Naxos
Aldridge: Sister Carrie / Florentine Opera
$14.99
Details
- Composer
- ALDRIDGE, ROBERT
- Artist
- Boggs
- Format
- CD
- Label
- Naxos
- Released
- Sep 08, 2017
- Catalog #
- 8669039-40
- UPC
- 730099903974
About
Listen to the Naxos Podcast to learn more about this release
Described by Opera News as “an important addition to the American operatic canon,” Sister Carrie takes as its themes the lure of money and social standing. Robert Aldridge’s inventive score is richly melodic and unapologetically tonal. Herschel Garfein’s libretto is based on Theodore Dreiser’s groundbreaking 1900 novel, which depicts a small-town girl’s tortuous path to fame and her lover’s abject descent into despair. Aldridge and Garfein’s Elmer Gantry was a two-time Grammy Award winner. Here, the lead roles are played by Mezzo-soprano Adriana Zabala, baritone Keith Phares, tenor Matt Morgan, and soprano Alisa Suzanne Jordheim.
-----
REVIEW:
Robert Aldrige’s Sister Carrie is obviously one of the most important additions to America’s present day operatic repertoire. The music is purely tonal and traditionally consists of solo arias, duets and ensembles, it general tenure remaining in the world of mainstream popular opera. Based on the novel by Theodore Dreiser, the plot, too complex to detail here, examines the need for women in the early 20th-Century to use anything — sexual attractions being a good starting point — if they want to climb the social scale, not concerning themselves too much who they hurt on the way up.
In the part of Carrie, the American mezzo Adriana Zabala sings with a dramatic intensity that is ideal for this ‘nothing will stop me’ girl. Keith Phares, as the ill-fated Hurstwood, has a warm baritone voice, and his two joined arias as the central point in the second act are deeply moving. As a foil the light tenor of Matt Morgan makes an ideal Charlie Drouet, who has the good fortune of escaping her clutches. In the cameo role of the socialite, Mrs. Vance, Ariana Douglas, is outstanding, with Alisa Suzzane Jordheim as a vibrant actress, Lola Sterling. Presumably recorded ‘live’ at the opera’s premiere in Milwaukee last October, the balance between singers and orchestra is very well handled, the recording creating an effect of a small venue. There are no stage noises, and thankfully no audience applause during or at the end of acts.
– David's Review Corner (David Denton)
Described by Opera News as “an important addition to the American operatic canon,” Sister Carrie takes as its themes the lure of money and social standing. Robert Aldridge’s inventive score is richly melodic and unapologetically tonal. Herschel Garfein’s libretto is based on Theodore Dreiser’s groundbreaking 1900 novel, which depicts a small-town girl’s tortuous path to fame and her lover’s abject descent into despair. Aldridge and Garfein’s Elmer Gantry was a two-time Grammy Award winner. Here, the lead roles are played by Mezzo-soprano Adriana Zabala, baritone Keith Phares, tenor Matt Morgan, and soprano Alisa Suzanne Jordheim.
-----
REVIEW:
Robert Aldrige’s Sister Carrie is obviously one of the most important additions to America’s present day operatic repertoire. The music is purely tonal and traditionally consists of solo arias, duets and ensembles, it general tenure remaining in the world of mainstream popular opera. Based on the novel by Theodore Dreiser, the plot, too complex to detail here, examines the need for women in the early 20th-Century to use anything — sexual attractions being a good starting point — if they want to climb the social scale, not concerning themselves too much who they hurt on the way up.
In the part of Carrie, the American mezzo Adriana Zabala sings with a dramatic intensity that is ideal for this ‘nothing will stop me’ girl. Keith Phares, as the ill-fated Hurstwood, has a warm baritone voice, and his two joined arias as the central point in the second act are deeply moving. As a foil the light tenor of Matt Morgan makes an ideal Charlie Drouet, who has the good fortune of escaping her clutches. In the cameo role of the socialite, Mrs. Vance, Ariana Douglas, is outstanding, with Alisa Suzzane Jordheim as a vibrant actress, Lola Sterling.
