrument or group of instruments.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"LineBreakBlob BlobObject DragDrop SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW153610335 BCX0\" lang=\"EN-US\" data-contrast=\"none\" xml:lang=\"EN-US\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"NormalTextRun SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003eThe alternative title of the work, Variations and Fugue on a Theme of Purcell,\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"LineBreakBlob BlobObject DragDrop SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW153610335 BCX0\" lang=\"EN-US\" data-contrast=\"none\" xml:lang=\"EN-US\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"NormalTextRun SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003eis an exact description. The other title, \u003cem\u003eThe Young Person's Guide to the\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"LineBreakBlob BlobObject DragDrop SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr class=\"SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"TextRun SCXW153610335 BCX0\" lang=\"EN-US\" data-contrast=\"none\" xml:lang=\"EN-US\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"NormalTextRun SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e\u003cem\u003eOrchestra\u003c\/em\u003e, makes fun of the titles much \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003efavored\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e by writers of moral tales in\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"LineBreakBlob BlobObject DragDrop SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW153610335 BCX0\" lang=\"EN-US\" data-contrast=\"none\" xml:lang=\"EN-US\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"NormalTextRun SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003ethe 19th century, providing \"young persons\" with advice on how to regulate\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"LineBreakBlob BlobObject DragDrop SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW153610335 BCX0\" lang=\"EN-US\" data-contrast=\"none\" xml:lang=\"EN-US\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"NormalTextRun SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003eevery aspect of their lives.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"LineBreakBlob BlobObject DragDrop SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW153610335 BCX0\" lang=\"EN-US\" data-contrast=\"none\" xml:lang=\"EN-US\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"NormalTextRun SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003eAt the most\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"LineBreakBlob BlobObject DragDrop SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW153610335 BCX0\" lang=\"EN-US\" data-contrast=\"none\" xml:lang=\"EN-US\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"NormalTextRun SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003eexciting part of the concluding fugue, the brass instruments play again the original theme,\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"LineBreakBlob BlobObject DragDrop SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW153610335 BCX0\" lang=\"EN-US\" data-contrast=\"none\" xml:lang=\"EN-US\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"NormalTextRun SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003eleading to a grand conclusion.\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}' class=\"EOP SCXW153610335 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Naxos","offers":[{"title":"CD","offer_id":44626921324778,"sku":"730099549929","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/126789.jpg?v=1778341616"},{"product_id":"james-galway-serenade-232691","title":"James Galway - Serenade","description":"SERENADE","brand":"RCA","offers":[{"title":"CD","offer_id":44626533843178,"sku":"090266003327","price":5.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4316631-3140048.jpg?v=1778207863"},{"product_id":"smetana-ma-vlast-antoni-wit-polish-nrso-68240","title":"Smetana: Má Vlast \/ Antoni Wit, Polish Nrso","description":"Classical Music","brand":"Naxos","offers":[{"title":"CD","offer_id":44626147967210,"sku":"730099593120","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/127049.jpg?v=1778346519"},{"product_id":"the-best-of-mendelssohn-95383","title":"The Best Of Mendelssohn","description":"Classical Music","brand":"Naxos","offers":[{"title":"CD","offer_id":44625835032810,"sku":"730099666022","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/205598_7e54b8f2-dbdd-4b5a-87e7-079003cb5e13.jpg?v=1778349459"},{"product_id":"the-best-of-tchaikovsky-52429","title":"The Best Of Tchaikovsky","description":"Classical Music","brand":"Naxos","offers":[{"title":"CD","offer_id":44625834901738,"sku":"730099665223","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/205588.jpg?v=1778382359"},{"product_id":"beethoven-famous-piano-sonatas-jando-111751","title":"Beethoven: