Toccata
Arthur Farwell: Piano Music, Vol. 2
$20.99
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Details
- Composer
- FARWELL, ARTHUR
- Artist
- Lisa Cheryl Thomas
- Format
- CD
- Label
- Toccata
- Released
- Apr 29, 2014
- Catalog #
- TOCC0222
- UPC
- 5060113442222
About
FARWELL Dawn, op. 12. Tone Pictures after Pastels in Prose, op. 7. Polytonal Studies, op. 100: Series II. Mesa and Plain, op. 20/2: Pawnee Horses • Lisa Cheryl Thomas (pn) • TOCCATA 0222 (65:03)
I reviewed Volume One of this Farwell series in Fanfare 36:5, where I gave background details for this composer and concluded with the statement that the second volume was awaited with enthusiasm. Here it is, full of delights. Lisa Cheryl Thomas provides excellent and detailed booklet notes. Farwell’s op. 12 Dawn (1902) reflects the importance held by Native Indians for the rising of the sun. Here Farwell quotes two melodies from the Nebraska Omaha tribe. It is played with great affection and confidence by Lisa Cheryl Thomas. The recording captures her lovely round sound well; it also supports the levels of detail she finds, and her clear mastery of voice-leading.
The nine movements of Tone Pictures after Pastels in Prose (1895) are inspired by prose poems of Theodore de Barville, Baudelaire, Charles Bernard, and Judith Gautier. Quotations are included in the helpful booklet, along with descriptions of the music. The decidedly Chopinesque third piece (“The Stranger,” after Baudelaire) is most effective, with a left-hand singing melody that seems evocative of the cello (the booklet rightly links it to Chopin’s Étude op. 25/7). Thomas brings the sort of adult knowing to childhood wonder that makes one posit she would be an excellent Kinderszenen interpreter to this music, particularly perhaps “Indifference to the Lures of Spring” (after Gautier). There is indeed a marked spirit of reflection through most of these pieces, a mood that Thomas captures to perfection. Her right hand cantabile is particularly attractive.
The arrival of the Polytonal Studies, composed between 1940 and 1952, brings a marked change in style. It also continues on from Volume One, which presented the first 11: here is Nos. 12 through 26. The more progressive harmonic language seems to draw depth from Farwell’s pen. There is a delicious Stravinskian tinge to the B-Minor/G-Minor (No. 14), a sort of two-part of invention, a trait that recurs in the D-Minor/E-Minor (No. 16), although here the music seems to strain to return to a purer Bachian mode of expression. The C-Minor/E?-Minor (No. 15) has a reflective quality that almost at times tends towards the blues. The more extended studies last around five minutes, and in the case of No. 18 (F-Minor/F?-Minor), this results in a miniature tone poem. The grand No. 19 (G-Minor/B-Minor) comes as a surprise. The opening implies a full scale transcription of a Bach organ prelude and fugue (although true fugue-like writing only arrives in No. 21, the B?-Minor/G-Minor): Thomas in her notes posits links in No. 19 to Rachmaninoff and Prokofiev (and indeed a Russian tinge creeps in as the music progresses).
Native American rhythms (and harmonies) permeate the final offering, “Pawnee Horses” (1905). It seems as if though piece acts as summary of the heart of Farwell’s music, and makes the perfect close to the disc.
FANFARE: Colin Clarke
Tracklist 22 tracks
-
1 Dawn, Fantasy on 2 Indian Themes, Op. 12 05:20
- Track
- 1
- Title
- Dawn, Fantasy on 2 Indian Themes, Op. 12
- Duration
- 05:20
- Composer
- Arthur Farwell
- Performer
- Lisa Cheryl Thomas
-
2 I. Roses and Lilies: Gracefully, with swaying motion 01:40
- Track
- 2
- Title
- I. Roses and Lilies: Gracefully, with swaying motion
- Duration
- 01:40
- Composer
- Arthur Farwell
- Performer
- Lisa Cheryl Thomas
-
3 II. The Sages Dance: In even rhythm - well accented 01:32
- Track
- 3
- Title
- II. The Sages Dance: In even rhythm - well accented
- Duration
- 01:32
