The recording of music from the Middle Ages entitled "Crossing the Channel" already awarded the "Supersonic" by Pizzicato, is now also available on SACD with a version in 5.1. The midnight, medieval mood in the unique Romanesque church of Beaulieu sur Dordogne touches the heart even more deeply in TACET Real Surround Sound.

Total playing time: 65'27

In the middle ages, the reverence for Saint Nicolas was not limited to the Christmas season, as it is today. It is unlikely that he would have become the patron saint of sailors and other professions, had this been the case. The ensemble Peregrina found a great number of songs on their search for Nicolas. In putting together this program it was of great advantage to have within the ECHO-awarded ensemble, and within its network of musicologists who know where to look, how to read and interpret the sources and how to perform the music.

In previous issues I've praised the Abegg Trio's radiant performances of Beethoven's piano trios. This convenient set of the Mendelssohn's works in this form - two by Felix and one by Fanny, composed the year after her brother's second trio - elicits comparable enthusiasm, thanks to the brilliance of the renditions, individually and collectively... The recorded sound is first-rate therein and throughout the two more familiar scores as well. As previously noted, too, a B�sendorfer Imperial piano, played with some restraint by Gerrit Zitterbart and admirably balanced in this CD, adds a measure of richness not often encountered among other practitioners of the art of piano-trio playing. That said, this Tacet CD sports an attractive lineup as well, and although there are many fine recorded performances of both of Felix's piano trios, these merit inclusion among the very best, due to the Abegg's superior playing, seasoned interpretations, and the splendid recorded sound. High. 4009850008101 TCET81.2 19542409 .00 23.99 .24 TACET RECORDS COMPACT DISCS CLASSICAL CHAMBER MUSIC & RECITALS 05/01/1999 https://media.aent-m.com/graphics/items/sdimages/a/500/0/5/2/7/1997250.jpg 0 1 N MOZART / VEREBICS KOMM LIEBER MAI: MOZART LIEDER With bright jubilation, with polished lines and wonderfully formed; elegant and yet with warm expression; the intonation is a clear as a bell; or to put it in a nutshell: Ibolya Verebics sings the Mozart lieder in perfectly natural way and is thus the ideal performer.... She is accompanied discreetly and competently by her fellow Hungarian Csaba Vegve�ri. 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https://media.aent-m.com/graphics/items/sdimages/b/500/5/1/8/3/2263815.jpg 4 1 N DVORAK / MPO / FLOR SYMPHONY NO. 7 7318599918969 BIS1896SACD 16547643 .00 21.99 .21 BIS SUPER-AUDIO CD CLASSICAL CHAMBER MUSIC & RECITALS 04/24/2012 https://media.aent-m.com/graphics/items/sdimages/c/500/8/4/8/3/2263848.jpg 1 1 N GLIERE / KOMSI / LAHTI SYM ORCH COLORATURA 7318599919621 BIS1962SACD 19357218 .00 21.99 .24 BIS SUPER-AUDIO CD CLASSICAL OPERA / OPERETTA / ORATORIO 10/30/2012 https://media.aent-m.com/graphics/items/sdimages/b/500/4/6/8/3/2263864.jpg 2 1 N PETTERSSON / NORRKOPING SYM ORCH / LINDBERG SYMPHONY NO 6 7318599919805 BIS1980SACD 19161853 .00 21.99 .25 BIS SUPER-AUDIO CD CLASSICAL CHAMBER MUSIC & RECITALS 09/25/2012 https://media.aent-m.com/graphics/items/sdimages/b/500/5/7/8/3/2263875.jpg 3 1 N LOCKWOOD,FRANCIS / LOCKWOOD,DIDIER BROTHERS Didier and Francis Lockwood have been fixtures of the French jazz scene for thirty years, but their Brothers album, originally recorded for the Ames label in 2008, featured them together for the first time. Francis Lockwood's piano and the violin of his brother Didier function together in perfect alchemy here, the only instruments present on the recording. The result is an intimate, delicate dive into a universe of their own design where their talents, complicity and connivance are shaped by the closeness of their relation as brothers. 3448960259224 FRAS592.2 25892741 .00 20.99 .25 FREMEAUX & ASSOC. FR COMPACT DISCS POP JAZZ 03/11/2014 https://media.aent-m.com/graphics/items/sdimages/b/500/4/8/8/6/2276884.jpg 5 1 N MAHLER / HAASS / GRIEG / REINECKE WELTE-MIGNON MYSTERY 15: MAHLER & REINECKE & GRIEG The Steinway used by TACET makes the three composers seem like contemporaries - that's how present and delicate this sound is. It fully meets the highest standards. How wonderful it is the way the grand piabno learns to sing under Mahler's and Reinecke's touch. It is for this reason, above all, that it is worth hearing this recording, even if one already knows the recording of the three composers from other productions: The sound speaks for itself.