Famous Piano Sonatas \/ Jando","description":"Beethoven's Sonatas Probably the best known of Beethoven's sonatas are the Pathetique, Moonlight and Appassionata. Only the first name was given by the composer. The Moonlight Sonata has it's name from the inspiration of the poet Rellstab (whose verses were to be set to music by Schubert). Writing in 1832 he likened the sonata to the wild scenery bordering Lake Lucerne, seen from a boat by moonlight. The French romantic composer Berlioz, on the other hand, preferred to see sunlight in the sonata, and other writers have been equally imaginative. Sonata No.8 in C Minor, Op. 13 \"Pathetique\" The Sonata pathetique was written in 1798 and 1799, and was published in the latter year with a dedication to Prince Lichnowsky, the nobleman who had travelled to the court of Berlin with Mozart in 1789. The work, Opus 13, is in C Minor, and is described as a \"Grande\" Sonata, music suitable for public performance by the composer, who was at this time one of the most distinguished keyboard-players in Vienna. Sonata No.14 in C Sharp Minor 'quasi una fantasia' Op. 27, No.2 \"Moonlight\" The Moonlight Sonata is more properly described by it's title Sonata quasi una fantasia, Opus 27 No.1, in the key of C Sharp Minor. The imaginative writer Arnold Schering, already referred to, found a literary parallel with Shakespeare's Merchant of Venice, but others have chosen to find in the sonata romantic notions of a different kind. It was completed in 1801, and dedicated, at the last minute, to Countess Giulietta Guicciardi, a young pupil of Beethoven. Sonata No.23 in F Minor, Op. 57 \"Appassionata\" Sonata in F Minor, Opus 57, the Appassionata, was considered by Beethoven to be among his best piano sonatas. It's nick-name, although not chosen by the com- poser, is an apt one, although Schering's parallel with Shakespeare's MacBeth may appeal to us less. Dedicated to the Countess of Brunswick, the sonata was completed in 1805 and published two years later.","brand":"Naxos","offers":[{"title":"CD","offer_id":44625628561642,"sku":"730099504522","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/126504.jpg?v=1778341621"},{"product_id":"debussy-piano-works-vol-1-thiollier-95223","title":"Debussy: Piano Works, Vol. 1 \/ Thiollier","description":"The CD contains piano music Debussy wrote prior to 1901 and we are given \"Suite bergamasque\", \"Nocturne\", \"Danse boh�mienne\", \"R�verie\", \"Mazurka\", \"Arabesqe 1 \u0026amp; 2\", \"Valse romantique\", \"Ballade\", \"Danse\", and the \"Suite: Pour le piano\", first performed in 1904.","brand":"Naxos","offers":[{"title":"CD","offer_id":44625487462634,"sku":"730099429023","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/127251.jpg?v=1778347108"},{"product_id":"faure-requiem-etc-summerly-beckley-gedge-et-75118","title":"Fauré: Requiem, Etc \/ Summerly, Beckley, Gedge, Et Al","description":"The appearance of Faur�'s Requiem in the 1880s, a decade during which the composer's most successful compositions were songs and piano pieces, can on I y be explained by the fine choral music which preceded it. The Messe basse represents Faur� at his most practical. Written in conjunction with the French composer and organist Andr� Messager (also at one time assistant to Widor at St Sulpice) during a holiday in Normandy in 1881, the Messe basse was composed for the modest forces of a local church. A setting of the motet O salutaris hostia and the Kyrie were Messager's contribution; the remaining movements of the Ordinary, without the Credo, were set by Faur�. When revising the score in 1906 Faur� adapted the violin and harmonium accompaniment for organ, at the same time excising the Gloria and replacing Messager's Kyrie with one of his own. The final version of the Messe basse is one of the few existing settings of the mass for female voices and organ. The youthful Cantique de Jean Racine dates from 1865 when Faur� was studying with Saint-Sa�ns at the Ecole Niedermeyer in Paris. 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He is also Artistic Director of the Ryedale Festival, where he has been praised as a ‘visionary’ and ‘inspired programmer’ (The Times).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREVIEWS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e﻿\"\u003c\/span\u003e\u003cem\u003eThe Fair Maid of the Mill\u003c\/em\u003e [is] extraordinary: For the first time, as a native English speaker, I found myself understanding this song cycle on a more intimate and revelatory level...The meticulousness of word-for-word accuracy is traded for emotional accuracy. Playwright and director Jeremy Sams was commissioned to write this new translation, and his background in both opera and musical theater lends itself well to finding the right words to convey poetic, emotional, and dramatic honesty.