– David's Review Corner (David Denton)
Tracklist 52 tracks
- Disc 1
-
1 Overture: Carrie arrives in Chicago, 1900 03:28
- Track
- 1
- Title
- Overture: Carrie arrives in Chicago, 1900
- Duration
- 03:28
- Composer
- Robert Livingston Aldridge
- Ensemble
- Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
2 Overture: She finds work in a vast shoe factory 02:33
- Track
- 2
- Title
- Overture: She finds work in a vast shoe factory
- Duration
- 02:33
- Composer
- Robert Livingston Aldridge
- Ensemble
- Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
3 Act I Scene 1: Four on. Four off (Carrie, Women) 00:51
- Track
- 3
- Title
- Act I Scene 1: Four on. Four off (Carrie, Women)
- Duration
- 00:51
- Composer
- Robert Livingston Aldridge
- Performer
- Adriana Zabala
- Ensemble
- Florentine Opera Chorus, Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
4 Act I Scene 1: There is music here, Bill (Drouet, Women, Carrie) 03:29
- Track
- 4
- Title
- Act I Scene 1: There is music here, Bill (Drouet, Women, Carrie)
- Duration
- 03:29
- Composer
- Robert Livingston Aldridge
- Performer
- Matt Morgan, Adriana Zabala
- Ensemble
- Florentine Opera Chorus, Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
5 Act I Scene 1: Here's a very good worker who can't make it go (Drouet, Carrie, Women) 02:48
- Track
- 5
- Title
- Act I Scene 1: Here's a very good worker who can't make it go (Drouet, Carrie, Women)
- Duration
- 02:48
- Composer
- Robert Livingston Aldridge
- Performer
- Matt Morgan, Adriana Zabala
- Ensemble
- Florentine Opera Chorus, Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
6 Act I Scene 2: Lord! But I'm glad I ran into you! (Drouet, Carrie) 04:11
- Track
- 6
- Title
- Act I Scene 2: Lord! But I'm glad I ran into you! (Drouet, Carrie)
- Duration
- 04:11
- Composer
- Robert Livingston Aldridge
- Performer
- Matt Morgan, Adriana Zabala
- Ensemble
- Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
7 Act I Scene 2: Duet: You belong in places like this (Drouet, Carrie, Waiter) 04:13
- Track
- 7
- Title
- Act I Scene 2: Duet: You belong in places like this (Drouet, Carrie, Waiter)
- Duration
- 04:13
- Composer
- Robert Livingston Aldridge
- Performer
- Matt Morgan, Adriana Zabala, James Barany
- Ensemble
- Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
8 Act I Scene 2: Quartet: I can help you get along (Drouet, Carrie, Minnie, Hanson) 05:27
- Track
- 8
- Title
- Act I Scene 2: Quartet: I can help you get along (Drouet, Carrie, Minnie, Hanson)
- Duration
- 05:27
- Composer
- Robert Livingston Aldridge
- Performer
- Matt Morgan, Adriana Zabala, Jessica Timman Schwefel, Nathan Krueger
- Ensemble
- Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
9 Act I Scene 3: Everything is paid for (Carrie) 04:53
- Track
- 9
- Title
- Act I Scene 3: Everything is paid for (Carrie)
- Duration
- 04:53
- Composer
- Robert Livingston Aldridge
- Performer
- Adriana Zabala
- Ensemble
- Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
10 Act I Scene 4: It's five, five. (Men, Maître D') 03:29
- Track
- 10
- Title
- Act I Scene 4: It's five, five. (Men, Maître D')
- Duration
- 03:29
- Composer
- Robert Livingston Aldridge
- Performer
- Leroy Davis
- Ensemble
- Florentine Opera Chorus, Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
