BIS
Bach: Cantatas Vol 27 / Suzuki, Rydén, Bertin, Kooij, Türk
$21.99
Only 3 left
Details
- Composer
- BACH, J.S.
- Artist
- Susanne, Suz, Peter, Ryden, Pascal, Kooij, Bach Collegium Japan, Bertin
- Format
- CD
- Label
- BIS
- Released
- Mar 01, 2005
- Catalog #
- BIS-CD-1421
- UPC
- 7318590014219
About
There’s a bit of a problem with the inclusion of the lead item on this disc. BWV 80, Ein feste Burg ist under Gott, is the quintessential chorale cantata, but it wasn’t a part of the second Leipzig cycle (1724–25). The most conclusive evidence indicates that in its present form it was first performed later––perhaps as late as 1731––but that it was derived from a much earlier effort, BWV 80a, composed, perhaps, in 1715. What’s more, most current listeners got to know it in an even later version. Bach’s oldest son, Wilhelm Friedemann, added high trumpet and timpani parts when he used the cantata in Halle, where he served from 1746 to 1764. His additions were so skillfully integrated that they were considered authentic and printed in the first Bach edition. Only recently has Bach’s original version come into fashion. Meanwhile, what took Bach so long to settle on his own version of the score? Consider that he was the most Lutheran of all composers, while Ein feste Burg was Martin Luther’s most characteristic hymn. Perhaps, Bach simply felt obliged to get it right, no matter when. The present release confirms that the elder Bach’s solution, without drums and trumpets, is more than adequately stirring––but one secretly hopes that the weight of scholarship will not cause the younger Bach’s version to disappear completely.
Cantatas 5 and 115 are correctly placed in historical context, having been composed for October and November 1724, respectively. Both exemplify Bach’s chorale cantata concept and demonstrate his endless ingenuity. Cantata 5, retelling the story of Jesus healing a crippled man, traces the path from supplication in the tenor aria (with water from the divine spring bubbling in the background) to triumph in the aria for bass with obbligato slide trumpet (tromba da tiarsi). BWV 115, based on the parable of the unforgiving servant, has a pair of remarkable arias, too––one, for alto, depicting sleep; the other, for soprano, representing prayer.
Maestro Suzuki has added two fine new soloists to his roster, the Swedish soprano, Susanne Rydén and the French countertenor Pascal Bertin. The lower parts are handled by series veterans Gerd Türk and Peter Kooij. As always, the performances, the recording, and the presentation are splendid.
George Chien, FANFARE
Cantatas 5 and 115 are correctly placed in historical context, having been composed for October and November 1724, respectively. Both exemplify Bach’s chorale cantata concept and demonstrate his endless ingenuity. Cantata 5, retelling the story of Jesus healing a crippled man, traces the path from supplication in the tenor aria (with water from the divine spring bubbling in the background) to triumph in the aria for bass with obbligato slide trumpet (tromba da tiarsi). BWV 115, based on the parable of the unforgiving servant, has a pair of remarkable arias, too––one, for alto, depicting sleep; the other, for soprano, representing prayer.
Maestro Suzuki has added two fine new soloists to his roster, the Swedish soprano, Susanne Rydén and the French countertenor Pascal Bertin. The lower parts are handled by series veterans Gerd Türk and Peter Kooij. As always, the performances, the recording, and the presentation are splendid.
George Chien, FANFARE
Tracklist 21 tracks
-
1 Ein feste Burg ist unser Gott (Chorus) 05:32
- Track
- 1
- Title
- Ein feste Burg ist unser Gott (Chorus)
- Duration
- 05:32
- Composer
- Johann Sebastian Bach
- Performer
- Gerd Türk
- Ensemble
- Bach Collegium Japan
- Conductor
- Masaaki Suzuki
-
2 Aria and Chorale: Alles, was von Gott geboren (Bass, Soprano) 03:41
- Track
- 2
- Title
- Aria and Chorale: Alles, was von Gott geboren (Bass, Soprano)
- Duration
- 03:41
- Composer
- Johann Sebastian Bach
- Performer
- Susanne Rydén
- Ensemble
- Bach Collegium Japan
- Conductor
- Masaaki Suzuki
-
3 Recitative: Erwage doch, Kind Gottes, die so grosse Liebe (Bass) 01:53
- Track
- 3
- Title
- Recitative: Erwage doch, Kind Gottes, die so grosse Liebe (Bass)
- Duration
- 01:53
- Composer
- Johann Sebastian Bach
- Performer
- Gerd Türk
- Ensemble
- Bach Collegium Japan
- Conductor
- Masaaki Suzuki
-
4 Aria: Komm in mein Herzenshaus (Soprano) 03:00
- Track
- 4
- Title
- Aria: Komm in mein Herzenshaus (Soprano)
- Duration
- 03:00
- Composer
- Johann Sebastian Bach
- Performer
- Gerd Türk
- Ensemble
- Bach Collegium Japan