\u003c\/p\u003e\n\u003cp\u003eTenor Nicky Spence’s own sense of crossover theatricality heightens the immediacy and intimacy of the cycle and Sams’s new texts with a verdant tenor that blooms and contracts in emotional fits and starts. (These beats are both offset and at times juxtaposed by pianist Christopher Glynn...) As the journeyman’s dream begins to collapse on itself...Spence spits out his pleas in a fit of jealousy and panic. The clarity with which he delivers the words makes it easy to slip into the language of Schubert’s work and tap into the small details that render the story so devastating at the end—try listening to him sing of how his love 'loves hunting green' without your throat catching a bit. It’s these small details that make this English \u003cem\u003eMüllerin\u003c\/em\u003e so rich and compulsively listenable.\u003c\/p\u003e\n\u003cp\u003e--\u003cem\u003e﻿Van \u003c\/em\u003e﻿Magazine (Olivia Giovetti)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is the third in the Signum label’s sequence of Schubert song cycles using an English version of the texts by Jeremy Sams. His is in no sense a literal translation and is never in the least archly “poetic”, but is instead couched in relatively, plain, direct English which captures the spirit and directness of the original German while jettisoning any faux-Romantic or medieval archaisms such as “fain would I”. The translation is vernacular and quotidian but not modish or vulgar – and Sams does a fine job of reproducing the rhyming, strophic form of some songs, finding workable rhymes which do not sound forced, so in “Mine” we hear “sound, round, resound” and “found”, and “shine, wine, intertwine, combine” and “mine” sequentially to reproduce the effect of the German. The freedom of the English into which some songs are rendered might initially take the listener aback but a moment’s reflection will confirm the aptness and fidelity of Sams’ rendering; hence, the opening song begins “A miller loves to sit and dream of somewhere” rather than “To wander is the miller’s delight, to wander” or some such precious transliteration – and I know which I prefer. Sometimes the translation is both felicitous and amusing, as when in “Impatience” (Ungeduld) Sams picks up on the German: “ich möcht es sän auf jedes frische Beet\/ Mit Kressensamen” (I’d like to sow it in every fresh bed with cress seeds) and translates that colloquially as “I want to sow the words in watercress” so that it rhymes with “happiness” in the next line, and in “The Hunter” the miller girl’s cabbage patch (Kohlgarten) is transformed into a “strawberry bed” so that “fruit” rhymes conveniently with “shoot”. Certain lines impress themselves immediately upon the mind of the listener by their memorability, such as the alliterative “The sound of rushing water has mesmerised my mind” in the second song.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNicky Spence’s diction is so pellucid as to render the provision of the English texts almost superfluous but such thoughtfulness on the part of the label remains a welcome gesture. [Spence's] beautiful, flexible, easily-produced sound...never falters; his tone encompasses both sweetness and power as required and his knack of placing just the right emphasis or applying a momentary pause in the words without unduly disrupting the vocal line is apparent throughout. I particularly like the way he can introduce a desperate sighing note into his timbre without it turning mawkish. Christopher Glynn supports him with some of the most subtle and sensitive pianism I have even heard applied to this work; his playing is by turns as fluid, sparkling and turbulent as rushing water. He and Spence make an ideally matched partnership – fresh and immediate, presenting it in a manner which could easily win new adherents to this miraculous song cycle but, in Glynn’s words, is also capable of 'offering a new perspective to those who know it well.'\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e--\u003cem\u003eMusicWeb International\u003c\/em\u003e (Ralph Moore)\u003c\/p\u003e","brand":"Signum Classics","offers":[{"title":"CD","offer_id":46012439331050,"sku":"635212071120","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4085595-2820053_0859c64c-f3f7-4c34-95b7-69990ec8869f.jpg?v=1778240239"},{"product_id":"schubert-string-quintet-van-der-heijden-brodsky-quartet","title":"Schubert: String Quintet \/ van der Heijden, Brodsky Quartet","description":"\u003cp\u003eCelebrating its fiftieth anniversary in 2022, the Brodsky Quartet has performed more than 3000 concerts on the major concert stages of the world and has released more than seventy recordings. A natural curiosity and insatiable desire to explore have propelled the group in many artistic directions and continue to ensure it not only a place at the very forefront of the international