Classical Music

A little less than half of Chopin’s complete surviving Mazurkas make up this 2009 release, ordered not according to opus number but for the purpose of an effective program that can sustain one’s interest for 80 minutes. The Mazurkas hold up under many different interpretive game plans, from Ignaz Friedman’s robust, epic statements to the perfumed intimacy of Maryla Jonas and Guiomar Novaes, not to mention Arthur Rubinstein’s three very different complete Mazurka cycles. Koroliov evokes Arturo Benedetti Michelangeli’s lapidarian finger work, wide dynamic range, and subjective poetry. You hear this in Op. 6 No. 1’s fastidious voicing of the central section’s leaps, although Michelangeli’s monumental left-hand droning fifths in Op. 56 No. 2 never lilted like Koroliov’s do here.

The pianist lends interest to the rather uneventful Op. 24 No. 1 by slightly accenting the dissonances, while his gentle way with the implicitly boisterous Op. 7 No. 1 is offset by striking phrase elongations and cross-rhythmic interplay in the deliciously modal Trio. Similarly, Op. 24 No. 2’s pared down outer sections contrast to the surprisingly rolled, loud A-flat major chords announcing its Trio. In fact, Koroliov is not averse to arpeggiating chords at will, or playing the left hand slightly before the right, dead pianist style, yet he employs these devices wisely. Deft polyphonic control justifies Koroliov’s admittedly pulled-about Op. 24 No. 4 and Op. 56 No. 3, while his mesmerizing legato control in the A minor “Émile Gaillard” Mazurka similarly convinces you that his unorthodox slow tempo is a plausible alternative.

Koroliov’s Chopin Mazurkas aren’t so much dances as distinct and diversified dramas, and he brings off his conceptions without a trace of ambiguity, whether or not you agree with the pianist’s every step. Tacet provides superb engineering and fulsome, high-handed annotations.

-- Jed Distler, ClassicsToday.com

Marret Winger recently graduated in Hamburg with honours. She and her accompanist Steffen Hartmann have outstanding references to show from artists such as Elisabeth Schwarzkopf, Dietrich Fischer-Dieskau and others. However, what recommended them for a TACET recording was the standard of the chamber music which they perform together. To demonstrate this they have recorded the "Keller Lieder" (Six Poems by Gottfried Keller) by Hugo Wolf, which many artists wisely steer clear of because of their difficulties and dangerous pitfalls.

(...) But what insights into the chemistry, the constructional and structural wonders of these Pr�ludes do Koroliov's musical-pathological dissections allow? They lead into the inside of this texture, invalidating all that one has experienced for frightful - and then again delightful - moments of thinking and feeling. In a peaceable way, they force one to unbiased expose oneself to a strange experience, yet, in the next moment, a familiar experience once again. (Klassik. Heute. De)

This is not a historical recording. Yet mysteriously the music is performed in an interpretation which is historically authentic down to the last detail. The key to this mystery is: The original performer was present at the recent recording session, but not physically: The music is heard on a modern Steinway. Never has music stored in the Welte-Mignon system sounded so "right" or so good. Thanks to TACET's much-praised recording technique, and because the Welte-Mignon memory system and sound production mechanism have now been newly adjusted for the first time by the leading expert in the field - and are thus able to meet TACET's requirements. (Welte-Mignon was invented in 1904.) the Welte-Mignon mystery can now speak to US without distortion.

