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COMPOSERANDRIESSEN, HENDRIK
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ORCHESTRA / ENSEMBLENetherlands Chamber Orchestra
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PERFORMERFischer, Porcelijn
Andriessen: Miroir de Peine / Alexander, Porcelijn, Fischer, Netherlands Radio Chamber Orchestra
- Brilliant Classics
- July 23, 2021
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RELEASE DATEJuly 23, 2021
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UPC5028421961057
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CATALOG NUMBERBRI96105
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LABELBrilliant Classics
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NUMBER OF DISCS2
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GENRE
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I. Agonie au jardin
Composer: Hendrik Andriessen
Ensemble: Netherlands Radio Chamber Orchestra
Performer: Roberta Alexander
Conductor: David Porcelijn
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II. Flagellation
Composer: Hendrik Andriessen
Ensemble: Netherlands Radio Chamber Orchestra
Performer: Roberta Alexander
Conductor: David Porcelijn
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III. Couronnement d'épines
Composer: Hendrik Andriessen
Ensemble: Netherlands Radio Chamber Orchestra
Performer: Roberta Alexander
Conductor: David Porcelijn
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IV. Portement de croix
Composer: Hendrik Andriessen
Ensemble: Netherlands Radio Chamber Orchestra
Performer: Roberta Alexander
Conductor: David Porcelijn
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V. Crusifixion
Composer: Hendrik Andriessen
Ensemble: Netherlands Radio Chamber Orchestra
Performer: Roberta Alexander
Conductor: David Porcelijn
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Magna res est Amor
Composer: Hendrik Andriessen
Ensemble: Netherlands Radio Chamber Orchestra
Performer: Roberta Alexander
Conductor: David Porcelijn
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Fiat Domine
Composer: Hendrik Andriessen
Ensemble: Netherlands Radio Chamber Orchestra
Performer: Roberta Alexander
Conductor: David Porcelijn
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Variations and Fugue on a Theme by Kuhnau
Composer: Hendrik Andriessen
Ensemble: Netherlands Radio Chamber Orchestra
Conductor: David Porcelijn
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Variations on a theme by Couperin
Composer: Hendrik Andriessen
Ensemble: Netherlands Radio Chamber Orchestra
Performer: Paul Verheij, Ernestine Stoop
Conductor: David Porcelijn
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Chromatic Variations
Composer: Hendrik Andriessen
Ensemble: Netherlands Radio Chamber Orchestra
Performer: Tom Reinders, Herman Vincken, Maurits Bosman, Dmitri Ferschtman
Conductor: David Porcelijn
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I. Largo - Allegro ma non troppo
Composer: Hendrik Andriessen
Ensemble: Netherlands Radio Chamber Orchestra
Performer: Michael Müller
Conductor: Thierry Fischer
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II. Allegro con spirito
Composer: Hendrik Andriessen
Ensemble: Netherlands Radio Chamber Orchestra
Performer: Michael Müller
Conductor: Thierry Fischer
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I. Sonata: Allegro
Composer: Hendrik Andriessen
Ensemble: Netherlands Radio Chamber Orchestra
Performer: Henk Swinnen
Conductor: Thierry Fischer
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II. Aria: Andante
Composer: Hendrik Andriessen
Ensemble: Netherlands Radio Chamber Orchestra
Performer: Henk Swinnen
Conductor: Thierry Fischer
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III. Fugato a capriccio: Allegro ma non troppo
Composer: Hendrik Andriessen
Ensemble: Netherlands Radio Chamber Orchestra
Performer: Henk Swinnen
Conductor: Thierry Fischer
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Canzona
Composer: Hendrik Andriessen
Ensemble: Netherlands Radio Chamber Orchestra
Performer: Michael Müller
Conductor: Thierry Fischer
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I. Allegro moderato
Composer: Hendrik Andriessen
Ensemble: Netherlands Radio Chamber Orchestra
Performer: Tinta Schmidt von Altenstadt
Conductor: Thierry Fischer
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II. Grave e lento
Composer: Hendrik Andriessen
Ensemble: Netherlands Radio Chamber Orchestra
Performer: Tinta Schmidt von Altenstadt
Conductor: Thierry Fischer
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III. Allegro vivace
Composer: Hendrik Andriessen
Ensemble: Netherlands Radio Chamber Orchestra
Performer: Tinta Schmidt von Altenstadt
Conductor: Thierry Fischer
Featuring ⌄
Product Details ⌄
Works ⌄
The opulent soundworld of a Dutch late-Romantic master, still too little known outside his native country. Rarefied spirituality and refined sensuousness are the hallmarks of Hendrik Andriessen's (1892-1981) idiom, which offers an ethereal synthesis of Franckian chromaticism with an individual interpretation of classical forms and church modes. Though he trained as an organist, his writing for other solo instruments is fluent and idiomatic. The concertos for violin, cello and oboe share the silken textures of his better-known orchestral music, and this album won glowing reviews when first released in 2000. The album’s headline work is Miroir de peine, a languorous song-cycle to Henri Vangeon’s poems of religious ecstasy describing the suffering of Christ from the perspective of the Virgin Mary. It has attracted the advocacy of great sopranos from Elly Ameling to Christiane Stotijn. This 1991 recording by Roberta Alexander won an enthusiastic welcome from the critics for the poise and beauty of her performance and the richness of the engineering. Andriessen esteemed Franck as ‘a musical philosopher in the truest sense of the word,’ who drew ‘intense sentiments from the intuitive side of his genius into an orderly gestalt.’ Much the same could be said of Andriessen’s own idiom throughout his career, as this half-century retrospective over his career confirms, from the solemn lushness of Magna res est amor of 1919 to the Chromatic Variations and Cello Concertino of 1970. The Violin Concerto (1968-9) is still essentially couched in a Romantic vein, but shaded with more 20th-century accents of tonal anxiety, akin to Vaughan Williams and Casella in the 1930s. Any listener for whom conservatism is not a dirty word will relish becoming acquainted with Andriessen’s powerful expressive voice in these beautifully prepared and engineered performances.
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