{"title":"Weekend Spotlight: Romantic Suimmer","description":"\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003eThis \u003cstrong data-start=\"146\" data-end=\"172\"\u003eWeekend Spotlight \u003c\/strong\u003efeatures \u003cstrong data-start=\"182\" data-end=\"214\"\u003eTHREE beautiful new releases\u003c\/strong\u003e each evoking the warmth and romance of summer through expressive piano, lyrical viola, and breathtaking instrumental performances. Then, continue the journey with a curated collection of \u003cstrong data-start=\"418\" data-end=\"467\"\u003e200+ Romantic-era and instrumental recordings\u003c\/strong\u003e in our Outlet, featuring timeless masterpieces and unforgettable performances at \u003cstrong data-start=\"549\" data-end=\"560\"\u003e50% OFF\u003c\/strong\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003eDiscover outstanding new performances from\u003cem\u003e Chamber Ensemble of London, \u003c!--{cke_protected}{C}%3C!%2D%2D%20x-tinymce%2Fhtml%20%2D%2D%3E--\u003eWurttembergische Philharmonie Reutlingen, Luca Sanzo\u003c\/em\u003e, and \u003cem\u003eMaurizio Paciariello\u003c\/em\u003e\u003cem\u003e; \u003c\/em\u003ebringing fresh interpretations of works by \u003cstrong\u003eElgar, Woyrsch\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003e, \u003c\/strong\u003eand\u003cstrong\u003e Rubinstein\u003c\/strong\u003e. Then explore an expanded selection of romantic instrumental recordings—all at \u003cstrong\u003ehalf price\u003c\/strong\u003e for a limited time!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003eShop these great deals before they end on \u003cstrong\u003eMonday, July 27th at 9:00am ET.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"villa-lobos-piano-music-vol-1-sonia-95294","title":"Villa-Lobos: Piano Music Vol 1 \/ Sonia Rubinsky","description":"\u003cimg src=\"\/graphics\/p10s10.gif\"\u003e\u003cbr\u003e  Is Heitor Villa-Lobos the last great 20th century composer to be rediscovered? Because he wrote so much, it's easier to sidestep rather than face his overwhelming catalog point by point. The folks at Naxos, though, are tackling his Amazonian output, starting with the piano music. Brazilian pianist Sonia Rubinsky controls the undulating chordal syncopations in the wonderful Book One of A Prole do Bebê with a left hand propelled by an imaginary, rock-steady rhythm section, and never lets the pungent dissonances overshadow the melodies. Rarely heard, the delightful Cirandas are virtually the Brazilian equivalant of Bartok's folk-inspired character pieces. The improvisatory Hommage à Chopin evokes the Polish master's decorative syntax, filtered through Villa-Lobos' more lush keyboard deployment. Rubinsky is both on top and inside of the Brazilian composer's idiom, and her vivid playing is beautifully reproduced. As they say in Portuguese: \"um CD sensacional.\"\u003cbr\u003e  \u003cbr\u003e  – Jed Distler","brand":"Naxos","offers":[{"title":"CD","offer_id":44624720429290,"sku":"636943448922","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/257672.jpg?v=1778347097"},{"product_id":"stravinsky-3-movements-from-petrushka-ravel-la-valse-g-095115873328","title":"STRAVINSKY: 3 Movements from Petrushka \/ RAVEL: La Valse \/ G","description":"Classical Music","brand":"Chandos","offers":[{"title":"CD","offer_id":44624152068330,"sku":"095115873328","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/107125.jpg?v=1778349928"},{"product_id":"tchaikovsky-seasons-the-borodin-petite-suite-095115930922","title":"Tchaikovsky: Seasons (The) \/ Borodin: Petite Suite","description":"Classical Music","brand":"Chandos","offers":[{"title":"CD","offer_id":44624151118058,"sku":"095115930922","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/107417.jpg?v=1778342074"},{"product_id":"stenhammar-complete-solo-piano-music-vol-2-7318590006344","title":"Stenhammar: Complete Solo Piano Music, Vol. 2","description":"Classical Music","brand":"BIS","offers":[{"title":"CD","offer_id":44624044327146,"sku":"7318590006344","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2265740.jpg?v=1778297486"},{"product_id":"reginald-smith-brindle-complete-works-for-solo-guitar-duilio-meucci","title":"Smith Brindle: Complete Works for Solo Guitar, Vol. 1 \/ Meucci","description":"\u003cp\u003eAlthough Smith Brindle composed a variety of works including an opera, he is best known for his guitar music. The poetic and lyrical Etruscan Preludes express the mystery of an ancient and lost civilisation, while the enigmatic El Polifemo de oro expresses poet and playwright Federico García Lorca’s attribution of occult powers to the guitar. From the beautifully expressive Nocturne to the extreme effects of Percussion Piece (from Guitarcosmos, Vol. 3), the sheer virtuosity of invention in Smith Brindle’s guitar music led Julian Bream to commend his diversity of style and clarity of intention.\u003c\/p\u003e","brand":"Naxos","offers":[{"title":"CD","offer_id":46012453945578,"sku":"747313447671","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4201718-2979918.jpg?v=1778246268"},{"product_id":"messiaen-schubert-schumann-webern-on-the-shoulders-of-giants-885470029474","title":"Messiaen, Schubert, R. 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Following the success of her previous albums dedicated to Beethoven\/Wölfl, Bach\/Kapustin, and Couperin\/Messiaen, the pianist now presents her latest recording that explores the romantic repertoire with orchestra. This album features two Piano Concertos that beautifully capture the essence of the romantic era, complemented by solo piano pieces by Robert and Clara Schumann and C.M. von Weber. Weber's departure from the classical to the romantic era and Schumann's legacy as a female composer bear witness to the mastery of both in Luisa Imorde's outstanding interpretation.