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COMPOSERDaniel Auber
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ORCHESTRA / ENSEMBLEKrakow Philharmonic
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PERFORMERPatrick Kabongo, Emmanuel Franco, Eugenio Di Lieto, Luiza Fatyol, Adina Vilichi
Auber: Le Philtre / Acocella, Kraków Philharmonic Orchestra
- Naxos
- January 13, 2023
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RELEASE DATEJanuary 13, 2023
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UPC730099051477
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CATALOG NUMBER8660514-15
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LABELNaxos
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NUMBER OF DISCS2
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GENRE
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Overture
Composer: Daniel-François-Esprit Auber
Ensemble: Cracow Philharmonic Orchestra
Conductor: Luciano Acocella
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Act I Scene 1: Introduction: Amis, sous cet épais feuillage (Chorus, Guillaume, Térézine)
Composer: Daniel-François-Esprit Auber
Ensemble: Cracow Philharmonic Chorus, Cracow Philharmonic Orchestra
Performer: Patrick Kabongo, Luiza Fatyol
Conductor: Luciano Acocella
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Act I Scene 1: Ballade: La reine Yseult, aux blanches mains (Térézine, Jeannette, Chorus, Guillaume)
Composer: Daniel-François-Esprit Auber
Ensemble: Cracow Philharmonic Chorus, Cracow Philharmonic Orchestra
Performer: Luiza Fatyol, Adina Vilichi, Patrick Kabongo
Conductor: Luciano Acocella
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Act I Scene 1: Recitative: Ah! qu'un philtre pareil me serait nécessaire! (Guillaume)
Composer: Daniel-François-Esprit Auber
Ensemble: Cracow Philharmonic Orchestra
Performer: Patrick Kabongo
Conductor: Luciano Acocella
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Act I Scene 2: Marche
Composer: Daniel-François-Esprit Auber
Ensemble: Cracow Philharmonic Orchestra
Conductor: Luciano Acocella
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Act I Scene 2: Aria: Je suis sergent (Joli-Coeur)
Composer: Daniel-François-Esprit Auber
Ensemble: Cracow Philharmonic Orchestra
Performer: Emmanuel Franco
Conductor: Luciano Acocella
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Act I Scene 2: Recitative and Chorus: Je suis fière d'un tel hommage! - Scene 3: Un mot, Térézine (Térézine, Guillaume, Joli-Coeur, Chorus)
Composer: Daniel-François-Esprit Auber
Ensemble: Cracow Philharmonic Chorus, Cracow Philharmonic Orchestra
Performer: Luiza Fatyol, Patrick Kabongo, Emmanuel Franco
Conductor: Luciano Acocella
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Act I Scene 3: Aria: La coquetterie fait mon seul bonheur (Térézine)
Composer: Daniel-François-Esprit Auber
Ensemble: Cracow Philharmonic Orchestra
Performer: Luiza Fatyol
Conductor: Luciano Acocella
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Act I Scene 4: Recitative: Guéris-toi, me dit-elle! (Guillaume, Jeannette)
Composer: Daniel-François-Esprit Auber
Ensemble: Cracow Philharmonic Orchestra
Performer: Patrick Kabongo, Adina Vilichi
Conductor: Luciano Acocella
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Act I Scene 4: Chorus: Est-il possible d'être insensible (Jeannette, Guillaume, Young Girls)
Composer: Daniel-François-Esprit Auber
Ensemble: Cracow Philharmonic Chorus, Cracow Philharmonic Orchestra
Performer: Adina Vilichi, Patrick Kabongo
Conductor: Luciano Acocella
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Act I Scene 5: Aria: Quel brillant équipage! (Chorus, Fontanarose)