- Conductor
- Masaaki Suzuki
-
5 Chorale: Und wenn die Welt voll Teufel war 03:03
- Track
- 5
- Title
- Chorale: Und wenn die Welt voll Teufel war
- Duration
- 03:03
- Composer
- Johann Sebastian Bach
- Ensemble
- Bach Collegium Japan
- Conductor
- Masaaki Suzuki
-
6 Recitative: So stehe dann bei Christi blutgefarbten Fahne (Tenor) 01:16
- Track
- 6
- Title
- Recitative: So stehe dann bei Christi blutgefarbten Fahne (Tenor)
- Duration
- 01:16
- Composer
- Johann Sebastian Bach
- Ensemble
- Bach Collegium Japan Chorus, Bach Collegium Japan
- Conductor
- Masaaki Suzuki
-
7 Aria: Wie selig sind doch die, die Gott im Munde tragen (Alto, Tenor) 04:01
- Track
- 7
- Title
- Aria: Wie selig sind doch die, die Gott im Munde tragen (Alto, Tenor)
- Duration
- 04:01
- Composer
- Johann Sebastian Bach
- Performer
- Gerd Türk
- Ensemble
- Bach Collegium Japan
- Conductor
- Masaaki Suzuki
-
8 Chorale: Das Wort sie sollen lassen stahn 00:55
- Track
- 8
- Title
- Chorale: Das Wort sie sollen lassen stahn
- Duration
- 00:55
- Composer
- Johann Sebastian Bach
- Performer
- Gerd Türk
- Ensemble
- Bach Collegium Japan
- Conductor
- Masaaki Suzuki
-
9 Wo soll ich fliehen hin (Chorus) 03:37
- Track
- 9
- Title
- Wo soll ich fliehen hin (Chorus)
- Duration
- 03:37
- Composer
- Johann Sebastian Bach
- Ensemble
- Bach Collegium Japan
- Conductor
- Masaaki Suzuki
-
10 Recitative: Der Sunden Wust hat mich nicht nur befleckt (Bass) 01:06
- Track
- 10
- Title
- Recitative: Der Sunden Wust hat mich nicht nur befleckt (Bass)
- Duration
- 01:06
- Composer
- Johann Sebastian Bach
- Performer
- Peter Kooij, Susanne Rydén
- Ensemble
- Bach Collegium Japan
- Conductor
- Masaaki Suzuki
-
11 Aria: Ergiesse dich reichlich, du gottliche Quelle (Tenor) 06:25
- Track
- 11
- Title
- Aria: Ergiesse dich reichlich, du gottliche Quelle (Tenor)
- Duration
- 06:25
- Composer
- Johann Sebastian Bach
- Performer
- Susanne Rydén, Gerd Türk
- Ensemble
- Bach Collegium Japan
- Conductor
- Masaaki Suzuki
-
12 Accompanied Recitative: Mein treuer Heiland trostet mich (Alto) 01:29
- Track
- 12
- Title
- Accompanied Recitative: Mein treuer Heiland trostet mich (Alto)
- Duration
- 01:29
- Composer
- Johann Sebastian Bach
- Ensemble
- Bach Collegium Japan Chorus, Bach Collegium Japan
- Conductor
- Masaaki Suzuki
-
13 Aria: Verstumme, Hollenheer (Bass) 06:30
- Track
- 13
- Title
- Aria: Verstumme, Hollenheer (Bass)
- Duration
- 06:30
- Composer
- Johann Sebastian Bach
- Performer
- Susanne Rydén, Peter Kooij
- Ensemble
- Bach Collegium Japan
- Conductor
- Masaaki Suzuki
-
14 Recitative: Ich bin ja nur das kleinste Teil der Welt (Soprano) 00:51
- Track
- 14
- Title
- Recitative: Ich bin ja nur das kleinste Teil der Welt (Soprano)
- Duration
- 00:51
- Composer
- Johann Sebastian Bach
- Performer
- Susanne Rydén
- Ensemble
- Bach Collegium Japan
- Conductor
- Masaaki Suzuki
-
15 Chorale: Fuhr auch mein Herz und Sinn 00:44
- Track
- 15
- Title
- Chorale: Fuhr auch mein Herz und Sinn
- Duration
- 00:44
- Composer
- Johann Sebastian Bach
- Ensemble
- Bach Collegium Japan
- Conductor
- Masaaki Suzuki
-
16 Mache dich, mein Geist, bereit (Chorus) 03:52
- Track
- 16
- Title
- Mache dich, mein Geist, bereit (Chorus)
- Duration
- 03:52
- Composer
- Johann Sebastian Bach
- Performer
- Peter Kooij
- Ensemble
- Bach Collegium Japan
- Conductor
- Masaaki Suzuki
-
17 Aria: Ach schlafrige Seele, wie? ruhest du noch? (Alto) 08:33
- Track
- 17
- Title
- Aria: Ach schlafrige Seele, wie? ruhest du noch? (Alto)
- Duration
- 08:33
- Composer
- Johann Sebastian Bach
- Ensemble
- Bach Collegium Japan
- Conductor
- Masaaki Suzuki
-
18 Recitative: Gott, so vor deine Seele wacht (Bass) 01:15
- Track
- 18
- Title
- Recitative: Gott, so vor deine Seele wacht (Bass)
- Duration
- 01:15
- Composer
- Johann Sebastian Bach
- Performer
- Gerd Türk, Peter Kooij
- Ensemble
- Bach Collegium Japan
- Conductor
- Masaaki Suzuki
-
19 Aria: Bete aber auch dabei (Soprano) 07:08
- Track
- 19
- Title
- Aria: Bete aber auch dabei (Soprano)
- Duration
- 07:08
- Composer
- Johann Sebastian Bach
- Ensemble
- Bach Collegium Japan Chorus, Bach Collegium Japan
- Conductor
- Masaaki Suzuki
-
20 Recitative: Er sehnet sich nach unserm Schreien (Tenor) 00:50
- Track
- 20
- Title
- Recitative: Er sehnet sich nach unserm Schreien (Tenor)
- Duration
- 00:50
- Composer
- Johann Sebastian Bach
- Ensemble
- Bach Collegium Japan
- Conductor
- Masaaki Suzuki
-
21 Chorale: Drum so lasst uns immerdar 00:49
- Track
- 21
- Title
- Chorale: Drum so lasst uns immerdar
- Duration
- 00:49
- Composer
- Johann Sebastian Bach
- Performer
- Gerd Türk
- Ensemble
- Bach Collegium Japan
- Conductor
- Masaaki Suzuki