\u003c\/p\u003e","brand":"Berlin Classics","offers":[{"title":"CD","offer_id":46012650914026,"sku":"885470029658","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/4202364-3145072.jpg?v=1778206325"},{"product_id":"napoleon-coste-guitar-works-vol-6-an-tran","title":"Coste: Guitar Works, Vol. 6 \/ An Tran","description":"\u003cp\u003eNapoléon Coste was the most eminent French guitarist of the 19th century and a creative innovator. Fantaisie symphonique shows the range of his ambition with its quasi-orchestral textures, swift mood changes and virtuoso flourishes. Le Départ is one his most popular extended pieces, full of liquid transitions. 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One of these is British composer Graham Lynch (b. 1957) whose music covers a wide range of styles. His harpsichord music is not derived from Couperin - he does not copy it's style and ornaments - but is the nearest we have to an equivalent: highly expressive, well articulated and full of imagery. Finnish harpsichordist Assi Karttunen specializes in both baroque and contemporary music. 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The Lortie\/Mercier piano duo have known one another since their early teens, and have a considerable collaborative discography that showcases their affinity for the art of 4 hands and 2 pianos performances and repertoire.\u003c\/p\u003e","brand":"Chandos","offers":[{"title":"CD","offer_id":46012864856298,"sku":"095115188224","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/3039139.jpg?v=1778381644"},{"product_id":"schulhoff-piano-works-vol-2-caroline-weichert-136967","title":"Schulhoff: Piano Works Vol 2 \/ Caroline Weichert","description":"Schulhoff was one of many composers who took up the challenge to embrace jazz and to incorporate it into their music. He was one of the most successful at writing works that were no mere pastiches but genuinely jazz-inspired - ones that could just as easily have come from the pens of people like Scott Joplin or Billy Mayerl. \u003cbr\u003e  \u003cbr\u003e Fünf Pittoresken (Five Pictures) date from as far back as 1919 and are remarkable for their wit and experimental nature. The first two entitled Foxtrott and Ragtime ‘do exactly what it says on the tin’ and are clearly influenced by Scott Joplin whose Maple Leaf Rag had been such a hit in the early years of the twentieth century. That they were penned by a white Jewish Central European is surprising enough but they are convincing in their recreation of true jazz rhythms that one would normally ascribe solely to a black composer such as Joplin.\u003cbr\u003e  \u003cbr\u003e One must surely conclude that Schulhoff had his tongue firmly in his cheek when he ‘created’ the third of these pictures since it is entitled In futurum. It consists of 85 seconds of total silence which anticipates John Cage’s notorious 4'33\" (by 33 years) in which a pianist sits at the piano with orchestra and no-one does anything for that precise length of time. Cage, a pioneer in indeterminacy in music, claimed that its motivation was an attempt to demonstrate that there are sounds to be heard in a concert hall full of audience even when no music is played. It will be different each time the ‘work’ is ‘performed’ with different ambient sounds occurring as well as audience breathing and the odd cough and even, perhaps, extraneous sounds from outside the building. Schulhoff’s ‘work’ may also ‘benefit’ from the same effect in a similar venue but with the technical expertise that comes into play in the recording studio such possibilities are lost. Before I read the booklet I thought I had received a rogue copy and contacted the distributors who tried 6 copies themselves before contacting the manufacturer and label owner who told them that it was not a fault. Note to self: when in doubt read the booklet first! ‘Normal service was resumed’ for Pictures 4 and 5 which were just as refreshingly jazzy as the first two.\u003cbr\u003e  \u003cbr\u003e The Piano Sonata No.2 is in a different league owing more to the French school of Ravel than to the jazzmen of the USA. A wonderfully restrained and understated first movement gives way to a mercurial second in scherzo form. The third is beautifully appealing and gentle “exuding an air of calm contentment” as the booklet notes so aptly put it. The sonata closes with a fourth movement that once again recalls Ravel and shows that Schulhoff was someone whose writing is of equal interest to that of the great French composer.\u003cbr\u003e  \u003cbr\u003e The two piano pieces that follow were composed in 1936 when the threat of Nazism was clear. The first is entitled Optimistic Composition while the second is entitled The Czech Workers and presents a militant stance that must surely be read as a challenge to the threat from the West. Schulhoff, as a communist, hoped that this threat would be defeated by the combined might of working people everywhere.\u003cbr\u003e  \u003cbr\u003e Schulhoff’s Musik für Klavier in vier teilen dating from 1920 takes us back to the days when the influence of jazz in his music was at its strongest. While this work is not overtly as jazzy as the Five Pictures that opened the disc its influence can be detected nevertheless. The second movement which is in the form of a lengthy set of ten variations is particularly affecting.\u003cbr\u003e  \u003cbr\u003e The last work on the disc is Esquisses de Jazz which was written in 1927. It is Schulhoff’s most well known work and though its subtitle is Six pièces faciles pour piano the word facile translates as easy since there is nothing ‘facile’ about it. These are piano pieces heavily influenced by jazz though they do not attempt to be jazz pieces per se; they are seen through a jazz prism while retaining a distinctly Schulhoff stamp of innovation. The one entitled Charleston is a particular case in point.\u003cbr\u003e  \u003cbr\u003e In recent years a lot more of Schulhoff’s works have been appearing on disc and about time too for they increasingly reveal a huge talent across a wide range of compositions that includes six completed symphonies. It is all the more sad to realise what could have been created subsequently had he not been cruelly arrested and sent to a concentration camp in Bavaria. There he is believed to have died from TB at the early age of 48.