Composer: Daniel-François-Esprit Auber
Ensemble: Cracow Philharmonic Chorus, Cracow Philharmonic Orchestra
Performer: Eugenio Di Lieto
Conductor: Luciano Acocella
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Act I Scene 5: Recitative: Messieurs, pour vous prouver (Fontanarose, Chorus, Guillaume)
Composer: Daniel-François-Esprit Auber
Ensemble: Cracow Philharmonic Chorus, Cracow Philharmonic Orchestra
Performer: Eugenio Di Lieto, Patrick Kabongo
Conductor: Luciano Acocella
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Act I Scene 6: Aria: Philtre divin! (Guillaume)
Composer: Daniel-François-Esprit Auber
Ensemble: Cracow Philharmonic Orchestra
Performer: Patrick Kabongo
Conductor: Luciano Acocella
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Act I Scene 6: Recitative: Quel délire nouveau! - Scene 7: C'est Guillaume! (Guillaume, Térézine)
Composer: Daniel-François-Esprit Auber
Ensemble: Cracow Philharmonic Orchestra
Performer: Patrick Kabongo, Luiza Fatyol
Conductor: Luciano Acocella
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Act I Scene 7: Duet: Je sais d'avance son langage (Térézine, Guillaume)
Composer: Daniel-François-Esprit Auber
Ensemble: Cracow Philharmonic Orchestra
Performer: Luiza Fatyol, Patrick Kabongo
Conductor: Luciano Acocella
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Act I Scene 8: Recitative: Que vois-je? (Térézine, Joli-Coeur)
Composer: Daniel-François-Esprit Auber
Ensemble: Cracow Philharmonic Orchestra
Performer: Luiza Fatyol, Emmanuel Franco
Conductor: Luciano Acocella
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Act I Scene 8: Trio and Finale: Dedans le cours de mes conquêtes (Joli-Coeur, Térézine, Guillaume)
Composer: Daniel-François-Esprit Auber
Ensemble: Cracow Philharmonic Orchestra
Performer: Emmanuel Franco, Luiza Fatyol, Patrick Kabongo
Conductor: Luciano Acocella
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Act I Scene 9: Trio and Finale: C'est un ordre du capitaine (Soldiers, Joli-Coeur, Fontanarose, Térézine, Jeannette, Chorus, Guillaume, Young Girls)
Composer: Daniel-François-Esprit Auber
Ensemble: Cracow Philharmonic Chorus, Cracow Philharmonic Orchestra
Performer: Emmanuel Franco, Eugenio Di Lieto, Luiza Fatyol, Adina Vilichi, Patrick Kabongo
Conductor: Luciano Acocella
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Act II Scene 1: Entr'acte - Chorus: Chantons ce mariage (Chorus, Fontanarose)
Composer: Daniel-François-Esprit Auber
Ensemble: Cracow Philharmonic Chorus, Cracow Philharmonic Orchestra
Performer: Eugenio Di Lieto
Conductor: Luciano Acocella
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Act II Scene 1: Couplets: Habitants du bord de l'Adour (Jeannette, Young Girls, Fontanarose)
Composer: Daniel-François-Esprit Auber
Ensemble: Cracow Philharmonic Chorus, Cracow Philharmonic Orchestra
Performer: Adina Vilichi, Eugenio Di Lieto
Conductor: Luciano Acocella
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Act II Scene 1: Barcarolle: Je suis riche, vous êtes belle (Fontanarose, Térézine)
Composer: Daniel-François-Esprit Auber
Ensemble: Cracow Philharmonic Orchestra
Performer: Eugenio Di Lieto, Luiza Fatyol
Conductor: Luciano Acocella
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Act II Scene 1: Recitative and Chorus: Ô doux aspect! - Scene 2: Voici le soir! (Joli-Coeur, Térézine, Chorus, Guillaume, Fontanarose)
Composer: Daniel-François-Esprit Auber
Ensemble: Cracow Philharmonic Chorus, Cracow Philharmonic Orchestra
Performer: Emmanuel Franco, Luiza Fatyol, Patrick Kabongo, Eugenio Di Lieto
Conductor: Luciano Acocella