11 Act I Scene 4: It's opening night at McVickar's (Hurstwood, Maître D', Men, Waiters, Women) 01:23
- Track
- 11
- Title
- Act I Scene 4: It's opening night at McVickar's (Hurstwood, Maître D', Men, Waiters, Women)
- Duration
- 01:23
- Composer
- Robert Livingston Aldridge
- Performer
- Keith Phares, Leroy Davis
- Ensemble
- Florentine Opera Chorus, Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
12 Act I Scene 4: Scene: There they are! - Aria: My dears, why have you forsaken me? (Hurstwood, Patrons, Drouet, Actors, Carrie) 03:37
- Track
- 12
- Title
- Act I Scene 4: Scene: There they are! - Aria: My dears, why have you forsaken me? (Hurstwood, Patrons, Drouet, Actors, Carrie)
- Duration
- 03:37
- Composer
- Robert Livingston Aldridge
- Performer
- Keith Phares, Matt Morgan, Adriana Zabala
- Ensemble
- Florentine Opera Chorus, Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
13 Act I Scene 4: Trio with ensemble: Fine. Try the bright ingénue (Hurstwood, Carrrie, Drouet, Crowd, Quartet of Actors) 03:34
- Track
- 13
- Title
- Act I Scene 4: Trio with ensemble: Fine. Try the bright ingénue (Hurstwood, Carrrie, Drouet, Crowd, Quartet of Actors)
- Duration
- 03:34
- Composer
- Robert Livingston Aldridge
- Performer
- Keith Phares, Adriana Zabala, Matt Morgan, Tracy Wildt, Brianne Sura, Scott Pullen, William Johnson
- Ensemble
- Florentine Opera Chorus, Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
14 Act I Scene 5: Is dinner ready yet? (Hurstwood, Mrs. Hurstwood, George Jr., Jessica) 04:33
- Track
- 14
- Title
- Act I Scene 5: Is dinner ready yet? (Hurstwood, Mrs. Hurstwood, George Jr., Jessica)
- Duration
- 04:33
- Composer
- Robert Livingston Aldridge
- Performer
- Keith Phares, Ashley Puenner, Thomas Leighton, Nancy Davis
- Ensemble
- Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
15 Act I Scene 5: Duet in the Park: My darling! (Hurstwood, Carrie) 03:21
- Track
- 15
- Title
- Act I Scene 5: Duet in the Park: My darling! (Hurstwood, Carrie)
- Duration
- 03:21
- Composer
- Robert Livingston Aldridge
- Performer
- Keith Phares, Adriana Zabala
- Ensemble
- Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
16 Act I Scene 5: And one day if I came to you (Hurstwood, Carrie) 03:05
- Track
- 16
- Title
- Act I Scene 5: And one day if I came to you (Hurstwood, Carrie)
- Duration
- 03:05
- Composer
- Robert Livingston Aldridge
- Performer
- Keith Phares, Adriana Zabala
- Ensemble
- Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
17 Act I Scene 5: Oh - Have you made up your mind … (Hurstwood, Mrs. Hurstwood) 02:05
- Track
- 17
- Title
- Act I Scene 5: Oh - Have you made up your mind … (Hurstwood, Mrs. Hurstwood)
- Duration
- 02:05
- Composer
- Robert Livingston Aldridge
- Performer
- Keith Phares, Ashley Puenner
- Ensemble
- Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
18 Act I Scene 6: No, Carrie No, No (Hurstwood, Maître D') 01:24
- Track
- 18
- Title
- Act I Scene 6: No, Carrie No, No (Hurstwood, Maître D')
- Duration
- 01:24
- Composer
- Robert Livingston Aldridge
- Performer
- Keith Phares, Leroy Davis
- Ensemble
- Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
19 Act I Scene 6: Mister Hurstwood? - Duet: Petition for Dissolution… (Detective, Hurstwood, Mrs. Hurstwood) 01:47
- Track
- 19
- Title