\u003cbr\u003e  \u003cbr\u003e This is the second disc of Schulhoff’s piano works to appear on the Grand Piano label both played by Caroline Weichert. Her deft touch and sympathetic approach enables the music to weave its spell. She has also released another disc of Grainger’s piano music for the label and previous releases on the Koch Schwann label show that she prefers to concentrate on lesser-known composers. I find this refreshing since there remains so much wonderful music to be discovered. We need people like her to help in that process.\u003cbr\u003e  \u003cbr\u003e This is a fascinating disc of music that is rarely heard and when as lovingly played as it is here deserves a wide listenership.\u003cbr\u003e  \u003cbr\u003e -- Steve Arloff, MusicWeb International\u003cbr\u003e","brand":"Grand Piano","offers":[{"title":"CD","offer_id":46012866265322,"sku":"747313963126","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2248490.jpg?v=1778319010"},{"product_id":"suddeutsche-orgelmeister-vol-4","title":"Suddeutsche Orgelmeister, Vol. 4","description":"Suddeutsche Orgelmeister, Vol. 4","brand":"Oehms Classics","offers":[{"title":"SACD","offer_id":46012866330858,"sku":"4260034866454","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/1796845.jpg?v=1778315688"},{"product_id":"farwell-piano-music-vol-1-5060113441263","title":"Farwell: Piano Music, Vol. 1","description":"\u003cp\u003eThis CD, the 1st of 2 to examine American composer Farwell’s (1872-1952) piano music marks the 140th anniversary of his birth and the 60th of his death and includes a number of world premiere recordings.\u003c\/p\u003e","brand":"Toccata","offers":[{"title":"CD","offer_id":46012866560234,"sku":"5060113441263","price":10.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2067806.jpg?v=1778313364"},{"product_id":"after-the-wars","title":"After the Wars","description":"Peter Garland is a composer, world traveler, musicologist, writer whose music is always informed by his well-traveled ear and strong sense of personal vision. (His music has appeared on five previous Cold Blue CDs.) After the Wars, a resonant, sometimes clangorous four-movement piano solo performed by new-music champion Sarah Cahill, displays a unique sense of grace and a sincerity of expression. Garland writes about the piece: “Each of the transparent and self-contained movements takes as inspiration a Chinese poem or Japanese haiku.... I explore the quality of resonance in the piano: not just the notes played on the keyboard, but the sense of echo and fade produced by a very deliberate use of pedaling, and the sustaining and release of piano keys after notes and chords are sounded. It creates a sense of timbral color and acoustic perspective (proximity and distance).... Each movement is like a single image, simply stated with relatively little temporal or thematic development—very much like the poems they are based on.” After the Wars is a 20-minute CD EP\/single. MusicWeb Int’l  wrote of it, “There is an interesting use of space and time in this work. On the surface, it’s quite simple, but the sounds develop over the span of the four movements as you slowly grow accustomed to the underlying structure…and after listening to this disc several times, I wanted to hear more.” Julien Cowley wrote in The Wire, “Pianistic shell bursts interspersed with wounded reflection …. Garland’s After The Wars… alternates ruggedness and delicacy, oppressive weight fringed with luminosity in a powerful evocation of desolation and scarred hope.” And Gapplegate Classical-Modern Review wrote, “Garland weaves a web of expressive, muted magic and we readily fall under its spell. Very recommended.”","brand":"Cold Blue Music","offers":[{"title":"CD","offer_id":46012880322794,"sku":"800413004424","price":5.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2965127.jpg?v=1778300929"},{"product_id":"eller-complete-piano-music-vol-2-5060113441324","title":"Eller: Complete Piano Music, Vol. 2","description":"\u003cp\u003eThis 2nd release continues Toccata Classics’ pioneering releases of music by Baltic, and Estonian, composers. Eller (1887–1970) was one of the founding fathers of Estonian music – the best-known of his students is Arvo Pärt. His huge output of piano music encompasses some 200 works, almost none of which have been recorded before.\u003c\/p\u003e","brand":"Toccata","offers":[{"title":"CD","offer_id":46012883534058,"sku":"5060113441324","price":10.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/1999604_570eebf4-b284-4064-9089-2ec4cf001a03.jpg?v=1778332951"},{"product_id":"malipiero-complete-music-for-solo-piano-5060113441294","title":"Malipiero: Complete Music For Solo Piano \/ Lopez","description":"\u003cp\u003eItalian composer Riccardo Malipiero (1914–2003) was the nephew of Gian Francesco Malipiero. He was a pioneer of twelve-tone technique in Italy. His 6 published piano works encapsulate half-a-century of development, from the post-Respighian 14 variazioni (1938), to the classicism of Diario second (1985). This is the first-ever recording of this music.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREVIEW\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eThe present six works, tracing this Milanese composer’s piano music from 1938 to 1989, are made up of short, separately-tracked musical episodes—the perfect answer to a challenged attention span. There are 49 tracks so Toccata’s attention to detail is nothing short of lavish. In addition the pianist’s essay on the composer and his solo piano music encompasses nine closely packed but perfectly eye-friendly pages. The booklet is in English only. The works recorded here make up Malipiero’s published corpus for piano solo. They here receive their recording premieres.