Classical Music

Classical Music

Christmas Echoes, Vol. 2

Dale Warland's group stands on more than 30 years of first-rate performances and acclaimed recordings, and this one from 2002 is a fine representative of its sound and singing style, and of its well-loved Christmas repertoire. It's a warm, unaffected, unforced sound colored by natural resonance rather than the excessive vibrato that defines so many American choirs. The ensemble's legato technique is exemplary, and while all sections of this professional choir are superb, the sopranos are particularly notable for their uniformly lustrous tone. The repertoire titles will be very familiar to Christmas choral music fans, although the particular arrangements may not.


Some of these lesser-known settings include Donna Schultz's Il est né, Kirke Mechem's Fum, fum, fum! and Patapan, and director Warland's own Huron Carol and O little town of Bethlehem (set to the Forest Green tune). There are several fine Stephen Paulus contributions--Gabriel's Message and Three Nativity Carols--along with Jan Sandström's delightfully spooky and increasingly popular version of Es ist ein Ros entsprungen. Traditional favorites such as Wilhousky's Carol of the Bells and Norman Luboff's Joseph Dearest also make welcome appearances, and the disc concludes with Malcolm Sargent's (yes, that Malcolm Sargent) simple and lovely arrangement of Silent Night. Harp, oboe, percussion, and bells add occasional strokes of color, and the sound is ideal. In other words, this is a solidly performed, well-recorded program of the old and new (often combined in the same piece) that will fit nicely into any Christmas music collector's library.
--David Vernier, ClassicsToday.com

The Bach Masses, Vol. 1

The Washington National Cathedral Choir (comprised of the Choir of Men and Boys, and the Choir of Men and Girls) is one of the few cathedral choirs in the United States with an affiliated school in the English Tradition—and this is their first recording on Gothic with their new director, Michael McCarthy. Appointed in 2003, McCarthy was the founding director of the London Oratory School Schola. The Schola recorded for the film scores of both The Lord of the Rings film trilogy and the Harry Potter film series. McCarthy brings a fresh approach to Benjamin Britten's Ceremony of Carols, and delightful readings of many other Christmas carols. One of America's finest Anglican choirs! - Gothic Records

Benjamin Britten: A Ceremony of Carols, Op. 28
Britten: A Hymn to the Virgin
Richard Rodney Bennett: Suanni
arr. Robert Lucas de Pearsall: In dulci jubilo
arr. John Stainer: What child is this
Kenneth Leighton: Lully lulla
arr. Sandys, Bramley & Stainer: I saw three ships
Morten Lauridsen: O magnum mysterium
John Rutter: There is a flower
Peter Warlock: Bethlehem Down
Peter Wishart: Alleluya! A new work is come on hand

Includes christmas carol(s) by various composers. Ensemble: Utah Chamber Artists. Conductor: Barlow Bradford.

Includes christmas carol(s) by various composers. Ensembles: Washington Men's Camerata, Washington Symphonic Brass.

Silent Night: A Christmas Program

Classical Music

Recording information: St. Paul Seminary Chapel, St. Paul, Minnesota.

A full-throated and robust celebration of Christmas from the 160-voice Pacific Chorale! “Christmas Time is Here” is a marvelous compilation of colorful arrangements for choir with instrumental accompaniment from brass, harp and percussion. You will find many traditional carols in inventive, original, arrangements culminating in a joyful listening experience!

Pacific Chorale has delighted national and international audiences with concerts of great choral music performed at the highest musical standards since 1968. Under the artistic leadership of John Alexender, Pacific Chorale produces a series of concerts each year at the Orange County Performing Arts Center, where it serves as the resident choir.

Pacific Chorale has received numerous awards, including Chorus America’s prestigious “Margaret Hills Achievement Award for Choral Excellence” and the first national “Education Outreach Award”. Arts Orange County honored the Choral with the 2002 “Outstanding Arts Organization (Music)” Award, and the Orange County Department of Education presented the Chorale with its 2002 “Outstanding Contributions to Education” Award. In 2005, Pacific Chorale received the American Society of Composers, Authors and Publishers (ASCAP) Alice Parker Award for adventurous programming.

Contains Nativity-themed music of William Billings, alongside songs from Joseph Stephenson and others.

Classical Music

Classical Music

Classical Music

Classical Music

A new recording by John Rutter and his Cambridge Singers is always welcome, and this one features 20 works drawn from the sacred choral repertoire of the Renaissance and Baroque. Most of these are motets and many are familiar (Palestrina's Sicut cervus and Exsultate Deo, Gabrieli's Jubilate Deo, Lassus' Timor et tremor, Josquin's Ave Maria) and all are included in Rutter's published anthology, European Sacred Music (Oxford). As Rutter states, the program's theme is to focus on the "wealth of sacred music...created in continental Europe out of the ferment of the age of Reformation", and while Rutter has chosen primarily works resulting from the "extraordinary flowering" of musical activity in the Catholic church during this period, we also are treated to a motet by Bach (O Jesu Christ, meins Lebens Licht BWV 118/231, often mis-classified as a cantata), a Magnificat (presumably) by Buxtehude, and a psalm (100) by Schütz.

Some listeners of course will disagree, but for me, the program's two longest pieces--Monteverdi's Beatus vir and the Buxtehude Magnificat--are the least interesting, the former's main thematic material formed primarily by repetitive scales and rudimentary harmony set to monotonous rhythm, the latter functional and pleasant enough but rather flat, undynamic, and static, a work that reminds us that just because a notable composer wrote (or may have written!) something and the score survived doesn't necessarily mean it's good or worthy of more than musicological interest.

No matter how you judge these two works, you'll be happy with the performances, which throughout this recording are at the high level we always expect from this choir and director: vibrant, articulate, carefully balanced, and always attentive to a given work's inherent expressive possibilities. And speaking of articulate, it's wonderful to hear the opening Jubilate Deo (a piece lovingly attempted and so often mangled by well-meaning choirs all over the world) sung with such clarity and agility, unrushed; likewise, Palestrina's sublime Sicut cervus is well-paced, each line given its due. Other highlights include the Ave Maria of Josquin (impressive intonation and sectional tone quality), Lassus' Ave verum corpus (those exquisitely sustained long lines!), and a curious--and quite beautiful--setting of Crux fidelis attributed to John IV, King of Portugal. The instrumental ensemble, the relatively "new" La Nuova Musica, is first-rate, its timbres adding textural variety and layers of color to nine of the selections. And completing the package is top-notch production and engineering by Simon Eadon, captured in the excellent acoustics of London's Great Hall of University College School. Needless to say: Highly recommended!

--David Vernier, ClassicsToday.com

Mendelssohn, Felix: St. Paul [Oratorio]

Classical Music

Classical Music

One of the most important composers of opera and sacred music between Mozart and Rossini, and Donizetti' teacher, Johann Simon Mayr also composed several major oratorios, including David and the Marriage of Tobias. Like Haydn' more famous Il Rito.

Classical Music

Classical Music

Classical Music