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COMPOSERROSSINI, GIOACHINO
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PERFORMERRebeka, Heiler, Sekgapane, Margheri, Chor Des Bayerischen Rundfunks, Muenchner Rundfunkorchester, Ar
Amor fatale / Rebeka, Armiliato, Munich Radio Orchestra
- BR Klassik
- October 6, 2017
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RELEASE DATEOctober 06, 2017
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UPC4035719003215
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CATALOG NUMBERBRK900321
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LABELBR Klassik
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NUMBER OF DISCS1
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GENRE
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Act IV: Air: Quelle horrible destinée! - Grand Dieu! j'implore ta clémence
Composer: Gioachino Rossini
Ensemble: Chor des Bayerischen Rundfunks, Münchner Rundfunkorchester
Performer: Marina Rebeka, Julia Heiler, Levy Sekgapane, Gianluca Margheri
Conductor: Marco Armiliato
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Act IV: Air: Je l'aimais!… je fuis sa présence
Composer: Gioachino Rossini
Ensemble: Chor des Bayerischen Rundfunks, Münchner Rundfunkorchester
Performer: Marina Rebeka, Julia Heiler, Levy Sekgapane, Gianluca Margheri
Conductor: Marco Armiliato
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Otello, ossia Il moro di Venezia, Act III Scene 1: Canzone del salice: Assisa a piè d'un salice
Composer: Gioachino Rossini
Ensemble: Münchner Rundfunkorchester
Performer: Marina Rebeka
Conductor: Marco Armiliato
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Semiramide, Act I: Cavatina: Bel raggio lusinghier
Composer: Gioachino Rossini
Ensemble: Münchner Rundfunkorchester
Performer: Marina Rebeka
Conductor: Marco Armiliato
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Act I: Preghiera: Giusto ciel, in tal periglio
Composer: Gioachino Rossini
Ensemble: Chor des Bayerischen Rundfunks, Münchner Rundfunkorchester
Performer: Marina Rebeka
Conductor: Marco Armiliato
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Act II: Récitatif: Ils s'éloignent enfin
Composer: Gioachino Rossini
Ensemble: Münchner Rundfunkorchester
Performer: Marina Rebeka
Conductor: Marco Armiliato
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Act II: Romance: Sombre forêt, désert triste et sauvage
Composer: Gioachino Rossini
Ensemble: Münchner Rundfunkorchester
Performer: Marina Rebeka
Conductor: Marco Armiliato
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Armida, Act II: Rondò: D'amor al dolce impero
Composer: Gioachino Rossini
Ensemble: Chor des Bayerischen Rundfunks, Münchner Rundfunkorchester
Performer: Marina Rebeka
Conductor: Marco Armiliato
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Act II Scene 5: Quella morte che s'avanza - Invan la perfida
Composer: Gioachino Rossini
Ensemble: Chor des Bayerischen Rundfunks, Münchner Rundfunkorchester
Performer: Marina Rebeka
Conductor: Marco Armiliato
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Act II Scene 6: Sí, ferite: il chieggo, il merto
Composer: Gioachino Rossini
Ensemble: Chor des Bayerischen Rundfunks, Münchner Rundfunkorchester
Performer: Marina Rebeka
Conductor: Marco Armiliato
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Act II Scene 6: Madre, a te che sull'empiro
Composer: Gioachino Rossini
Ensemble: Chor des Bayerischen Rundfunks, Münchner Rundfunkorchester
Performer: Marina Rebeka
Conductor: Marco Armiliato
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Act III: Air: Pour notre amour
Composer: Gioachino Rossini
Ensemble: Münchner Rundfunkorchester
Performer: Marina Rebeka
Conductor: Marco Armiliato
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Act III: Air: Sur la rive étrangère
Composer: Gioachino Rossini
Ensemble: Münchner Rundfunkorchester
Performer: Marina Rebeka
Conductor: Marco Armiliato
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La donna del lago, Act II: Rondò: Tanti affetti in tal momento – Fra il padre e fra l’amante
Composer: Gioachino Rossini
Ensemble: Chor des Bayerischen Rundfunks, Münchner Rundfunkorchester
Performer: Marina Rebeka
Conductor: Marco Armiliato
Featuring ⌄
Product Details ⌄
Works ⌄
Marina Rebeka is one of the most successful sopranos of her generation. To mark the occasion of the upcoming Rossini year of 2018, she and the Munchner Rundfunkorchester, conducted by Marco Armiliato, have recorded an album of highly dramatic opera arias that is now being released by BR-KLASSIK. The album "Amor fatale" offers the opportunity to reacquaint oneself with the great soprano arias from Rossini's less well-known but musically convincing tragic operas, in a fine interpretation.The concept album entitled "Amor fatal" focuses on powerful female roles from the operas Otello, Armida, La donna del lago (The Lady of the Lake), Maometto II, Semiramide (Semiramis), Moïse et Pharaon (Moses and Pharaoh) and Guillaume Tell (William Tell). The women are obliged to choose between love and duty, and frequently have to subordinate their personal fate to that of their family, nation or homeland.The Latvian soprano has quite some experience with roles in Rossini, above all from his great tragic operas: the role of Anna Erisso from Maometto II, which she performed in 2008 at the Rossini Opera Festival in Pesaro, the composer’s birthplace, marked the very start of her career. She went on to attract international attention in 2009 when she debuted at the Salzburg Festival, as Anaï in Moïse et Pharaon. For her album she has worked through Rossini's original handwritten manuscripts and included this in her performance; she also developed her own coloratura, which not only suits her voice both musically and technically, but also best corresponds to the specific stage events and emotions encountered in her respective operatic roles.
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