\u003c\/p\u003e\n\u003cp\u003eThe \u003ci\u003e14 Variazioni di un tema musicale\u003c\/i\u003e are already fully formed in dodecaphonic terms and angular style. \u003ci\u003eCostellazioni\u003c\/i\u003e finds this composer at close to the peak of the avant-garde’s popularity. We hear awkward figures rumble, ripple and skitter, deep bass chords resound. The hypnotic writing evokes thoughts of distant galaxies. The work ends in a stutter that gutters and then finally peters out. He is the master of Stravinskian scurrying figuration; cool, cold with flourishing rhythmic thunder and grunt.\u003c\/p\u003e\n\u003cp\u003eThis is tough music presented with factual and technical diligence as well as artistic qualities. Credit to the pianist for carrying through this distinctive project from concept to execution. There’s no want of valour in choosing this music to champion.\u003c\/p\u003e\n\u003cp\u003e-- MusicWeb International\u003c\/p\u003e","brand":"Toccata","offers":[{"title":"CD","offer_id":46012888285418,"sku":"5060113441294","price":10.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2009445.jpg?v=1778315913"},{"product_id":"bach-repurposed-solo-bach-for-clarinet-111868","title":"Bach Repurposed: Solo Bach For Clarinet","description":"On this album Margaret Donaghue Flavin transcribes some of Bach's greatest music for solo clarinet. Classics Today raved, \"Her main strength lies in her ability to completely disappear in the role, letting the music emerge with all of it's natural grace and refinement.\"","brand":"Centaur Records","offers":[{"title":"CD","offer_id":46012891365610,"sku":"044747320625","price":9.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2266379.jpg?v=1778305987"},{"product_id":"bach-goldberg-variations-devine-179185","title":"Bach: Goldberg Variations \/ Devine","description":"“Devine’s harpsichord Goldbergs can stand among the best in a crowded field.” - Phillip Kennicot,  \u003ci\u003eGramophone\u003c\/i\u003e – September, 2011\u003cbr\u003e  \u003cbr\u003e =====\u003cbr\u003e  \u003cbr\u003e Harpsichord versions of J.S. Bach’s Goldberg Variations don’t seem to roll off the presses in quite the same quantities as piano versions these days, but this is still a hotly competitive field for any new entry. Just to pick on two good examples, I’ve been having a listen to Masaaki Suzuki’s recording on the BIS label, as well as making comparisons with another fairly recent harpsichord recording by Aapo Häkkinen on the Alba label (see review). Suzuki has plenty of drive and energy, going for brisk tempi and crisp articulation which keeps everything going with plenty of zip – something you may or may not want in your Goldbergs, but is good to have around if you are in the mood. Häkkinen is frequently more reserved in tempo, and more inclined to introduce a rubato flexibility into his musical narrative.\u003cbr\u003e  \u003cbr\u003e It’s a terrible thing to make sweeping generalisations, but Steven Devine falls somewhere in between these two players. He has a fairly flexible approach, using a certain amount of rubato to bring out the shapes of phrases but not distorting melodic lines in the process, and certainly not applying as much freedom as Häkkinen. Nor does he drive the music as hard as Suzuki. Tempi are decently forward moving without being tumultuous, and Devine’s articulation is clear without being overly picky, with a nice legato effect. Ornamentation is certainly not extreme, with a few extra passing notes here and there – certainly not exceeding the bounds of acceptable convention. There was only one point which made me check my references: Variatio 6 is played with a slightly odd semi-triplet rhythm, a sort of tum-ti-tum-ti effect, but not quite explicitly, and not quite all the time. Devine writes useful booklet notes about the history and some of the forms in this piece, but doesn’t go into his own interpretative choices when recording the work – probably not necessary when going for what is essentially an uncontroversial reading.\u003cbr\u003e  \u003cbr\u003e This is a fine recording made using a superb instrument by Colin Booth, indeed, the one seen pictured on the cover for this release. The microphones are placed close, but the lack of mechanical noise and the fine sonority of the harpsichord mean you can be close up and intimate without feeling assaulted by upper harmonics. There are some lovely effects in this piece, and the points at which the parts cross in the two-manual variations such as Variatio 8 are particularly distinguished here. Even after extensive listening it is however tricky to know where to place this recording amongst the pantheon. I have a nostalgia-tinted affection for Trevor Pinnock on the Archiv label, though even his fine recording can sound a bit ‘chunky’ these days. While I still like Aapo Häkkinen I accept his more obvious pulling around of the phrasing can sound a little mannered in places, and certainly by comparison with Steven Devine. The Alba recording is a little more respectful in terms of distance though and is ultimately a less fatiguing listen. Häkkinen’s Joel Katzman instrument also has a thrumming\/ringing quality which I can take for long periods. The Booth instrument is a little more nasal in tone, though by no means unattractive. Both recordings are almost identical in terms of overall timing by the way.\u003cbr\u003e  \u003cbr\u003e It’s only when you start casting the net wider and encounter desperately pedestrian sounding recordings like that of Shin-ichiro Nakano on the Meister Music label that you come to appreciate the quality of these performances. There are also plenty of intolerably jangly ones around, but we’re still spoilt for choice. For every also-ran there’s another fine version, such as Ketil Haugsand on the Simax label, and the ancient and stately Wanda Landowska makes her own views on the piece more than emphatically clear despite an antique recording. All I can say is that Steve Devine’s recording of the Goldberg Variations is certainly amongst the best, making all of the crucial musical points very effectively and with plenty of expressive breathing room. There’s nothing stodgy about his playing, but neither is it lightweight and ephemeral. I can’t say it’s revelatory, but I doubt there are any of these left to come, at least, not on harpsichord. If you already have a much loved harpsichord version of this great work on your shelves then this might not push it aside, although you might by chance have one of the dodgy ones and not know what you are missing. Bearing this in mind by all means give this recording a try – you certainly won’t be disappointed.