- Act I Scene 6: Mister Hurstwood? - Duet: Petition for Dissolution… (Detective, Hurstwood, Mrs. Hurstwood)
- Duration
- 01:47
- Composer
- Robert Livingston Aldridge
- Performer
- Scott Pullen, Keith Phares, Ashley Puenner
- Ensemble
- Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
20 Act I Scene 6: The Embezzlement Aria: I'll lock up (Hurstwood) 01:58
- Track
- 20
- Title
- Act I Scene 6: The Embezzlement Aria: I'll lock up (Hurstwood)
- Duration
- 01:58
- Composer
- Robert Livingston Aldridge
- Performer
- Keith Phares
- Ensemble
- Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
21 Act I Scene 6: You are the only wonder (Hurstwood) 02:10
- Track
- 21
- Title
- Act I Scene 6: You are the only wonder (Hurstwood)
- Duration
- 02:10
- Composer
- Robert Livingston Aldridge
- Performer
- Keith Phares
- Ensemble
- Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
22 Act I Scene 6: Closing doors (Hurstwood) 02:06
- Track
- 22
- Title
- Act I Scene 6: Closing doors (Hurstwood)
- Duration
- 02:06
- Composer
- Robert Livingston Aldridge
- Performer
- Keith Phares
- Ensemble
- Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
23 Act I Scene 7: What did he say? (Carrie, Maid, Hurstwood) 02:33
- Track
- 23
- Title
- Act I Scene 7: What did he say? (Carrie, Maid, Hurstwood)
- Duration
- 02:33
- Composer
- Robert Livingston Aldridge
- Performer
- Adriana Zabala, Nancy Davis, Keith Phares
- Ensemble
- Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
24 Act I Scene 7: Duet on the Train: Remember what you said to me that night in the park (Hurstwood, Carrie) 02:44
- Track
- 24
- Title
- Act I Scene 7: Duet on the Train: Remember what you said to me that night in the park (Hurstwood, Carrie)
- Duration
- 02:44
- Composer
- Robert Livingston Aldridge
- Performer
- Keith Phares, Adriana Zabala
- Ensemble
- Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
25 Act I Scene 7: When you asked if you could be with me, what did I say? (Carrie, Hurstwood) 02:26
- Track
- 25
- Title
- Act I Scene 7: When you asked if you could be with me, what did I say? (Carrie, Hurstwood)
- Duration
- 02:26
- Composer
- Robert Livingston Aldridge
- Performer
- Adriana Zabala, Keith Phares
- Ensemble
- Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
26 Act I Scene 7: I have only dreams, Carrie (Hurstwood, Carrie) 03:43
- Track
- 26
- Title
- Act I Scene 7: I have only dreams, Carrie (Hurstwood, Carrie)
- Duration
- 03:43
- Composer
- Robert Livingston Aldridge
- Performer
- Keith Phares, Adriana Zabala
- Ensemble
- Milwaukee Symphony Orchestra
- Conductor
- William Boggs
- Disc 2
-
1 Act II Scene 1: Duet with ensemble: This is a moment I only knew in my dreams (Hurstwood, Carrie, Mrs. Vance) 01:46
- Track
- 1
- Title
- Act II Scene 1: Duet with ensemble: This is a moment I only knew in my dreams (Hurstwood, Carrie, Mrs. Vance)
- Duration
- 01:46
- Composer
- Robert Livingston Aldridge
- Performer
- Keith Phares, Adriana Zabala, Ariana Douglas
- Ensemble
- Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
2 Act II Scene 1: Arietta: We adore these two (Mrs. Vance) 02:14
- Track
- 2
- Title
- Act II Scene 1: Arietta: We adore these two (Mrs. Vance)
- Duration
- 02:14
- Composer
- Robert Livingston Aldridge
- Performer
- Ariana Douglas
- Ensemble
- Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
3 Act II Scene 1: Congratulations! (Ames, Mr. Vance, Hurstwood, Ed, Carrie, Guests) 02:49
- Track
- 3
- Title
- Act II Scene 1: Congratulations! (Ames, Mr. Vance, Hurstwood, Ed, Carrie, Guests)
- Duration
- 02:49
- Composer
- Robert Livingston Aldridge
- Performer
- Nathan Krueger, James Barany, Keith Phares, Leroy Davis, Adriana Zabala
- Ensemble
- Florentine Opera Chorus, Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
4 Act II Scene 2: My darling… (Hurstwood, Ed, Carrie) 03:49
- Track
- 4
- Title
- Act II Scene 2: My darling… (Hurstwood, Ed, Carrie)
- Duration
- 03:49
- Composer
- Robert Livingston Aldridge
- Performer
- Keith Phares, Leroy Davis, Adriana Zabala
- Ensemble
- Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
5 Act II Scene 2: I have my first audition today (Carrie, Hurstwood) 03:24
- Track
- 5
- Title
- Act II Scene 2: I have my first audition today (Carrie, Hurstwood)
- Duration
- 03:24
- Composer
- Robert Livingston Aldridge
- Performer
- Adriana Zabala, Keith Phares
- Ensemble
- Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
6 Act II Scene 3, Operetta, "The Wives of Abdul": Oh Abdul (Choral Women, Chorus Master, Dance Captain, Dancing Women, Stage Manager, Carrie, Lola, Director) 01:40
- Track
- 6
- Title
- Act II Scene 3, Operetta, "The Wives of Abdul": Oh Abdul (Choral Women, Chorus Master, Dance Captain, Dancing Women, Stage Manager, Carrie, Lola, Director)
- Duration
- 01:40
- Composer
- Robert Livingston Aldridge
- Performer
- Edson Melendez, Nicholas Barootian, Pablo Siqueiros, Adriana Zabala, Alisa Suzanne Jordheim, John A. Stumpff
- Ensemble
- Florentine Opera Chorus, Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
7 Act II Scene 3, Operetta, "The Wives of Abdul": We're consultin' with the Sultan (Lola, Carrie, Chorus Master, Chorus, Dance Captain, Women's Chorus, Stage Director) 01:41
- Track
- 7
- Title
- Act II Scene 3, Operetta, "The Wives of Abdul": We're consultin' with the Sultan (Lola, Carrie, Chorus Master, Chorus, Dance Captain, Women's Chorus, Stage Director)
- Duration
- 01:41
- Composer
- Robert Livingston Aldridge
- Performer
- Alisa Suzanne Jordheim, Adriana Zabala, Edson Melendez, Nicholas Barootian, John A. Stumpff
- Ensemble
- Florentine Opera Chorus, Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
8 Act II Scene 3: And their father, poor old Goriot (Ames, Mr. Vance, Mrs. Vance, Carrie, Chorus of Waiters) 01:33
- Track
- 8
- Title
- Act II Scene 3: And their father, poor old Goriot (Ames, Mr. Vance, Mrs. Vance, Carrie, Chorus of Waiters)
- Duration
- 01:33
- Composer
- Robert Livingston Aldridge
- Performer
- Nathan Krueger, James Barany, Ariana Douglas, Adriana Zabala
- Ensemble
- Florentine Opera Chorus, Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
9 Act II Scene 3: Would anyone like to hear my news? (Carrie, Mr. Vance, Mrs. Vance, Ames, Chorus of Waiters, Hurstwood) 02:51
- Track
- 9
- Title
- Act II Scene 3: Would anyone like to hear my news? (Carrie, Mr. Vance, Mrs. Vance, Ames, Chorus of Waiters, Hurstwood)
- Duration
- 02:51
- Composer
- Robert Livingston Aldridge
- Performer
- Adriana Zabala, James Barany, Ariana Douglas, Nathan Krueger, Keith Phares
- Ensemble
- Florentine Opera Chorus, Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
