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COMPOSERBACH J.S. WEISS KELLNER
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PERFORMERRonn, Mcfarlane
A Distant Shore - Music of Bach, Weiss & Kellner / McFarlane
- Sono Luminus
- January 5, 1993
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RELEASE DATEJanuary 05, 1993
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UPC053479024220
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CATALOG NUMBERDOR-90242
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LABELSono Luminus
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NUMBER OF DISCS1
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GENRE
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I. Preludio
Composer: Johann Sebastian Bach
Performer: Ronn McFarlane
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II. Loure
Composer: Johann Sebastian Bach
Performer: Ronn McFarlane
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III. Gavotte en rondeau
Composer: Johann Sebastian Bach
Performer: Ronn McFarlane
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IV. Menuet I - V. Menuet II
Composer: Johann Sebastian Bach
Performer: Ronn McFarlane
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VI. Bourree
Composer: Johann Sebastian Bach
Performer: Ronn McFarlane
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VII. Gigue
Composer: Johann Sebastian Bach
Performer: Ronn McFarlane
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Prelude in C Minor, BWV 999
Composer: Johann Sebastian Bach
Performer: Ronn McFarlane
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Fugue in G Minor, BWV 1000
Composer: Johann Sebastian Bach
Performer: Ronn McFarlane
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Campanella
Composer: David Kellner
Performer: Ronn McFarlane
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Aria
Composer: David Kellner
Performer: Ronn McFarlane
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Courante
Composer: David Kellner
Performer: Ronn McFarlane
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Sarabanda and Double
Composer: David Kellner
Performer: Ronn McFarlane
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Gavotte
Composer: David Kellner
Performer: Ronn McFarlane
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Giga
Composer: David Kellner
Performer: Ronn McFarlane
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Ciaconna
Composer: Silvius Leopold Weiss
Performer: Ronn McFarlane
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I. Prelude
Composer: Silvius Leopold Weiss
Performer: Ronn McFarlane
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II. Allemande
Composer: Silvius Leopold Weiss
Performer: Ronn McFarlane
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III. Courente
Composer: Silvius Leopold Weiss
Performer: Ronn McFarlane
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IV. Bouree
Composer: Silvius Leopold Weiss
Performer: Ronn McFarlane
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VI. Menuet I
Composer: Silvius Leopold Weiss
Performer: Ronn McFarlane
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V. Sarabande
Composer: Silvius Leopold Weiss
Performer: Ronn McFarlane
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VIII. Menuet II
Composer: Silvius Leopold Weiss
Performer: Ronn McFarlane
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IX. Gigue
Composer: Silvius Leopold Weiss
Performer: Ronn McFarlane
Featuring ⌄
Product Details ⌄
Works ⌄
The revival of the lute and its repertoire in the later twentieth century has been so thorough that it is difficult now to remember how much a "distant shore" the instrument seemed to musicians even a few generations ago. Like the cornett or the viola da gamba or the harpsichord, it was an instrument - and a repertoire, and a set of performance practices - that was all but dead for many years, that needed to be revived more or less from scratch. As for the lute music of the later Baroque period, it represents an instrument long past its heyday: even late-Baroque musicians themselves considered the lute a distant shore - an anachronism.
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