\u003cbr\u003e  \u003cbr\u003e - Dominy Clements,  \u003ci\u003eMusicWeb International\u003c\/i\u003e\u003cbr\u003e","brand":"Chandos","offers":[{"title":"CD","offer_id":46012894118122,"sku":"095115078020","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/1855784.jpg?v=1778319976"},{"product_id":"tansman-piano-works-fingerhut-243028","title":"Tansman: Piano Works \/ Fingerhut","description":"\u003cp\u003eChandos has been attentive in promoting the orchestral works of Alexandre Tansman, who due to the vagaries of fashion has to a great extent been ignored. We now embark on the piano music and a deeply personal project for soloist Margaret Fingerhut. 'My curiosity about the piano music of Tansman began over 20 years ago when I encountered the delightfully languid Berceuse he wrote for the album of Hommages to Roussel, and which I recorded for Chandos. The fact that he was born in Lodz, Poland, where my great-grandparents also came from, spurred me on to find out more about him, and since then I have been assiduously collecting his piano works - quite a task as it turns out that in the course of his long composing career Tansman was nothing if not prolific!' 'I feel his music deserves to be revalued and heard by a new generation of listeners, and so I wanted to create a CD to present an overview of his unique style and musical language. While the influences of Ravel, Poulenc, Milhaud and Stravinsky are apparent, along with jazz-inspired techniques, he himself professed his music to be rooted in his native Polish culture. So the starting point for this disc had to be his Mazurkas - after all, he wrote more of them than almost any other composer except for that other famous Polish exile-in-Paris, Chopin! Listen to his 2nd Mazurka to be transported to a world filled with gentle sweet melancholy. For me his piano music abounds in lyrical expression, tenderness, elegance, grace, good humour and exuberant virtuosity (he loved writing on three staves with huge leaps at great speed!). It seems such a shame that the forces of dogma and experimentalism which ruled Paris since the Second World War left so many casualties in their wake, composers like Tansman who determinedly stuck with neoclassicism and who were not afraid of melody. It is my hope that his individual voice can speak to us afresh'. Margaret Fingerhut displays her special artistry and élan to Tansman's music. Also Available: CHAN9887 Bloch Piano Sonata CHAN9818 Bainton Piano Works CHSA5041 Tansman Orchestral Works, Vol.1 \u003c\/p\u003e","brand":"Chandos","offers":[{"title":"CD","offer_id":46012895723754,"sku":"095115152720","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/1525310.jpg?v=1778288871"},{"product_id":"cello-spice-a-celebration-of-cellos","title":"Cello Spice: A Celebration of Cellos","description":"When it was originally released in 1995, this album was the very first to be devoted to works for cello ensemble, a genre which has since become much more popular. The release includes mainly works of the Romantic school, with gorgeous melodies and rich harmonies from the four cellos, for example in the Mainardi Notturno and the works by Marie Dare. Many of the pieces here were first recordings and these still remain the only recordings for some. Variety is provided by neo-classical pieces by Rodrigo and Aeschbacher, and the classical-period Trio by Cervetto. Cello Spice was an ensemble of four leading cellists from Scottish orchestras, including Gillian Copp, Alison Lawrance, John Davidson and Mark Bailey, now best known for his work with the Edinburgh Quartet.","brand":"Divine Art","offers":[{"title":"CD","offer_id":46012901490922,"sku":"5028117500225","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/1922318.jpg?v=1778336996"},{"product_id":"iv-concorso-organistico-internazionale-organi-storici-del-b","title":"IV Concorso organistico internazionale: Organi storici del B","description":"All of the works on this disc were recorded live during the semifinals and finals of the 4th International Competition for Young Organists on October 2-3, 2014. Organized by the city of Muzzana del Turgano, the competition is used to feature the historical organs in the towns of the area. Four organs were used: the Nacchini in Muzzana, Dacci in Marano, and Francesco Zanin in Lignano Sabbiadoro, and Sesto al Reghena. 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The programme is centered around the Preludes op.23, but takes in a broad selection of his other studies, etudes, melodies and transcriptions - in performance, Bax describes the programme as being a collection of 'visions and landscapes'.\u003c\/p\u003e","brand":"Signum Classics","offers":[{"title":"CD","offer_id":46012907847914,"sku":"635212026427","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/1855189.jpg?v=1778325475"},{"product_id":"bingham-piano-music-5060113441812","title":"Bingham: Piano Music \/ Jones","description":"\u003cp\u003eBingham’s (b. Nottingham, 1952) music for chorus and organ has been previously released on CD, but this is the 1st recording of her piano music. She used to live near Westminster Cathedral, the inspiration for the opening work, The Moon over Westminster Cathedral. Bingham spent several years as a member of the BBC Singers, which may help explain the lyricism of her music.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREVIEW\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan id=\"ctl00_MainContent_gvReviews_cell1_12_ASPxPopupControl1_ASPxLabel2\" class=\"dxeBase_PlasticBlue\"\u003eNo fewer than five first recordings feature in this very special disc. Judith Bingham is a highly imaginative composer who, on the evidence of the booklet notes of the current release, writes eloquently on her own music. The recording (made at The Venue, Leeds, October 2009) is wonderfully present. