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COMPOSERAUERBACH, LERA
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PERFORMERAznavoorian, Auerbach
Auerbach: Celloquy
- Cedille
- February 26, 2013
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RELEASE DATEFebruary 26, 2013
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UPC735131913720
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CATALOG NUMBERCDR 137
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LABELCedille
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NUMBER OF DISCS1
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GENRE
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No. 1 in C Major: Andante
Composer: Lera Auerbach
Performer: Ani Aznavoorian, Lera Auerbach
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No. 2 in A Minor: Allegro
Composer: Lera Auerbach
Performer: Ani Aznavoorian, Lera Auerbach
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No. 3 in G Major: Andante misterioso
Composer: Lera Auerbach
Performer: Ani Aznavoorian, Lera Auerbach
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No. 4 in E minor: Allegro ossessivo
Composer: Lera Auerbach
Performer: Ani Aznavoorian, Lera Auerbach
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No. 5 in D Major: Moderato
Composer: Lera Auerbach
Performer: Ani Aznavoorian, Lera Auerbach
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No. 6 in B Minor: Tragico
Composer: Lera Auerbach
Performer: Ani Aznavoorian, Lera Auerbach
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No. 7 in A Major: Vivo ma non troppo
Composer: Lera Auerbach
Performer: Ani Aznavoorian, Lera Auerbach
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No. 8 in F-Sharp Minor: Grave
Composer: Lera Auerbach
Performer: Ani Aznavoorian, Lera Auerbach
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No. 9 in E Major: Vivace
Composer: Lera Auerbach
Performer: Ani Aznavoorian, Lera Auerbach
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No. 10 in C-Sharp Minor: Adagio sognando
Composer: Lera Auerbach
Performer: Ani Aznavoorian, Lera Auerbach
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No. 11 in B Major: Allegro
Composer: Lera Auerbach
Performer: Ani Aznavoorian, Lera Auerbach
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No. 12 in G-Sharp Minor: Adagio
Composer: Lera Auerbach
Performer: Ani Aznavoorian, Lera Auerbach
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No. 13 in G flat major: Andantino grazioso
Composer: Lera Auerbach
Performer: Ani Aznavoorian, Lera Auerbach
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No. 14 in E flat minor: Allegretto scherzando
Composer: Lera Auerbach
Performer: Ani Aznavoorian, Lera Auerbach
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No. 15 in D-Flat Major: Allegro con brio
Composer: Lera Auerbach
Performer: Ani Aznavoorian, Lera Auerbach
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No. 16 in B flat minor: Tempo di valzer
Composer: Lera Auerbach
Performer: Ani Aznavoorian, Lera Auerbach
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No. 17 in A-Flat Major: Allegro ritmico
Composer: Lera Auerbach
Performer: Ani Aznavoorian, Lera Auerbach
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No. 18 in F Minor: Andantino
Composer: Lera Auerbach
Performer: Ani Aznavoorian, Lera Auerbach
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No. 19 in E-Flat Major: Allegro appassionato
Composer: Lera Auerbach
Performer: Ani Aznavoorian, Lera Auerbach
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No. 20 in C Minor: Giocoso
Composer: Lera Auerbach
Performer: Ani Aznavoorian, Lera Auerbach
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No. 21 in B-Flat Major: Dialogo
Composer: Lera Auerbach
Performer: Ani Aznavoorian, Lera Auerbach
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No. 22 in G Minor: Andante nostalgico
Composer: Lera Auerbach
Performer: Ani Aznavoorian, Lera Auerbach
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No. 23 in F Major: Adagio sognando
Composer: Lera Auerbach
Performer: Ani Aznavoorian, Lera Auerbach
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No. 24 in D Minor: Vivo
Composer: Lera Auerbach
Performer: Ani Aznavoorian, Lera Auerbach
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I. Allegro moderato
Composer: Lera Auerbach
Performer: Ani Aznavoorian, Lera Auerbach
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II. Lament: Adagio
Composer: Lera Auerbach
Performer: Ani Aznavoorian, Lera Auerbach
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III. Allegro assai
Composer: Lera Auerbach
Performer: Ani Aznavoorian, Lera Auerbach
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IV. Con estrema intensita
Composer: Lera Auerbach
Performer: Ani Aznavoorian, Lera Auerbach
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Postlude for Cello and Piano (arr. of 24 Preludes for Cello and Piano, Op. 47: No. 12 in G-Sharp Minor: Adagio)
Composer: Lera Auerbach
Performer: Ani Aznavoorian, Lera Auerbach
Featuring ⌄
Product Details ⌄
Works ⌄
Best of all, the performances are sensational. Auerbach is a superb pianist, and she handles her own frequently virtuosic writing with aplomb. Ani Aznavoorian plays a mean cello, both here and in the Cello Sonata. As Auerbach points out in her notes, the two instruments are equal partners in this latter work, a gripping emotional outpouring that concludes with a lament marked “with extreme intensity”. The preceding third movement is a wild toccata that recalls similar moments in Shostakovich’s Eighth quartet and Eighth symphony. Auerbach also makes evocative use of microtones both here and occasionally in the preludes as well. It’s an interesting addition to her expressive arsenal, particularly when they appear in a tonal context.
The program concludes with a brief Postlude for cello and piano, actually a “deconstruction” of the twelfth Prelude. Grim and eerie, it closes the program on a note of mysterious unease. The sonics are gorgeous, with perfect balances and a very realistic perspective. Fans of good contemporary chamber music will want to own this; it repays repeated listening and reveals Auerbach as a true force in today’s music.
-- David Hurwitz, ClassicsToday.com
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