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COMPOSERAMIROV NAZIROVA ADIGEZALOV
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ORCHESTRA / ENSEMBLERoyal Philharmonic Orchestra
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PERFORMERBadalbeyli, Adigezalzade, Rogers, Yablonsky
Azerbaijani Piano Concertos / Badalbeyli, Adigezalzade, Yablonsky
- Naxos
- October 25, 2011
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RELEASE DATEOctober 25, 2011
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UPC747313266678
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CATALOG NUMBER8572666
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LABELNaxos
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NUMBER OF DISCS1
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GENRE
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I. Allegro
Composer: Fikret Amirov, Elmira Nazirova
Ensemble: Royal Philharmonic Orchestra
Performer: Farhad Badalbeyli
Conductor: Dmitry Yablonsky
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II. Andante sostenuto
Composer: Fikret Amirov, Elmira Nazirova
Ensemble: Royal Philharmonic Orchestra
Performer: Farhad Badalbeyli
Conductor: Dmitry Yablonsky
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III. Allegro giusto
Composer: Fikret Amirov, Elmira Nazirova
Ensemble: Royal Philharmonic Orchestra
Performer: Farhad Badalbeyli
Conductor: Dmitry Yablonsky
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I. Allegro non troppo
Composer: Vasif Adigezalov
Ensemble: Royal Philharmonic Orchestra
Performer: Murad Adigezalzade
Conductor: Dmitry Yablonsky
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II. Andante
Composer: Vasif Adigezalov
Ensemble: Royal Philharmonic Orchestra
Performer: Murad Adigezalzade
Conductor: Dmitry Yablonsky
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III. Allegro non troppo
Composer: Vasif Adigezalov
Ensemble: Royal Philharmonic Orchestra
Performer: Murad Adigezalzade
Conductor: Dmitry Yablonsky
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Gaytagi (version for piano and orchestra)
Composer: Tofig Guliyev
Ensemble: Royal Philharmonic Orchestra
Performer: Farhad Badalbeyli
Conductor: Dmitry Yablonsky
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The Sea
Composer: Farhad Badalbeyli
Ensemble: Royal Philharmonic Orchestra
Performer: Farhad Badalbeyli
Conductor: Dmitry Yablonsky
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Shusha
Composer: Farhad Badalbeyli
Ensemble: Royal Philharmonic Orchestra
Performer: Joan Rodgers
Conductor: Dmitry Yablonsky
Featuring ⌄
Product Details ⌄
Works ⌄
The remainder of the disc consists of a brief dance for piano and orchestra (by Guliyev) and two works by pianist Farhad Badalbeyli, one a tone poem (“The Sea”) for piano and orchestra, the other a wordless vocalise for soprano and orchestra. What this latter is doing on a disc of piano concertos is anyone’s guess, but both works are very pretty in a cinematic sort of way. Certainly the performances show the music in a very positive light. Nationalist music such as this may take us back to the late 19th century, and perhaps to a more innocent age, musically speaking—but so what? As I said, this is fun.
—David Hurwitz, ClassicsToday
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