chamber music scene but also a rich and varied musical existence. As they comment in their booklet note: ‘It seems fitting to mark the milestone by recording this epic and most celebrated of chamber works, Schubert’s String Quintet in C major, a piece which we have lived with since childhood, and which we have played with a long line of illustrious cellists. One of our earliest performances took place with Terence Weil, our mentor at college, at his retirement concert, just as we were starting out on our professional journey. Now the wonderful young Laura van der Heijden, who comes to this recording with a maturity which belies her years, represents with respect to us a similar age gap, proving that age is insignificant where there is a meeting of musical minds. Now we look forward to whatever our sixth decade might bring.’\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREVIEW\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"c-product-review--quote\"\u003eIn this exceptional interpretation of Schubert’s C major Quintet, there are plenty of moments where the players individually or collectively make something happen – a tiny inflection in the phrasing here, an applied touch of color there. Yet nothing is overdone, and the music always flows as it wants to\u003c\/span\u003e.\u003c\/p\u003e\n\u003cp\u003e-- BBC Music Magazine\u003c\/p\u003e","brand":"Chandos","offers":[{"title":"CD","offer_id":46012447162602,"sku":"095115197820","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4129360-3140383.jpg?v=1778207562"},{"product_id":"bruch-sibelius-works-for-two-violas","title":"Bruch, Bridge, Sibelius, Shostakovich: Works for 2 Violas \/ Hertenstein, Peijun Xu, Ahn","description":"\u003cp\u003e﻿Peijun Xu, born in Shanghai, is one of the leading violists of her generation. As a soloist, Peijun Xu has performed in renowned venues such as the Shanghai Concert Hall, the Laeiszhalle Hamburg or the Alte Oper Frankfurt. Her chamber music partners include Paul Rivinius, Evgenia Rubinova, Alexander Sitkovetsky and Veit Hertenstein. German violist Veit Hertenstein plays with “brigthly ringing, luminous and finly finessed sound (The Strad Magazine 2022).\u003c\/p\u003e\n\u003cp\u003eVeit Hertenstein is Professor for Viola at the Musikhochschule Detmold, Germany since 2015.\u003c\/p\u003e","brand":"Haenssler Classic","offers":[{"title":"CD","offer_id":46012447523050,"sku":"881488220728","price":10.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4218772-3006612.jpg?v=1778264992"},{"product_id":"beach-complete-works-for-piano-duo","title":"Beach: Complete Works for Piano Duo \/ Duo Genova \u0026 Dimitrov","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eFresh off a successful Rachmaninoff project, Duo Genova \u0026amp; Dimitrov turns to the American composer Amy Beach. Her compositional oeuvre marks a high point in the phase of consolidation experienced by U.S. art music between the Civil War and World War I. Amy Beach was not the first American woman who composed, nor the first to earn money with her compositions, but she created a stir in the music world by forging ahead into genres in which previously only men had garnered wide acclaim. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eHowever, it was above all the piano that was Amy Beach’s lifelong companion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eShe honored her instrument with solo compositions in a total of twenty-six opus numbers distributed equally over her entire compositional career, from the 1880s to the 1930s. Even though her music for piano four hands and for two pianos is limited to a few compositions, they all attest to their author’s talent. The original version of Amy Beach’s \u003cem\u003eVariations on Balkan Themes\u003c\/em\u003e op. 60 is her most extensive composition for piano two hands and the one that is the most challenging in playing technique. At the same time, the variations represent one of her most significant endorsements of folk music.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eREVIEWS\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eGenova and Dimitrov perform this technically demanding and richly imagined music with enormous affection and flair, conjuring its atmospheres and textures seamlessly, as if with one mind. A must-hear album for all who want to explore Beach’s highly rewarding output.\u003c\/p\u003e\n\u003cp\u003e-- BBC Music Magazine\u003c\/p\u003e\n\u003cp\u003e\u003cspan id=\"ctl00_MainContent_gvReviews_cell5_12_ASPxPopupControl1_ASPxLabel2\" class=\"dxeBase_PlasticBlue\"\u003eAglika Genova and Liuben Dimitrov are a polished duo, unfailingly musical, with an ensemble precision that sits well with their two superbly matched instruments. The disc, very well recorded, comes with an exhaustively detailed booklet and is a valuable addition to the Beach discography.