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eByron, Violent Progress is a set of 13 variations on the song She Walks in Beauty in the Night by Bingham herself. The two-minute theme is rather dark and brims with promise for variation. Jones gives it out with a sort of restrained care, as if handling a precious object. Bingham segments the score so that it is in three movements. The ruminative first variation sets out the sense of space evoked here. Bingham refers to the opening of the second movement (variation 5) as a “bright Alpine landscape” and, with its upwardly-bound phrases and glinting, glacial gestures, it is easy to hear why. A change of texture to a skeletal counterpoint marks the onset of the third movement.\u003c\/p\u003e\n\u003cp\u003eJones plays with the perfect amount of concentration for Christmas Past, Christmas Present (1989), intended as adult reminiscences of Christmases past, delicate nostalgia weighs heavily here, while \u003cem\u003eChopin\u003c\/em\u003e is an evocation of the spirit of that composer as opposed to any sort of pastiche. Annunication II, part of a sequence of works for various instruments that address a different aspect of the annunciation, is distinctly Lisztian in its holy aura as well as its use of tremolo. Jones gives a masterly account. The end hangs beautifully in the air.\u003c\/p\u003e\n\u003cp\u003eFinally, Pictured Within (1981) a portrait of six people (one of whom is fictional) within four movements. It is a walk on the dark side of Bingham’s psyche (her booklet notes are quite open about the time of the work’s composition being a difficult one for her). One can hear the concentration of language throughout.\u003c\/p\u003e\n\u003cp\u003e-- Fanfare\u003c\/p\u003e","brand":"Toccata","offers":[{"title":"CD","offer_id":46012908110058,"sku":"5060113441812","price":10.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2225547.jpg?v=1778312556"},{"product_id":"cedille-liszt-6-hungarian-rhapsodies-for-piano-four-hands","title":"Liszt: 6 Hungarian Rhapsodies for Piano 4-Hands \/ Mangos Duo","description":"LISZT: 6 Hungarian Rhapsodies for Piano Four-Hands","brand":"Cedille","offers":[{"title":"CD","offer_id":46012911091946,"sku":"735131905220","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/320777_e108f3ee-6606-4812-a31a-aeca629653c5.jpg?v=1778347248"},{"product_id":"vapeurs-de-son-original-works-for-natural-100341","title":"Vapeurs De Son: Original Works For Natural Horn And Erard Harp From The Napoleonic Age","description":"Hornist Luca Delpriori has been involved in the Italian classical music scene since the early 1980’s. 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He and harpist Paola Perrucci are heard here in a program of works further reflective of his research.","brand":"Vermeer Records","offers":[{"title":"CD","offer_id":46012912959722,"sku":"8021945004047","price":8.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2850232.jpg?v=1778297703"},{"product_id":"malipiero-piano-works-1","title":"Malipiero: Piano Works","description":"The Italian composer Gian Francesco Malipiero, despite considering the piano his ‘strange enemy’, created a highly individual body of works for the instrument, exploring its most beautiful sonorities. + These five contrasting early collections range from the deliberately archaic idiom of the Tre danze antiche to the quirky humor of the Cavalcate (‘Rides’ on a donkey, a camel and a fiery charger), via the resonating bell-sounds of Risonanze and the gentle autumnal melancholy of the Preludi autunnali. + The powerful Poemetti lunari, a struggle between a world of radiant beauty and forces bent on its destruction, are regarded as Malipiero’s first truly personal creation.","brand":"Naxos","offers":[{"title":"CD","offer_id":46012915056874,"sku":"747313251773","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2589311_fcb557db-1126-45c0-a9bf-7d23c775db6b.jpg?v=1778295179"},{"product_id":"laureate-series-guitar-rovshan-mamedkuliev-123011","title":"Laureate Series, Guitar: Rovshan Mamedkuliev","description":"\u003cp\u003eRovshan Mamedkuliev was first prize-winner at the prestigious Guitar Foundation of America Competition in 2012, and now stands as one of the world’s most exciting young instrumentalists. 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I Do!\" as well as \"Celebration\" and a host of others. But what many people don't know is that in addition to being a wonderful composer and a professional visual artist as well, Schmidt was a brilliant pianist with his own inimitable style. Which brings us to \"Merry Xmas 1975\". The title tells it all: it's an audio Christmas card! Schmidt played solo piano on a variety of songs from the Golden Age of Hollywood and Broadway. Originally released on LP as a gift to lucky friends of his, the record has been a collectors' item for decades, and now, with the late composer's approval and encouragement, it can be enjoyed and savored by everyone. Don't be fooled by the title, though. There is just one bona fide Christmas standard, Hugh Martin's perennial hit, \"Have Yourself a Merry Little Christmas,\" introduced by the radiant Judy Garland in M-G-M's Meet Me in St. Louis. 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This release was created in January 2016 as a co-production between Oehms Classics and BR-Klassik.","brand":"Oehms Classics","offers":[{"title":"CD","offer_id":46012928557290,"sku":"4260330918529","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/3475192.jpg?v=1778261665"},{"product_id":"faure-piano-works","title":"Fauré: Piano Works","description":"Classical Music","brand":"Oehms Classics","offers":[{"title":"CD","offer_id":46012928688362,"sku":"4260034867987","price":7.