10 Act II Scene 3: You're a nice one to talk about who we can associate with! (Carrie, Hurstwood) 01:42
- Track
- 10
- Title
- Act II Scene 3: You're a nice one to talk about who we can associate with! (Carrie, Hurstwood)
- Duration
- 01:42
- Composer
- Robert Livingston Aldridge
- Performer
- Adriana Zabala, Keith Phares
- Ensemble
- Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
11 Act II Scene 3: I could be rather late (Carrie, Hurstwood) 01:26
- Track
- 11
- Title
- Act II Scene 3: I could be rather late (Carrie, Hurstwood)
- Duration
- 01:26
- Composer
- Robert Livingston Aldridge
- Performer
- Adriana Zabala, Keith Phares
- Ensemble
- Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
12 Act II Scene 4: Recitative: You're a dandy, Hurstwood (Hurstwood) 01:18
- Track
- 12
- Title
- Act II Scene 4: Recitative: You're a dandy, Hurstwood (Hurstwood)
- Duration
- 01:18
- Composer
- Robert Livingston Aldridge
- Performer
- Keith Phares
- Ensemble
- Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
13 Act II Scene 4: Aria: I'm at home in the world (Hurstwood) 04:26
- Track
- 13
- Title
- Act II Scene 4: Aria: I'm at home in the world (Hurstwood)
- Duration
- 04:26
- Composer
- Robert Livingston Aldridge
- Performer
- Keith Phares
- Ensemble
- Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
14 Act II Scene 5: Ladies and Gentlemen (Director, Chorus Men, Chorus Women, Lola, Overfed, Abdul, Carrie) 05:35
- Track
- 14
- Title
- Act II Scene 5: Ladies and Gentlemen (Director, Chorus Men, Chorus Women, Lola, Overfed, Abdul, Carrie)
- Duration
- 05:35
- Composer
- Robert Livingston Aldridge
- Performer
- John A. Stumpff, Alisa Suzanne Jordheim, Jim Gottfried, Stephen Cunningham, Adriana Zabala
- Ensemble
- Florentine Opera Chorus, Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
15 Act II Scene 5, Operetta, "The Wives of Abdul": I'm really quite distracted (Abdul, Men, Hurstwood, Carrie) 02:24
- Track
- 15
- Title
- Act II Scene 5, Operetta, "The Wives of Abdul": I'm really quite distracted (Abdul, Men, Hurstwood, Carrie)
- Duration
- 02:24
- Composer
- Robert Livingston Aldridge
- Performer
- Stephen Cunningham, Keith Phares, Adriana Zabala
- Ensemble
- Florentine Opera Chorus, Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
16 Act II Scene 6: The Letter Duet: Dear George… (Carrie, Hurstwood) 03:42
- Track
- 16
- Title
- Act II Scene 6: The Letter Duet: Dear George… (Carrie, Hurstwood)
- Duration
- 03:42
- Composer
- Robert Livingston Aldridge
- Performer
- Adriana Zabala, Keith Phares
- Ensemble
- Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
17 Act II Scene 7: Carrie Madenda (Hurstwood) 01:48
- Track
- 17
- Title
- Act II Scene 7: Carrie Madenda (Hurstwood)
- Duration
- 01:48
- Composer
- Robert Livingston Aldridge
- Performer
- Keith Phares
- Ensemble
- Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
18 Act II Scene 7: Mash Notes Duet: Are you ready? (Carrie, Lola) 04:07
- Track
- 18
- Title
- Act II Scene 7: Mash Notes Duet: Are you ready? (Carrie, Lola)
- Duration
- 04:07
- Composer
- Robert Livingston Aldridge
- Performer
- Adriana Zabala, Alisa Suzanne Jordheim
- Ensemble
- Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
19 Act II Scene 8: Must be getting on ten (Men) 03:35
- Track