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"dxeBase_PlasticBlue\"\u003e-- Gramophone\u003c\/span\u003e\u003c\/p\u003e","brand":"CPO","offers":[{"title":"CD","offer_id":46012451324138,"sku":"761203545322","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4038005-2783513.jpg?v=1778251998"},{"product_id":"mozart-symphonies-nos-34-35-36-881488220780","title":"Mozart: Symphonies Nos. 34, 35 \u0026 36 \/ Manasi, Slovak Sinfonietta","description":"\u003cp\u003eMatthias Manasi is rated as one of the most sought-after and most outstanding conductors of his generation, earning himself a distinguished name both on the opera and concert podiums. With a diverse repertoire range he is recognized for his knowledgeable and insightful interpretations, encompassing the great symphonic and operatic repertoire, contemporary scores, and historically informed performances. He is celebrated for the extraordinary combination of precision and temperament of his conducting and the convincing depth of his musical understanding, The Austrian newspaper ‘Heute’ wrote after a concert: “Matthias Manasi delivered an outstanding performance in the legendary, heavenly acoustics of the Golden Hall of the Musikverein Vienna”. The ‘Factanet Rome’ wrote after a concert: “It was a great interpretation that added value to Manasi’s work and that proclaims him as one of the most important conductors of our time”.\u003c\/p\u003e","brand":"Haenssler Classic","offers":[{"title":"CD","offer_id":46012451979498,"sku":"881488220780","price":10.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4196655-2967604.jpg?v=1778241213"},{"product_id":"chopin-debussy-kapustin-ligeti-etudes-preludes-881488220834","title":"Chopin, Debussy, Kapustin \u0026 Ligeti: Etudes \u0026 Preludes \/ Deliyska","description":"\u003cp\u003eDora Deliyska: \"It was an exciting and challenging process to record the complex structure of 24 études and préludes. Some of the etudes belong to the most difficult pieces in piano literature, and the préludes have intense musical potential. I decided to record the pieces over a short period of time, in order to keep the spontaneity of the interpretation. I am very thankful to the Teldex Team (René Möller and Jakob Bötcher) and the piano technician Gerd Finkenstein for sharing this musical experience together, and creating an exciting recording.“\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREVIEW\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cdiv data-widget_type=\"theme-post-content.default\" data-element_type=\"widget\" data-id=\"41b404e9\" class=\"elementor-element elementor-element-41b404e9 elementor-widget elementor-widget-theme-post-content\"\u003e\n\u003cdiv class=\"elementor-widget-container\"\u003e\n\u003cp\u003eThe Bulgarian pianist Dora Deliyska has a penchant for “conceptual” programs that mix and match works related by genre or theme. Her 2018 Capriccio release “The B-A-C-H Project”, for example, juggled preludes and fugues by Bach and Shostakovich alongside decidedly non-Bachian études of Liszt and Chopin. The ordering of pieces seemed less curated than lumped together. The same can be said for her new 80-minute survey of Études and Préludes.\u003c\/p\u003e\n\u003cp\u003eFor instance, the first three selections (Ligeti’s Der Zauberlehrling, Debussy’s Étude for Chromatic Degrees, and Chopin’s “Winter Wind”) texturally complement one another, while Chopin’s nocturne-like Op. 25 No. 7 étude easily elides into Ligeti’s gorgeously lyrical Ligeti Cordes á vide. On the other hand, I glean no insightful programmatic agenda within the small groups of Chopin, Debussy, and Kapustin Preludes placed in succession.\u003c\/p\u003e\n\u003cp\u003eJudging from the present disc (as well as her Liszt and Schubert Gramola releases), Deliyska is more of a poetic than heroic pianist. Indeed, her Chopin “Octave” and “Winter Wind” etudes are less incisive here than her aforementioned Capriccio disc. Her note-perfect Chopin F-sharp minor and B-flat minor Preludes and sharply detailed Debussy Ce qu’a vu le vent d’ouest lack sweep and abandon. Yet what sexy inflections throughout Debussy’s Pour les arpèges composes, and strong inner rhythm in the sedately paced Ligeti L’escalier du diable.\u003c\/p\u003e\n\u003cp\u003eDebussy’s La Puerta del Vino adds up to a curious blend of spiky articulation and curvaceous lilt. However, the concluding three Preludes from Kapustin’s Op. 53 set reveals Deliyska’s stylistic ease with the composer’s jazz-based idiom. If the trajectory of Deliyska’s program lacks tightness and momentum, one still can stream or download the best of individual selections.\u003c\/p\u003e\n\u003cp\u003e-- ClassicsToday.com (Jed Distler)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Haenssler Classic","offers":[{"title":"CD","offer_id":46012455551210,"sku":"881488220834","price":10.