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/1908206_8f89bcd8-805c-4f7a-981c-f3793d7d3cdc.jpg?v=1778324471"},{"product_id":"kozeluch-complete-keyboard-sonatas-vol-3","title":"Koželuch: Complete Keyboard Sonatas, Vol. 2","description":"Koželuch: Complete Keyboard Sonatas, Vol. 2","brand":"Grand Piano","offers":[{"title":"CD","offer_id":46012928950506,"sku":"747313964321","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2503234.jpg?v=1778315195"},{"product_id":"enescu-complete-works-for-solo-piano-vol-123532","title":"Enescu: Complete Works for Solo Piano, Vol. 1 \/ Solaun","description":"This release is the first of three discs devoted to the piano music of George Enescu. The works chosen for this first album are three significant pieces - Nocturne in D-Flat Major \"Hommage a la Princesse Marie Cantacuzene\", Pieces impromptues, and Piano Sonata No. 1 in F-Sharp Minor. Enescu’s Romanian influences show in these works, which feel strongly of Romanian folk music. Pianist Josu de Solaun performs these works.\u003cbr\u003e \u003cbr\u003e  -----\u003cbr\u003e \u003cbr\u003e  REVIEW:\u003cbr\u003e \u003cbr\u003e  His technique is excellent here. The concluding Sonata 1 is shot through with harmonic twists and driving rhythms, handled expertly.\u003cbr\u003e \u003cbr\u003e  – American Record Guide","brand":"Grand Piano","offers":[{"title":"CD","offer_id":46012929900778,"sku":"747313970520","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/3380897.jpg?v=1778293155"},{"product_id":"charles-auguste-de-beriot-solo-violin-music-235255","title":"Charles-Auguste De Beriot: Solo Violin Music, Vol. 1 \/ Bella Hristova","description":"\u003cbr\u003e \u003cbr\u003e  \u003cspan class=\"COMPOSER12\"\u003eBÉRIOT \u003c\/span\u003e \u003cspan class=\"ARIAL12bi\"\u003e12 Scènes ou Caprices,\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e op. 109. \u003c\/span\u003e \u003cspan class=\"ARIAL12b\"\u003e9 Studies. \u003c\/span\u003e \u003cspan class=\"ARIAL12bi\"\u003ePrélude ou Improvisation, \u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003eop. posth \u003c\/span\u003e \u003cspan class=\"BULLET12b\"\u003e•\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e Bella Hristova (vn) \u003c\/span\u003e \u003cspan class=\"BULLET12b\"\u003e•\u003c\/span\u003e \u003cspan class=\"ARIAL12\"\u003e NAXOS 8.572267 (68:02) \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003eWith the recent rash of recordings of his works, by now the music of Charles-Auguste de Bériot should have become almost as familiar to collectors as it has been to violinists, both teachers and students. Although probably few pupils work through his \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eMéthode\u003c\/span\u003e \u003cspan\u003e (1858) at the beginning of their academic careers, they encounter his concertos halfway through, and if they’ve persisted, study his 60 concert studies as a sort of gateway, beside Dont’s op. 35 and Gaviniès’s \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eMatinées\u003c\/span\u003e \u003cspan\u003e, to the transcendental technical studies of Paganini and Ernst. Unlike Dont’s more patterned études, however, Bériot’s take the form of character pieces: even the simple melodies and scales in the \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eMéthode\u003c\/span\u003e \u003cspan\u003e recall music for the salon more vividly than music for the studio. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003eFrom the outset, it’s clear that Bériot cut the \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eDouze Scènes ou Caprices\u003c\/span\u003e \u003cspan\u003e from the same cloth. The opening study, “La séparation,” begins almost as bleakly and hauntingly as does Sibelius’s Violin Concerto and includes a buzzing middle section in double-stops that draws upon the violin’s less familiar timbral regions as effectively as do some of Bartók’s duos. At least Bella Hristova plays the study that way, taking maximum advantage of the rich and dramatic possibilities for characterization it offers. If No. 2, “La polka,” doesn’t attain the same level of portraiture, it exceeds the First Study in brilliance and complexity, and Hristova proves herself more than equal to its demands. No. 3, “Le lézard,” brings snaky (lizard-like) chromatic lines, while No. 4 (“Le départ”) frames passagework with a lament. No. 5, “La fougue,” contains a mix of scalar and arpeggiated lines that climb chromatically in the middle section, punctuated by explosions of double-stops. No. 10, “Marche russe,” may not sound particularly Slavic, but it relies on the usual stock characters to carry its drama forward. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003eThe Nine Studies, while not bearing titles (except for the last, written “in imitation of the old masters”), also express severally a range of moods that should qualify them for parlor performance, even if the first four remain as intensely patterned as the 60 Concert Studies (the Fifth, Melody, the Sixth, “Gulnare,” and the Seventh, March, offer more developed character studies). The posthumous \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003ePrélude ou Improvisation\u003c\/span\u003e \u003cspan\u003e, written, as the notes state, largely without bar lines, might, except for its length (nine minutes and then some), be welcome in an occasional appearance on the concert stage in place of, say, Kreisler’s \u003c\/span\u003e \u003cspan style=\"font-style:italic\"\u003eRecitativo e Scherzo. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003eBruce R. Schueneman’s insert notes point out the similarity of Bériot’s arsenal to Paganini’s; and a cursory examination of the scores may perhaps make them seem more similar than they appear upon closer examination: in Bériot’s studies, the difficulties have all been wrought in conformity with positions achievable by a normal hand, while Paganini’s notoriously require the skill of a contortionist. Nevertheless, Bériot tailors these difficulties to his intended performers, and both the easiest and the most difficult of his works (and some, especially the studies, reach a very high level of difficulty) make a brilliant, thoroughly violinistic effect. Marc Pincherle likened Vivaldi to Kreisler in writing music that achieved a maximum of brilliance with a minimum of effort; he might have included Bériot. