An August 1964 New York session that pairs Peterson's established trio - Ray Brown (bass) and Ed Thigpen (drums) - with guest Clark Terry (trumpet/flugelhorn). It marks a clear moment in Peterson's shift from constant trio touring to more focused studio work with outside collaborators. The trio plays with it's usual cohesion, giving Terry space to add horn, and occasional "mumbles" phrasing. Key tracks include "Brotherhood of Man," noted for it's tight structure and balanced solos, and "Jim," highlighting the blend of Terry's tone with Peterson's understated approach. The album stands as a concise document of two major jazz figures working in a small group setting during a period when studio sessions were becoming more polished and deliberate. Verve Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.

Affinity captures a studio session from September 1962 in Chicago, featuring Peterson on piano alongside his long-time trio partners Ray Brown (bass) and Ed Thigpen (drums). The album offers a refined selection of standards delivered with the assured interplay that defined the Peterson/Brown/Thigpen trio. Peterson's first recorded take on the Bill Evans classic "Waltz For Debby" is a lyrical, nuanced performance - and "Gravy Waltz," (co-written by Ray Brown,) showcases the trio's rhythmic drive and subtle groove. As a whole, Affinity is a tasteful, well-crafted example of Peterson's work in the early 1960s - a strong trio recording that reflects his continued commitment to swing, subtlety, and ensemble balance, making it a valuable piece for any serious jazz collection. Verve's Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.

Stan Getz and the Oscar Peterson Trio, released in 1958 on Verve Records, documents a rare meeting between two contrasting but complementary jazz greats: the cool-toned tenor saxophonist Stan Getz and the hard-driving Oscar Peterson Trio. Produced by Norman Granz and recorded in Hollywood in October 1957, the session finds Getz joining a veteran rhythm section already regarded as one of the most cohesive in jazz: Peterson on piano, Herb Ellis on guitar, and Ray Brown on bass. While Getz was often heard in more subdued or orchestrated contexts during this period, this session highlights his command of bebop language and small-group swing. Peterson's trio, known for it's drive and responsiveness, adapts fluidly to Getz's tone and phrasing, yielding a session marked by relaxed interplay, rhythmic clarity, and understated virtuosity. The Verve Vault series is always mastered from analog tapes and pressed on 180g vinyl at Optimal.

Limited 180gm vinyl LP pressing. Brass/Trio, released in 1958 on Verve Records, is an unusual two-sided statement from saxophonist Sonny Rollins - pairing a full brass ensemble session on one side with a stripped-down saxophone trio on the other. The first half features Rollins with a brass ensemble arranged and conducted by Ernie Wilkins, recorded in New York in July 1958. The lineup includes trumpeter Harry "Sweets" Edison, trombonists J.J. Johnson and Jimmy Cleveland, and tuba player Don Butterfield, supported by a rhythm section of pianist Dick Katz, guitarist Rene Thomas, bassist Henry Grimes, and drummer Roy Haynes. The second half was recorded days later in Los Angeles with bassist Henry Grimes and drummer Specs Wright - a pared-down trio setting that emphasizes Rollins' rhythmic command and melodic elasticity. The Verve Vault Series is always mastered from analog tapes and pressed on 180g vinyl at Optimal.

Released on Verve in 1965, The Shadow of Your Smile captures Astrud Gilberto in the early ascent of her solo career, placing her understated, conversational vocal style at the center of lush yet subtle arrangements by Don Sebesky and Klaus Ogerman that emphasize clarity, warmth, and emotional transparency across bossa nova, jazz, and mid-60s pop material. Produced by Creed Taylor, the album frames her soft, unforced delivery with gentle orchestral color, whether on the newly minted standard of the title track, Brazilian selections, or contemporary ballads, allowing the nuances of her timbre and phrasing to carry the music. As a whole, it marks a key moment in Gilberto's evolution from guest vocalist to fully realized solo artist and affirms her as a defining voice of the bossa nova era. Verve Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.

Cannonball's Sharpshooters, originally released in 1958, documents alto saxophonist Julian "Cannonball" Adderley leading a quintet featuring cornetist Nat Adderley, pianist Junior Mance, bassist Sam Jones, and drummer Jimmy Cobb. Recorded on March 4 and 6, 1958, at Bell Sound in New York City, the session captures the group just days before Adderley's recording session for Somethin' Else with Miles Davis, placing the album at a pivotal moment in his late-1950s trajectory. The ensemble presents a compact hard-bop program reflecting Adderley's blues-inflected phrasing alongside the harmonic language of modern bebop. The repertoire balances standards, bop vehicles, and originals, including Tadd Dameron's "Our Delight" and Thelonious Monk's "Straight, No Chaser." Adderley's trademark exuberance while leading an all-star lineup of 1950s jazz defines the character of this session. The Verve Vault series is always mastered from analog tapes and pressed on 180g vinyl at Optimal.