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4169806-2936569.jpg?v=1778238486"},{"product_id":"475-jahre-sachsische-staatskapelle-dresden","title":"475 Years of the Saxon State Orchestra of Dresden","description":"\u003cp\u003eThe preserved “miraculous harp:” 475 years of orchestra history – and a whole century is there to be listened to. This CD box is an invitation to a musical journey through time with one of the world’s best orchestras! Not only that, it is one of the world’s oldest, founded in 1548 and active without a break ever since. The former Hofkapelle, the court orchestra of Saxony, now proudly bears the name Sachsische Staatskapelle Dresden. “Kapellkonzerte“ since the beginning of sound recordings under conductors like: Fritz Busch, Richard Strauss, Karl Böhm, Joseph Keilberth, Kurt Sanderling, Otmar Suitner, Herbert Blomstedt, Giuseppe Sinopoli, Bernard Haitink, Fabio Luisi, Christian Thielemann and many more\u003c\/p\u003e","brand":"Profil","offers":[{"title":"CD","offer_id":46012461089002,"sku":"0881488230079","price":42.97,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4391523-3325940.jpg?v=1778237030"},{"product_id":"enescu-early-chamber-music-fine-arts-quartet","title":"Enescu: Early Chamber Music \/ Fine Arts Quartet","description":"\u003cp\u003eThis album focuses on Enescu’s early chamber music composed during the turn of the 20th century, much of which has only recently been discovered. The Fine Arts Quartet, one of the world’s leading quartets, is joined by the Witkowski Piano Duo and double bassist Alexander Bickard in works that include an arrangement of Enescu’s popular Romanian Rhapsody No. 1 for piano and string quintet.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eREVIEW\u003c\/b\u003e:\u003c\/p\u003e\u003cp\u003eThe Fine Arts Quartet is at the core of this program. Its members as well as the two pianists on the program bring great spirit to these youthful works, and the label’s recorded sound is fine. The program notes are informative as well. This is a very attractive disc.\u003c\/p\u003e\u003cp\u003e— Fanfare\u003c\/p\u003e","brand":"Naxos","offers":[{"title":"CD","offer_id":46012461973738,"sku":"747313448777","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4226902-3132705.jpg?v=1778234244"},{"product_id":"around-baermann","title":"Around Baermann","description":"\u003cp\u003eAround Baermann sees historic clarinet specialist Maryse Legault spotlight the early 19th century clarinet virtuoso Heinrich Baermann, who was one of the most important yet overlooked clarinetists in the history of the instrument.\u003c\/p\u003e\n\u003cp\u003eBorn in Potsdam in 1784, Heinrich Baermann honed his skills under the tutelage of virtuoso clarinetist Josef Beer, who was a key figure in the development of the clarinet and its repertoire. B Baermann went on to tour extensively and significantly impacted the clarinet's role in classical music, particularly in France. Around Baermann is Legault’s tribute to Baermann; a giant in his field and one of the more important developers ofthe clarinet’s style, technique, and repertoire.\u003c\/p\u003e","brand":"Leaf Music","offers":[{"title":"CD","offer_id":46012462399722,"sku":"3191684102108","price":9.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4207047-3140469.jpg?v=1778207394"},{"product_id":"brahms-complete-songs-vol-5-747313449071","title":"Brahms: Complete Songs, Vol. 5 \/ Wunderlin, Carrel, Eisenlohr","description":"\u003cp\u003eCurated by pianist Ulrich Eisenloh, this series of Brahms songs has received widespread acclaim. As with Volume 4, this fifth instalment features soprano Alina Wunderlin and tenor Kieran Carrel, in a selection that contains one of Brahms’ best-loved songs, Minnelied.\u003c\/p\u003e","brand":"Naxos","offers":[{"title":"CD","offer_id":46012463939818,"sku":"747313449071","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4290090-3143521.jpg?v=1778236888"},{"product_id":"haydn-piano-sonatas-vol-11-0095115219324","title":"Haydn: The Complete Piano Sonatas, Vol. 11 \/ Bavouzet","description":"\u003cp\u003e\u003cstrong\u003e\"Bavouzet’s Haydn is unmatched in its zest and its wit. But it is also substantial, informed and deeply rewarding.\"\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e--The \u003cem\u003eNew York Times\u003c\/em\u003e\u003cstrong\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/strong\u003eon Bavouzet's Haydn Sonatas cycle, 2022\u003c\/p\u003e\n\u003cp\u003eJean-Efflam Bavouzet’s survey of Haydn’s piano sonatas reaches its conclusion with this 11th and final volume. As with the previous releases, the acclaimed pianist has included repertoire from different periods of Haydn’s career to create a recital of interest in its own right, as well as the completion of the series.