Deluxe box with wibalin (such as the Callas 2014, Menuhin deluxe, Rostropovich Edition boxes), hotfoil stamping, 131CD + 3Blu-ray + 1DVD 148 pages hardcover book with 2 exclusive essays in FR/EN/DE. Maria Callas is credited with changing the history of opera. Known as La Divina, she continues to fascinate as a supreme artist, but also as a woman and an icon of style. Her interpretations were as compelling for their dramatic truth as for their musical integrity. Her voice, with it's extraordinary range, was as distinctive as her infallible sense for a phrase. A magnetic presence, she brought operatic heroines to vivid life, magically shaping and colouring her tone, and making insightful use of the text of the libretto. This is the most comprehensive box of Callas recordings ever released, presenting La Divina in all 74 roles for which audio documents exist. It comprises her complete studio recordings, an extensive collection of her best live recordings, the masterclasses she gave at the Juilliard School, videos, and a bonus CD of world premiere releases: alternate takes and working sessions from studio recordings of the 1960s.

A masterpiece of Bach's oeuvre seen in a whole new light by composer-pianist Fazil Say.

Intense, passionate, and impeccable in its musical disciplines, the Berlin-based Artemis Quartet "consistently finds a balance between projecting musical structure and conveying immediacy." Confirming that verdict from the New York Times is this 23CD collection, encompassing all the recordings the ensemble made between 1996 and 2018.

The Artemis Quartet began life in 1989 and developed a particular reputation in the central Austro-German repertoire. If Beethoven justly asserts a powerful presence, the scope of this collection extends as far as Eastern Europe and South America and well into the 20th century. Over the period of nearly a quarter of a century documented in this box, there were changes in the Artemis Quartet's lineup, but as founding cellist Eckart Runge explains, this "brought new inspiration - an opportunity to broaden horizons and introduce fresh ideas."

The ensemble suffered a tragic loss with the untimely death of violist Friedemann Weigle in 2015. Just days earlier, the Artemis had completed a recording of Dvořák's lyrical and poignant 'American' Quartet; it is now released for the very first time. This landmark box is completed by a comprehensive booklet which includes reminiscences from members of the Artemis Quartet and from sound engineers who collaborated with them.

"Mozart is the reason why I became a musician," says flautist Emmanuel Pahud, who - like Mozart - was born on January 27th. He first became captivated by the composer's music when he was just five years old. In the words of the Baltimore Sun he plays it "with an astonishing array of subtly moulded sounds, superb breath control, flawless articulation and, above all, consistently eloquent phrasing." With pianist Éric Le Sage, Pahud performs several Sonatas, which Mozart originally composed for violin and piano.

His exceptional touch and sense of phrasing, his deep and personal understanding of the most varied repertoires, or even the legendary trio he formed together with Jacques Thibaud and Pablo Casals, made Alfred Cortot the greatest pianist of his time. Master of many disciples, notably the brilliant Dinu Lipatti, Samson François and Clara Haskil, Cortot also had a lasting influence on the Russian piano school through Samuil Feinberg and Heinrich Neuhaus, the latter himself being the revered teacher of Sviatoslav Richter.

All of the recordings in this set had undergone careful sound restoration in 2012, in order to respect as closely as possible the original sound. The remastering was carried out under the expert control of Mr. Guthrie Luke, a former disciple of Alfred Cortot who attended many recording sessions by Cortot. These recordings do not represent a "complete" edition: the many rolls engraved by the artist for Duo-Art, Aeolian and Pleyela labels have not been reproduced here, most of them doubling the 78-RPM repertoire. The first recordings are acoustic; and the ones with an electric microphone appeared as early as 1926.

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This was real chamber music playing, with no sense of soloists coming together on an ad hoc basis, wrote The Guardian when Leif Ove Andenes performed Schumann piano trios in London. His long-standing duo partner Christian Tetzlaff and the violinist's sister Tanja Tetzlaff. Schumann's first two piano trios were composed in 1847, the third in 1851 and they stand as three contrasted and complimentary masterpieces. In the composer's fascinating sometimes experimental canon of chamber music.

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Over a performing career spanning half a century, Christa Ludwig, born in 1928, consistently proved her greatness. "A source of as deep a satisfaction and fulfilment as the greatest of my operatic roles," is how she described the place of song in her life, and at the heart of this collection are the emblematic composers of the Austro-German repertoire. Throughout, Christa Ludwig's interpretative insight is as rich and compelling as her voice, exceptional for it's beauty, range and flexibility. This 11-disc collection includes recordings never before released or new to CD, and all items have been remastered in 24BIT/96KHZ from original tapes. This 11CD-set marks the 90th birthday of Christa Ludwig, a German mezzo-soprano who had a major international career between 1940 and 1990. Highlighting the wide range of her fine art in lieder and melodies, it includes many recordings which were previously unpublished or are released for the first time on CD - see colours on tracklist below. The recordings have been remastered from original tapes - except the album owned by Sony which has been remastered by them. CD wallets are designed from original LP covers and the booklet includes an exclusive interview with Christa Ludwig.

