A few years ago, Norrbotten Big Band began a project with composers in residence. This means that one composer works closely with the band during...

A few years ago, Norrbotten Big Band began a project with composers in residence. This means that one composer works closely with the band during one year, and composes new music for them. First out to get this assignment was Cecilia Persson, twofold recipient of Swedish public radio’s award Jazzkatten, in the composer’s category. When Cecilia’s music was presented on the record Open Rein (2014), it gained recognition precisely for Cecilia’s ability to put a composition and ensemble in focus: Swedish newspaper Kristianstadsbladet called it “a historical breakthrough.” On that album and in other contexts- in the band Paavo or with Lina Nyber, for example- Cecilia is also the pianist, but on this new big band album, she has put that role aside and made the orchestra her instrument. Cecilia’s stint as Composer in Residence began with her making interviews and improvisation exercises with all the musicians in the band. That way she got to know them both personally and musically, in order to make use of these individuals’ different characters. Cecilia Persson’s music features sly, serpentine melodies and riffs in shifting time signatures. This album also features much improvisation. By adding variable elements to her compositions, Cecilia is able to change dynamics and form her place in the middle of the ensemble.