This is the first TACET DVD sampler. Close your eyes and let the music carry you away to the new world of optimized surround sounds. This DVD Audio can be played on any DVD surround system (including DVD Video) and naturally needs no pictures. The disc offers a stunning listening experience from all sides - and you are right in the middle. In order for this to work perfectly TACET has produced a great deal of advice in sound and text from which your surround home movie theatre can benefit. For the first time in this quality and combination you can hear breathtaking sounds and brilliant music with top artists, and you can learn surprising hints for adjusting your system to make it even more valuable. TACET has been in the music business since 1989 and a pioneer of surround sound since 1999; TACET specialties are Real Surround Sound and Moving Real Surround Sound, both on this disc.

• Maurice Ravel's music needs no introduction. A sampling of orchestral works, including Valse and the famous Boléro. • Carlo Rizzi leads the Netherlands Philharmonic Orchestra • One of the first set of 5 Blu-ray audio discs from TACET. • The Blu-ray audio disc was mastered in 24 bit / 96 kHz resolution, both in stereo and in TACET Real 5.1 Standard Surround Sound. • The Blu-ray disc joins the TACET assortment as the fifth sound carrier alongside CD, LP, DVD audio and SACD.

Composer: Joseph Haydn (1732 - 1809)

Performers:
Matthias Lingenfelder, violin
Jens Oppermann, violin
Stewart Eaton, viola
Andreas Arndt, violoncello






Track Listing:

Disc One:

String quartet op. 64 no. 1, Hob. III:65 in C major
1. Allegro moderato
2. Menuet. Allegretto ma non troppo - Trio
3. Allegretto scherzando
4. Finale. Presto

String quartet op. 64 no. 2, Hob. III:68 in B minor
5. Allegro spiritoso
6. Adagio ma non troppo
7. Menuet. Allegretto - Trio
8. Finale. Presto

String quartet op. 64 no. 3, Hob. III:67 in B flat major
9. Vivace assai
10. Adagio
11. Menuet. Allegretto - Trio
12. Finale. Allegro con spirito

Disc Two:

String quartet op. 64 no. 4, Hob. III:66 in G major
1. Allgro con brio
2. Menuett. Allegretto - Trio
3. Adagio. Cantabile e sostenuto
4. Finale. Presto

String quartet op. 64 no. 5, Hob. III:63 in D major
5. Allegro moderato
6. Adagio. Cantabile
7. Menuet. Allegretto - Trio
8. Finale. Vivace

String quartet op. 64 no. 6, Hob. III:64 in E flat major
9. Allegro
10. Andante
11. Menuet. Allegretto - Trio
12. Finale. Presto


Timing: 139.48

With their expressive timbre and the technical excellence of the recording, the Auryn Quartet need not fear the competition, even though there is already a multitude of recordings in existence. Hartmut Leck, Klassik-heute There is no shortage of great and famous Beethoven Cycles, but there are no performances such as these. For me, this is now the set to beat. (Laurence Vittes)

MOZART Serenade in Bb, K 361 “Gran Partita”. Fantasia in f, K 608 • Stuttgart Winds • TACET 209 (Blu-ray audio: 57:20)

This Blu-ray disc comes in surround sound, so I’ll confess that I listened to it using my HD television with its sound bar rather than on my high-end stereo system. It’s a remarkable performance of a favorite work, which I and many others first heard on an old LP conducted by Otto Klemperer. Some readers might also remember the critic B. H. Haggin’s surprise that anything conducted by Klemperer, whom he usually disliked, could be so graceful. Haggin attributed it to the band. Perhaps it is a piece that in professional hands can’t go too wrong. Here everything seems right, including the recorded sound in stereo. There is grace abounding, and beautifully etched phrases and balance among the players, each of whom is profiled in the ample notes. The fetching opening with its prominent clarinet and oboe parts couldn’t be more touching, and the energy of the whole performance is equally appealing. I have a stack of recordings of this work, including those conducted by Mackerras, and others played by groups such as the Sixth Floor Orchestra. I’d recommend this delightful new disc, though, to anyone, especially to those with surround sound systems.

