World and International
684 products
The Gambia Sessions
World of Gypsies
Opre scena
Suba / Omar Sosa & Seckou Keita
“Sosa and Keita deliver a work that variously ebbs, flows and sparkles.” (Jane Cornwell, Jazzwise)
SUBA is the second album from the collaboration between one of Cuba’s most prolific Jazz Artists, pianist Omar Sosa, and Senegalese kora master Seckou Keita. Omar and Seckou’s debut album Transparent Water has toured worldwide since 2017 to enormous critical acclaim. They are again accompanied on this tour and album by Venezuelan percussionist Gustavo Ovalles. Seven-time Grammy-nominated jazz pianist Omar Sosa has been passionately interested in exploring African musical cultures and their connections with his Afro-Cuban roots throughout his career, subtly blending traditional and contemporary sounds on many of his recordings. Seckou Keita has arguably become the most influential and inspiring Kora player of his generation, an exceptional and charismatic musician and a modern global citizen, with seven centuries of tradition and heritage expressed through his music.
Watch Sosa and Keita's Tiny Desk Concert for NPR Music!
REVIEWS:
With a lighter, lyrical, improvisational approach, the two musicians create something artistically special and pull it off with aplomb. With its sympathetic sensitivity to human condition, SUBA’s mesmerizing music is a hymn to courage, strength and perseverance in a post-pandemic world. Each relaxing track, whether emphasizing piano, kora or vocals, presents itself a prayer for health, unity and sunnier skies ahead.
-- Roots Music Report
Songs for Leena - Improvisations on the Hopi Long Flute / Stroutos
Gary Stroutsos honors the Hopi Tribe with solo improvisations on a reincarnated leena. Featuring the plaintive and haunting sounds of the Hopi long flute, these pieces are inspired by the landscapes of the American Southwest, and the people who have lived there since time immemorial. Songs for Leena is the follow-up album to Öngtupqa. The Hopi Tribe have maintained their flute tradition for thousands of years. Today, it is still actively cultivated with the help of The Hopi Long Flute Preservation Project, of which Gary is an honorable member. Due to his dedication to the instrument, and long-term friendships with cultural practitioners of the tribe, the Hopi Cultural Preservation Office invited Gary to join the project – an offer never extended to a non-native before. Profits from this album will go towards The Hopi Long Flute Preservation Project.
Changys Baglaash / Khöömei Beat
| Khöömei Beat are five outstanding musicians who excel in khöömei - Tuva’s unique style of throat singing. They layer traditional and modern instruments with their distinctive vocals to create powerful arrangements with modern rhythms and electronic sounds. Exhilarating and foot-stomping - a musical art that stretches back to the dawn of humanity, while simultaneously reaching forward to new horizons. An exhilarating mix of khöömei singing with razor-sharp drumming and earthy cello sounds that rush through the soul like the wind from an eagle’s wing. With the authentic Tuvan sounds of the doshpuluur, byzaanchyand igil, Khöömei Beat layer traditional and modern instruments with their distinctive vocals to create powerful arrangements with modern rhythms and electronic sounds. |
INSPIRATIONAL VOLUME TWO
Jewish Travels: A Historical Voyage in Music & Song
Latin Lounge / Various
UMANYANYATHA: Songs from the Soul of Zimbabwe / Mkhaya
Vusa Mkhaya embodies the sound of the eclectic, pulsing, dusty streets of Tshabalala township in Zimbabwe’s Bulawayo. He captures the romanticism of the Southern African climes, his voice rich with the vibrations of a heritage that spans decades. Driven by an unquenchable thirst for sound, he has worked with a wide range of musicians and productions, amassing a hugely impressive body of work. Vusa has pushed the boundaries of world music, retaining a mind-bending, soul-searching, spiritually stirring sound that is inspired by life’s questions. It is in that depth he feeds, and is himself fed by the beauty of music. As part of the vocal trio Insingizi he has gained commercial and critical success since their 2004 debut album, Voices of Southern Africa / Spirit of Africa, which sold over 250,000 units in North America. His solo offerings The Spirit of Ubuntu (2006), Vocalism (2012) and now Umanyanyatha are emotive musical stories of love, heartbreak and everyday living; tales delivered in soulful, sometimes haunting, achingly beautiful pieces. Mkhaya gives life to the voice, and it is the voice that gives him life.