'S Make It, recorded in 1964 and released the following year on Limelight, captures drummer Art Blakey leading a transitional edition of his Jazz Messengers. At the time, Blakey was navigating the departure of several key members and searching for a new configuration, resulting in a distinctive short-lived lineup within the band's long history. The sextet featured Lee Morgan (trumpet,) Curtis Fuller (trombone,) John Gilmore (tenor saxophone,) John Hicks (piano,) and Victor Sproles (bass.) Together, they delivered a hard-driving program that reflects both Blakey's established hard-bop intensity and the shifting personnel landscape of the mid-1960s Messengers. Blakey's drumming anchors the session throughout with the galvanic rhythmic command that defined his leadership across decades. The Verve Vault Series is always mastered from analog tapes and pressed on 180g vinyl at Optimal.

Vinyl LP pressing. When Oscar Peterson arrived for a two-week engagement at Baker's Keyboard Lounge in Detroit in early August 1960, the pianist's year-old trio, featuring bassist Ray Brown and drummer Ed Thigpen, was ascending to new artistic peaks. Intended at the time as a live album for Verve but never released, the music on 'At Baker's Keyboard Lounge' features remarkable, previously unissued performances, all taped on a single Friday night. No matter the tempo, rhythm, or complexity of the arrangement, the three players breathe as one on these recordings, phrasing as if controlled by a single heartbeat. These new-to-the-world recordings, made in Peterson's prime at the longest continuously operating jazz club in the US, remind you that there will never be anyone else like Oscar Peterson.

When Oscar Peterson arrived for a two-week engagement at Baker's Keyboard Lounge in Detroit in early August 1960, the pianist's year-old trio, featuring bassist Ray Brown and drummer Ed Thigpen, was ascending to new artistic peaks. Intended at the time as a live album for Verve but never released, the music on 'At Baker's Keyboard Lounge' features remarkable, previously unissued performances, all taped on a single Friday night. No matter the tempo, rhythm, or complexity of the arrangement, the three players breathe as one on these recordings, phrasing as if controlled by a single heartbeat. These new-to-the-world recordings, made in Peterson's prime at the longest continuously operating jazz club in the US, remind you that there will never be anyone else like Oscar Peterson.

Features the original 19-track Broadway Cast Recording plus 9 bonus tracks, including the brand-new hit, "Popular Song" by MIKA (feat. Ariana Grande) Packaging to feature new artwork, complementing the new artwork being unveiled for the show's 10th anniversary Includes deluxe packaging and bonus booklet, with new, updated essays by Stephen Schwartz, the show's composer, and Gregory Maguire, the author of the novel on which the musical is based.

This is the first collection of her greatest recordings plus 3 tracks unavailable on any Diana Krall CD!

2015 album from the acclaimed vocalist/pianist. WALLFLOWER is a collection of songs from the late 60's to present day that inspired Krall in her early years. Produced by 16-time Grammy Award-winning producer David Foster, the album finds Krall breaking new ground with her interpretations of some of the greatest pop songs of all time. On WALLFLOWER, Diana Krall showcases her considerable gifts as a vocalist in a bold and beautiful way. Krall sings a set of songs that include familiar popular classics like the Mamas and the Papas' "California Dreaming" and the Eagles' "Desperado," favorite vintage songs by Krall's musical heroes Bob Dylan (he inspired the album's title track "Wallflower") and Elton John ("Sorry Seems to Be the Hardest Word"). The album also features more recent gems like Crowded House's "Don't Dream It's Over" and a wonderful new composition from Paul McCartney ("If I Take You Home Tonight").

In 1964, the National Film Board of Canada asked John Coltrane to record the soundtrack for a French-language film titled Le Chat Dans Le Sac (The Cat in the Bag). In June of that year, Coltrane's classic quartet entered Rudy Van Gelder's studio and recorded five previously-recorded Coltrane originals. For many years, viewers of the film who recognized the music thought that they were listening to the original recordings, though in fact they were new and had never been heard.

Vinyl LP pressing. Jorge Ben is a Brazilian popular musician. His characteristic style fuses samba, funk, rock and bossa nova with lyrics that blend humor and satire with often esoteric subject matter. In 1969, Jorge Ben released his self-titled album amid the excitement of the cultural and musical Tropic�lia movement. Drawing from American soul music and using, for the time, state of the art audio effects, and blending traditional Brazilian rhythms into his international breakthrough album.