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan\u003eBella Hristova’s consistently elegant and richly characterized performances camouflage the difficulty of these studies, though they seem to reach at least the level of the 60 Concert Studies. The engineers captured the tonal splendor of her 1655 Nicolò Amati in St. John Chrysostom Church in Newmarket, Ontario, Canada, on February 12–15, 2009. Collectors of all kinds should find this compilation uncommonly interesting; but to violinists, it should be irresistible. It would be sad to learn that Hristova didn’t choose to record this repertoire only because a contract to do so had been offered and didn’t feel as sympathetic to the composer as she seems. In any case, strongly recommended. \u003c\/span\u003e\u003cbr\u003e  \u003cbr\u003e  \u003cbr\u003e  \u003cspan style=\"font-weight:bold\"\u003eFANFARE: Robert Maxham \u003c\/span\u003e\u003cbr\u003e","brand":"Naxos","offers":[{"title":"CD","offer_id":46012931145962,"sku":"747313226771","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/1550359_e8ac02c9-69bc-4314-8805-f55a5211fdb5.jpg?v=1778333192"},{"product_id":"chopin-piano-works-4","title":"Chopin: Piano Works","description":"Chopin: Piano Works","brand":"DUX","offers":[{"title":"CD","offer_id":46012938748138,"sku":"5902547007601","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2521510.jpg?v=1778308113"},{"product_id":"albeniz-piano-music-vol-5-203885","title":"Albeniz: Piano Music, Vol. 5","description":"In the latest volume of this critically admired series, a number of rarely heard pieces from Albéniz’s first compositional phase can be savored. They were composed between 1881 and 1892 and reveal the variety and flair of which he was capable, even in the smallest of musical forms, such as the delightful mazurkas.  The Siete estudios (Seven Studies) are no mere exercises – rather they fuse the color of Iberian music with the rigor of Central European traditions.  Les Saisons is an evocative portrait of the seasons and can be seen as a forerunner of the impressionistic writing that would soon appear in French music.","brand":"Naxos","offers":[{"title":"CD","offer_id":46012940714218,"sku":"747313329373","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2604736.jpg?v=1778297044"},{"product_id":"malcolm-williamson-organ-music-symphony-vision-of-263576","title":"Malcolm Williamson: Organ Music - Symphony; Vision Of Christ-phoenix; Fantasy On \"o Paradiese\"; The Lion Of Suffolk; Fons Amoris; Offertoire","description":"•Malcolm Williamson (1931–2003), Master of the Queen’s Music from 1975-2003, was the first non-Britain to hold the post since its creation in the 17th century. A gifted pianist, organist and prolific composer, his music naturally includes a substantial number of organ works. His writing for organ is strikingly powerful in its originality and its eclectic mix of styles, ranging from lyrical introspection to fiery virtuosity. Two of the works on this CD are receiving their first recordings.","brand":"Toccata","offers":[{"title":"CD","offer_id":46012942287082,"sku":"5060113442468","price":10.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2565646.jpg?v=1778287065"},{"product_id":"ysaye-sonatas-for-solo-violin","title":"Ysaÿe: Sonatas for Solo Violin","description":"Classical Music","brand":"Avie Records","offers":[{"title":"CD","offer_id":46012942811370,"sku":"822252231021","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2539572.jpg?v=1778297322"},{"product_id":"radames-gnattali-alma-brasileira-133225","title":"Radames Gnattali: Alma Brasileira","description":"\u003cp\u003eHis parents, Italian immigrants to Brazil, named Radamés Gnattali after the male lead in Verdi’s Aida, and his mother began to teach him the piano at the age of six. But even though he did become a highly skilled pianist, performing Tchaikovsky’s piano concerto in B flat at Rio de Janeiro’s Teatro Municipal at the age of 23, it was as a composer (and arranger) of music of a distinctly Brazilian cast that he would make his name. Gnattali developed an individual style, which today might be called cross-over, by infusing inflexions of popular music into a classical framework, over a fluid harmonic technique. Jaunty rhythms and striking melodic lines appear in a wholly uncontrived manner: they formed his everyday working material, as an arranger of popular music for record companies and radio stations. When composing concert music Gnattali usually did so for musicians that he collaborated with in popular music, such as the guitarist Laurindo Almeida, as well as for himself. A large production includes works for a great variety of scorings, but for this disc Franz and Débora Halász have chosen to present chamber and solo works for guitar and piano, inviting the cellist Wen-Sinn Yang to join in for the composer's Sonata for guitar and cello. As reflected in some of the titles, Brazilian dance forms (samba, batuque, choro) play an important role in this music, which for a long time was disregarded by a musical establishment suspicious of its great fluency and popular appeal; music which in every bar expresses the soul of Brazil – Alma brasileira.\u003c\/p\u003e","brand":"BIS","offers":[{"title":"SACD","offer_id":46012944220394,"sku":"7318599920863","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/2839306.jpg?v=1778290042"},{"product_id":"sweet-low-down-piano-music-of-george-252925","title":"Sweet \u0026 Low-down: Piano Music Of George Gershwin","description":"Classical Music","brand":"Klavier","offers":[{"title":"CD","offer_id":46012955295978,"sku":"019688111724","price":9.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/files\/1483814.jpg?v=1778286910"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0614\/3423\/3066\/collections\/3_cfef89a8-d74a-4874-a2f6-f528f9549bb3.png?v=1784899031","url":"https:\/\/arkivmusic.com\/collections\/weekend-spotlight-romantic-suimmer.oembed?page=6","provider":"ArkivMusic","version":"1.0","type":"link"}