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Act II Scene 3: Duet: De désespoir je reste anéanti (Guillaume, Joli-Coeur)
Composer: Daniel-François-Esprit Auber
Ensemble: Cracow Philharmonic Orchestra
Performer: Patrick Kabongo, Emmanuel Franco
Conductor: Luciano Acocella
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Act II Scene 3: Recitative: Signe! Ou bien fais ta croix (Joli-Coeur, Guillaume)
Composer: Daniel-François-Esprit Auber
Ensemble: Cracow Philharmonic Orchestra
Performer: Emmanuel Franco, Patrick Kabongo
Conductor: Luciano Acocella
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Act II Scene 4: Morceau d'ensemble: Grands dieux! - Scene 5: Il ne sait rien encor! - Scene 6: Mais que vois-je? (Jeannette, Young Girls, Joli-Coeur, Guillaume, Fontanarose, Térézine)
Composer: Daniel-François-Esprit Auber
Ensemble: Cracow Philharmonic Chorus, Cracow Philharmonic Orchestra
Performer: Adina Vilichi, Emmanuel Franco, Patrick Kabongo, Eugenio Di Lieto, Luiza Fatyol
Conductor: Luciano Acocella
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Act II Scene 7: Recitative: Comme il a l'air heureux! - Scene 8: Effet miraculeux! (Térézine, Fontanarose, Guillaume)
Composer: Daniel-François-Esprit Auber
Ensemble: Cracow Philharmonic Orchestra
Performer: Luiza Fatyol, Eugenio Di Lieto, Patrick Kabongo
Conductor: Luciano Acocella
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Act II Scene 8: Duet: Je voulais partir pour la guerre (Guillaume, Térézine, Joli-Coeur, Fontanarose)
Composer: Daniel-François-Esprit Auber
Ensemble: Cracow Philharmonic Orchestra
Performer: Patrick Kabongo, Luiza Fatyol, Emmanuel Franco, Eugenio Di Lieto
Conductor: Luciano Acocella
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Act II Scene 8: Finale: Je lui dois ma maîtresse (Guillaume, Térézine, Fontanarose, Chorus, Joli-Coeur, Jeannette)
Composer: Daniel-François-Esprit Auber
Ensemble: Cracow Philharmonic Chorus, Cracow Philharmonic Orchestra
Performer: Patrick Kabongo, Luiza Fatyol, Eugenio Di Lieto, Emmanuel Franco, Adina Vilichi
Conductor: Luciano Acocella
Featuring ⌄
Product Details ⌄
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The two leading operatic composers of their time were Rossini and Auber, one now fêted, the other largely overlooked. In 1831 Auber and his long-standing librettist Eugène Scribe produced Le Philtre, which took the concept of petit opéra to the extreme, even outdoing Rossini’s Le Comte Ory in depicting a rural setting peopled not with Arcadian shepherds but with ordinary country folk. Auber’s Franco-Italian style can be heard in the work’s ensembles, while elsewhere the opera shimmers with rich arias, buffo elements and delightful cavatinas. Le Philtre was an unalloyed success receiving 243 performances and inspired Donizetti’s L’elisir d’amore.
REVIEWS:
The sonorous lyrical tenor Patrick Kabongo as Guillaume achieves a great artistic achievement in every respect. His elegant phrasing, the tones set freely from above, his dramaturgically precise, word-creative ability: all this shows great class.
The Mexican baritone Emmanuel Franco as the dashing militarist Joli-Coeur and the Italian bass Eugenio Di Lieto as the cunning businessman with a weakness for the right medical diagnosis Fontanarose remain sonorous and full of humour, and take advantage of the abundant situational comedy they offer. All three male protagonists succeed in stylistically exemplary fashion in both the French and the Italian influences of the score, influenced by Rossini, with all the rondeaus, cavatinas, cabalettas, strophic airs and brilliant couplets.
-- Merker Online
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