Bach: Cantatas Vol 25 / Suzuki, Bach Collegium Japan

$21.99
Label
BIS
Release Date
July 1, 2004
Format
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    Featuring ⌄
    • COMPOSER
      BACH, J.S.
    • ORCHESTRA / ENSEMBLE
      Bach Collegium Japan Chorus
    • PERFORMER
      Makoto, Yukari, Sakurada, Peter, Nonoshita, Bach Collegium Japan, Kooij
    Product Details ⌄
    • RELEASE DATE
      July 01, 2004
    • UPC
      7318590013618
    • CATALOG NUMBER
      BIS-CD-1361
    • LABEL
      BIS
    • NUMBER OF DISCS
      1
    • GENRE
      Choral - Sacred

Volume 25 of Masaaki Suzuki's Bach cantata series arrived on my desk out of sequence, providing further proof of that old adage, "Better late than never"? The disc comes in a slipcase marked Jubilee Edition, along with a separate booklet containing a celebratory essay (in four languages), a slew of encomiums (none, unfortunately, from me), and, best of all, an index of the cantatas in the first 25 volumes, arranged in BWV order. One hopes that it will be updated periodically. Three superb cantatas, dating from September and October 1724, make this one of the most attractive volumes in the series. All three are cast in the chorale-cantata format with splendid opening choruses that further illustrate Bach?s endless ingenuity. Cantata 78 opens with an intensely expressive chaconne over a lamento bass that is sounded 27 times. (For numerology buffs, 27=3 x 3 x 3 or 3 3 is a representation of the Trinity.) BWV 99 has a more joyful feel, with chorus and orchestra alternating in concertante style. No. 114 projects an aura of strength and confidence, its choral statements punctuated by an energetic ritornello. All three cantatas also feature memorable arias for tenor with an obbligato traverse flute. Many observers have pointed out that Bach had a virtuoso flutist at his disposal at the time, but Klaus Hofmann?s notes suggest that a superior tenor soloist may have been available then as well. BWV 78, Jesu der du meine Seele , one of the most popular of all the cantatas, contains a duet for soprano and alto that qualifies as a ?Bach moment???a movement you might profitably play for an uninitiated listener who wants to know what the fuss over JSB is all about. Did I sense a hint of impatience in Suzuki?s pacing for No. 78? If so, it would be a rare blip in an epic venture that to date has maintained a remarkably and consistently high standard. Most highly recommended, nonetheless.


FANFARE: George Chien