\u003c\/p\u003e\n\u003cp\u003eJean-Efflam notes: ‘It has been eleven years since the launch of this project to present Haydn’s sonatas, not in their chronological order, but as collections juxtaposing works from different periods. The program for this final album was actually the first one to be devised: I wanted to place side by side the very first and the very last sonata. Then the idea of fleshing out the sonata cycle with other major pieces began at volume four, with the addition of the famous \u003cem\u003eVariations in F minor\u003c\/em\u003e, and finally this last volume is made up of as many sonatas as other types of works. The complete series is thus able to offer music lovers all the sonatas identified to date, together with the other major keyboard works.’\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREVIEWS\u003c\/strong\u003e﻿:\u003c\/p\u003e\n\u003cdiv class=\"review\"\u003e\n\u003cdiv class=\"review-text\"\u003e\n\u003cdiv class=\"review-text\"\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eFive stars \u0026amp; editor's choice\u003c\/strong\u003e |\u003cstrong\u003e \u003c\/strong\u003eJust when I thought it couldn’t get any better, this last volume hits new heights. --\u003cem\u003eGramophone\u003c\/em\u003e (Michelle Assay)\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e---\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"review-author\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"review-text\"\u003eThis album concludes Jean-Efflam Bavouzet’s epic and scintillating cycle of the complete Haydn Piano Sonatas. Sandwiched between the first and last sonatas – the former delightfully without a hint of angst, the latter richly expressive and exploratory – lies a wealth of contrasts…As on previous occasions [Bavouzet] makes it difficult to imagine Haydn presented with greater gusto, precision and charms[.] --\u003cem\u003eInternational Piano\u003c\/em\u003e (Bryce Morrison)\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"review-text\" style=\"text-align: center;\"\u003e---\u003c\/div\u003e\n\u003cdiv class=\"review-text\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"review-text\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"review-text\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"review-text\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"review\"\u003e\n\u003cdiv class=\"review-text\"\u003e\n\u003cp\u003eA project that began in 2011 is completed; what a journey it has been. Bavouzet’s gifts of insightful exposition and revelation are matched by the wisdom of his curation… A triumph. --The Sunday \u003cem\u003eTimes \u003c\/em\u003e(Dan Cairns)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"review\"\u003e\n\u003cdiv class=\"review-stars stars0\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Chandos","offers":[{"title":"CD","offer_id":46012464988394,"sku":"0095115219324","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4112389-2877017.jpg?v=1778250783"},{"product_id":"brahms-wadsworth-fire-flowers","title":"Brahms \u0026 Wadsworth: Fire-Flowers \/ Luminous Voices","description":"\u003cp\u003eLuminous Voices presents Brahms’\"Ein deutsches Requiem\" alongside contemporary pieces by Zachary Wadsworth in the album 'Fire-Flowers.'\u003c\/p\u003e\n\u003cp\u003eExploring themes of loss, grief, and hope, the album is led by Timothy Shantz. Laura Brandt (soprano), Jonathon Adams (baritone), Cheryl Emery-Karapita (piano), and Leanne Regehr (piano) collaborated to bring these pieces to life. Wadsworth's\"Battle-Flags,\" is inspired by Walt Whitman’s Civil War experiences. Brahms’ iconic Requiem reflects personal tragedies and calls for empathy. The album concludes with\"Fire-Flowers,\" where Wadsworth captures E. Pauline Johnson’s poem in a musical tale of optimism and renewal.\u003c\/p\u003e\n\u003cp\u003e'Fire Flowers' will be available on January 12, 2024.\u003c\/p\u003e","brand":"Leaf Music","offers":[{"title":"CD","offer_id":46012466692330,"sku":"3191684102276","price":9.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4275146-3125590.jpg?v=1778238949"},{"product_id":"vaughan-williams-grieg-violin-sonatas-635212073421","title":"Vaughan Williams \u0026 Grieg: Violin Sonatas \/ Ciem, Golan","description":"\u003cp\u003eCharlie Siem returns with a new recording of Violin Sonatas, accompanied by his regular recital partner Itamar Golan – featuring Vaughan Williams' Violin Sonata in A Minor and Grieg's Violin Sonata No. 2 in G Major, Op. 13. Charlie Siem is one of today’s foremost young violinists, with such a wide-ranging diversity of cross-cultural appeal as to have played a large part in defining what it means to be a true artist of the 21st century. Siem has appeared with many of the world’s finest orchestras and chamber ensembles, including the Bergen Philharmonic, Camerata Salzburg, Czech National Symphony, Israel Philharmonic, London Symphony, Moscow Philharmonic, Oslo Philharmonic, Rotterdam Philharmonic, and the Royal Philharmonic Orchestra. He has worked with top conductors such as Charles Dutoit, Edward Gardner, Zubin Mehta, Yannick Nézet-Séguin, Sir Roger Norrington, Libor Pešek and Yuri Simonov. International festival appearances to date include Spoleto, St. Moritz, Gstaad, Bergen, Tine@Munch, Festival Internacional de Santa Lucía, and the Windsor Festival.