- Composer
- Arthur Farwell
- Performer
- Lisa Cheryl Thomas
-
4 III. The Stranger: Mysteriously - with agitation 01:57
- Track
- 4
- Title
- III. The Stranger: Mysteriously - with agitation
- Duration
- 01:57
- Composer
- Arthur Farwell
- Performer
- Lisa Cheryl Thomas
-
5 IV. Indifference to the Lures of Spring: Sadly 01:49
- Track
- 5
- Title
- IV. Indifference to the Lures of Spring: Sadly
- Duration
- 01:49
- Composer
- Arthur Farwell
- Performer
- Lisa Cheryl Thomas
-
6 V. The Red Flower: Slowly - Longingly 02:00
- Track
- 6
- Title
- V. The Red Flower: Slowly - Longingly
- Duration
- 02:00
- Composer
- Arthur Farwell
- Performer
- Lisa Cheryl Thomas
-
7 VI. Anywhere out of the World: With restless discontent - not too fast 02:34
- Track
- 7
- Title
- VI. Anywhere out of the World: With restless discontent - not too fast
- Duration
- 02:34
- Composer
- Arthur Farwell
- Performer
- Lisa Cheryl Thomas
-
8 VII. Evening on the Water: Slowly and gracefully 01:30
- Track
- 8
- Title
- VII. Evening on the Water: Slowly and gracefully
- Duration
- 01:30
- Composer
- Arthur Farwell
- Performer
- Lisa Cheryl Thomas
-
9 VIII. A Poet Gazes on the Moon: Sombrely 02:16
- Track
- 9
- Title
- VIII. A Poet Gazes on the Moon: Sombrely
- Duration
- 02:16
- Composer
- Arthur Farwell
- Performer
- Lisa Cheryl Thomas
-
10 IX. The Round under the Bell: With wild fury 01:52
- Track
- 10
- Title
- IX. The Round under the Bell: With wild fury
- Duration
- 01:52
- Composer
- Arthur Farwell
- Performer
- Lisa Cheryl Thomas
-
11 XII. in C Minor / G Minor: Moderately 03:27
- Track
- 11
- Title
- XII. in C Minor / G Minor: Moderately
- Duration
- 03:27
- Composer
- Arthur Farwell
- Performer
- Lisa Cheryl Thomas
-
12 XIII. in C Minor / F Minor: Very moderately 04:06
- Track
- 12
- Title
- XIII. in C Minor / F Minor: Very moderately
- Duration
- 04:06
- Composer
- Arthur Farwell
- Performer
- Lisa Cheryl Thomas
-
13 XIV. in B Minor / G Minor: Moderately fast 02:42
- Track
- 13
- Title
- XIV. in B Minor / G Minor: Moderately fast
- Duration
- 02:42
- Composer
- Arthur Farwell
- Performer
- Lisa Cheryl Thomas
-
14 XV. in C Minor / E-Flat Minor: Somewhat slowly, but with motion 05:37
- Track
- 14
- Title
- XV. in C Minor / E-Flat Minor: Somewhat slowly, but with motion
- Duration
- 05:37
- Composer
- Arthur Farwell
- Performer
- Lisa Cheryl Thomas
-
15 XVI. in D Minor / E Minor: Rather fast 02:22
- Track
- 15
- Title
- XVI. in D Minor / E Minor: Rather fast
- Duration
- 02:22
- Composer
- Arthur Farwell
- Performer
- Lisa Cheryl Thomas
-
16 XVII. in F Minor / E Minor: Somewhat slowly 04:52
- Track
- 16
- Title
- XVII. in F Minor / E Minor: Somewhat slowly
- Duration
- 04:52
- Composer
- Arthur Farwell
- Performer
- Lisa Cheryl Thomas
-
17 XVIII. in F Minor / F-Sharp Minor: Fast 02:43
- Track
- 17
- Title
- XVIII. in F Minor / F-Sharp Minor: Fast
- Duration
- 02:43
- Composer
- Arthur Farwell
- Performer
- Lisa Cheryl Thomas
-
18 XIX. in G Minor / B Minor: Slowly 02:11
- Track
- 18
- Title
- XIX. in G Minor / B Minor: Slowly
- Duration
- 02:11
- Composer
- Arthur Farwell
- Performer
- Lisa Cheryl Thomas
-
19 XX. in E-Flat Minor - A Minor: Deliberately fast, without hurrying 05:39
- Track
- 19
- Title
- XX. in E-Flat Minor - A Minor: Deliberately fast, without hurrying
- Duration
- 05:39
- Composer
- Arthur Farwell
- Performer
- Lisa Cheryl Thomas
-
20 XXI. in B-Flat Minor / G Minor: Moderately fast 04:16
- Track
- 20
- Title
- XXI. in B-Flat Minor / G Minor: Moderately fast
- Duration
- 04:16
- Composer
- Arthur Farwell
- Performer
- Lisa Cheryl Thomas
-
21 XXVI. in D-Flat Major / F Minor: Very moderately 03:18
- Track
- 21
- Title
- XXVI. in D-Flat Major / F Minor: Very moderately
- Duration
- 03:18
- Composer
- Arthur Farwell
- Performer
- Lisa Cheryl Thomas
-
22 No. 2. "Pawnee Horses" 01:19
- Track
- 22
- Title
- No. 2. "Pawnee Horses"
- Duration
- 01:19
- Composer
- Arthur Farwell
- Performer
- Lisa Cheryl Thomas