- 19
- Title
- Act II Scene 8: Must be getting on ten (Men)
- Duration
- 03:35
- Composer
- Robert Livingston Aldridge
- Ensemble
- Florentine Opera Chorus, Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
20 Act II Scene 8: Shiloh. Antietam (Captain, Men, Farley, Hurstwood) 04:36
- Track
- 20
- Title
- Act II Scene 8: Shiloh. Antietam (Captain, Men, Farley, Hurstwood)
- Duration
- 04:36
- Composer
- Robert Livingston Aldridge
- Performer
- Stephen Cunningham, Leroy Davis, Keith Phares
- Ensemble
- Florentine Opera Chorus, Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
21 Act II Scene 9: Rise up (Women's Chorus, Strikers, Replacements, Farley, Head Replacement Worker, Hurstwood) 02:42
- Track
- 21
- Title
- Act II Scene 9: Rise up (Women's Chorus, Strikers, Replacements, Farley, Head Replacement Worker, Hurstwood)
- Duration
- 02:42
- Composer
- Robert Livingston Aldridge
- Performer
- Leroy Davis, Thomas Leighton, Keith Phares
- Ensemble
- Florentine Opera Chorus, Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
22 Act II Scene 9: If you have any real feeling, hide it like a treasure (Carrie, Ames, Women's Chorus, Strikers, Replacements, Hurstwood, Farley, Head Striker, Another Striker) 05:16
- Track
- 22
- Title
- Act II Scene 9: If you have any real feeling, hide it like a treasure (Carrie, Ames, Women's Chorus, Strikers, Replacements, Hurstwood, Farley, Head Striker, Another Striker)
- Duration
- 05:16
- Composer
- Robert Livingston Aldridge
- Performer
- Adriana Zabala, Nathan Krueger, Keith Phares, Leroy Davis, Jim Gottfried, William Johnson
- Ensemble
- Florentine Opera Chorus, Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
23 Act II Scene 10: Finale: I know you, Carrie (Ames, Carrie, Hurstwood, Captain, Men) 03:28
- Track
- 23
- Title
- Act II Scene 10: Finale: I know you, Carrie (Ames, Carrie, Hurstwood, Captain, Men)
- Duration
- 03:28
- Composer
- Robert Livingston Aldridge
- Performer
- Nathan Krueger, Adriana Zabala, Keith Phares, Stephen Cunningham
- Ensemble
- Florentine Opera Chorus, Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
24 Act II Scene 10: I'd like a better room, with private heat (Hurstwood, Clerk) 01:16
- Track
- 24
- Title
- Act II Scene 10: I'd like a better room, with private heat (Hurstwood, Clerk)
- Duration
- 01:16
- Composer
- Robert Livingston Aldridge
- Performer
- Keith Phares, Tim Rebers
- Ensemble
- Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
25 Act II Scene 10: Have you heard? Have you heard? (Onstage Women, Carrie) 01:46
- Track
- 25
- Title
- Act II Scene 10: Have you heard? Have you heard? (Onstage Women, Carrie)
- Duration
- 01:46
- Composer
- Robert Livingston Aldridge
- Performer
- Adriana Zabala
- Ensemble
- Florentine Opera Chorus, Milwaukee Symphony Orchestra
- Conductor
- William Boggs
-
26 Act II Scene 10: That's you all right (Hurstwood, Homeless Men, Lola, Carrie, Onstage Women, Captain) 04:49
- Track
- 26
- Title
- Act II Scene 10: That's you all right (Hurstwood, Homeless Men, Lola, Carrie, Onstage Women, Captain)
- Duration
- 04:49
- Composer
- Robert Livingston Aldridge
- Performer
- Keith Phares, Alisa Suzanne Jordheim, Adriana Zabala, Stephen Cunningham
- Ensemble
- Florentine Opera Chorus, Milwaukee Symphony Orchestra
- Conductor
- William Boggs