World Beats: Percussion & Rhythms from Around the World / Various
Recordings of percussion from around the world – an exploration of countries by their instrumental heartbeat: the drum. With Iranian rhythms on the tombak, a rich variety of tones and textures from Egypt on durbuka, advanced rhythms of Nigerian Yoruba folk music, Japanese taiko, Indian tabla, improvisations from Morocco and more… A fascinating journey into international beats and the culture and stories that lie behind them. The booklet contains in-depth liner notes provided by the artists that showcase the instruments used, the meanings behind the songs, and the cultural significance around the chosen rhythms.
NVA K'LA
Dance to the Full Moon
Armenia: The Art Of The Duduk / Haig Sarikouyoumdjian; Artur Kasabyian; Tigran Hovhannisyan
Celtic Visions
Celtic Journey / Cormack, Mackenzie, Douglas, Clair
A Celtic Journey is an album of music and song from Scotland and further afield, with pipes, fiddle, choir, courting songs, lullabies, humorous stories of whiskey smuggling and sad laments for love lost. The music comes from the Isle of Skye, Nova Scotia, Glasgow, Stornoway, Inverness, and the Scottish Highlands. With award-winning musicians and singers including Cliar, Author Cormack, Blair Douglas, Ceolraidh Gaidhlig Ghlaschu, and many others, whose tracks were selected for this album by Mary Ann Kennedy, this is an album that simply cannot be missed by lovers of Celtic music.
Discover Celtic Music
Masters of the Shakuhachi
Greece / Various
The Art of the Chinese Lute
My Last Song - A Tribute to Macedonia's Gypsy Queen
Hokin Janapar - Music Performed on Armenian Duduk
A Piazzolla Trilogy / Gomyo, Jones, Orchestre National des Pays de la Loire
From the moment Karen Gomyo first heard Astor Piazzolla on album, at the age of fourteen, she was spellbound: ‘I had never heard such a combination of sensuality, fierceness, playfulness, sadness and nostalgia.’ As a violinist she found the role of the violin in Piazzolla’s music especially inspiring, and soon started playing it herself – first in various group combinations, and eventually together with Piazzolla’s longtime pianist Pablo Ziegler and his Tango Quartet. For the present disc she has chosen to record strings-only versions of three works originally for tango quintet (Seasons), guitar and flute (Histoire), and solo flute (Études). Piazzolla’s Cuatro Estaciones were initially conceived neither as a suite nor as a tribute to Vivaldi’s Four Seasons. Verano porteño (Summer) was composed first, as part of the incidental music for a play, with the other three following several years later. If the Seasons provide a soundtrack to the year as it unfolds in Buenos Aires, Histoire du Tango describes the development of the tango itself in four chapters – from the brothels around year 1900 to the concert halls where Piazzolla himself performed his tango nuevo. These two works frame three of Piazzolla’s Tango Études, which Karen Gomyo performs solo, while otherwise being partnered by the strings of the Orchestre National des Pays de la Loire (Seasons) and the guitarist Stephanie Jones (Histoire).
Gipsy Dance / Esma's Band - Next Generation
Esma’s Band – Next Generation continues the legacy left by the great Esma Redžepova, the “Queen of Gypsy Music”. Made up entirely of members of Esma’s famed Ensemble Teodosievski, and fronted by her daughter, Eleonora Mustafovska, the band purveys irresistible Gipsy Dance from Macedonia in Esma’s style and honor. As members of Esma’s Ensemble Teodosievski, the band has performed many thousands of concerts all over the world, performing their own blend of pop music based on gypsy and Balkan songs and melodies. Following Esma’s death on 11th December 2016, the band continued touring, delighting crowds around Europe with dance music from the heart of Macedonia, exploring the intricacies of rhythm and sound.