A Tribute To Jascha Heifetz (2015) Itzhak Perlman, Samuel Sanders "The first person in my evolution is Jascha Heifetz," Itzhak Perlman told The Strad magazine, "... Heifetz created a tradition for himself." In this tribute Perlman - who has also now created his own tradition - performs pieces arranged by the legendary Lithuanian-born violinist.

GROUND BENEATH OUR FEET

Taking it's title, Nessun Dorma, from the greatest tenor hit of them all, Pene Pati's second album balances favourite numbers with operatic rarities - two of them in world premiere recordings. In addition to Puccini, the Italian composers are Verdi, Donizetti, Mascagni and Mercadante, while the French school is represented by Berlioz, Meyerbeer, Gounod, Massenet, Hal�vy and Guiraud. Joining the Samoan tenor on the album are his soprano wife, Amina Edris, his tenor brother Amitai Pati, conductor Emmanuel Villaume, the Orchestre National Bordeaux Aquitaine and the Choeur de l'Op�ra National de Bordeaux. In the words of the Telegraph, Pene Pati possesses an "extraordinary gift for producing a golden thread of sound that can swell without strain to magnificence," while Opera magazine has lauded his "distinctively clear, marvellously sunny timbre, innate musicality and exceptionally vivid textual projection". For the tenor himself, Nessun Dorma "showcases my love of the art of storytelling and the emotions it can elicit... As you listen to the album, I hope it takes you on an emotional journey."

Following his critically acclaimed Beethoven album, Nemanja Radulovic returns this fall with a terrific J.S. Bach album. Featuring the well-known Baderie as you have never heard it before, a brilliant transcription of la Sicilienne, Erbarme Dich, from Mattha�s Passion, with Philippe Jaroussky, the Double concerto for oboe & violin BWV 1060, Concerto for violin in E Major BWV 1042,. Infused by a very personal and chamber music style approach, Nemanja's Bach sparkles. Gramophone about Beethoven: "For me, though, it's the Violin Concerto that's the prize on this disc. It's a dazzling, profoundly personal interpretation, and I'm already completely obsessed with it."

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Stephen Kovacevich TITLE: Beethoven: The 32 Piano Sonatas, Bagatelles (9CD) "Nobody plays this music more authoritatively and eloquently," wrote London's Sunday Times of Stephen Kovacevich in Beethoven. "He is in his element, responding wholeheartedly to the extreme physicality that Beethoven brought to music... but the wit and delicacy of the playing are also remarkable."Kovacevich himself has spoken of his love for the "fun and virtuosity" of the composer's early sonatas, while in the often challenging later works he sees a "subtext of radiance and some sort of inherent faith in life."

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A wonderful collection of 15 of the favorite and most popular carols for the Christmas season, performed by the world-famous Choir of King's College, Cambridge.

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Vinyl LP pressing. 2022 album from Egyptian soprano Fatma Said. Joined by the Orchestre Philharmonique de Monte-Carlo under Sascha Goetzel, the vision string quartet and more, Said sings numbers like I Could Have Danced All Night from Lerner and Loewe's My Fair Lady and Irving Berlin's Cheek to Cheek alongside opera hits like Meine Lippen sie Kussen so heiss from Franz L�har's Giuditta.

Here is that peerless palette of color and texture, of a light and shade used with nonchalantly deployed but precise expertise to illuminate every facet of Debussy's teeming and insinuating imagination. Gramophone

An alter ego (second or different self) is both a close companion to the individual as well as an additional personality. David Orlowsky and David Bergmueller are companions, however, they could hardly be more different. They hail from different musical traditions and the combination of these two instruments have no historical references. When David Orlowsky first discovered a video of David Bergmueller on the internet, he was not aware that he had encountered his musical alter ego. The two met in Berlin and mutually agreed to make music together after just a few shared notes. They became companions, which then became a duo, the duo ultimately becoming an organism. Within this organism, David and David function as opposing and complementary personalities. Together they embark on a journey into unexplored worlds of sound. The clarinet is the voice of bygone times while the lute joins to create polyrhythmic structures allowing both new and old times to flow together in their original compositions.

A collection of introspective, smooth and relaxing tunes both in core repertoire and neoclassical.