Double vinyl LP pressing. 2018 release. For her tenth album and first album on a major label in nearly fifty years, legendary soul singer Bettye LaVette takes on the songs of Bob Dylan with the grit and experience that makes her one of the greatest soul singers alive. Things Have Changed is a masterpiece of interpretation of one of the greatest songwriters alive, by one of the greatest soul singers alive. Produced by Steve Jordan, the album spans Dylan's catalogue and features guest appearances by Keith Richards and Trombone Shorty. Bettye LaVette made her first record at sixteen, but achieved only intermittent fame until 2005. Her eclectic musical style combines elements of soul, blues, rock and roll, funk, gospel, and country music.

Ella Fitzgerald's "Songbook" records - with her peerless renditions of the best songs from iconic composers from Irving Berlin to Rogers & Hart to Cole Porter to George & Ira Gershwin - are the cornerstone of the Verve catalog and the standard for jazz vocal recordings. Ella never released a live version of these Songbooks. This record, discovered in the private collection of Norman Granz, will make the first time a live Songbook has been released from the First Lady of Song.

Limited 180gm vinyl LP pressing in gatefold jacket. From Bill Evans' first-ever performance at a concert hall in New York City comes. At Town Hall, Volume One. Featuring the sensitive accompaniment of Chuck Israels on bass and Arnold Wise on drums. Included is a 13-minute solo suite dedicated to the memory of Bill's father who had only recently passed at the time of the recording. Verve Acoustic Sounds Series features transfers from analog tapes.

Dinah Washington - As Duke Ellington would have said, Dinah Washington was "beyond category." Subtle and inventive enough to hold an honored place in the jazz pantheon yet tough and forceful enough to command the attention of blues, R&B and rock n' roll audiences.

2022 release. Simply put, Samara Joy is next. At just 22 years old, her Verve debut Linger Awhile shows that with a voice, tone, and phrasing that harkens back to the most legendary jazz vocalists, Samara belongs in the company of iconic labelmates from Ella Fitzgerald to Sarah Vaughan to Billie Holiday. Samara is remarkably savvy on TikTok and Instagram, fostering a community of devoted followers through fully organic means. She is poised to be a household name, synonymous with timeless jazz music.

Astrud Gilberto - After making her professional debut as the cool, breathy voice behind the historic 1964 crossover smash "The Girl from Ipanema," Brazilian singer Astrud Gilberto became a major force in popularizing the bossa nova sound. Her understated yet magnetic delivery is spotlighted on this collection, showcasing her instantly recognizable approach to songs.

Noted for a distinctive voice, a tender way with a ballad and a fierce sense of swing, singer-pianist Blossom Dearie invested even the most familiar standards with her delightful, one-of-a-kind wit and charm. The selections included here are from the iconic series of albums Dearie made for Verve Records beginning in 1956. Ooh-la-la!

The timeless artistry of Billie Holiday is something that every generation gets to discover for themselves. The iconic songs on this collection showcase Holiday's unique ability to infuse every lyric with unparalleled emotion and depth. With her distinctive voice and incomparable phrasing, Holiday remains an enduring performer and a powerful influence on generations of musicians. Great Women Of Song is a testament to Holiday's profound legacy and an essential addition to any music collection.

Nina Simone - "Nina's Back" / Recorded in 1985 after a break from recording and time spent living in Barbados and Liberia, Nina's Back features a rejuvenated Nina Simone reaching out to a wider musical audience. Featuring a number of memorable Simone compositions, the band includes horns and backup singers for a unique recording in Nina's catalog. Now available again on vinyl with new album artwork.

Double 180gm vinyl LP pressing housed in gatefold jacket. The duo that critics have called "a match made in heaven" are in peak form on the sequel to their 1956 debut. Ella's voice - warm and sweet as honey - and Louis' gravelly croon formed a sound built for commercial success. Ella & Louis Again is a key element of what could be considered the most iconic jazz duo of all time. Verve Acoustic Sounds Series features transfers from analog tapes.

Double vinyl LP pressing. Love In Exile asks you to step inside it's sense of time, to stretch out alongside these delightful & unhurriedly unfolding songs. Profound impact is achieved with minimal instrumentation: Iyer on pianos & electronics, Ismaily on bass & Moog synth & Aftab's exquisite Urdu vocals. Subtle musical interrelationships build into moments of deeply felt drama. Shimmering keyboard melodies & stirring vocals, earthy basslines, & hypnotic drones: together they create an album of stunning gravitas & beauty.