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COMPOSERBACH ESCAICH
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PERFORMEREloise Bella Kohn
Bach, Escaich: The Art of Fugue / Kohn
- Haenssler Classic
- October 1, 2021
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RELEASE DATEOctober 01, 2021
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UPC881488210491
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CATALOG NUMBERHC21049
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LABELHaenssler Classic
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NUMBER OF DISCS2
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GENRE
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Contrapunctus I
Composer: Johann Sebastian Bach
Performer: Eloïse Bella Kohn
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Contrapunctus II
Composer: Johann Sebastian Bach
Performer: Eloïse Bella Kohn
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Contrapunctus III
Composer: Johann Sebastian Bach
Performer: Eloïse Bella Kohn
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Contrapunctus IV
Composer: Johann Sebastian Bach
Performer: Eloïse Bella Kohn
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Contrapunctus V
Composer: Johann Sebastian Bach
Performer: Eloïse Bella Kohn
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Contrapunctus VI a 4 in Stylo Francese
Composer: Johann Sebastian Bach
Performer: Eloïse Bella Kohn
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Contrapunctus VII a 4 per Augmentationem et Diminutionem
Composer: Johann Sebastian Bach
Performer: Eloïse Bella Kohn
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Contrapunctus VIII a 3
Composer: Johann Sebastian Bach
Performer: Eloïse Bella Kohn
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Contrapunctus IX a 4 alla Duodecima
Composer: Johann Sebastian Bach
Performer: Eloïse Bella Kohn
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Contrapunctus X a 4 alla Decima
Composer: Johann Sebastian Bach
Performer: Eloïse Bella Kohn
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Contrapunctus XI a 4
Composer: Johann Sebastian Bach
Performer: Eloïse Bella Kohn
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Contrapunctus XII a 4, rectus
Composer: Johann Sebastian Bach
Performer: Eloïse Bella Kohn
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Contrapunctus XII a 4, inversus
Composer: Johann Sebastian Bach
Performer: Eloïse Bella Kohn
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Contrapunctus XIII a 3, rectus
Composer: Johann Sebastian Bach
Performer: Eloïse Bella Kohn
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Contrapunctus XIII a 3, inversus
Composer: Johann Sebastian Bach
Performer: Eloïse Bella Kohn
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Canon II, alla Ottava
Composer: Johann Sebastian Bach
Performer: Eloïse Bella Kohn
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Canon III, alla Decima in Contrapunto alla Terza
Composer: Johann Sebastian Bach
Performer: Eloïse Bella Kohn
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Canon IV, alla Duodecima in Contrapunto alla Quinta
Composer: Johann Sebastian Bach
Performer: Eloïse Bella Kohn
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Canon I, per Augmentationem in Contrario Motu
Composer: Johann Sebastian Bach
Performer: Eloïse Bella Kohn
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Fuga a 3 Soggetti (Contrapunctus XIV)
Composer: Johann Sebastian Bach
Performer: Eloïse Bella Kohn
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“After several decades of debate, it is now firmly established that the Art of Fugue was composed for harpsichord. The notation on four staves could lead to confusion and wrongly suggest that the work was intended for an ensemble of four instruments. But this scheme of notation for a keyboard instrument was not uncommon in the past (e.g. it was used by the Italian Girolamo Frescobaldi in his Fiori Musicali), as it facilitates the visualization and grasp of each individual voice's progression and beauty. I am convinced that played appropriately and with artistic integrity, the piano can serve Bach's music superbly. In this recording I have played entirely without pedal so that the splendour of the contrapuntal lines is fully rendered. In some cases, for instance an appoggiatura, the piano allows for perfect imitation of a form of vocality, like a singer following the tonic accents of a language and pronouncing one syllable more quietly than another. The harpsichord can only imitate this by agogic inflections, by playing in an irregular rhythm. Some vocally inspired passages can therefore sound magnificent on the piano.“ (Eloïse Bella Kohn)
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