\u003c\/p\u003e","brand":"Signum Classics","offers":[{"title":"CD","offer_id":46012467773674,"sku":"635212073421","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4170016-2951456.jpg?v=1778231352"},{"product_id":"debussy-piano-duets-louis-lortie-helene-mercier","title":"Debussy: Piano Duets \/ Lortie, Mercier","description":"\u003cp\u003eRegular duet and two-piano partners Hélène Mercier and Louis Lortie have returned to the studio for this all-Debussy program. The album features duets written by the composer himself -such as the \u003cem\u003ePetite Suite\u003c\/em\u003e, the \u003cem\u003eSix Épigraphes antiques\u003c\/em\u003e and the \u003cem\u003eMarche écossaise sur un thème Populaire\u003c\/em\u003e; as well as a number of arrangements of his solo piano pieces (the \u003cem\u003ePremière Arabesque\u003c\/em\u003e, \u003cem\u003eLa Fille aux cheveux de lin\u003c\/em\u003e and the \"Slavic\" \u003cem\u003eBallade\u003c\/em\u003e). The album ends with André Caplet’s monumental arrangement of Debussy’s best known orchestral work, \u003cem\u003eLa Mer\u003c\/em\u003e. Stripped of its orchestration, this two-piano version allows the listener to more easily appreciate Debussy’s ground-breaking harmonic innovation. The album was recorded in the concert hall at Snape Maltings in Suffolk, using a pair of Bösendorfer 280 VC grand pianos.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREVIEWS\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eRegular duet and two-piano partners Hélène Mercier and Louis Lortie present this all-Debussy program, starting and ending on the water. The duo characterize Debussy’s impressionism well with playing that is sensitive and charming. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe album ends with André Caplet’s monumental arrangement of Debussy’s best known orchestral work, \u003ci\u003eLa Mer\u003c\/i\u003e. Stripped of its orchestration, this two-piano version allows the listener to more easily appreciate Debussy’s ground-breaking harmonic innovation.\u003c\/p\u003e\n\u003cp\u003e-- Cumbria Times (Andrew Palmer)\u003c\/p\u003e\n\u003cp\u003eThe playing by the two distinguished pianists is faultless, distinctly outlining the notes with a clarity of separation; the recording in the superb acoustic of the Snape Maltings captures the sound ideally; the presentation of the booklet, with extensive and informative notes in three languages by Roger Nichols, is excellent; and the music itself, I need hardly add, is marvelous.\u003c\/p\u003e\n\u003cp\u003eMost frustratingly then, is that Debussy’s masterpiece for the two-piano repertoire, his late \u003cem\u003eEn blanc et noir\u003c\/em\u003e, is missing. That, however, is not to say that the purchaser of this very full disc is under-compensated. Nevertheless, there might be something to be said for letting us hear Debussy’s music in two-piano and piano-duet arrangements, especially those published during his lifetime, even when we may suspect that reasons of commercial necessity may have prompted their original issue.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e-- MusicWeb International\u003c\/p\u003e","brand":"Chandos","offers":[{"title":"CD","offer_id":46012467970282,"sku":"0095115222829","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4118964-2881309.jpg?v=1778248466"},{"product_id":"visions-illuminees-635212073520","title":"Visions illuminees \/ Bevan, Middleton, Ruisi Quartet","description":"\u003cp\u003eIn her third recital album for Signum Records, celebrated soprano Mary Bevan returns with a selection of French songs, featuring works by composers including Britten, Ravel, Debussy and Faure\u003c\/p\u003e\n\n\u003cp\u003e“Over the years since the release of my debut album Voyages with Joseph Middleton in 2017, my passion for French mélodie has grown and deepened...The texts that composers of mélodie have set to music contain a depth and a mystery that I find fascinating and a source of repeated inspiration... My idea for the album began sim- ply with a desire to record Britten’s Les Illuminations, a work I feel closely connect- ed to, having performed it many times over the years and each time having found something new in it to interest me”\u003c\/p\u003e","brand":"Signum Classics","offers":[{"title":"CD","offer_id":46012468560106,"sku":"635212073520","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4177081-2957001.jpg?v=1778231348"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/collections\/3_8_8aef8579-0376-4989-bc8e-7b365fedc1f9.png?v=1781703596","url":"https:\/\/arkivmusic.com\/collections\/summer-blowout-sale-2026.oembed?page=8","provider":"ArkivMusic","version":"1.0","type":"link"}