Rebecca Taio’s choice to program these well-known pieces from the great repertoire for violin and piano has to do with the technical challenges they pose, both instrumentally and interpretatively.

While the transcription of the Five Pieces by Respighi is a first (no one having thought to arrange them for flute and piano before), the sonatas by Faureì and Franck are already a part of the chamber tradition for flute and piano. Nonetheless, the artists have made further revisions to these two works, coming up with alternative solutions to the ones normally used in such a way as to be as close as possible to the originals. Franck’s Sonata in A major for violin and piano (1886) creates the ideal end-piece for this musical journey.