FANFARE: Michael Ullman

This 2CD set represents the first release on TACET of what will ultimately become a complete recordings project of Domenico Scarlatti's 555 keyboard sonatas. Pianist Christopf Ullrich, a prolific recording artist whose embarked on other projects of this or similar kinds, sets out in this extended journey with 30 Essercizi and 12 Sonatas.

This is the first compendium of tracks from different TACET productions. For once, the main feature of this CD is not a musician, a composer or a musical theme. Instead, the star of the piece is: The condenser microphone. Something for music gourmets. (Scala)

Erika Haase continues her ambitious project of recording the most significant etudes of piano literature. This time she has tackled the etudes by Franz Liszt. The daredevil difficulties for the pianist playing these works are legend. She masters them with bravura and enriches them with her own highly sensitive musical note.

This is not an historical recording. Yet mysteriously the music is performed in an interpretation which is historically authentic down to the last detail. The key to this mystery is: The original performer was present at the recent recording session, but not physically: The music is heard on a modern Steinway. Never has music stored in the Welte-Mignon system sounded so "right" or so good. Thanks to TACET's much-praised recording technique, and because the Welte-Mignon memory system and sound production mechanism have now been newly adjusted for the first time by the leading expert in the field - and are thus able to meet TACET's requirements. (Welte-Mignon was invented in 1904.) the Welte-Mignon mystery can now speak to US without distortion.

Kultur SPIEGEL, January 2005: "There are good pianists, there are grandiose pianists and there is Evgeni Koroliov: In each recording the Russian pianist, who hitherto was mainly to be heard playing Bach, sets new standards. With Debussy he competes with champions such as Gieseking or Michelangelo - and triumphs: this round of portraits of atmosphere, hovering wonderfully between jest and seriousness, has never before sounded so expressive or transparent."

Mozart's Piano Quartets K 478 and 493 with the wonderful German Gaede String Trio and the outstanding Austrian pianist Markus Schirmer: this is pure chamber music delight, highly sensitive and exciting, sensual and fresh as the dew, clever in it's formal and concertante calculation: here Mozart allows for both common obscurity and lively dialogue. (Tirol online)

I usually find such choral works low on my interest scale, but in this case I situated myself and listened really closely, enjoying the intricate play of voices and instruments that were so cleanly placed in space around me. (Audiophile Audition)

This outstanding 5-disc set presents the complete symphonies of Ludwig van Beethoven performed by the Polish Chamber Philharmonic Orchestra under the direction of Wojciech Rajski. The incentive for this series was for the whole of the symphonies to be available in Real Surround Sound. The project began in 2005 in Sopot, Poland, and ended when the ensemble performed the 9th symphony at St. John’s Church, Gdasnk, in the summer of 2015. Wojciech Rajski is known for his impeccable interpretation. He guides us through this exhaustive collection of ideas from one of the most famous composers, lacing the music with dazzling brilliance and sensitivity.

This is definitely a reference hi-res disc both because of the orchestral performance and the sound. If anybody still out there dares to say that regular CDs are just as good as a hi-res surround sound SACD all they have to do is listen to this disc with the appropriate equipment. Specifically they should go to the Finale of the 5th (T-4) and T-8, the Storm movement of the 6th - there are no words to accurately describe the feeling of being in the midst of orchestra as it were. A highly recommended disc, both for the sublime orchestral performance and more so for the glorious sound - a must have! (Audiophile Audition)

You cross the Place de L'Alma, the city lights, the Paris bustle and enter the Th��tre des Champs-Elys�es with those worldly, trivial conversations. You find your seat and the audience takes it's time quieting down. Evgeni Koroliov appears on the scene, gives a quick greeting and places his hands on the piano... And voil�, you are instantly transported to another world... (Le Figaro)

As the market for high-quality multi-channel recording is pushing forward, TACET is leading the charge. This monumental release features all 9 of Beethoven’s symphonies recorded in incredible Real Surround Sound. With five and a half hours of genius interpretation from Wojciech Rajski and the Polish Chamber Philharmonic Orchestra, this is a must-have for Beethoven fans. Even if you’ve heard all of Beethoven’s symphonies time and time again, you’ve never heard them with such clear, stellar sound quality. This is the closest you can get to sitting right in Beethoven’s audience.